Rami Ungar The Writer

This isn’t my normal review. But then again, this is far from a normal graphic novel.

So, when you think of tiny, humanoid people, what do you think of? Fairies? The Borrowers? How about tiny people living inside you (and I don’t mean the emotions from Inside Out)? Not with Beautiful Darkness, a graphic novel by Fabien Vehlmann and Kerascoet.

The graphic novel starts out prettily enough. A girl named Aurora, who is like a Cinderella in a 1950s housedress, is being courted by a princely character named Hector. She’s helped by a short little friend named Plim. In the first page and a half, their romance is going just like a fairy tale…until the cutely drawn characters’ home starts dissolving around them, forcing them to leave.

And then it’s revealed that home is the body of a little girl, left abandoned in the woods to rot. Her name, who she might have been, and how she died, never revealed.

And that’s just the start of a very dark saga dressed up in art that, in another graphic novel, would fit nicely in the children’s section at your local library.

Aurora quickly finds herself trying to be a leader as she and the other survivors learn to grasp their new surroundings. However, Aurora, who might be the most realistic, as well as the most idealistic, of this community of tiny people, do not have it easy. Except for one mouse, all the animals and insects are as wild as you’d expect, and do what animals do best. The elements take their toll as well. Schemes to survive lead to further deaths or maiming, such as when one character tries to sneak into a nest full of baby birds and eat with them. The result is that her mouth gets torn open by the mother bird’s large beak, leading her to throwing up blood and running away.

But worse than animals, or nature, or survival attempts, are Aurora’s compatriots. Perhaps because they lived inside the body of a little girl, they are almost oblivious in their innocence and naivete. They see each other die, and move on to fish or fly kites or dance like it was nothing. They scheme against and backstab one another. They even kill each other, and do it with such callousness, never once sparing a thought for the lives they’ve taken!

All this betrayal and disappointment wear on Aurora, especially after her leadership role, and her lover, are usurped by rival leader Zellie. She later thinks that she’s found a friend in a loner survivor named Jane, but events soon force her to make the ultimate choice.

I’ve written before about “corruption of the innocent” before. The idea that the horrors one faces through a horror story destroys whatever innocence you have left and transforms you into something new. It could be childhood innocence, or that you thought the world was a rational place full of rational people, or that the world is ruled by a loving and merciful god. In some subgenres of horror, like Gothic, it could be considered essential. I certainly consider it essential, to the point I have a tattoo on my back representing it.

And it’s been such a long time since I’ve seen it done so well. Aurora tries to stay strong, but her innocence is destroyed in a world where she and her people are as inconsequential as dust motes, and those she should be able to rely on smile innocently while they betray her. In a way, it’s like cosmic horror, only instead of Cthulhu and the Great Old Ones, it’s a forest full of hungry animals and violent nature, as well as your own community.

(That’s not my observation, BTW: it’s the YouTube channel Tale Foundry, where I first heard of this graphic novel and which I highly recommend. You can check out their video about it here, but beware of spoilers.)

Anyway, it’s probably only a matter of time till this graphic novel appears on my personal shelves. In the meantime, I’m awarding Beautiful Darkness by Fabien Vehlmann and Kerascoet a 4.8 out of 5. It’s dark, it’s disturbing, it’s possibly the prime example of a new subgenre called “innocent horror,” and I think you should check it out.

Just don’t show it to young children afterwards. It’ll mess them up in all the wrong ways.