Posts Tagged ‘horror’

Back in January I got into another Lovecraft binge (see my thoughts on that here), and during that binge I read one of Lovecraft’s most famous stories, “The Call of Cthulhu.” Around the same time, I found out there was a movie version of that short story that was made in the style of a 1920’s silent film, matching the period of when the story was written, and knew I had to see it. Which turned out to be easier said than done: it’s not on any streaming service I can find, copies at my library had all been lost or damaged to the point they needed to be taken out of circulation, and I did not want to illegally stream it on my laptop. Finally, with some Amazon gift card money, I managed to buy my own copy, and after Amazon lost the package and had to send me a new copy (was that Cthulhu’s work, I wonder?), I finally got to watch the film with dinner this evening!

“Call of Cthulhu” tells the story of a man as he recollects becoming the executor of his late great-uncle’s estate, and how he discovered his uncle’s research on a cult devoted to the worship of a being known as Cthulhu. As the man goes deeper into the mystery of the cult and even conducts some research himself, he finds himself falling deeper into a rabbit hole of madness and despair that has no way out, and some things waiting within.

Firstly, this movie looks and feels like a 1920’s silent film. It was filmed using Mythoscope, a process that combines older and newer techniques to produce a film that looks like a silent picture but with much better special effects, and it looks great. You can tell that a lot of work went into making this film just right. And what’s truly amazing is that this film was made almost in a DIY sort of way: sets were made with cardboard, tape, and even a few blankets, with cast and crew sometimes working in miserable condition and using props bought off eBay to make this work. If you watch the film and then watch the behind-the-scenes video, like I did, you gain such a deeper appreciation for how well executed this film is.

Another thing I really enjoyed about this film are the actors. They are great at their work! As it’s a silent film, much of the storytelling is done through expression and movement, like in a ballet. You never once doubt for a moment that the actor are feeling the emotions they are trying to convey to us, and that just makes the film all the more amazing. It also helps that these actors are not Hollywood stars. In a major motion picture, the narrator of the story might be cast as Tom Hanks or someone else who’s good at playing an everyday guy put into extraordinary circumstances. The actors in this movie, however, often look like folks you see on a daily basis, and that instantly makes them more relatable to me.

If there’s one thing I didn’t care for, it might be Cthulhu himself. Or maybe I do care for him. I’m kind of split on my opinion of him when he finally appears. On the one hand, he doesn’t appear on film that much, even at the climax of the story, and when he does, it’s often very quick or he’s seen as a shadow. The stop-motion used to animate him is also very well done, and he looks like how he might be styled in a 1920’s film. That’s very good. But, he is the film’s big bad, and I like to feel even jut a little intimidated by the big bads I see in film. And whenever Cthulhu is on screen, I’m just not intimidated. I guess if I had lived in the 1920’s (an age where Lon Chaney’s version of the Phantom of the Opera was so terrifying to audiences, people actually fainted in their seats or ran out the theater screaming), I might have found the stop-motion terrifying, but I’m from the age of CGI, so it takes more to terrify me. So I’m honestly unsure of whether the stuff with Cthulhu himself adds or takes away from the film.

But all in all, this is a great film, an artistic masterpiece courtesy of the HP Lovecraft Historical Society (do they have a museum to the guy yet?). And when you consider that the original short story has been called “unfilmable,” and the conditions during production tried to prove that assertion, you learn to love it even more. On a scale of 1 to 5, I’m giving “The Call of Cthulhu” a 4.8 out of 5 (as well as the title of “one of my new favorite films”). Find yourself a copy, and enjoy the experience.

Now I just need a good adaptation of Shunned House. That story is SCARY! And it feels like the sort of story that would translate very well to film.

That’s all for now, my Followers of Fear. Join me next week when I watch another Lovecraftian-influenced film. No, not Guardians of the Galaxy Vol. 2 (though I probably will see that next weekend with my sister). It takes more than a tentacled monster to make it a Lovecraftian story. No, I mean the film adaptation of Junji Ito’s terrifying manga, Uzumaki.

You know, I think every horror writer has a story that has a title that sounds a lot like this one. “The Woman in the Coffin”; “The Pit and the Pendulum”; “The Lady in the Water.” Okay, that last one isn’t a horror story, but it is pretty horrifying. And you get my point, right?

Anywho, in my last post I said I was going to take a break from Full Circle and work on a few short stories. This is the first of those: “The Woman in the Coffin,” a short story about two cousins living in the English countryside who find a coffin with, you guessed it, a woman inside. In a way, it’s similar to my previous short story “Buried Alive,” which also revolved around someone buried in a coffin, but the whole coffin thing is really where it ends. Especially when you consider what the woman in the coffin in this short story does.

Do you think I have a thing for coffins? I have always wanted one that I could convert into a bed. That would be cool.

Anyway, I had a lot of fun writing this story. It only took me four days to get it down, which is a record for me (though considering this is my first short story written almost entirely with Dragon software, maybe this will be a new norm). I also had a lot of fun writing British characters. Normally my characters are in the States and talk like they’re from the States. I had to draw on all my years of reading British literature and watching British films and television to make it sound like they were actually British and not Americans in a British setting. I’ll probably have to work on that further when I get to the editing phase with this story.

It’s also shorter than most of my short stories, at about 6,550 words (for me, that is short. Most of my short stories average around 8,000 words). And I think there’s a lot of material I could cut out without sacrificing quality. If I can do that, I think it’ll be much more likely that a magazine or an anthology will want to publish it. And wouldn’t it be cool if that happened?

Anyway, it’s getting late, so I’m going to sign off. Next I’m going to edit my short story “The Playroom,” and then I’m going to write a quick short story that takes place in a location we’ve all heard about and hope never to visit. Hopefully I’ll be done with all that in the next two weeks.

Until next time, my Followers of Fear. Pleasant nightmares!

As you guys know by now, I’m a pretty dedicated horror fan. I read a lot of horror novels and watch a lot of horror movies, I decorate my apartment with horror knick-knacks (just the other day, a Jason Voorhees mask and Funko doll arrived for me from Amazon), and of course, I write a ton of horror. Only thing is, lately I’ve been writing a lot of science fiction, and that’s getting a little old.

The hockey mask looks good on us.

I’ve been working on Full Circle, the final book in the Reborn City series I’ve been working on since high school, since November. And as of the completion of the latest chapter this morning (finished it in just a little over an hour. Do you know how rarely that happens?), I’m just under halfway through the first draft. And while I’m still dedicated to finishing the first draft and the series itself, I’m getting a little tired of the constant sci-fi. Don’t get me wrong, I love science fiction. Doctor Who is one of my favorite shows, after all, and I get as geeky as anyone else when I think about The Last Jedi coming out this winter.

But check the About page of this blog. I’m a horror writer, and all this sci-fi gets a little wearisome. I want to dip back into the world of ghosts, ghouls, serial killers, and all other manner of monsters that go bump in the night.

Plus, I’ve mentioned before that I’m trying to publish more horror short stories, as I’m trying the traditional route again and publishing short stories is a good way to do that. Can’t publish horror short stories if I’m constantly working on sci-fi.

So with that in mind, I’m taking a break from Full Circle to do a little short story writing. I’m going to first write a short story that I had the idea for a couple months back, and then I’m going to edit The Playroom, a short story I wrote back in late 2015 and have not touched since. I think it’s about time I took a look at that one again, and then see if I can get it in a magazine or an anthology. After those are both done, I should be good to get back to work on Full Circle (though if I need to, I’ll write another short story). I have a feeling that starting with the next chapter, it’s going to be hard to stop writing this one anyway, so this is a good time to take a break and slake my thirst for horror.

Until next time, Followers of Fear. And may the terror be with you…always.

A couple of years ago, I published a couple of lists about haunted locations I wanted to visit before I die and become a ghost myself (click here and here to read those lists). And yes, I am planning on becoming a ghost after I die. I’ll hang around a century or so as a wandering spirit, see some sights, and then ascend to heaven. And if you don’t read at least one of my books and leave a review before I die, I WILL HAUNT YOU!!!

So anyway, it’s been about two years since that last list, and I figured now would be a good time to come out with a new list. Especially since I’ll be visiting a few haunted locations this summer (more on that in a later post). So without further a-BOO! here’s even more haunted places that I plan to visit before I also become a ghost.

BEWARE!!! Sorry, couldn’t help myself.

1. Old Licking County Jail

Location: Licking County, Ohio

I swear to God, as soon as I get a car, I’m going to visit the ones that are located in my home state. It is so hard to get to these places when you know basically no one who’s willing to go with you and drive you!

Old Licking County Jail is a prison in Licking County, Ohio. Like the Ohio State Reformatory, more than a few inmates died here, some under violent circumstances. There were also corrupt guards, beatings, and everything else you can think of when it comes to jails in an era more prone to punishment than correction. It’s been shut down for a number of years, but since then, there have been claims of full-body apparitions, voices from nowhere, and even spirits following paranormal investigators home.

I’m not going to say throw me in and throw away the key, but do throw me in for a night.

2. Double Eagle Restaurant

Location: Mesilla, New Mexico

I’m hungry. How about you? At the Double Eagle Restaurant, you not only get dinner, you get dinner and a ghost or two! The building the restaurant is housed in used to be the family home of a wealthy Latino family. The family’s eldest son reportedly fell in love with a servant girl, which ticked off his social-climbing mother. One day she returned home early from visiting friends, and caught the two lovers in bed. In a rage, she murdered the girl, and accidentally wounded her son, leading to his death three days later. The mother later was committed and died in an insane asylum. Years later, the house has become a restaurant, but apparently it’s also become a home for various kinds of spirits. Poltergeist activity has been recorded, and there have been voices and even full-body apparitions too.

Not only that, but the room those two lovers were killed in has since become a private dining room with two chairs kept in there for the lovers. It’s said that anyone who sits in those chairs will have horrific nightmares.

Um…waiter? Ghosts please!

3. Goatman’s Bridge

Location: Denton, Texas

According to local legend, back in the 1930’s a black goat farmer named Oscar Washburn moved across the Old Alton Bridge, where he ran a successful goat farm, and became known to the locals as the Goatman. He apparently took that in stride, putting up a sign on the bridge that said, “This way to the Goatman’s.” And because white racists get upset very easily, in 1938 they hung him from the bridge, only to find that the noose was empty when they looked over the side. These men, dressed up as Klansmen, later went and murdered Washburn’s wife and kids.

Since then, there have been reports of a demonic, satyr-like figure stalking the bridge and the surrounding woods. Glowing eyes have been seen, people have been attacked, and women have reportedly suffered attachments that have tormented them all the way home. There have also been reports of Satanic activity in the area, leading to a negative charge about the bridge.

This sounds like one billy goatman I’d love to meet trip-trapping on a bridge!

4. Zak Bagan’s Haunted Museum

Location: Las Vegas, Nevada

You guys know I’m a big Ghost Adventures fan and the team’s lead investigator, Zak Bagans. Well, apparently he’s bought a 30-room mansion in his home city of Las Vegas, and he’s been converting it, room by room, into a museum for paranormal objects he’s collected over the years. There’s a room devoted to haunted dolls and puppets, a room devoted to the Kevorkian van and the hospital room where Dr. Kevorkian did assisted suicides, to skulls, and to all sorts of weird and interesting things. I even hear the famed Dybbuk Box, whose previous owner I know and which inspired a short story of mine and The Possession, is in the museum.

All this is sure to create a rather interesting mix of paranormal energy, which would make for a very interesting visit. Don’t you agree?

5. Dorothea Puente Murder House

Location: Sacramento, California

Dorothea Puente was a serial killer who used her job as a caretaker for the elderly to kill off her charges, dispose of the bodies, and collect on their rent checks. Several of her victims were later dug up in the yard of her building. She was sentenced to life in jail, still insisting on her innocence, and died in 2011. Since then, her home/boarding home has become something of a tourist spot, part private home, part attraction with weird stuff in the front yard. There are also reports of paranormal activity in the house, and thus a few paranormal investigators have been allowed inside the house.

How about a novelist with weird interests?

6. Winchester Mystery House

Location: San Jose, California

Weirdly enough, this show hasn’t been featured in any episode of Supernatural. Too bad. I think Sam and Dean would have a blast in a house that shares their last name.

The Winchester House was built starting in 1884 and going on around the clock for thirty-eight years. Its owner, Sarah Winchester, was the widow of William Hart Winchester, owner of the Winchester Rifle Company, maker of the famous guns. After her husband’s death, Mrs. Winchester became convinced that the ghosts of those her husband’s guns had killed were haunting the Winchester family, and had even been the cause of her husband and infant daughter’s deaths. A medium later confirmed this, and told her move out West and continually add onto a house so that the spirits would get lost and never find her. This she did, buying property in California and having a mansion built there until her death in 1922, after which work ceased immediately.

The house is well-known for its massive size and oddities, including staircases that lead to nowhere, and doors that open to the outside…on the second floor. Windows at odd locations, glass doors on the bathrooms, and even rooms that have yet to be discovered (they actually found a new room in 2016). It’s also become a paranormal hot spot, with plenty of documented activity taking place there (some think the activity might even be slightly demonic).

Sam and Dean, I’ll meet you there! Bring the Impala and your hunting gear. I’m bringing the humor and the beers (oh, if you’re a Supernatural fan, that line’s hilarious).

7. The Clown Motel

Location: Tonopah, Nevada

The name says it all. It’s a clown-themed motel, with tons of pictures, dolls, and even a life-sized clown mannequin! Worst place to read or watch Stephen King’s It ever! And if that’s not all, it’s right next to a graveyard! Yeah, talk about creepy! And a great source for the supernatural activity that has been reported at the motel.

Yeah, I’ll take whatever you have available.

8. Moonville Tunnel

Location: Moonville, Ohio

Moonville was a small mining town in Southeastern Ohio during the late 19th century. It was small as heck, it was never prosperous, and it was dead by the 1950’s. The only thing keeping it from falling into obscurity is the train tunnel built into the side of the mountain. Supposedly, a train engineer was hit by a train (or possibly two, the record’s not exact) one night, and since then, glowing lights and white mists have been spotted in the tunnel. There have even been rumors of further deaths.

ROAD TRIP!

9. Haunted London

Location: London, England

I know. I’ve already been to London. I’ve even visited the Tower of London, which has a few ghosts in it. But I WANT TO SEE MORE! I never saw as much of London as I wanted to, and that includes haunted locations. There are haunted hotels, Highgate Cemetery, and so many more! There are even supposedly haunted Underground stations.

Cool guv’nor! Let’s go!

10. Akasaka Mansion

Location: Tokyo, Japan

Now known as Akasaka Weekly Mansion, it’s a hotel with more than one building, and it’s Building #1 that has been known for the paranormal activity. There have been reports of figures standing at the end of the beds, noises being heard at night, guests being touched (sometimes sexually), and a woman being dragged from her bed. Even creepier, there’s supposedly a woman who crawls from room to room on her hands and knees. That’s something right out of a J-Horror film!

I’ll go, but I’m not watching any Ring or Grudge movies right before I do.

What haunted locations have you been to recently?

Have you been to any of these? What were your experiencces?

As I’ve mentioned before, I’m dividing my writing time between working on Full Circle* and working on short stories. And with my short stories, there’s been more of an emphasis lately to write them with the goal of getting them into magazines and/or anthologies. Why? Well, as many of you know, I’ve been trying the traditional publishing route again (though I will self-publish if I feel a story is better off getting published that way), and while getting published in magazines and anthologies isn’t absolutely necessary to getting an agent and/or publisher, they do help make you more appealing to them. Kind of like internships and volunteering on a resume during a job search, if you think about it a certain way.

That being said, getting your short stories in mags and anthologies is pretty difficult these days. Okay, the short story market has always been difficult (Stephen King said in his autobiography On Writing that he had railroad spikes full of rejection letters from mags/publishers/agents/etc. before he found success), but in an age where so much content is available for free, reading has to compete with movies, streaming, and video games, and even self-publishing is cutting into magazine’s readership,** magazines and anthologies are even choosier than they used to be. Especially the ones that pay. They only accept the best work out of all the submissions they receive.

So up against this market, how can an author increase their chances of getting their stories published? Well, keep writing, get other people to take a look at your work for feedback, and don’t take every rejection as the end of the world or as a reflection of your talents, of course. But is there anything beyond that to help one get editors’ attentions? Well, there are a few strategies, and I’d like to list them here:

  1. Research and target. In this strategy, an author should create stories geared towards a particular magazine or group of magazines. For example, if you find a magazine that prefers urban fantasy stories, write an urban fantasy story that the magazine would probably like. Look at the magazine’s website and/or in recent issues to get an even better idea of what sort of stories they prefer (maybe they prefer female protagonists, or they hate romances between humans and supernatural creatures). Once you have a good idea of what they prefer in their stories, write one in that vein and then submit it to them. Chances are that if the story is the kind the magazine specializes in and likes, they’ll publish it.
    I’ve actually used this strategy successfully before. My first published short story, Summers with Grandmother Fumika, is about a fox-spirit that takes part in a Japanese tea ceremony. It was written after I discovered a magazine that specializes in articles and fiction relating to tea! Earned $100 for that story, which to a high schooler who averaged about $28-$35 dollars selling tickets for basketball games, was a pretty big deal. And I recently wrote a short story that I wrote for a specific sub-genre of horror, so there’s a good chance that it could be published in any of the publications that like those stories (though time will tell, of course).
  2. Rely on your networks. We live in an age of social media, and that means we come across all sorts of people we might never have even known existed thirty, twenty, or even just ten years ago. That means if you have a blog, belong to writer’s groups on Facebook, or belong to an online critique circle, you potentially have dozens or hundreds of people who can help you find homes for your stories. For example, I asked one of my writers’ groups on Facebook if they had any suggestions for places I could submit another short story in a particular sub-genre of horror. Within a few hours, I had a couple of responses that I could follow up with.
    Sometimes your friends don’t even have to give you suggestions. Occasionally, they run magazines or anthologies! In the past three years, three short stories were published in anthologies where a friend of mine was one of the editors (you know who you are). Just from this, you can see what an amazing resource friends can be!
  3. Check your publications. There are a buttload of books out there that are meant to help the average writer write and publish their work. Most of them have sections full of listings for magazines, agencies etc, and a lot of them are updated yearly. The best part is, a lot of libraries carry copies of these great tomes with them. I highly recommend The Novel & Short Story Writer’s Market from Writer’s Digest. They have great articles and listings (though never enough in the horror department, sadly).
  4. Google. I know, sounds like something that goes without saying, but you’d be surprised how often this doesn’t occur to people. Google is a remarkable resource, and if you’re careful with your search terms and what links you click on, it can open doors. In the past couple months, Google has led me to several magazines and anthologies that specialized in stories I could send them. At the moment, I’ve been rejected by one, but there’s a chance I could be accepted by two more. And if those don’t work out, there are all sorts of places I can still try out. All thanks to Google

Now, there’s still no guarantee that you’ll get into a magazine or anthology, even with using these tips. That’s fine, many successful writers have rarely or even never been published in these sort of publications. But if you think it can help your career, or you prefer short to longer stories, these tips might just help you get into that collection of winter-themed romances or into that magazine that likes hopeful stories involving space exploration and interactions with alien species. And that is a joy that every writer relishes.

*Speaking of which, when I’m working on that, the general policy is “get a chapter done, then work on a short story or a blog post.” So if you see a post come out on this blog over the next couple of months, it’s either because something big happened worthy of blogging about, or I just got a chapter of FC done. Like I did right before I started writing this post (only 22 more to go!).

**Dammit self-publishing, why do you have to–wait, what am I saying?

I normally don’t make New Year’s resolutions. When I do, they usually don’t last longer than a month or even a week.  But this year, I decided to break from tradition and actually make a resolution: to try new methods to get people interested in my writing. This decision was partially spurred by my earlier decision to try and find a literary agent, as well as from reading a book on marketing and realizing that I needed to change my approach to how I was getting people interested in my fiction.

It’s a hard market out there. If what you’re doing isn’t working, maybe you should try something new.

So if you’re still here and you’re not thinking, “Oh, this is just one of those posts where he blathers on about what’s going on with him and his life”, then you’re probably thinking “How is he doing with that resolution, then?” and “How did he change his approach?”Well, I like to think that so far, so good. This isn’t the sort of resolution that can be objectively measured, like losing so many pounds or bringing your academic scores up. I could measure it by new followers, but not all followers read posts frequently, and only a small fraction are willing to spend money on my books. Book sales can be an indication, as can reads on Wattpad, but to base my success solely on those factors doesn’t seem the wisest course to me. And finally, building an audience is a long and arduous process. This blog took five years to gain as many followers as it has, after all. An audience of readers interested in my books might take even longer.

It’s easier to talk about what I’m doing different. One thing I’ve done is that I’ve stopped doing ads through Facebook and Twitter. Unless you have of big budget like Coca-Cola’s advertising department, ads through those sites usually don’t translate into sales. At the very least, I’m saving money, and that’s never a bad thing.

Another thing I’ve been doing is related to my goal of trying the traditional route again and finding a publisher. That is focusing more on my niche, which is horror. I know, I’ve written and published a lot of sci-fi, but I prefer horror, and what I’m trying to do now is to write more horror stories and trying to get them published in magazines and anthologies. I’m still working on Full Circle, the final book in the Reborn City series, but I’m also devoting more time to horror. The hope is that I can produce enough work and get it published in magazines, building my name as all or a writer, thereby making myself a bit more attractive to horror fans and possibly literary agents and/or publishers.

As of yet, I’ve only submitted one short story, and I’m still waiting to hear back on it. But the next time I take a break from Full Circle, I plan to do some editing and writing, and see what happens. The goal here is to at least get a couple stories published by the end of the year (fingers crossed!).

A third method I’m trying, and this is already producing results, is I’ve started publishing through Wattpad again. Last month, I published my sci-fi novelette Gynoid on that website, and so far I’ve had a positive feedback. There’s been quite a few readers, a couple of votes (which is kind of like “Likes” for that platform), and even a comment or two. One of those comments was from someone who was very relieved to see a certain outcome for one of the characters. That particular comment made me feel very happy, because it showed that the story I wrote and the characters within had people invested.

Sure, Wattpad doesn’t make me any money, but it does give me an audience. And based on Gynoid’s success, I may publish more stories through the website in future, especially for stories that might have a hard time getting placed in magazines.

So that’s what I’m doing right now. It’s a multipronged approach, which is usually what is recommended for any big endeavor like this. Later this year, after I finished the first draft of Full Circle, I plan on editing Rose and shopping that around to agents. Rose really represents not only my growth as a writer, but it is a prime example of the niche I want to write for, so I feel that’s the best novel to shop around to agents and publishing companies. I’m also considering different social media platforms to try out, like Goodreads and Reddit (I know one person who is very active on one of those sites, so I may ask her for advice). If it can work, anything’s on the table.

For now though, I’m just focusing on focusing on my niche and finishing Full Circle. Any resolution that is to be successful takes time, proper planning, and patience. I want this to go well, so I’m not going to rush any of the steps I’m taking to further widen my audience. Will any of it work? Tough to say. But I’m an optimist at heart, and I like to think that this new approach will eventually yield results.

And if you are interested, I’ll give an update in a couple of months or at the end of the year, and let you know how I’m doing. In the meantime, if any of you have any tips on expanding my audience, or places I can look for an agent/publisher, or places that I could potentially publish my stories, let me know. If they work out, I’ll credit you in any post I write about it.

That’s all for now, Followers of Fear. I’ve got a lot of work ahead of me, so wish me luck. And thank you, as always, for supporting me as I work hard on becoming a great horror novelist.

If you read my review of the first Ouija film, you’ll remember that I didn’t have a very high opinion of it. It was by the numbers, unimaginative, and most of the fun came from surprise cameos, which was sad given that most films from Blumhouse Productions are generally very good. I blamed the fact that Michael Bay’s production company was involved, and that guy tends to destroy anything related to toys and/or things people grew up with in the 1980’s (seriously, is that a thing?). I also mentioned in that review that I was not looking forward to the sequel they were already making, which I felt would probably be worse.

Surprise surprise, when the trailer for the sequel turned out to be a trailer for the prequel. And it looked good! Really good!

So good, that I wanted to see it in theaters (didn’t happen, unfortunately). When the library ordered it though, I immediately reserve the DVD. And over dinner I watched it. And I have to say, it was actually better than the original.

Note: I will be discussing the original film in this review, so if you haven’t seen the first movie and might still want to see it, you might want to stop reading this review.

So Origin of Evil takes place in the 1960s, and follows the little girl who we meet as a ghost in the first film, and her family. Her mother is a false psychic who genuinely believes she’s helping people, and has her daughters help her with her scam. One day, the mother buys a Ouija board in order to spice up her act, and proceed to test it out in her home. This leads to the younger daughter getting possessed, and from there things get strange.

As I said above, this was a much better film than the original. For one thing, it’s a period film, and Blumhouse is generally very good with those kinds of films (watch The Conjuring and Annabelle films if you don’t believe me). The sets look gorgeous, and the attention to detail is amazing. Even if at times the historical setting feels like window dressing, it’s a very good window dressing. I also thought the actors did an adequate job. These aren’t the same actors that played the ghosts in the first film, but since in the first film it was just important that they look scary when the CGI was used on them, it doesn’t really matter. And as I said, they did a very good job. Lulu Wilson, who plays the younger daughter, is exceptionally good at playing both an innocent child and a terrifying possessed creature (especially when they add CGI).

And of course, the prequel explains very well how the events of the past lead to the events of the first film. If they didn’t do that, I would have said they’d wasted money and film making a movie.

That being said, there are several things that could’ve been done better. Origin has the same issue as the first film where they have good jump scares but suffer when it comes to creating an atmosphere. The filmmakers also tried to evoke that old, 1960s feel by adding little touches to the film to make it seem like it was made in the 60s: little black circles and vertical lines appear at random during the film, and some of the cuts to new scenes have that jumpy quality reminiscent of old films. However, they do it so inconsistently that it’s more distracting than anything else. If maybe they had filmed it so that it looked from the 60s, and had that characteristic hiss in the background, then it probably would’ve worked better.

I also thought there were a couple of things that didn’t make sense. In one scene, the priest character gets possessed or influenced by the little girl, and then a minute later the possession or influence leaves him. Just like that. They don’t explain why that happens, and it sticks out like a sore thumb. And remember how in the first film, the surviving sister is in an insane asylum? And how the events of her childhood did drive her insane? Well in the prequel, they don’t really show how she gets that way. I think it’s supposed to hint that just everything she went through drove her mad, but she didn’t seem any different than any other heroine in these kinds of horror movies. Scared? Yes. Grief stricken? Yes. Insane? Not so much, but they plop her right into the mental asylum and show her as seriously messed up by the events of the film.

Filmmakers, I shouldn’t have to mention this, but this is a visual medium. And in a genre where there are a lot of people going through terrible things, you have to show them losing their grip on reality. Otherwise, it doesn’t work. If someone on the street sees me walking down the other side of the street and I pass behind a lamp pole and when I’m on the other side, I have horns, giant bat wings and a tail, even if they know who I am and I’m a freaking vehicle of terror, they’re going to have questions. It’s like that.

All in all, though, Ouija: Origin of Evil is a much better film than its predecessor. And while I don’t think we’ll be getting another film in the series (despite having a slightly higher budget, the prequel did not make as much at the box office as the original), it’s a good film to go out on. On a scale of 1 to 5, I give Origin of Evil a solid 3.0.

That’s all for now, my Followers of Fear. I’ll probably have another post out before the weekend is over, so keep an eye out for it if you want to know how I’m doing with Full Circle. Until then, have pleasant nightmares.