Archive for the ‘Review’ Category

Review: “It Came from Neverland” by Cynthia Pelayo

Posted: July 16, 2026 in Novel, Review, Scary Stuff
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Peter Pan is a character/story that every child loves growing up. However, as we actually grow up, not only do we see the tragedy of the character, but you also realize he’s kind of creepy. I mean, he hides outside a window to listen to a girl tell her brothers stories. And in the books, he’s a tyrant who kills the Lost Boys when they get too old, among other things. It’s not surprising that, as the years have gone by, more and more stories have delved into the dark side of Peter Pan.

In Cynthia Pelayo’s take on a dark Peter Pan story, It Came From Neverland, we meet a very different Wendy from the one who appears in J.M. Barrie’s book.* Now in her twenties, the adult Wendy is scarred from her experiences with Peter. She tries her best to move on, teaching at the children’s home that took her in after she and her brothers returned, and reads to soldiers returning from fighting in WWI. But then strange events happen around London. Children get injured or go missing. Mysterious fogs and crows feathers appear all over the place. And Wendy hears a whisper from her past. A whisper belonging to a boy who’s not a boy, whom she thought was dead after he killed so many. And he’s come back for her.

Cynthia Pelayo writes a lot of stories that are reinterpreted fairy tales (I loved her take on the Sleeping Beauty story, Vanishing Daughters), and with It Came From Neverland, that talent is on full display. With strong and concise language, she crafts a suspenseful tale that really lets us get into the head of Wendy Darling, aged into adulthood long before she hit her teen years and trying to survive when the past haunts her everyday. You really get to know her as we see her deal with the return of Peter Pan.

Speaking of which, the relationship between her and Peter was chilling! It’s the definition of an abusive and toxic relationship, with Peter being nice before lying, manipulating, gaslighting, and finding all sorts of ways to belittle Wendy. Just from the short episodes we see, it’s enough to make you shudder from how horrible he is to her.

And like I said, this book is suspenseful. A lot of time is spent showing Peter’s encroachment on Wendy’s life, as well as the life of her brothers. And it is frightening! It reminds me of what Stephen King said about the three types of horror, and how terror is the one that’s hardest to do, because it leaves you with that sense of unease that refuses to go. That terror is put on full display here, creating a frightening atmosphere that lingers long after you put the book down.

My only major criticism is that the parts exploring Wendy’s past with Peter are too short. I didn’t mind that they were out of order, but for a book that was marketed as Peter Pan meets IT, I expected more time spent in the past. To really feel like I was in Neverland with those characters when they were children. What we got was more like short vignettes, and while those were great, I felt like they weren’t enough for me.

However, on the whole, it is a great novel that I practically flew through each time I picked it up. On a scale of 1 to 5, I give It Came From Neverland by Cynthia Pelayo a 4.8 out of 5. This is definitely one to settle down with. Just be careful, though. You might end up hooked!

*By the way, Barrie’s mentioned in the book as someone who heard Wendy’s story and twisted it into the child-friendly version we know today. And can I just say, I love that he’s as much a hack in the book as I’ve always thought he was? I got a laugh out of that.

Review: “Angel Down” by Daniel Kraus

Posted: July 4, 2026 in Novel, Review, Scary Stuff
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You might have heard of this novel, even if you haven’t read it or even if you don’t read horror. That’s because it recently won the Pulitzer Prize, the first horror novel to ever do so. And given the stature of the Pulitzer Prize, that’s quite the accomplishment (though as my friend and colleague Kevin Wetmore noted while hosting the Bram Stoker Awards last month, “a horror novel wins the Bram Stoker award every year”). Recognizing what a big deal this is, I decided to check it out and got the audio book. After all, what kind of horror novel wins the Pulitzer Prize?

Well, a rather unusual novel, as it turns out.

Taking place during the Meuse-Argonne offensive in WWI, Angel Down follows Private Cyril Bagger, a con artist who was tricked into enlisting and can’t wait to rooking inexperienced gamblers back in the States. He is commanded by Major General Reis, the commander in the offensive, to go and find the source of an unearthly shrieking that is causing the men to go insane. If it turns out to be a soldier dying slowly, they are to put him out of his misery. Bagger is joined by four other soldiers; Private Louis Arno, an illiterate teenager who lied about his age to enlist and has attached himself to Bagger like a koala to its mother; Private Hugh Popkin, a violent meathead with no brains, a raging case of the clap, and an even stronger raging case for a girl back home; Private Vincent Goodspeed, a twitchy graverobber who steals from the bodies of the dead to sell to both sides; and Private Ben Veck, the group’s only black soldier, who is suffering from PTSD and wants to believe he’s been chosen for a greater purpose.

Upon finding the source of the shrieking, they discover it’s an angel in the form of a human woman. One that resembles someone each of the men know. Realizing that the ambitious Reis would use the angel for his own purposes, they go AWOL and take the angel with them, leading to an unavoidable chain of events that will not only change their lives, but maybe even change the world.

So, like I said, this is a rather unusual novel. Angel Down is apparently written in the style of a single, continuous sentence (as I had the audio book, I could only half tell), so every tenth word is an “and” or a “so.” This is nothing new in literature, as plenty of novels, most famously The Waves by Virginia Woolf, has been written this way. I’m assuming Kraus wrote it this way because stream-of-consciousness style writing like this was popular among Modernist writers post-WWI, and he’s paying tribute to that. Plus, it makes the novel stand out.

However, I did hear from plenty of fellow horror fans who find the writing style grating. And honestly, I understood; I could only listen to the audio book during certain moods, like when I was driving or cooking. Otherwise, the style would get under my skin in a bad way. (And the narrator, bless him, narrated the book so that it at least sounded like it had normal sentences.)

All that aside, most of the characters are fully realized, especially Bagger. He’s the son of a preacher who doesn’t believe in anything except himself and controlling his life. At the same time, he’s also perturbed that he likes Arno and protect the kid, and the events of the novel set him on a path of transformation. Arno and Veck are also quite sympathetic, especiallyt he latter after you learn more about him. And Reis and Popkin are easy to hate (especially Popkin).

As for the angel…she’s an enigma. She sets things in motion and for most of the novel is a MacGuffin that motivates the characters. However, later on, she does start to affect the story and the characters more, and it’s…it’s hard to tell how I should feel about her. To like her or hate her. To consider her hero or villain. Or maybe she’s just the bringer of revelations? I guess any and all of those opinions work, given that she’s an angel, and therefore beyond our ordinary comprehensions. But still, she’s a lot and it makes it hard to pin down your feelings about her.

Finally, I will say that the book does a great job of getting the horrors of war through to the reader. Just like All Quiet on the Western Front did nearly a full century ago, it does not hold back. From descriptions of the bodies covered in clay and blood, to the fear each soldier feels when German bullets or mortar fire flies overhead, to the abstract depictions of the “engines of war,” it is enough to dissuade some readers that any good can come of war. (Something some of our current crop of leaders could learn from.)

Overall, I think I will give Angel Down by Daniel Kraus a 3.8 out of 5. The narration style may not be to everyone’s tastes, but the story, characters, and themes are engaging and make you want to keep going. I can see why this book won the Pulitzer Prize. And if you decide to read it, perhaps you will, too.

Also, Happy Fourth of July, my Followers of Fear. Whatever you’re doing this Independence Day, stay safe and have fun!

Review: “The Curse of Hester Gardens” by Tamika Thompson

Posted: June 1, 2026 in Novel, Review, Scary Stuff
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I first met Tamika Thompson last year on the Diversity in Horror panel at StokerCon. Later, I read a short story by her that I really enjoyed, and she told me her debut novel was coming out soon that explored similar themes as her short story. I was immediately intrigued and, as soon as I could, I made a reservation at the library. The book arrived at the same time as Japanese Gothic (see my review for that book here), and as soon as I finished that one, I got into The Curse of Hester Gardens.

I have to say, it’s nice when you get two excellent novels in a row.

Set in a public housing complex with a history of crime and violence, The Curse of Hester Gardens follows Nona McKinley, a woman who has been raising her sons on her own since her drug dealer husband was sent to prison. Sadly, her oldest son Kendall was murdered, money is always tight, and her younger son Lance is getting mixed into a bad crowd. Her only salvation is that her middle son Marcus is off to an Ivy League college in the fall.

Except…something terrifying is happening in Hester Gardens. Things are always weird there, as numerous spirits are said to haunt the place. But now, something new is making itself known. Nona is encountering what might be an angry spirit appearing in her home, Marcus is acting very much unlike himself, and the fragile life she’s constructed for her family seems to be crashing down around her. All of it may trace to a secret she’s been keeping. A secret covered in blood. And the residents of Hester Gardens may pay the price with Nona.

From the prologue, I was hooked. The story is written with a powerful realism, mixing in the real life tragedies of gun violence, urban decay and neglect, overincarceration, and others with the fictional narrative to add believability. Plus, the descriptions allowed me to really see and feel like I was in Hester Gardens (not a fun place to imagine yourself in, let me tell you). I could almost smell the garbage that is hardly ever picked up!

I also empathized with main character Nona. She’s had a really rough time and is trying her best, so it’s not hard to root for her. She’s also very human and makes mistakes, some of which are understandable given her situation, and that helped me like her more. The other characters whose POVs we look through also were written so that, even if we only spent maybe a chapter or two with them, they felt like well-rounded characters.

And the scares? Top notch! The concept of the curse and the spirits in Hester Gardens made for a freaky audience, and the human factor added to those scares as well. Plus, there were some scenes with the entities that had me gripping my book so tightly. (That hole-in-the-bathroom scene!)

Finally, the story kept me guessing throughout. I had trouble guessing where the story would go, especially in the last hundred pages or so. I read quite a few moments with wide eyes because I could not believe where the story had gone!

So yeah, I’m hard-pressed to pick out anything I didn’t like. On a scale of 1 to 5, I would give The Curse of Hester Gardens a 4.8 out of 5. Powerfully written, with strong emotions and realism. If this is Tamika Thompson’s first novel, I can’t wait to see what she does with her second.

In the meantime, grab a copy of The Curse of Hester Gardens and read it today. Trust me, you’ll be glad you did.

Review: “Statues” by Junji Ito

Posted: May 20, 2026 in Review, Scary Stuff
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The more stories I read by Junji Ito, the more I think that the reason his stories can be so hit-or-miss with me may have something to do with page count. Like prose writers have word count limits when submitting stories to magazines and anthologies, manga artists have a page count limit they must adhere to. And for an artist like Ito, where he tells mostly self-contained stories rather than an ongoing series, that can have its disadvantages in telling the equivalent of a short story.

With his latest collection, Statues, Ito gives us ten stories that are mostly good or, at the very least, interesting. And yes, before I start, the artwork in each story is perfect. Like all Ito stories, it is extremely detailed and even capable of giving me a shiver or too.

Some of the stand out stories include “Red Thread,” which follows a teenage boy whose body becomes covered in red stitches following his break up with his girlfriend (in Japan, destined lovers are said to be tied together by a red thread). The story wavers between whether the lead’s red thread with his ex is now tangling around him, if his late grandmother is doing some old tradition to protect him, or if this is the beginning of some strange disease, and it’s honestly fascinating to watch. Another stand out is “The Circus Has Come to Town,” where an entire town’s men become obsessed with a beautiful circus performer, even as her costars die in horrible ways during the course of the show. Something about that story, and the lengths some people will go for a pretty girl, just stays with the reader. Another story, “Town of Maps,” has a very fun premise with a great ending, and “Scarecrow” takes a bonkers premise, runs with it, and makes it work.

As for some of the other stories, most of them weren’t bad. At least, not really. Some were just two short, and it shows. The titular story, “Statues,” as well as the final story, “Suicide Note,” both have great story ideas, and the scary imagery to match them. However, “Statues” seems to end rather abruptly, and “Suicide Note” ends with a twist in the last few pages that feels kind of forced. Like Ito knew he only had a few pages and couldn’t think of any other way to end it. They’re great stories, don’t get me wrong, but I feel like if Ito were given more pages to work with, they could be better.

Oh, and there’s one story, “Die Young,” that caught my attention, but not necessarily in a good way. Set in 1999, it tells of a strange phenomenon where girls considered ugly suddenly start getting pretty. However, their beauty comes with a price, and their health fails after a few days. It was published in 1991, and just feels really dated in 2026. There’s some speculation online Ito wrote the story with the theme of accepting oneself and your looks, as well as the consequences of pursuing beauty. However, it just comes off cringey to me in this day and age.

All in all, I give Statues by Junji Ito a 3.6 out of 5. While it’s not his best collection, there are some great stories in there, and some that would have shone even more if given more room. If you like Ito’s work, you’ll want to get a copy right away. If you’re just getting into him, then this is a decent enough collection to get a feel for his work, though there are better ones out there.

One thing’s for sure: as long as he keeps putting out collections, I’ll likely keep reading them and letting you know what I think. After all, with that artwork and some of these stories, how can I not?

Review: “Japanese Gothic” by Kylie Lee Baker

Posted: May 13, 2026 in Novel, Review, Scary Stuff
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I think this has been my most anticipated new book of 2026. I mean, a Gothic horror novel set in Japan and featuring Japanese history and culture (specifically samurai)? Be still my horror and Japanese culture loving heart! As soon as my library ordered copies, I was the first on the reservation list, and I started reading it almost as soon as I picked up my copy of Japanese Gothic.

So, here’s the plot:

In October 2026 (ooh, the future), Lee Turner stays with his American father and the latter’s Japanese girlfriend in a house hidden behind sword ferns in the historical town of Chiran in Kagoshima, Japan. Lee holds many secrets, some of which threaten to tear him and his life apart. As he struggles to figure out what to do, he sees a strange girl with a samurai sword outside his room.

Meanwhile, in October 1877, Sen is the daughter of a samurai, the last survivor of a failed rebellion. As she trains under her tyrant of a father for a new rebellion to reinstate the samurai, she feels the inevitable coming with both excitement and trepidation. That is, until she sees a strange foreign man in the window of her bedroom in a house hidden behind sword ferns in the former samurai town of Chiran in the Kagoshima domain of Japan.

Japanese Gothic was worth the wait.

First off, the language was so vivid and evocative. From the setting to abstract concepts to the characters, the way Baker uses words is powerful. And speaking of characters, wow! The main characters felt so damn real! Sen felt like she came right out of the best of anime, with a fully rounded and complex character, and Lee…well, Lee felt like he was less of a person and more of an amalgamation of problems and personality quirks. And at first, I really didn’t like him. In fact, I’m still not sure how I feel about him, though I have to admit, his own character arc is as compelling as Sen’s.

As for the story, freaking phenomenal! Reading as Lee and Sen encounter one another, then get to know each other, and then try to solve the mysteries that occupy their attentions, made the book hard to put down. It was also really touching to see them get to trust each other. They’re both very broken people, but watching them grow through their relationship and what they discover through it made my heart go out to them. And I did not see many of the twists coming, which was really welcome. The last fifty pages or so just kept me in shock and on the edge of my seat!

If I did have a criticism, I would have to say that when we finally do get explanations of what the hell’s been going on at the end, it was rather abstract and might be hard for some readers to understand. As someone used to understanding the wilder episodes of Doctor Who and who understood most of the science in the Godzilla anime series, I think I understood it well enough, but I can imagine the frustration another reader might experience.

Still, I am in love with this book and cannot wait to meet the author at StokerCon next month. It’s definitely not the sort of novel I could write (and I’ve written books with the same elements before). On a scale of 1 to 5, I’m giving Japanese Gothic by Kylie Lee Baker a 4.8 out of 5. Surprising, powerful, and enthralling. Grab your copy now, sit back, and prepare to be sucked in with the force of a hurricane. Preferably with some gagaku music played on the biwa in the background.*

*If you don’t know what those are, Google it. It’ll make all sorts of sense.

Review: “Coffin Moon” by Keith Rosson

Posted: March 12, 2026 in Novel, Review, Scary Stuff
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Recently, Coffin Moon has been getting A LOT of mentions in a Facebook group I’m part of. What I’d heard sounded very interesting. Like that movie Near Dark, but good. So, when I had some saved credits on Audible, I got the audio book. And boy, was I not prepared for what I got.

Set in the mid-to-late 1970s, Coffin Moon follows Dwayne Miner, a Vietnam veteran who is trying to stay sober despite both PTSD and working in the bar owned by his in-laws. He’s also trying to be a good guardian to his wife’s niece, who is living with them after her own family is torn apart. And he’s holding onto secrets that could ruin more lives than just his. All this changes, though, when a couple of bikers try selling drugs through the bar…with Miner’s mother-in-law’s permission! When he objects, it sets off a chain of events that will change the course of Miner’s destiny, and throw him headlong into a world he never knew existed.

So, if you’re familiar with Near Dark, you’re aware that this is about vampires. Though honestly, the vampires feel closer to the ones from Sinners than from that weird-ass film. The main vampire, John Varley, is pure evil. He’s impulsive, incredibly selfish, and enjoys the violence and the chaos he causes. Even when he feels love, it’s twisted on so many levels. You’re at once both fascinated by him and repulsed by him, which, from a writer’s perspective, I just admire.

I also like the other characters. You really come to feel for both Dwayne and his niece, Julia. Both have been through the ringer during their short lives, and the events of the novel do not help. It really helps you empathize and want to root for them.

As for the story, the best way to describe it is twisty and unexpected. Several times, especially during the first third of the novel, I was surprised by the directions the story took, which I did not see coming. I think at one point, while I was listening in the car, my mouth fell open and I literally shouted, “What?!” I was that surprised.

Plus, the worldbuilding is done very lightly but effectively, and the stakes remain epic in a number of scenes (pun not intended).

My only criticisms are that when we finally find out the full details of the dark secret Dwight’s been holding onto the whole book, it’s told more as a story than as a flashback, which I would have expected. That, and I thought the final battle could’ve been drawn out a bit more. It just went too quickly for me.

However, as far as vampire stories go, this is definitely one I’m glad I read. On a scale of 1 to 5, I’m giving Coffin Moon by Keith Rosson a 4.5. Unexpected, full of pathos and masterful storytelling. Grab your red wine or tomato juice, and sit down with it today. You might find yourself, like a vampire, staying up all night long with it.

Review: “Moan” by Junji Ito

Posted: December 16, 2025 in Review, Scary Stuff
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Junji Ito collections, with the exceptions of masterpieces like Remina or Uzumaki, usually rate a 3.8 out of 5 from me. There’s usually some good ones, but the bad ones can really bring down the score of the collection. And with Ito himself admitting in his last collection that as more time goes on, the more he’s scraping the bottom of the imagination barrel, I was braced for a collection full of duds.

In Moan, Ito-sensei gives us four stories of around 60 pages or so, and two shorter ones of about 10-15. And what do you know? This time around, the majority of the stories worked for me.

The first story, “Supernatural Transfer Student,” is fun and imaginative. A small town high school gets a new transfer student, who immediately joins the Supernatural Studies club, which has some possibly-real, possibly-fake psychics. Suddenly, the town is full of weird phenomena right up the club’s alley, and the new kid might be causing it. It’s visually enjoyable and escalates nicely, so I enjoyed it.

The titular story, “Moan,” is about a family whose mother is obsessed with cleanliness to the point of neurotic. When a murder occurs in their home, things start getting weird and a moaning noise comes out of the pipes. Is it the spirit of the murder victim? Or is something else going on here? There’s a sense of claustrophobia and spiraling madness in this story, and the climax is very terrifying. The story ends a bit too abruptly to me, but I attribute that to manga publishers having a limited page count (still would have liked ten more pages to give the story a proper ending). Other than that, the story is chef’s kiss levels of good.

“Blood Orb Grove” is a tale of vampirism that has an interesting twist on the lore of vampires. It’s good, but there’s a bit too much talking and needless info-dumping in the climax. Meanwhile, “Flesh-Colored Mystery” is a great and imaginative story about how much someone’s beauty standards can mess up the lives of others around them. It’s visually creepy and the themes of beauty and abuse really resonate. Perhaps the ending for this one is also a bit too abrupt, but I still enjoyed it.

The fifth story, “Near Miss,” is very short and unimaginative, and is honestly the low point of the collection. However, the last story, “Under the Ground,” makes up for it with an engaging story that has a predictable, but still very well done, twist at the end.

All in all, I really liked Junji Ito’s Moan. On a scale of 1 to 5, I’m giving it a 4.5, much higher than the usual score. There’s some great stories here, and they’re all done with Ito-sensei’s iconic art style. Hell, some like “Moan” or “Blood Orb Grove” might make for great movies, so long as they were live action (at this point, I’m convinced you can’t make a good animated Junji Ito adaptation). Just avoid the fifth story in the collection, and you won’t regret reading it.

Review: “Wake Up and Open Your Eyes” by Clay McLeod Chapman

Posted: December 7, 2025 in Novel, Review, Scary Stuff
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“This book is perfect for your conservative relatives. Especially at Thanksgiving.” This is the description I got of Wake Up and Open Your Eyes by Clay McLeod Chapman, a satirical horror novel about a demonic apocalypse. With a description like that, I was intrigued. And this past Thanksgiving, I started the audio book.

To which I say, “Woo-boy? What did I get myself into?”

Wake Up and Open Your Eyes starts with Noah Fairchild, who goes from his home in Brooklyn to check on his estranged parents after his mother leaves a strange, conspiracy-filled message in his voicemail and then doesn’t pick up. When he gets down there, he finds his parents seemingly brainwashed into dementia by their conservative news shows. However, it’s actually the beginning of the apocalypse. And the demons are possessing people through their devices. And what they choose to consume through their devices.

As I said, this is a satirical horror novel, so there are plenty of funny moments that made me laugh out loud. One of the main sources of possession is a parody of Fox News, and it’s so thinly disguised, you can tell immediately which anchor is getting made fun of. In the final third of the novel, the story is actually narrated by a fictional version of a real life news anchor, only he’s a hallucination living in a character’s head to help them process these events!* And even in the apocalypse, people are posting videos to YouTube, Instagram, and TikTok, as if they need to share their most intimate moments to make them real.

However, this is a horror novel, and it gets horrifying! The demon-possessed do some seriously fucked up shit when they take over people, and a lot of it is described in excruciating detail. The amount of body horror and gross out elements even borders on extreme horror, so it can be uncomfortable at times (I just barely tolerated it).

Still, it is hard to put down. While at first I could only listen to it in small doses, over time I got so hooked, I listened whenever I could. And the ending, while some may hate it, is definitely quite fitting for such a bleak horror novel.

On a scale of 1 to 5, I’m giving Wake Up and Open Your Eyes by Clay McLeod Chapman a 4.5. It’s bleak, horrifying, and pokes plenty of fun at a nation/world/species that is willing to give up its thinking faculties and let a talking head on a screen do the thinking for you (not just conservatives; liberals and everyone else, too). If you have a strong stomach and are at all interested, give it a read. You may never be able to look at cable news, wellness gurus, or even “Baby Shark” the same ever again, but it might just be worth it.

*And can I say, I find it so bold to put real, living figures in your stories, using their real names? I’ve read a few stories like this, such as Shoeless Joe featuring JD Salinger, or a story by Jonathan Maberry where Kevin Hart and Kelly Clarkson, among others, make an appearance. And ever time, I marvel. I know it’s kind of allowed if they’re a public figure and it’s either parody or their fictional selves are acting in a way that would correlate with their real selves. But still, it’s not something I would consider doing (especially when I put real figures in my stories as a form of punishment for real life bad acts). I would be too worried about getting sued!

Review: “Fiend” by Alma Katsu

Posted: October 14, 2025 in Novel, Review, Scary Stuff
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Alma Katsu’s become one of those authors for me that, when I hear they have something new coming out, I immediately want to scoop up a copy and read it. And when I heard that, for the first time, she was releasing a horror novel set in our modern era, I was intrigued. When Fiend finally came out, I immediately went to the library to grab my copy (support your local libraries, kids!) and started reading as soon as I could.

That was about a week ago. I finished the book today. And now, I’m reporting my thoughts.

Set in our modern times and with some flashbacks to the past (which, based on the characters’ ages and context clues, I assume is somewhere between 2004-2015), Fiend follows the Berishas, a powerful family hailing from Albania that rules over a wide business empire. Specifically, it follows the youngest generation of the Berishas: Dardan, an anxious young man being groomed to run the family empire; Maris, who rebels against her father’s patriarchal views and wants to rule while also wanting to please him; and Nora, a wildcard who’s more than she seems. They are well aware that their family, ruled over by the tyrannical Zef, is rumored to be aided by a demon that keeps them rich and untouchable. But after a particular incident, the dominoes start falling. Dominoes that will change the family, and possibly bring down the dynasty, forever.

So, while this book has been marketed or compared to “Succession with a demon” (not sure how accurate that is, having never seen Succession, though I know the basic pitch), I would compare it more with 2015’s The Witch. The focus is on these characters, showing an intimate portrait of a family that is breaking down due to isolation, clashing egos, and external pressures closing in. The demon itself, like the witch in the movie, is just one of the catalysts that hastens the breakdown of the family.

And the way Fiend is written, it is hard to put down or look away. I was breezing through each chapter, just wanting to find out what happened next and how each of these fascinating, unhappy, often terrible people would hurt each other next. We spend the most time with Maris, and you can see Alma Katsu having a ball writing her and showing her trying to achieve what she thinks she wants. After her, we spend the most time with Dardan, who is desperately struggling under the weight of his destiny but too scared to find a way out of it.

My two criticisms are this: one, I would have liked to have spent more time with Nora. As I said, she’s a wildcard who’s more than she seems, and I would’ve liked to get further below the surface than what we got with her. I get why she’s the sibling we spend the least amount of time with, but I still wanted to know her. And two, I honestly wanted to see more interactions with Olga, the Berisha matriarch. She’s mentioned more often than seen, and I think it would have been fascinating to see how she’s weathered being part of this screwy family for most of her adult life.

But beyond that, Fiend is an excellent family drama/horror story. On a scale of 1 to 5, I’m giving it a 4.5. An enthralling deep dive into the world of corporate intrigue and what can occur from generations of abuse and trauma (plus a little demonic magic). If this sounds like it might be up your alley, grab a copy and get ready for one hell of a ride.

13 Movies to Watch for Spooky Season 2025

Posted: August 17, 2025 in Review, Scary Stuff
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It’s that time of year again, which means it’s time to recommend some movies for spooky season. So once again, I’m here to recommend thirteen movies that you can binge between now and Halloween. Hopefully you decide to check some of these out. As usual, I got a mix of old and new, well-known and lesser-known. All guaranteed to make your spooky season that much spookier.

So are you ready? One. BOO! Three. Let’s go.

I Am A Ghost (2012)
A ghost is haunting an old, rambling Victorian home. However, she doesn’t know she’s dead. Not until a medium reaches out to her to let her know she’s dead and it’s time for her to move on. But that’s easier said than done. Especially given the truth of how she died.

Made for only ten thousand dollars, this little indie film has both a creepy mystery and a distinct style that makes it stand out. Some of the editing choices might not be for everyone, but honestly, it’s stuck in my mind for over ten years. And I think it’s something you’ll enjoy, too, if you give it a chance. Plus, it’s on Tubi, so it’s free.

Screamboat (2025)
An anthropomorphic mouse gets loose on an old Staten Island Ferry vessel, going on a violent murder spree. Hijinks ensue.

These public domain horror films based around characters like Winnie the Pooh and the Steamboat Willie version of Mickey Mouse get a bad reputation. And for the most part, deservedly so. However, this one is actually decent! The humor is top-notch, the slasher element is extremely gory and well done, and there are actually some really beautiful, heartfelt moments. The flooding closet scene alone will pull at your heartstrings! So, if you’re going to check out any of these crazy public domain slashers, make it Screamboat.

Plus, you can make one hell of a drinking game trying to catch all the Disney references. Just saying.

My Best Friend’s Exorcism (2022)
Set in 1989, friends Abby and Gretchen get together with some friends for a weekend of getting into trouble. However, while attempting to take some LSD, something attacks Gretchen. Something not human. It’s making her do horrible things to herself and those around her. It’s trying to drag Gretchen’s soul to Hell. And Abby will need help if she wants to save her best friend from damnation.

Based on the fabulous novel by Grady Hendrix (see my review of the novel here), this movie is equal parts funny and scary, and is also quite heartwarming. My sister and I watched it on a movie night, and she and I loved it. If you’re looking for a fun horror movie to watch this season, then this is definitely an option for you.

Heretic (2024)
A pair of young Mormon women doing their missionary work go to a man’s house after scheduling to meet with him and proselytize to him. However, the man hasn’t asked them to come to his home because he truly is interested in the Book of Mormon. He’s invited them because he’s built his house to be a giant trap. And while they’re stuck with him, they’re going to go on a religious/spiritual journey with him. Whether they want to or not.

With a standout performance by Hugh Grant as antagonist Mr. Reed, the film delivers both a tense atmosphere and a twisty plot full of religious, spiritual, and philosophical themes that really get you thinking. If you enjoy horror but are also very religious/spiritual, I would recommend seeing this film just to ponder its themes. Also, it’s a damn good horror film.

Banshee Chapter (2013)
After her best friend from college mysteriously disappears after taking a chemical associated with the MKUltra experiments, tries to figure out what happened. Along the way, she gets in deep with government conspiracies, a counterculture writer with a drug habit, and mysterious, barely seen creatures that want to inhabit our skins.

Based loosely on the short story “From Beyond” by HP Lovecraft, this found footage updates the story with one of America’s most infamous moments of violating the rights of its own people. It’s not perfect, but it has plenty of scary and tense moments and it’s hard to look away. Plus, Ted Levine as surly counterculture author Thomas Blackburn just steals the show in the best way.

Abigail (2024)
A group of career criminals kidnap a twelve-year-old ballerina to hold her for ransom. They’re told to lay low in a mansion for the next twenty-four hours. No names, no personal details, and no interacting with the girl. However, it soon turns out that the girl is the daughter of a terrifying underworld figure. And she’s a vampire. And she basically staged her own kidnapping so she could have some fun hunting her prey.

As bloody as it is hysterical, this was definitely one of the best horror films of last year. Watching a preteen in a bloody tutu tear out people’s throats and fight grown adults while dancing the steps to Swan Lake is like nothing else. Plus, you really grow to like these characters, even if some of them are total bastards. Give it a watch and see how it enhances your Halloween season.

Alice, Sweet Alice (1976)
Two young girls are growing up in a heavily Catholic community in early 1960s New Jersey. The younger is murdered on the day of her First Communion, and suspicion falls on her older sister Alice, who is neglected and displays antisocial behavior. She also has never been allowed communion, as she was conceived out of wedlock. As more bodies pile up, more fingers start pointing in Alice’s direction. Is she the one behind it all? Or is someone else the culprit?

When this early slasher was released in 1976, it caused an uproar due to its perceived anti-Catholic views. However, it’s since gained a huge cult following and has been examined and reexamined by scholars for what it says about religion, familial dysfunction, and adolescent psychology. For my part, Alice, Sweet Alice has been stuck in my memory since I saw it a few years ago, and I keep finding myself returning to the movie and its troubled main character, every now again.

If you want a slasher that pushes some boundaries, this might be the movie you should watch this spooky season.

In a Violent Nature (2024)
Another prominent slasher, this one takes things in a very different direction. After his grave is disturbed, an undead killer rises from the dead. He then goes on a killing spree, mowing through everyone he comes across. All while doing it in a slow, methodical, unemotional way. And I mean “slow, methodical, unemotional.” But in the most fascinating way.

Most slashers focus on the characters about to be killed, but In a Violent Nature shows things from the killer’s perspective. Not directly, but usually from behind him. Coupled with a lot of quiet moments, without even a soundtrack other than nature sounds, and it makes for a realistic take on a slasher story, though it still has its moments where you think to yourself, “Okay, you idiot, you did something stupid and now you’re going to die.”

Just make sure to be well-rested while watching. If you’re not careful, the quiet moments can put you to sleep.

The Gate (1987)
A young boy and his friend accidentally discover a gateway to semi-Lovecraftian cosmic entities of evil and try to close it before the demons swarm out into our reality and destroy it. Along the way, they’ll deal with some trauma and feelings of loneliness.

This film isn’t the scariest thing I’ve ever seen, but it is fun to watch. It’s filled with a lot of heart, some decent stopmotion effects, and an emotional undertone that will get you right in the feels. Plus, that opening scene that still scares me (plus it inspired a novel I hope to write someday)!

While I wish it would lean more in to the Lovecraftian elements (maybe a remake someday?), it’s still a great film. Give it a watch, and you’ll see.

The Collector (1965)
A man wins the lottery and buys a huge house in the country. He then uses it to keep a woman he’s infatuated with. Obviously, the woman wants nothing to do with him. But stuck in his home, she only has so many options at her disposal. Thus begins a terrible game of cat and mouse.

This psychological horror film may be older and a slow-burn, but it’s still effective. Watching both characters trying to outmaneuver one another and gain control in this messed up stalker-stalkee relationship, all in the background of the English countryside, has to be seen to be believed.

The Vigil (2019)
A young Jewish man who has recently left his ultra-Orthodox community is hired to watch over the body of a recently deceased man until his body is collected in the morning for the funeral. However, the deceased was apparently haunted his whole life by a terrible spirit. And now, the young man may be its next victim.

This is, by far, one of the best examples of Jewish horror films I’ve ever come across. Spooky, atmospheric, with an emphasis on practical effects and psychological horror, this film will stay with you long after you’ve watched it.

The Spanish-Language Dracula (1931)
It’s the same movie you know. The one that started the Universal horror line and is part of the foundation of modern horror films. Or is it?

Back in the 1930s, movie studios were trying to reach foreign markets, especially Spanish-language markets. And rather than dubbing over the soundtracks or figuring out how to put subtitles onscreen, they would have a Spanish-speaking cast and crew come in when the English-language crew were done filming for the day and film their own version. The Spanish-language Dracula is particularly famous, as director George Melford would watch what was filmed the day before to inform his own version.

The result is a version of the 1931 film that is on par with and maybe even better than the English-language version. It was thought lost for many years, but resurfaced in the 1970s and has since been preserved for both posterity and our viewing pleasure. And honestly, if you’ve seen the English version, then you really have to check out the Spanish version and compare the two.

Sinners (2025)
A pair of twins in Jim Crow Alabama decide to open a juke joint for the local African-American community, enlisting the help of their young cousin and some other locals to make it a success. However, on opening night, the joint gets some unexpected gate-crashers in the form of vampires. And these vamps, who are out for more than just blood, won’t stop till they get what they came for.

If you only watch one film off this list–nay, if you watch only one film this Halloween season, make it Sinners. This film is visual, musical, historical, thematic, and just a few other types of gold besides. Blending genres, breaking conventions, and putting a big boost into both African American horror and original horror stories, I’ve seen it twice and have been blown away each and every time.

So, those are my recommendations for this year. I hope you decide to check out a few of these. I know I’ll be giving the ones I haven’t seen in a while a rewatch.

But in the meantime, tell me: what would you add to the list? Which of these films have you seen? And what were your impressions of them? Let’s discuss.

That’s all for now, my Followers of Fear. Until next time, good night, pleasant nightmares, and 75 days till Halloween. Get watching.

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