Posts Tagged ‘DM Guay’

Grady Hendrix telling us about the history of witches and having us in stitches.

Recently, I went to see Grady Hendrix, author of Witchcraft for Wayward Girls and My Best Friend’s Exorcism, speak here in Columbus. It was an exciting event: the venue was an event space usually reserved for wedding receptions and the like, but it was packed, with possibly around 500 people inside the space! I was lucky just to find a table with a good vantage point.

And I’m glad I did: at 7 PM, Hendrix came out and spent the next hour using humor and a PowerPoint slideshow to tell us the history of witches as he saw it, as well as depictions of witches through history. It was hysterical! He made us laugh as he went through some of the ridiculous and not-so-ridiculous stuff that happened in witch trials, the plots of the wild books throughout the years revolving around witches, and why we keep having these witch scares. And I had a great seat to see it all.

It was an amazing night, and I could go on and on about it, but what I want to focus on is just how Hendrix, and other authors, use humor in their work.

I’ve written on this subject before, but horror and humor often go hand-in-hand, much to the surprise of some non-horror fans. You can see this quite prominently not just from Hendrix’s talk, but from his work, which is normally as funny as it is scary (Witchcraft is a rare exception, but then again, it doesn’t have much to laugh about). Not to mention, there’s a whole subgenre of horror called “horror comedy,” which is pretty self-explanatory. Some prominent examples include Clown in a Cornfield by Adam Cesare, where humor adds plenty to the slasher novel’s plot, and my friend D.M. Guay’s “24/7 Demon Mart” series, about a guy who works at a convenience mart with a talking cockroach for a manager and a portal to Hell in the beer cooler.

My friend D.M. Guay’s book. The series has quite a lot of followers.

And if you’ve seen a production of the musical Sweeney Todd (and I guess maybe the movie version), you’ll notice that despite the dark subject matter, there is plenty of humor. Hell, the musical’s most famous song is full of cannibalism puns! It’s almost sad how the movies cuts out most of those jokes.

Why is humor such a big part of horror at times? Well, part of it is for alleviating tension in the story, especially for non-horror fans who may not like stories that are so dark. But I think another part of it is that we need humor. Laughter is the best medicine, as they say, and it can help alleviate dark situations by shining a light on them. In fact, if you think about how horror is therapeutic for some readers (like me), the humor aspect really can pair well with the cathartic aspects of horror.

It also explains how a room of approximately 500 people could laugh so hard about stuff like witch trials, where people got murdered for bullshit reasons.

And it can’t be understated how helpful humor is in getting people to like each other. I certainly found myself liking Hendrix after an hour of his jokes.

Makes me wish I could put more humor into my own work. I love to laugh and joke around, but that doesn’t usually extend to my stories, where the stories I write are usually quite serious. Humor tends to pop up by accident or just evolves organically when I write it. In The Pure World Comes, for example, protagonist Shirley is practical and at times slightly condescending or sardonic, so humor kind of evolved naturally around her. And there’s a naughty joke appears in The Shape of Evil, but that’s because I’ve been in similar moments and made similar jokes.

Still, my style of writing tends to work for me. People like my stories for what they are, and I won’t force humor in when it doesn’t suit the story. And plenty of writers write amazing stories that have endured through time without a laugh. Who’s to say I have to add a laugh to join their ranks?

All that being said, if I find a place to put a bit of humor into one of my stories, and it doesn’t work against said story, I might add it. After all, a little laughter never killed anybody…as far as we know.

And in the meantime, I think I’ll just keep using humor as I have all my life: in my interactions with others, when appropriate and hopefully to great applause.

Do you use humor in the stories you write? Have you noticed any rules to writing humor or humorous passages? And what is your favorite horror story with comedic elements?

Me being silly in front of a big poster.

I’m back, Followers of Fear! And let me tell you, I had the best time at Stoker Con, the biggest convention for the horror writing community in the world! Four days spent with my comrades in the Horror Writers Association discussing all things horror and enjoying all things macabre. Honestly, it was one of the best experiences I’ve ever had!

And it was in Pittsburgh, which despite how difficult it is to drive in, was the home of George A. Romero, so his presence was felt throughout the convention. Hell, the city has kind of embraced Romero as sort of a patron saint, and the George A. Romero Foundation was even a sponsor for the con, so that made it extra special.

But back to the con. Honestly, how can I describe it to you? I guess I could go over the things that made it memorable to me while also supplying photos here and there. Yeah, that works, so let’s go for it.

All the awesome panels! I think there were over 60 panels and classes to take, and I attended as many as I could. All were a lot of fun and quite educational. I didn’t sit on any panels, but I did enjoy watching them. Some, like the Evolution of the Zombie panel, were more like a conversation between the panelists and the audience. Probably helped that I walked in pretending to be a zombie in need of caffeine and snacks.

The panel for portraying drug use and drug addiction. Started out funny, but quickly got serious.

Others, like the Bisexuality in Horror and the Mental Health in Horror, hit me in a personal space (for those unaware, I’m bisexual, and I am on the autism spectrum. I also have ADHD and an anxiety disorder, among other things). It was interesting to hear what others had seen about my communities in horror and how we can portray them better in our stories.

Others, like Writing Nonfiction and Pitching Your Novel, I went to see what tips I could glean from my more experienced colleagues. I got some great info from the former that are already producing results, and the latter will come in handy in a couple of years once I finish Crawler.

Every panel was definitely worth it!

Author readings! While I was there, authors gave and attended readings for upcoming and recently released works. I did a reading with Barbara Cottrell, Jeremiah Dylan Cook, and Gabino Iglesias on Friday. We each took turns, with me going third. Of course, I read from Hannah, specifically the story “What Errour Awoke.” I think people enjoyed it.

Me during my reading. And yes, I wear that hat and cloak during plenty of events.
From left to right: Jeremiah Dylan Cook, myself, Gabino Iglesias, and Barb Cottrell.

Of course, the best reading was from Clay McLeod Chapman. And it wasn’t even a reading, but a one-man show! He’d basically memorized a monologue where a seventh grade boy recounted learning sex ed and how the diagrams of the reproductive systems resembled Lovecraftian entities (and they kind of do, from a certain point of view). He flailed and gesticulated around the room while speaking loudly. It was the most hysterical histrionics I’ve ever seen! I wish I’d seen it on camera.

The Final Frame competition was intense!

Final Frame film competition. On Friday night, we gathered in one of the ballrooms for a competition of 13 short horror films from around the world. These films ranged from the comedic to the terrifying, and most were quite good. The clear winner was “The Queue,” about a content moderator for a video-sharing platform who finds the videos are way more than meets the eye. God, that film was so terrifying, my brain tried to repress it minutes after I’d seen it! If you get the chance, definitely go out and see it.

Honorable mentions go to “Shut,” “Eric,” “Drop Dead,” and “We Forgot About the Zombies.”

The Awards Banquet. Saturday night was when the Bram Stoker awards were awarded, and it was lovely. After a tasty dinner, awards were given out in Superior Achievement for a variety of categories (and I love that it’s “Superior Achievement,” not “Best”). There were a lot of laughs from our speakers and presenters, and some beautiful moments. Cynthia Pelayo became the first Puerto Rican horror author to win Superior Achievement in a Poetry Collection, and to win a Bram Stoker, overall. And Gabino Iglesias became the second not too long after, while also winning Superior Achievement in a Novel, the first Puerto Rican to do so.

And a lot of people won Stokers for the first time, leading to tears. I got to hug a lot of people who won their first Stokers after years of trying, and I was happy to be there for those moments. It was beautiful, and I’m so happy for them.

People showing interest in my work! Throughout the convention, people were showing interest and even preordering copies of Hannah and Other Stories (which you can do here). And during a mass author signing (think a book fair within a very small hotel room where you can either buy books or bring your own to get signed), I sold plenty of copies. It put a hop in my step to have so many people wanting to read and support my work.

Being with my people! It’s great being connected to so many horror writers online, and even meeting a few over Zoom or even in person from time to time. But it was nothing compared to meeting so many likeminded individuals in person, and being able to discuss horror subjects so openly. Hell, I had two different conversations on cannibalism in one evening!

Being part of this community, being able to meet and talk with people I’d only interacted with online, and making new friends, is truly special.

Me and my fellow HWA Ohio members: DM Guay, Neil Sater, Sarah Hans, and John Kachuba.
Me with Gabino Iglesias, first Puerto Rican author to win the Bram Stoker award in Superior Achievement in a Novel.
Me with Alma Katsu, Lee Murray, and Barbara Barnett, three amazing ladies of horror. Alma and Lee won Stokers later that evening.
Me with John Langan and Phillip Fracassi. The former and I had plenty of laughs sitting next to each other at the banquet.
Me with Patrick Frievald.
Me with Clay McLeod Chapman.
Me with Brian Keene.

So yeah, Stoker Con was absolutely amazing, and I was so happy to be able to go. And while I probably won’t be able to go next year (San Diego is a little too expensive for me), I would definitely like to go. Maybe next time, I’ll be able to sit on a panel. Maybe I’ll even be nominated for a Stoker award. That would be nice.

Opening ceremonies. It was great.

And if you get the chance, I would highly recommend going to Stoker Con. It’s a fun time and you can learn a lot. I’m already so inspired and can’t wait to start writing this week. Imagine what it’ll do for you.

Well, that’s all for now, my Followers of Fear. I got a lot of work to do before the day is over. But don’t worry: I’ll be back real soon. There’s still plenty to talk about.

Until next time, my Followers of Fear, good night and pleasant nightmares!