The other day, I posted about my frustrations with the progress I was making in my career and how ParaPsyCon helped me realize what successes I was having and what progress I was actually making (you can check it out here). Now, I want to post about a revelation I had regarding one of my writer anxieties.
Every writer wonders about their work and worries the same thing: am I good enough? For fantasy writers, they’re wondering, is my work fantastical and exciting enough? For the romance writers, it’s something like, is my work enough to make your chest flutter and make you root for my characters? For the literary types, they wonder, is my work saying something profound about the human condition? (At least, I think that’s what they think. I could be wrong.)
And for horror writers, the majority of us wonder if our work is scary enough. And sometimes, that thought can be crippling enough to make us wonder if what we’re working on is even worth continuing with.
I almost had a moment like that last night. I’d just finished making excellent progress on the 3D Printer from Hell story* and was thinking of the scenes that were to come later. And then I had a thought: is this really that scary?
That thought made me pause. And yeah, I wondered if maybe it wasn’t scary enough. That maybe as I had it planned, it would be really weak sauce. That’s what I thought at that moment: could this story be weak sauce? Will it really leave a reader afraid like my early brushes with horror left me?
That thought scared me. But then I remembered something: horror isn’t just about scaring the pants off your reader. Sometimes, it’s about what you include in the story that makes it horror.
For example, there’s this one story I read in an anthology about a year or two ago. I can’t remember the title, but let’s call it “The Worst Vacation.” The story follows a family who go to this island for vacation, and just about every horrible thing imaginable happens while they’re there: they get ticketed for something rather minor, they watch a waiter get arrested because some blowhard didn’t like how he was being served and then have to watch the waiter’s kid, the daughter loses her eyeball when she tries to feed the local animals at the beach, etc. It’s just an escalation of bad events, and not once was I as a reader ever scared. I’m not sure many readers would be, though they might be appalled and grossed out at certain points.
However, it was still horror. The family was experiencing all these terrible things, and their reaction was definitely one of horror. A strong sauce horror story that was quite memorable to me. And this one tale isn’t the only example. Hell, there are entire subgenres like this! Quiet horror and grief horror, for example, don’t always aim to scare people, but to explore really dark issues of human life. And cozy horror, while it is a subject of debate, is still horror, even if it is keeping the horror at a safe distance from the reader.
So maybe my 3D Printer from Hell story won’t leave people shaking in their shoes. Maybe it will. However it turns out, it can still be strong sauce if the tropes are used right and the horror is conveyed in the right way. And while I’m writing it, I’ll be aiming to make it both entertaining and maybe even very scary. So long as people enjoy it and think at the end of the day, “Damn, that was a good horror story,” I’ll be satisfied.
That’s all for now, my Followers of Fear. I hope you’re having a wonderful day, and I’ll be seeing you all again very soon. Until next time, good night and pleasant nightmares!
*Which, BTW, I’m now calling The Shape of Evil on the suggestion of another writer. Given the subject matter, it fits. And it’s going to look awesome on a book cover someday!
Rami Ungar The Writer 