Archive for the ‘Review’ Category

You know the drill. Junji Ito, currently the biggest name in horror manga right now, released a new collection of short manga in North America. I got my hands on a copy from the library, read it, and now I’m reviewing it.

In Tombs, Ito brings together some old and some new stories to terrify us. From a town where tombstones show up wherever someone dies, to a strange neighbor who calls to a young man at night and a town where everyone appears to be anemic, there’s something for everyone in this collection. And all of it is guaranteed to stick in your mind.

This was probably the most solid collection of Ito’s shorts that I’ve read. Not a bad one among the group. Obviously, Ito’s art is always well-done and extremely evocative, with every line made to scare the ever-living daylights to you. And the ideas of these stories are all very inventive. I often found myself envying some of the ideas he had to come up with these stories, my favorites being the titular story “Tombs,” as well as “The Bloody Story of Shirosuna.” The former story is the one I mentioned where tombstones show up whenever someone dies, while the latter is the one about the town being anemic.

Close runner-ups were “Floaters,” a story where people’s inner thoughts manifest physically as these little hairballs that float in the air and speak your thoughts when you touch them, and “Bronze Statue,” which follows an old woman’s obsession with her youth and commemorating it in bronze.

It was also great to finally read “The Window Next Door,” which I’ve only heard about and have never read (I didn’t want to read it illegally online). That particular story has some of the most disgusting and off-putting art I’ve seen from Ito, all without using blood or gore.

The only issue I really had with the collection was that the story “Clubhouse,” which is a ghost story with a fun and clever concept, ended a bit too abruptly for my tastes. I honestly felt like it could have had a better resolution if it had a few more pages. That being said, the story is still pretty awesome as it is.

All in all, Tombs by Junji Ito is a great collection with some amazing and creepy stories worth reading. On a scale of 1 to 5, I’m going to give it an even 5, a top score. Definitely go out and read a copy if you can get your hands on it. Hell, I might buy myself a copy to own if the opportunity presents itself. It’s that good.

Also, I think “The Bloody Story of Shirosuna” would make a great live-action movie. Can someone please get on it? And yes, please do live action, not anime. I’ve sort of given up on anime adapting Junji Ito well (two series have been really sub-par and the Uzumaki adaptation has been delayed forever, so what does that tell you?). And don’t make an American version of it, I’m sure that would ruin it by adding all the wrong elements to make it more local. But yes, please make a live-action adaptation of it.

Alright, that’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

I’ve been hearing about Philip Fracassi here and there for a little while now and was curious to try one of his stories. One or two of his books have even made it onto my TBR list. This one became available to me on Audible, so I snapped it up. And today, while cooking dinner, I finished the audio version of Gothic. Obviously, I have to share my thoughts.

Gothic follows Tyson Parks, a middle-aged horror author who was a big seller in the 90s but hasn’t turned out a hit since and needs one to stay afloat. It doesn’t help that he pitched one book to a publisher and turned in something entirely different to his agent. However, when his wife gets him a new writing desk for his birthday, one with a black stone top and lots of terrifying designs in the wood, he finds himself inspired to write something dark and violent. However, this inspiration, and the source of it, turns him dark and violent as well. And that’s because the desk isn’t just a desk. It’s something old and evil. And it has a terrible purpose in mind for Tyson.

I liked Fracassi’s writing style. He goes into the trials and troubles of a writer, especially one with bills, with both realism and a strong sense of humor. Not to mention, the story itself is dark and intriguing, moving along at a steady clip as you watch Tyson’s descent and how those he loves are pulled along for the ride. Honestly, there were some parts that made me cringe when I read them, they were just so brutal.

And the source of the horror, the writing desk, is a pretty cool concept. Yeah, at first glance it sounds like Christine gone silly, but the damn thing’s scary in more than just looks. Especially as it begins to exert a stronger and stronger influence on Tyson. And in the last fifth or so, elements of In the Mouth of Madness are incorporated, which I enjoyed.

That being said, I was disappointed by the ending. I thought it felt rushed, like Fracassi was trying to meet the same deadline as his character, and he just slapped on an ending that wouldn’t require another ten to twenty thousand words. Part of me wonders if the intention is to give this story a sequel where some of the plot threads are wrapped up and the desk’s influence can be further explored, but I don’t know if that was the intention.

On a scale of 1 to 5, I’m giving Gothic by Philip Fracassi an even 4. With plenty of pain and horror, it’s an entertaining read and worth taking a look at.

Just don’t read it near any antique desks. And if you do, make sure you have the desk’s history and you’re sure it’s not dangerous before you do.

Two posts in one day. My Followers of Fear, you either did something very good in your past life or very bad. Either way, I finished Grady Hendrix’s latest novel on audio book today, so I’m going to review it here.

How to Sell a Haunted House follows Louise Joyner, a mother of a five-year-old who has a complicated relationship with her family. When her parents die unexpectedly, she flies from San Francisco to Charleston to take care of their estate and put them to rest. However, things are complicated by her younger brother Mark, whose lifestyle and choices puts him in conflict with Louise from day one. As the two argue like children and try to get the estate settled, they soon find that something malevolent is alive within their childhood home. And unless they get their shit together, it may claim not just the both of them, but Louise’s little girl.

The amazing thing about Grady Hendrix is that he can take a concept that sounds ridiculous on paper and write a whole novel out of it that’s both darkly comic and quite terrifying. From an IKEA knockoff built on the grounds of a former prison, to a teenage girl becoming possessed in 1980s-saturated Charleston, he just makes it work. And it’s no different here. Honestly, I found myself laughing quite a bit listening to Mark and Louise act like me and my sisters at our worst times ten. And as you get further in and see just how dysfunctional this family is, you find yourself glad you’re not part of the same family.*

And when you figure out who/what is going to be the main antagonist of the story, you find yourself laughing…only to see how terrifying said antagonist is. And as you see episodes from Louise and Mark’s childhoods and adulthoods that formed them as people, you see elements as these moments come back to literally haunt them in their parents’ homes. It’s freaky, and there were actually times I found myself wincing or shuddering as I listened to these moments.

And underneath all the darkness and comedy, you get some great themes about the effects of generational trauma on family and family dynamics, about learning to deal with death (and explain it to children), and what family actually is. It’s heavy stuff.

I do have some problems with the book, however. I did see a certain twist regarding the antagonist very early on, and I’m sure I’m not the only one. I also thought the resolution of the climax could have been a bit darker and might have ended too sweetly. And I would have liked to see Mark and Louise explore and resolve their issues a bit more. I feel like during the last third of the book, a lot of stuff was skipped over so the novel could reach its end.

But all in all, How to Sell a Haunted House is another awesome release from Grady Hendrix, whom I’m sure will only continue to grow in stature as a storyteller. On a scale of 1 to 5, I award his latest outing a 4.2 out of 5. It’s funny, creepy, and an all-around thrilling story. Grab a copy, settle down, and get ready to either feel grateful for your own family or feel like you’re reading about your relatives (it’s either one or the other, for better or for worse).

That’s all for now, my Followers of Fear. Until next time (which will be sometime before the week is done), good night and pleasant nightmares.

*I actually texted my own sisters to let them know how much I loved them and was glad we got along despite our childhood rivalries and disagreements. They were touched, as well as concerned about me because I was sending that text. Anyway, that’s how I reacted to this family’s malfunction.

The cover of Entomophobia.

Some of you may remember my interview with Sarah Hans last year about her debut novel, Entomophobia (click here if you’d like to read it). I was interested enough that I bought my own copy (Sarah gladly signed it for me) and I began reading it recently. And while I don’t have a lot of time to read these days, I was able to get through it quite quickly. So, what did I think? Let’s find out.

Entomophobia follows Meri, a woman who has just left her abusive husband and is trying to get her life back together. However, it seems life is conspiring against her at every turn: her aloof mother is unsupportive; the judge ruled that her soon-to-be ex-husband will have primary custody of her daughter, Magda; and, after having to steal supplies for an art show she’s part of, she gets cursed by a tiny man with insectile features. The curse is changing her, forcing her to face her darkest fears. And if she doesn’t do something quick, she’s going to lose what little she has.

One of the biggest strengths of this novel is Meri. She’s a fully realized character, sympathetic yet flawed. Within a few chapters, I felt like I really knew her, and that made it easy to empathize with her pain and fear and the woes of her life. There’s also a strong supporting cast, especially in the character of her mother, whom I wanted to strangle at times.

Another of the book’s strengths is the human-based horror. We see a lot of characters being cruel, uncaring, or just plain awful. This is obvious in Meri’s ex-husband Adam, who is a huge piece of shit, but also in her mother, in random teens in a bad neighborhood, and even in her ex-boyfriend Dan, though he does mean well at times. Whether they realize how their actions effect others or not, it’s horrifying to see just how much they don’t give a shit at times about the damage they cause.

The body and supernatural horror isn’t anything to sneeze at, either. A lot of scenes in this book will make your skin crawl as you read them, and the description of some of the characters, especially the less-human ones, really bring them to mind and make it easy to imagine what they might look like.

I do have some gripes, however. I did feel like the book could have been longer. As I said at the beginning of the review, it’s a short book, and I feel like it could have been a bit longer. Perhaps some scenes could have been drawn out more or added in, especially ones involving the curse or Meri’s phobia. I would have been good with some expansion.

On a scale of 1 to 5, I’m giving Entomophobia a straight 4. It’s a quick, creepy read with a great cast and an engaging story that I recommend.

On a sad note, you might have trouble finding copies. As mentioned in my interview, Entomophobia’s publisher closed and was only printing new copies through the end of 2022. So right now, I have a kinda-rare first edition.

The good news is, Sarah tells me Dragon’s Roost Press will be re-releasing the book sometime this year, possibly this summer. So if you’re interested in getting Entomophobia when it’s available again, check out Sarah’s Twitter and you’ll find out with the rest of us when the book is available again.

That’s all for now, my Followers of Fear. I’m off to read some more before heading to bed (I’d rather do some more writing, but I know if I start now, I’ll never get to bed at a decent time). Until next time, good night and pleasant nightmares!

Before we start, I would like to thank Lucy A. Snyder and the team at Tor Nightfire for providing me with an ARC copy to read (and a special thank you to Lucy for the awesome galley copy she gave me a few months back).

Set a few years after our current COVID-19 pandemic, Sister, Maiden, Monster follows three separate women as their lives are affected by a terrible new disease raging across the planet. Known as polymorphic viral gastroencephalitis, or PVG, the disease is like the stomach flu from hell. For those who are lucky, it kills them very quickly. For the rest, it changes them, making them unable to eat most sources of nutrients. They have to get their nutrition through rather macabre means. And that’s only the start of the apocalypse that’s going to come.

So, it looks like there’s still an appetite for pandemic fiction, even after a real pandemic. At least, if the release of Sister, Maiden, Monster, the airing of “The Last of Us,” and one or two of my own stories, among other works, areanything to go by. And everyone telling those stories are making sure the hypothetical future pandemics are even more terrible than COVID-19 was. Which, honestly, I gotta respect.

Alright, onto the story. Sister, Maiden, Monster was great. I really enjoyed it. For one thing, the three main characters are really well-developed, which is great in such a character-driven story. There’s Erin, who’s seeing her life implode and strange new desires growing inside her after becoming infected; Savannah, a prostitute and dominatrix who discovers she has a talent for causing death in the name of new masters; and Mareva, a sickly woman who has been chosen for a terrible purpose. I really got to know these characters and get inside their minds. Which, by the way, was not always the most pleasant ride, believe me.

Speaking of which, Lucy Snyder does not shy away from showing what Stephen King calls the “gross-out” factor of horror. There are bloods, brains, gore, and plenty more body horror to make more squeamish readers feel faint. Add in the isolation and paranoia of living through another pandemic, this one worse than the one preceding it, as well as some good and delicious cosmic horror, and it makes for a rather scary read.

I did think that the time spent with each narrator was unbalanced. Somewhere between a third and half the book is from Erin’s perspective, and while I get why, I would have liked to see more from the other two narrators. Especially Savannah. That lady is wild and a lot of fun to read, even if you would be horrified by her if she were real.

I also noticed that something that appeared later in the book and which I loved seeing was foreshadowed earlier in the story, but I felt it could have been foreshadowed a bit more. Hell, I nearly forgot about the foreshadowing until the reveal, so that says something.

All in all, Sister, Maiden, Monster is a great, body horror-filled ride and I’m glad I got to be among the first to read it. On a scale of 1 to 5, I’m giving it a 4.3. The book releases this Tuesday, February 21st, so go preorder a copy, settle down when you get yours, and get ready to see the horror of the pandemic go through a terrifying metamorphosis.

Until next time, my Followers of Fear, good night and pleasant nightmares.

I’ve been hearing about this one in one of my Facebook horror groups, so I got interested and got the audio book. And on the ride home from work, I finished it today.

Set in 1994, The Exorcist’s House follows the Hill family as they move into a farmhouse in West Virginia with the goal of flipping it for a profit before the new baby arrives. However, the house used to belong to a local exorcist who spent much of his life fighting demons. And there’s plenty to suggest that while the exorcist is no longer living there, or even living, something else is. And if the family doesn’t do something soon, they may not live much longer.

So, I couldn’t help but see this as kind of Conjuring-esque. I mean, it feels like something that would be inspired by The Conjuring. A family moves into an isolated home in the middle of the country with a history of the paranormal, demons start to oppress and try to possess them, it all takes place in an era that’s starting to become nostalgic in the public’s memory, an exorcist or two are involved in the story, and plenty of Catholicism to boot. Near the end, I couldn’t help but think that the author could do a whole shared universe around some of these characters, especially the exorcist of the title.

That’s not detracting from it, I’m just saying that’s how it feels.

All that being said, it was an enjoyable read. The story is well-written and the characters are quite fleshed out, especially mother Nora who has a strong character arc in regards to her own inner demons (pun intended). Even daughter Alice, who is a stereotypical teenager, is more than just a flat stereotype. There’s also some really scary scenes, such as the scene with Nora in the basement in the first half of the book (I got shivers while listening to that chapter in the car), as well as a few twists that I didn’t see coming.

And that ending! Not sure if the author really is setting up for a sequel or a shared universe al a The Conjuring, but even if he isn’t that ending left me satisfied as only a horror fan can be.

That being said, there are some tropes that we’ve seen a hundred times, such as an exorcist being brought in during the third act for the big confrontation, so at times it does feel a little predictable.

On a scale of 1 to 5, I’m going to award The Exorcist’s House by Nick Roberts an even 4. Plenty of good scares, a decent story and possibly the launching point for a shared universe. Also, the audio book has a great narrator with a ton of range. Pick the format of your choosing and get settled in for a nice read.


That’s all for now, my Followers of Fear. This will, in all likelihood, my last review of the year, and likely my last post of 2022 (unless something comes up between now and Saturday and 11:59 PM). Thank you all for your support in 2022 and I look forward to sharing with you my adventures, trials and accomplishments in 2023. Until next time, happy new year, good night and pleasant nightmares!

I hate that I never have enough time to read physical books. Audio books, I can listen to while working, cooking or driving, but a paperback takes time because I’m busy all the time. I’m glad I was finally able to get through this one, though it took much longer than I would have wanted to. Oh well. Here’s the review.

Ghost Eaters follows Erin Hill, a college graduate who feels purposeless and is trying to find some meaning or mooring in her life through the usual avenues: dating, a possible dream job, etc. The only bright spot in her life, as well as the one person who might be holding her back, is Silas, her friend and former lover from college, who has since spiraled and dies after a disastrous intervention. Desperate to connect with Silas one last time, Erin and her friends use an experimental drug called Ghost that supposedly connects you with your dear, departed loved ones. But be careful when you call out to the dead: you never know who might answer. And Erin is going to find that out the hard way.

What a book!

Ghost Eaters is an eerie novel that gives a chilling vision of not just what the afterlife could be like, but what might happen when you try to interact with the afterlife. Personally, I feel like anyone who reads this book will shudder at this depiction and hope whatever’s after death won’t be the same as in Ghost Eaters. Especially given the gruesome descriptions of the ghosts who are hungry for life and will go to disgusting means to get to it.

I also liked how effortlessly thematic the novel is. By another author, the book might hit you over the head with its ideas, but here it’s woven in quite well. The main themes are about addiction, both addiction to drugs, addiction to certain people, and addiction to connection. I also like how the addiction and dependence on Ghost has a very religious, cult-like air to it, especially towards the end of the book. In fact, one could make an argument that the relationship between a cult and its adherents can be an addiction, and that’s shown quite well here.

And speaking of which, Silas is kind of like a cult leader himself in the style of Charles Manson. He has this ability to make everybody around him feel special and loved, and they become hooked on that. It’s to the point even when they know they should drop him and later, when he dies, he still exerts a significant hold on their life.

I did have some issues with the story, however. Erin and her friends, for example, are not very likable. I think part of it is that they’re all so adrift, are barely able to live on their own, have no idea what they want in life and are trying to find meaning in all the wrong things (like Silas). And I know that’s something that a lot of people struggle with, but I feel like I’d like these characters more if they all got some much-needed therapy.

But then again, if they did that, I doubt we’d have a story, would we?

Anyway, Ghost Eaters by Clay McLeod Chapman is one of the best books I’ve read this year (a small number, given my reading pace, but you get the idea). On a scale of 1 to 5, I’m giving this novel a 4.4 out of 5. I personally still like the author’s other novel, Whisper Down the Lane (see my review of that here), more, but I dig this book too. And I bet, with the right director and not too much of a reliance on CGI, it might make for a terrifying supernatural horror film. Give it a read and see for yourself.

Also, I feel like Ghost Eaters and the new Hellraiser film would make better tools to get kids from taking drugs than anything the DARE program ever came up with. Both deal with addiction and are frightening enough to make young people associate drugs with being plagued by the supernatural. “Hey kids! You want to do illegal substances? Be careful! You might get on the radar of interdimensional sadomasochistic demons or wandering ghosts hungry for life. Don’t believe me? Check out this horror novel and movie and see for yourself!”

Someone tell me I’m not the only person who’s thought that.

The following review features mention of suicide. If you or someone you know is feeling suicidal or considering suicide, please contact the National Suicide Prevention Hotline by dialing 988 in the United States. Other nations have similar hotlines set up and they are just a Google search away, so please make that call if dark thoughts are plaguing you. Thank you.

Black Paradox follows four individuals who meet on an online suicide message board. However, almost immediately odd events derail their plans, most notably the discovery that one of their members has a portal in their belly to another dimension and keeps vomiting up precious gems (yes, you read that right). However, the gems contain a dark secret, and their discovery in our world set events into motion that will affect not just the four protagonists, but the entirety of humanity.

I would say that the word that describes this short series is “inventive.” Almost immediately, weird stuff happens and it is generally very freaky. The gems, later called “paradonite,” are also an inventive touch, as well as what they do. I haven’t seen much horror around gemstones unless it’s like a haunted/cursed necklace or something. Plus there’s a robot in there, doppelgangers, and quite a few other things that will surprise you. The paradonite itself is an interesting object, as it has a few surprises associated with it.

The art is also quality. Ito being Ito, you know he’s going to put a lot of effort into his work to create an evocative and at times unsettling illustration. It’s especially effective with sequences of body horror, which are rife throughout this book.

However, it does feel like at times Ito was making it up as he went along, and not in a good way. There are certain threads that are left dangling at the end of the series, and while in horror it’s okay to sometimes leave certain questions unanswered, especially with Ito’s work, it didn’t work too well this time around. Also, I don’t think the topic of suicide was handled as delicately as it could have been. At times, as events unfold, it’s almost brushed off and forgotten as inconsequential.

Also, there’s a four-page bonus story at the end that’s kind of included as a joke. It’s not very good. I’m not sure why it was included.

Despite all that, however, I would call Black Paradox quintessential Ito and worth a read. I struggled on what score to give this one, but I kept coming back to 3.8 out of 5, so I’ll go with that. If you are looking for a strange and surprising horror manga, I would recommend Black Paradox (though Uzumaki and Remina are still leagues better).

That’s all for now, my Followers of Fear. It’s been a hell of a month, but a good month nonetheless. I hope December is just as good and that we all have a stress-free time during the last 34 days and three-or-so hours of 2022. Until next time, pleasant nightmares!

About a year or two ago, this one title became kind of a sensation in one of Facebook groups. Everyone was talking about it, raving that it was the next best thing in indie horror. Combined with a striking cover and name, I couldn’t help but grow curious. Sadly, my TBR list is already a mile high, so I had trouble getting around to reading it. Thankfully, I get plenty of reading done thanks to audio books, so when I found out the audio book for this novel was finally released, I scooped it up for my October read.

So, after all that hype and fanfare, is Stolen Tongues worth the wait?

Set mostly in California and Colorado, Stolen Tongues follows a fictionalized version of the author himself, Felix Blackwell, as he and his fiancée Faye go up to her parents’ cabin in the mountains as a little engagement present. However, the lovers’ weekend is interrupted when they find a strange object hanging from the trees, and later that night start to hear odd voices coming from the surrounding woods. Soon, Faye starts to walk and talk in her sleep, and it becomes clear that something is influencing her in her dreams. And it will stop at nothing to have her.

So, the suspense throughout this novel is phenomenal. The prologue itself would make a terrifying short story on its own, and the early scenes, where we have no idea what sort of monster we’re dealing with or how it’s doing what it’s doing, are some of the tensest, most heart-pounding scenes I’ve ever had the pleasure to read. It’s also quite unsettling to see Faye undergoing changes due to the influence of the creature. Her personality warps at times, as do her memories, and you feel the narrator’s anguish and concern as she becomes someone he doesn’t recognize.

I also like the reverence and respect shown to Native American beliefs, both the beliefs themselves and indigenous people’s attitudes towards their beliefs and sharing them with outsiders. As the novel’s monster draws heavily from Native American culture, it’s refreshing to see so much respect. Often, horror that draws on Native American folklore and ideas doesn’t always include the very peoples from whom the folklore and ideas derive from, and when they do, not always in the most respectful manner, so it’s a welcome change to see said folklore, as well as Native characters, portrayed with such care.

Actually, the author includes at the end of the book an essay he wrote on writing Native American characters and horror based on their folklore, which I would read after you’re done with the novel.

Sadly, the novel isn’t perfect. After the reveal of what the creature is, some of the tension and mystery is sacrificed. The author does try to keep things creepy, especially after the narrator has a close-up encounter with the monster, but it’s not always successful. I also thought the ending was rushed and a letdown, with far too much telling, not enough showing, and not a finale epic or scary enough to match the rest of the novel.

I know me griping about showing vs. telling when I only just got better at that this year is rich, but it’s still a legitimate problem.

Overall, while it’s not the terrifying ride of suspense and creepy atmosphere that I was led to believe I was going to get, Stolen Tongues by Felix Blackwell is still a decent and chilling novel. Those sections where the tensions really works make it worth the read all on its own. On a scale of 1 to 5, I’m going to give it a straight 4. If you’re still looking for something spooky to read this October, this book might be a good choice. I’m certainly glad I finally got around to reading it.

I met Heather Miller recently, and I could tell she had a passion for horror. It feels like every day, she’s posting a review of the latest horror novel she’s read and what she thought of it. So when she announced that she would be publishing a collection of short stories, the majority of which were based on tales her grandmother told her either as a ghost story or as a song, I thought I’d check it out. I got an advanced copy, and read it in about a week.

And as you can guess, here’s my review.

My impression of the thirteen stories in Tales My Grandmother Told Me is that it would make some great summer camp or around-the-campfire reading. Which, honestly, is rather fitting considering the first story is told around a campfire. They’re also quite bingeable. You can read them back-to-back pretty quickly, like I did. And I have to say, while I wasn’t terrified, I did enjoy most of the stories. My favorites were Safe House, which was a creepy Gothic horror story, and Girl’s Best Friend, which was a fun twist on an old urban legend.

I will say that this collection didn’t feel aimed at me. It felt more like it was aimed at the teenage crowd, especially teens who are just starting to ease their way into horror. Kind of like Scary Stories to Tell in the Dark was for children. If I knew any young teens who were looking to get into horror but weren’t ready to be traumatized, I would probably recommend this.

On a scale of 1 to 5, I’m going to award Tales My Grandmother Told Me by Heather Miller a 4 out of 5. If you have a teenager who wants to wade into the waters of horror, or you like that fiction, you’ll probably enjoy this collection. It’s available now from Amazon, so check it out if you like. And if you enjoy the book, be sure to leave a review so both the author and others know what you think.

Until next time, my Followers of Fear, good night and pleasant nightmares.