Posts Tagged ‘films’

Alright, so last night I thought I’d celebrate “Aasif” getting published by watching a scary movie (if you have no idea what I just said, please head to the last post). What movie did I watch? Candyman, a horror film involving a guy with a hook who appears when you call his name Bloody Mary-style. Did I enjoy it? Not really; there were so many things just wrong with it. This has led me to this post, where I will go over things from the point-of-views of both a fan of horror and a writer of horror and say what I think you should do when you’re making a horror film.

So, for those readers not really interested in horror, so very sorry that this post isn’t aimed at your interests. For those of you who are fans of horror, please take notes and let me know if I missed anything, so that i can do a follow-up post if necessary. Alright, on we go. Here’s some things you should avoid if you’re making a horror film:

1. Don’t go crazy on the sequels: Yes, I know I’ve already had time to complain about the nauseating amount of sequels out there these days, but horror movies are the worst offenders, and as the number of the films gets higher, the quality of the films get lower, which is why most of these films end up becoming direct-to-DVD after a while. Seriously, after a few films, you gotta know when to stop. After all, movies aren’t like novels; you can only pack so much into an hour-and-a-half to two-and-a-half hour show, especially if you’re doing a slasher, where it’s heavily reliant on blood and guts to scare your audience and less about character development.

2. Make it believable: I once read an interview in which a fantasy writer was asked what makes a good setting. His answer (and I’m paraphrasing a bit): “You have to make it believable. You can’t write a story and say, ‘I’m going to have a world where everyone has guns but nobody uses them’. It just doesn’t make sense.” The same can be said of just about anything in storytelling: make it believable. That’s what’ll keep people interested in your work. Otherwise you’ll have a lousy time at the box office. A good example of this is Priest, which came out last year if I remember right. The problem was, if your species is being eradicated by a bunch of monsters, you wouldn’t put the monsters on reservations, would you? I don’t think so, and that’s why the movie failed.

Another example is the movie Leprechaun, whose titular character was too comical to be scary (and I still have no idea why there was five sequels). That was a major reason why that movie was panned by critics. And Candyman also had some trouble in the scary villain department. Our killer ghost looks like a well-dressed African-American man in nice clothes, so even with the hook on his arm he doesn’t seem all that intimidating. It’s only until you see what’s underneath his clothes that you start to get why he’s a monster, but you’re still not scared. Honestly, would it have killed the filmmakers to give him some scary contact lenses to accentuate his ghostliness? Even better, make his face swollen and covered in honey, because after all he died by bee sting.

3. Motive: This goes back to the “make it believable” thing, and was something I thought a lot about while watching Candyman last night. Our villain seems preoccupied with making sure people fear him. Why? That’s not explained very well. I I were the ghost of a man who was murdered by racists who cut off my arm and caused a hive of bees to attack me, I’d be more into getting revenge…on anyone I can get my hands on. Yet Candyman still wants people to recognize him. Okay, but what’s the purpose of that?

Point of the story is, make sure you have a motive that people can understand, and if you don’t, explain it, or do what Prometheus did and make it so that even if you don’t know the motive, it doesn’t matter, there’s other stuff going on right now.

4. Know what your audience has come to see: This was my biggest problem with the remake of Friday the 13th. We all went to that film to see Jason tear up the screen anew. What we got was more like a bunch of hypersexualized co-eds parading around naked while a serial killer watched and picked them off every few minutes. Yes, the Friday the 13th films are famous for their sexiness, but that’s supposed to be an added bonus, not the main attraction. What we come for is to get scared. If the filmmakers had focused more on building tension and making the deaths more dramatic and less time on filming bare-breasted girls, I think we’d hear me rant less on this film.

5. Recycling is bad: Boy, that sounds bad out of context. However it’s important to keep coming up with new stuff. You can’t expect people to be satisfied with the old chase-and-kill scenario twelve times in each film. You’ve got to make each film unique so that the moviegoers can gush about an individual scene afterwards. Take Scream 2 for example: there was that moment where Sidney and her best friend were trapped in a police car with an unconscious Ghostface and the only way out was to crawl over him. That scene scared the heck out of me! That’s why the second film in that series was better than the first. However, the filmmakers didn’t seem to do that four films 3 and 4, and that’s why I don’t like those films.

So don’t recycle. And if you have to, try to make it look like it’s not.

6. It’s not about the kill, it’s how you film it: Too many times have I seen a character attacked and murdered and not been freaked. Why? Because the lead-up to it and the way it was filmed wasn’t terrifying in the least! There are brilliant scenes in movies like Final Destination and The Woman in Black that you didn’t know was going to happen until it happened, and that’s what made them scary. This can also be applied to just building up for a small scare, such as in the Paranormal Activity films. If you study those films and see what they did, you can scare so much more easily.

Otherwise, you may make a film like some others I know where everybody’s like, “Oh, she’s gonna get it, it’s coming soon…she’s dead. Oh well.”

That’s all I have for now. Got any other ideas? Let me know, I’ll write another post on this subject.

The poster for the Avengers movie.

As I said in the last post, I saw this last night and I thought I’d write a review of it as the third entry in my summer movie review series. However I’m pressed for time so I’ll keep it brief (hope that’s okay with everyone).

In this latest edition to the Marvel Cinematics Universe, we have the heroes of Iron Man, The Incredible Hulk, Captain America and Thor, plus a few new guys, getting together to fight Thor’s evil brother Loki, who’s allied himself with some monsters with a really hard name to pronounce and a minor resemblance to the Xenomorphs and Predators. The plot of this film, like the other ones, seems rather formulaic–meet guy with personal problems/flaws, guy has life-changing experience, guy realizes who he can become, guy confronts enemies, guy takes a break for various reasons from fighting evil–and yet I still find myself impressed and thrilled by the action of it all. Not too mention that they really did some great CGI effects on Hulk and Iron Man.

My one major complaint is that while I was promised there’d be some conflict between the characters involving Captain America and Tony Stark, plus Bruce Banner’s problems with the Hulk. I just didn’t see enough of that. I really thought the former two would have a shouting match that would devolve into a fist fight. There was none of that. Just a little trade of sentences. Where was the conflict exactly with the coming from two different worlds? And I thought Banner seemed to have too much control over Hulk. I mean seriously, you need to startle Banner with the Hulk to bring out the Hulk? Really? And what’s with the “I’m always angry” bit? If you were always angry, you’d always be big and green! Imagine having to find a car that matched your wacky melanin and fit your size!

I’d rate this film with a 3.6 out of 5, for–although impressive–being formulaic, having monsters look like Xenomorphs and Predators, and not showing the conflict I was promised.

Oh, and for those of you wondering what films are in this summer film review series of mine, let me tell you: Men In Black III (seen it), Prometheus (seen it), The Avengers (just reviewed it), Rock of Ages (gotta see it), The Amazing Spider-Man (just came out), Ted (still in theatres, last I checked), and The Dark Knight Rises (sitting on my hands till it comes out).

The Sequel Problem

Posted: July 6, 2012 in Reflections
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I was watching Marvel’s The Avengers last night (review to come after this post), and I started thinking about how sequels have become such a part of the movie industry. Every horror and sci-fi movie is made with the possibility that there will be a sequel should the film be successful. It seemed that once upon a time, filmmakers made a film just hoping people would like it and see it. Now, it’s all about “how much money can we make off of this, especially if we make another film or seven?” Heck, when Bridesmaids came out and Kristen Wiig said she didn’t want to do a sequel, filmmakers called her “ungrateful”, while the rest of the world applauded her for not making the same mistake as the makers of The Hangover! You see how bad it is!

Some of the worst culprits are horror movies, which always seem to have a part 2 or 3 or 67. Of course there are dramas and comedies that make a few sequels, typically just two for a nice little trilogy, but thankfully the number of movies that do this are small. And of course, you got your action films like The Expendables which get sequels because the filmmakers are banking on making money off the big names in the film.

Of course, I do believe there are some films that should get sequels. Movies that are based on book series such as Harry Potter or The Hunger Games make great franchises, and as long as they don’t change too much, shove too much in, or don’t divide too many books into two separate films, people will mostly stay happy. Other films are good enough that a sequel is warranted, such as The Matrix or Star Wars. And a few just bring delight, no matter who watches them (I’m thinking kiddie films like Shrek, Madagascar and Alvin and the Chipmunks).

However, there are several film series that should never have had sequels, and I can name a reason or two for each of them. I’d rather not, so I’ll just leave you with this: is it more important to make a film that people will enjoy, or a film that will generate lots of capital and sequels that will bring even more capital? You tell me.

Review: Prometheus

Posted: June 22, 2012 in Review
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The film poster for Prometheus. It’s huge in this post for a reason.

OH MY GOD! I FINALLY SAW IT! AAAAAAAAAAAAAAH!

Ok, spazz-out done. Let’s get down to it without giving away any plot points or whatever. Wow. What a movie. I was put into suspense, I got scared a few times, and I couldn’t stop putting my hands on my face at every scary or gruesome part. Yeah, I liked it. It was so much fun learning about the origins of the Xenomorphs and seeing their evolution from simple to close to what Sigourney Weaver fought in 1970. The characters have been criticized by other critics as being “too two dimensional” but I felt they were real enough, especially considering that it’s a slasher film with sci-fi bio-warfare as the killer. And I was left with more questions than when I came in, so I guess that means there’s going to be a sequel! In fact, I’ll be disappointed if there isn’t.

My one qualm is that the beginning might move a little too fast and be a little more confusing if you can’t adjust too quickly, but it becomes easy to follow after that.

I give this movie a 4.3 out of 5, for showing me the evolution of the Xenomorphs and for scaring the crap out of me at some points.

Review: In Time

Posted: June 10, 2012 in Review
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A poster for “In Time”, detailing in watch-like fashion the date of it’s release (don’t worry though, the movie’s on DVD if you want to see it)

You want to know how I spend the first few hours of my birthday? Starting the previous night, I watch the dystopian science-fiction film In Time on my computer, and then decide to write a post about it…after a couple hours sleep. Well, here’s that post, and can I just say I found this movie powerful? I mean, if the Occupy Wall Street movement wanted a movie that serves as a metaphor for them and the movement, along with the power of the wealthy in this country versus the power of the poor, they’d just have to watch this film.

You know the phrase “Time is money”? In this film, that’s especially true: you earn time, you buy time, you sell time, you lose time, you steal time, and once you run out of time currency, you also run out of life! Lower-class citizens live day-to-day trying to pay debts and have enough to eat while earning their time, while upper-class citizens can live for centuries with the amounts of time they have. Justin Timberlake (who is such a versatile actor as well as a singer) and Amanda Seyfried (who looks a lot like Emma Stone to me) play a ghetto tough and a little rich girl who see the corruption in the system and do everything in their power to upset it, all while being pursued by the police-like Timekeepers. It’s a ton of fun, and it really gets you thinking about things in our current system.

Kudos to the cast for their wonderful performance, and to the crew who made a believable world of corruption and nobody truly living. I give this film a 4.5 out of 5.

Boy, doesn’t that sound like the title to a slasher sequel! But don’t worry, there won’t be any part 3 or 4 or 11 or anything. After all, I’m just doing Part 2 to cover three killers I missed last time. I also wanted a new category of posts to devote to horror-related stuff, so here’s the new category: Scary Stuff. Not exactly original, but the only thing original about slashers is what you put into them (if you think about that it does ring true).

DEATH

The film poster for “Final Destination” because as I’ve said, there’s no picture of Death.

Of all the slashers I’ve ever seen, this one has got to be the most supernatural of them all. I mean, how can you top Death Itself? And the kicker is you never see Death, except for a shadow reflected in certain surfaces. Most of the time you only see his handiwork, Rube Goldberg-like plots that kill anyone who evades Death when it deems you have to die. So creepy.

I’ve only seen the first Final Destination and parts of the second, but definitely see the first. It will blow your mind (not literally!).

THE MINER

Also known as Harry Warden, this killer hails from the Canadian film My Bloody Valentine and its remake. Nobody knows who is really behind that miner’s mask; is it the madman Harry Warden, who went on a rampage one Valentine’s Day and threatened to kill anyone should they try celebrating Valentine’s Day again? Or is it a copycat, someone demented enough to dawn that miner’s suit and kill all the teens in town?

I’ve only seen the remake so far, which but for the ending was good. However, I hear the good one is the original, which I hope to get my hands on soon. Hopefully before the next Valentine’s Day.

The Miner in the remake. Freaky!

GHOSTFACE

Ah, the Scream movies. Wait…let’s start that over. AAAAAAH! The Scream movies! Much better.

Bringing a renaissance to the slasher genre, Ghostface was the killer in every Screamfilm, and each time the person (not just the actor, but the character too!) behind the mask was a different character and had different reasons for wanting to kill main character Sydney Prescott and everyone around her. The killer wears a Grim Reaper cloak and a mask based on Edvard Munch’s The Scream (oh, that makes so much sense), which in the Scream universe is a costume available at any costume store. Also, the killer uses a special device that changes his/her voice to a single, murderous voice and calls the victim before killing them.

Ghostface; he’s much scarier than he looks.

The Scream films were part slasher, part mystery (who was doing the killing and why?) and part satire, as they examined all the conventions of previous famous slasher films, used them, and made fun of them. Still, don’t think these films are comedic–they’re anything but. If you want comedy, see the parody film Scary Movie, which is mostly based on Scream.

I reccommend the first two films, as they were good and scary. The other two just feel recycled, unfortunately.

CONCLUSIONS

So, here are my favorite slashers. If you want to know what makes a good slasher film, let me know. Otherwise I plan to not write again on this subject for a while so as not to scare off any conservative readers. All for now. Bye.

Oh, and check out my last post so as to vote in the poll I’ve set up, if you haven’t already.

Review: Men In Black III

Posted: May 27, 2012 in Review
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Men in Black III movie poster

I’m skeptical of most movies involving time travel. Besides the fact that I loathe the concept (just too much moral considerations, and that’s after you can get past all the considerations involving what could happen if…? It plays too much of the mind), it’s a really tough concept to sell to critics and moviegoers, especially considering how much we know about [the impossibility of] time travel.

Thankfully Will Smith, Tommy Lee Jones, and Josh Brolin did not disappoint. They were funny, they were serious, they were actually kind of sweet, and they balanced it all out very well. There were only two problems I had with the film: Will Smith did not do his signature, high-toned “Whoo!”; and the ending involving K’s tip and the satellite/meteor collision made no sense (I doubt the guys who write Touch would be able to make those two connect!). Other than that, the film definitely deserves it’s 4.7 out of 5.

Oh, and when you go to see the film, you will have the added delight of seeing the preview of the new Bond movie SkyFall. Check it out, it’s awesome!!! I’m geeking out already.

My Favorite Slasher Killers

Posted: May 25, 2012 in Review
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One of the bloggers I follow, and who follows me, storiesbywilliams, often posts lists of his favorite science-fiction related things. His blog posts are usually long and well thought-out, and you can see the time and energy he puts into his posts. I could never match him in that, but I do think I’d like to take a page out of his book today with this post.

So, why is this post about my favorite slashers and the killers in them? (Slashers, for those of you who do not know, are films that rely on plenty of blood, guts, gore, and killing in order to get the scares and has very little character development. The villains are usually human, however they are usually very strong, do not react much to pain or injury, and are usually psychopathic, insane or outside what is considered the normal frame of mind for a human being. Supernatural abilities are optional in these films.) Well, I got out the remake of Halloween by Rob Zombie from the library today and I couldn’t help but think about all the slasher films I’ve seen. There are good ones and there are bad ones out there, but the point is, there are a lot of these films, and I think it’d be interesting to point out some of my favorites and recommend which films you should see, if you are so inclined to watch those films.

Note: I’ll be pointing out specific killers instead of franchises and only afterward will I point out my favorite films from the franchises themselves. This is because the most successful of these franchises tend to have iconic and very scary killers, and few slashers have become memorable without a famous killer. I would also like to point out that I have not seen every film in every franchise, as sometimes these films are very old, and the DVDs they are on become worn with use. Just something to remember.

MICHAEL MYERS

Michael Myers in the remake.

Michael Myers is the antagonist of most of the Halloween films, which were responsible for the slasher boom of the 80s and 90s. He is easily identifiable by the ironically-bland mask he wears in every film, and murders using a kitchen knife. Diagnosed early on as a psychopath, he murders his older sister and breaks out of an asylum years later just to murder again, heading to his hometown to find his baby sister. The only person around that really grasps how evil he Michael is would be his psychiatrist, Dr. Sam Loomis, who repeatedly tries to find Michael before he causes more damage than he’s already done.Michael was so popular that when he wasn’t featured in the third Halloween film, the filmmakers brought him back for the fourth film. He’s since starred in all the films, including Rob Zombie’s amazing remake, which delves deeper in Michael’s past and obscures the reasons why he targets his younger reasons (in the original it was just to murder her, but it’s not quite clear in the remake). I recommend both the original and the remake, the only films in the franchise I have seen, but whatever you do, don’t get the third film! Without Michael, it’s no good.

PAMELA VOORHEES

Pamela Voorhees as played by Betsy Palmer in the original Friday the 13th.

The original villain of the Friday the 13th movies, Mrs. Voorhees only appeared in the original film, but she is scary to behold. One of the few female killers in the slasher genre (as you’d expect, there isn’t many), Mrs. Voorhees was driven insane by the drowning death of her son Jason at Camp Crystal Lake. Blaming the counselors who were busy having sex instead of watching them, Mrs. Voorhees killed them and any other person who tried to set up a campground in the place where her son died. Check her out and what happens to her in the original Friday the 13th.

JASON VOORHEES

Jason first appeared in the sequel to Friday the 13th, and he didn’t gain his iconic hockey mask until the third film, but he’s been a legend ever since, and his name has been synonymous with Friday the 13th ever since.

Jason Voorhees

Suffering from a condition that causes swelling all around his head and some mental retardation, Jason supposedly drowned at camp but survived and for reasons unknown hid in the woods until the day his mother died. He then seeks revenge, killing anyone who comes near Crystal Lake. Over the course of the films, he’s died, come back to life, bent sent to hell, sent into outer space, and fought with Freddy Kreuger, all without saying more than three words. He’s also hard to hurt, and even harder to kill, which makes him a very dangerous opponent. He’s spectacular in films 2-4, but not so great in the remake, whose only good quality was that it made Jason coming back after his mother died much easier to believe. Honestly, I’d love to remake the remake.

FREDDY KREUGER

Honestly, no discussion of slasher films is complete without Jason Voorhees and Freddy Kreuger and that’s because they are so iconic! Freddy Kreuger is the villain from the Nightmare on Elm Street films, and these films are unique in that Freddy is a kind of demon who kills people in their dreams. A former child-killer who was murdered by vigilante parents, Freddy came back to murder teenagers and kids in a nightmarish version of the power plant he died in. And since nobody can go without sleep, Freddy keeps coming after you, and you can’t stop him (or can you?). 

Freddy Kreuger in the original films

Instantly recognizable by his burned face, red-and-green striped sweater, fedora, and clawed hand, Freddy loves to kill and tell a wisecrack while he does it. Except for the remake, he was played every time by Robert Englund. In the remake he was played by Jackie Earle Haley, and given a makeover to look more like a real burn victim. Speaking of remake, it is probably my favorite of the films, and explains why Freddy kills the kids he kills, something never touched upon in the originals. The remake also stars Rooney Mara before her Dragon Tattoo fame, so it’s an added plus.

 LEATHERFACE

Texas Chainsaw Massacre may predate Halloween,but it’s still one of the legendary franchises in the genre. Famous for his mask, his cannibalistic family, and of course, his chainsaw, Leatherface is a mystery whose name and origins are only expounded upon in the remakes. Killing anyone besides his family who crosses his path, Leatherface has been described as a true monster and a crybaby

Leatherface in the remake

at the same time, but he still manages to put the scare in people. I seriously recommend the remake, which is way better than the original and had a more satisfying feeling (don’t ask me what that means, just watch and compare the two films if you’re curious). 

PINHEAD

Last but certainly not least, we have Pinhead from the Hellraiser films. One of a race of beings called the Cenobites, Pinhead has been in every film and has grown more and more into the antagonist role with each one. Cenobites all seem to wear leather, they live in an alternate dimension which can only be accessed by solving a demonic puzzle box, they have various sharp objects pounded into their faces and bodies, and their favorite activity involves stealing souls which they subject to sadomasochistic experiments that have no clear purpose. 

Pinhead was originally a human colonel in the British army, but after solving the puzzle box he became a Cenobite, and has tortured and killed many over the course of his career. Once or twice he has remembered his more human side, but that never lasts long and soon he’s back to his old habits of chaining people up and destroying their bodies and souls. 

Pinhead, in all his gruesomeness.

The series has been so popular that talks of remaking the original films have been going on for years. I recommend the first two films; they’re the only ones I’ve managed to get my hands on, but they are still wicked scary, and not just because of Pinhead, but because of some of the other characters in the films.  

CONCLUSIONS

Okay, so I’ve finished this post, and besides learning that I like to write shorter posts, I’ve also had a chance to possibly reccommend some new films to watch. If you see one of these films, let me know what you think of the killers. And if you have another killer that I didn’t add, let me know (just don’t say the Leprechaun; that movie sucked! How did it get five sequels?). That’s all for now, I’m off to watch the remake of Halloween. Thanks to storiesbywilliams for being the guiding light in the writing of this post. How you manage to write these posts each day is beyond me, it’s so different than writing a short story or a novel.

It’s amazing what happens when you see a good movie and it just makes you want to write. For instance, I just saw The Woman in Black with Daniel Radcliffe in it at my school’s union and was totally freaked out by it (I would write a review on it but it’s just too soon after the last review). Even while I was watching the film though, my head was swirling with inspiration. Horror is my craft, and I was carefully noting what the filmmakers had done, how they built up tension in this or that scene, how they symbolically signaled that Radcliffe’s character had discovered an important clue, and basically how they told the story (you can learn a lot about storytelling just by watching a good scary movie).

In addition to noting these things, I was also coming up with ideas, ideas for my own stories that I’d like to write someday. When I do come up with stories based on films I’ve watched, it usually has to do with some element from the movie that really stuck with me or something that I’d like to use myself someday, or even just some stray thought that goes through my head while I’m watching. For example, when I saw Taken with Liam Neeson back in high school, I thought how cool it was that he was taking out everyone and anyone with guns, and that led to my idea for a story on a serial killer who tracks down and kills mafioso (do not take that idea!). I also thought that when he was chasing down that punk from the airport, how much Neeson would have it if he was a werewolf, and that led to an idea about werewolf spies/detectives (don’t take that idea either, I will know if something similar is published after this blog post! Just kidding, I know you wouldn’t do that.).

I’m not going to go into details about the ideas I had in my head when I left the theater. I will say though, that once I’m done putting them down on the ideas list I have on my flash drive, I’ll get to work on finishing my new short story. I am in such a writing mood. Wish me luck.

Movie poster for "The Hunger Games", in theaters now.

I’m going to state this at the beginning of this post, I’ve never read The Hunger Games. Not even a page. It’s the same dilemma I had with The Help; you try to get the books but the reserve list is incredibly long, you can’t go out and buy it because you have a student budget and the oppurtunity to see the movie is right in front of you!

Moving on…

Alright, I went in knowing only that a teenage girl decides to participate in a battle-to-the-death reality-TV survival game in order to spare her sister, teams up with a boy from her town in order to gain the sympathy vote by pretending to be lovers even though she likes someone back home, and that the novels were very distopic in nature.

Well, I ended up liking the film. In fact, I loved it! Oh boy, was it superbly made! The special effects were awesome, the drama and terror felt so real, and the actors really brought the characters to life. A high-five to Josh Hutcherson as Peeta Mellark; he really touched us all as a simple country boy with a heart of gold.

I’d also like to commend the director, Gary Ross, for his excellent work at building suspense: the scene where the mutant bulldogs show up, it felt like I was watching one of the better Friday the 13ths; building suspense, a lull where you don’t feel so scared anymore, and then wham! it jumps out and gets you! Even if you know the tactic they’re using to get you, it’s still quite the shock.

And finally, I’d like to commend the costume designers: the way you dressed up the denizens of the capital versus those in the districts? My God, even if their clothes are not as nice, I’d rather live in a district than dress like the people in the capital. Their fashion was so obscene to me I nearly retched in disgust.

My rating for this movie, a 5 out of 5, for getting a guy who knew next to little about the story, seriously considering getting the books and forget the reserve list.

Now if only the girl next to me would’ve not shushed me everytime I reacted to something when she was gabbing to the person next to her the whole film, that’d be great.