Posts Tagged ‘review’

And welcome to my first review of 2020! As many of you in the horror community are aware, the Grudge film series is famous both in its homeland in Japan, where it is known as the Ju-On movies, and in America, where both the original films and the first remake are considered classics in terrifying people.* However, the sequel to the American remake was only so-so, and the direct-to-DVD Grudge 3 was awful. Thus ten years have passed since the last film was released. When word of a new film got out, people were skeptical, but some were willing to give it a chance based on the trailers. Including me.

2020’s The Grudge begins with a live-in nurse leaving the original house from The Grudge and heading home to Pennsylvania.** However, she brings the curse home with her, and ends up killing her family and herself, making her home and her family an extension of the original curse. Years later, a detective enters the house while investigating a possibly-related murder, setting off a chain of events that will impact her life forever.

So this is technically a side-story to the original Grudge remake, following a new family of spirits and a new community to torment with the curse. The filmmakers did this so they could hopefully reinvigorate the franchise.

And they failed miserably on that front. While the film is told in a non-linear fashion and has plenty of callbacks to the 2004 film, switching Kayako and the Saeki family out for a new family of spirits was a huge mistake. Not only do these new ghosts feel so generic that they could come from any other ghost-centered horror movie, Kayako is an iconic part of the franchise. You can’t separate one from the other. It’d be like calling a movie Friday the 13th and having it focus on Jason’s cousin Matthew Bellman, who wears a football helmet and kills people who enter an abandoned ski resort. It just wouldn’t work.***

Even if you don’t factor that in, the film leaves a lot to be desired. As I said, the ghosts feel like they could come from any horror film, and the rest of the film feels pretty lackluster. Most of the scares derive from jumpscares, which are there and then gone pretty quickly. Most of the plot and acting feels pretty phoned in, and Lin Shaye’s appearance is horribly wasted (good thing she’s had better roles in most other horror films).

Is there anything good about the film? Well, there is a scene where the main character has to defend herself from the spirits in the dark basement of the police station that’s kind of tense, and a bloody scene with LIn Shaye that’s super-freaky. And John Cho as a realtor dealing with a crisis in his marriage is a surprising highlight of the film.

But other than that, 2020’s The Grudge is a poor horror film that was banking more on name visibility than actually trying. On a scale of 1 to 5, I’m giving this one a 1.7. Only watch if you want to make a drinking game out of how many times you see the number 4 (which in Japanese sounds a lot like the word for death). Otherwise, watch either the 2004 remake or the original Japanese films, but definitely not this.

I’m off to get the remake from the library. I need my faith in the series restored.

This is a bad start to 2020’s horror films. Hopefully the other ones coming out this month are better by leaps and bounds.

*No joke, when I first saw the American remake, my sister asked me to watch it for her to let her know if she could watch it without getting scared. I watched that movie in our basement, and then I never let her near that franchise until I moved out of the house. As far as I know, she still hasn’t watched any of the films.

**Why a live-in nurse goes from Pennsylvania to Japan for work when her family is still in Pennsylvania is not actually explained, so don’t expect an answer from me. I can only guess that there was a sudden shortage in live-in nursing jobs and they were only available in Japan, because otherwise it makes no fucking sense whatsoever.

***And it would also be worse than the 2009 remake, as hard as that is to believe. Yes, I found another way to blast that horrific movie! Screw you, Michael Bay! Your horror movies are travesties and deserve to be erased from history!

Look at this cover! It’s freaking beautiful!

If any of you checked my Facebook page or my Twitter feed after my last post, I hinted that I might have some good news I would be sharing today or tomorrow. Three years ago, I wrote a story called Car Chasers, which I describe as a mash up of Fast & Furious-style races with a ghost story. About a year and a half ago, I announced that the story had been accepted into an anthology. And last night, that anthology, The Binge-Watching Cure II, was released by Claren Books on Amazon!

I’m very excited to let you know this horror anthology has been released. It’s a rather unique anthology, as every successive story is longer than the one preceding it. In fact, during the submission process, we had to submit our stories based on a certain word length and how close we were to fifteen percent of that word count. I was lucky enough to be considered for the eight thousand word spot, and after some deliberation, Car Chasers was selected as the story!

And after having Rose accepted by Castrum Press a few months previously, seeing this story accepted by Claren Books was a really big deal for me. I was still having some anxiety over the amount of editing I needed to do for Rose, so this was a boost to my confidence.

Where was I? Oh right. The Binge-Watching Cure II‘s stories range from 140 characters (just over the original size of a tweet), to twenty-five thousand words. So if you’re looking for something quick to digest, or something long to chew on, you’ll find it here. And there are some great authors here: Amanda Crum, Nick Youncker, Lana Cooper, Robert E. Stahl, and Armand Rosamilia, among many others.

Also this guy named Rami Ungar. Have you heard of him? Neither have I, but I hear he’s a bit of a weirdo. Hopefully the good kind of weirdo, right?

The only version available right now is the ebook, but the paperback will be out soon enough, so keep checking back to the Amazon page if paperback is more your jam. I’ll include the links below. And if you do get the book and read it, please consider leaving a review online where you can. Not just because we love to hear your feedback, but because reviews help more people find the anthology and get them to read it, which keeps the cycle going, as well as encourages Claren Books to put together and release more anthologies like this one.

Also, I’m hoping director James Wan, known for both Furious 7 and the Conjuring movies, will somehow come across the anthology, read Car Chasers, and want to adapt it. I doubt it will happen, but I can dream and encourage, right?

Anyway, thank you to Bill Adler Jr. and Sarah Doebereiner, as well as the rest of the team at Claren Books, for letting me be part of this anthology. And thank you to the other authors whose company I find myself with in The Binge-Watching Cure II. It’s an honor to join you.

And thank you, Followers of Fear. I hope you check out the book, and let me know what you think. And thank you for your continued support. One of the reasons I keep writing is because you keep supporting me, and I’m so grateful for that.

That’s all for now. I’m off to start a new chapter of Toyland, make dinner, bring in Shabbat and the latest night of Hanukkah, and chill out with some TV. Not necessarily in that order. Until next time, Shabbat Shalom and pleasant nightmares.

Link for The Binge-Watching Cure II.

I heard first heard of Mr. Hamill and his novel after I came across his article on contending with the legacy of HP Lovecraft as a writer. The idea of his book interested me, so I put it on my reading list. Took a few books to get to it and a few weeks to get through it, but I read A Cosmology of Monsters from front to back. And with that out of the way, it is my pleasure and duty to review the book.

A Cosmology of Monsters follows the Turners, a family living in North Texas and running their own haunted house, The Wandering Dark. Told by the youngest member of the family Noah, the story begins with the meeting of his parents in 1968 and follows them as various tragedies befall the family throughout the decades, as well as the threat following the family through the years and generations.

Cosmology is literary horror at its finest.

Told in the style of Middlesex by Jeffrey Eugenides (which I’m told was a major influence on Cosmology and which I recommend as a read on its own) Noah Turner narrates how his family began, and through the decades the many hardships his family endures. It’s an engrossing way to tell the story, because every decision has far-reaching consequences on the Turner family. You also get a deep understanding of each character through this storytelling method, what their motivations and their troubles are, and how those play into the events of this story.

Noah himself is a fantastic narrator. He’s talking from the perspective of a grown-up looking back over fifty years of history, but he does a good job of calling up his childhood feelings of loneliness and isolation, of feeling alienated and not understanding why the people around him do what they do.

I also like how weird it can be sometimes (makes sense, since it’s me). The supernatural aspect of the story is very slight at the beginning and only gains prominence as you move deeper into the novel, and as you do, you find yourself with more questions than answers. Conventional monsters do play a part, so to speak, but there’s a lot more going on behind the scenes and it gets weirder with every layer revealed. It took me a while after I finished the book to really understand what all these revelations meant, and even now as I write this, I’m only half-certain I understand what everything meant.

All that said, there were things that I had issues with. There’s a section in the book where, instead of black letters against a white page, it’s white letters printed on a black page, and for some people, especially for people with certain eye issues, that might make things difficult to read (and why I don’t use my blog’s original theme anymore). And if you’re looking for a more typical horror story, with monsters popping out every five seconds or the supernatural aspect a constant presence in the story, this won’t be your kind of novel.

That being said, A Cosmology of Monsters is a mesmerizing read and one of the best books I’ve read this year. On a scale of 1 to 5, I’m giving it a 4.8. Grab your flashlight, and prepare to walk through a house haunted by the tragedies of the family. You won’t want to leave till you get to the very end.

And then you’ll want to think about both the deeper meaning of the book as well as what it’d be like to create your own haunted house attraction. Or is that just me?

And I thought the news story of today would be the fact that I’m sick. Yes, I’m sick. I even had to leave work early because of it. Don’t worry, I’m drinking tea and taking it easy. And this news definitely improves my mood and health.

So unless I’m delirious (which would go a long way to explaining why there’s a Swedish man named Hampus claiming to be my uncle in my apartment), the Rose audio book just went live on Audible and Amazon a little while ago! I have been so excited for this to happen, and now it’s finally here. I’ve already downloaded it onto my phone and plan to listen to it while I work on my dinner tonight.

Now if you’re unfamiliar with Rose, this is my first novel with a publisher, and follows a young woman named Rose Taggert. Rose awakes in a greenhouse with no memory of how she got there or why she’s there in the first place. She soon discovers her life, and her body, have been irrevocably changed. It’s a dark, Kafkaesque horror story and I’m so excited to listen to the audio book, as well as for all of you to listen to it as well.

Also, great timing on the release. Friday marks the six-month anniversary of the paperback and ebook’s release. One could almost call that synergy.

Oh, and funny story: I found out about the release by accident! I went to Rose‘s Amazon listing while working on another blog post. When I logged on, I found a new listing under “formats.” You guessed it, it was the audio book version. Right away, I filed the first blog post away as a draft to work on later, posted on most of my social media platforms (several times on Facebook) about the good news, and started work on this blog post. I also emailed my publisher, who I might be as surprised as I was when all is said and done.

Anyway, if you want to check out the audio book for Rose, I’ll leave the link below. I’ll also leave the links for the Amazon webpages, so if you’re more interested in the paperback or ebook, you can check those out as well. And if you do check them out, please do let me know what you think once you’re done reading/listening to them. Positive or negative, I love reader feedback, and reviews help me out in the long run.

Also, thanks to Sara Parlier for giving Rose a chilling narration, and to Castrum Press, the company who took a chance on me and published this book in the first place. What you do means a great deal to me, and I can’t thank you enough for what you do.

That’s all for now, my Followers of Fear. I’m off to make phone calls, make dinner, and either write or just chill with Disney+. Depends on what Uncle Hampus and I are in the mood for. Also, is that a bicorn and a chichevache? Dammit, these delusions make it hard to tell what’s my mind and what are actual supernatural occurrences in my life!

Oh well, until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

The original Black Christmas from 1974 is a beloved, if kind of weird, early member of the slasher subgenre. The senseless nature of the killer “Billy,” for whom we never get any sort of explanation, as well as the helplessness of the characters, still makes it terrifying forty-five years later. A 2006 remake tried to capture that terror, but it failed miserably, mired in too much exposition and cliches. So, of course, everyone was skeptical when Blumhouse decided to make another remake. But the trailers promised a new angle, so who knows? It could be good.

2019’s Black Christmas again follows sorority sisters trapped on campus and in their sorority house with a killer who appears to taunt them through messaging apps. But there’s more at play here, and it all leads back to a particular fraternity on campus and the university’s controversial founder.

Um…how do I even talk about this one?

As far as storytelling and scares go, this is pretty run of the mill for a slasher, especially ones where a lot of stuff is given away in trailers. Granted, a couple members of the audience did get freaked (one audience member did yell out “that ****er is smart!” when an antagonist did something pretty sneaky), but if you’re familiar with slashers, it all feels standard and a little pulpy. A bit more exciting near the late middle and the last third, but still pretty standard.

The one thing that sets this movie apart is its incorporation of feminism into the plot. And this is where I have to really think about what I type, lest readers get the wrong idea.

Now, let me say this outright. I identify as a feminist. I get upset when I read stories in the news where women are subjected to harassment and misogyny and they are the ones blamed or called into question rather than the men attacking them. I also work in an office whose job is partly to deal with harassment, misogyny, and assault in our organization’s workforce. So I support women breaking barriers and creating more equal places for them in society.

Black Christmas tries to explore these issues in what, considering some of our current events, could be considered timely. And unlike Countdown, which felt gimmicky with its use of the #MeToo movement (see my review here), there was no gimmick here. The film’s handling of feminist issues is well-done at times. There is a lot of discussion of campus rape culture and how we as a society should approach it. Two characters have opposing views on the subject: one says everything must be done to stop the systemic problem, including by survivors, while the other says that not every survivor is willing to be a warrior and may just want to move on. And both bring up good points.

Another scene where the theme is handled well is when one of the protagonists goes to report her friend missing, and the male cop is apathetic, even acting dismissive. Like he thinks the protagonist is making a huge fuss because she’s a woman, not because there might be an actual problem.

Still, there were some moments where I wondered if the inclusion of these themes, as well as some exaggerated aspects, were meant to check some boxes and make this a “woke” sort of film, not really explore the subject matter and allow for enlightening discussion. But then, as I got home, I remembered something that put the film in a new light.

Back in 2018, Jason Blum, owner of Blumhouse Productions which produced the film, made comments about women directors, especially in horror, that drew a lot of ire from the horror community. Blum apologized for the comments and promised to do better. Fast-forward to 2019, and Black Christmas is the company’s first film with a female director, Sophia Takal. Takal also served as a writer with another woman, April Wolfe.

So this film could’ve been Blum’s way of apologizing for his comments and showing that he’s progressive. Or, and I like this scenario more, Takal and Wolfe were given the freedom to make their own horror movie, they were very much aware of what Blum said and they made a film not just to talk about their own issues with the film industry, but also to remind Blum that he, along with a lot of other people and segments in society have to go to really make things equal between men and women. And if that’s true, I can imagine how much Blum squirmed in his seat.

On a scale of 1 to 5, I’m giving 2019’s Black Christmas an even 3. While not as bad as the 2006 remake and a nice comeback to Blum’s comments, it still has areas that could’ve been better.

Thus ends the horror films of 2019, which, with a few exceptions, were either average or just bad. Here’s hoping 2020 is A LOT better. Until then, pleasant nightmares!

Last year’s premiere of Castle Rock on streaming service Hulu garnered lots of attention and love from critics and from viewers, both longtime Constant Readers and folks unfamiliar with King’s work. When word of a second season reached fans’ ears, we got excited. Which Stephen King stories would they draw on? Would the showrunners make every season different, like early American Horror Story? Would the different stories be connected by more than just a common location, like later American Horror Story? Or would it be a continuing story with the same actors and characters, like every other TV series out there?

We sat down and watched ten episodes over the course of eight weeks. And while I can’t vouch for the rest of the fandom, I can say this season far surpassed season one.

Season 2 follows Annie Wilkes–yes, that Annie Wilkes–as she and her teen daughter Joy find themselves stranded in Castle Rock after a horrific car accident. They’ve come at an interesting time, as Castle Rock and Jerusalem’s Lot–yes, that Jerusalem’s Lot–are about to celebrate the latter’s four-hundredth anniversary, and the Lot’s growing Somali population are facing discrimination and threats of violence from the likes of Ace Merrill, nephew of pawnbroker and loan shark Reginald “Pop” Merrill. Annie just wants to have her car repaired and leave town before her past comes for her and Joy. But when someone finds out about who she used to be, events are set in motion that will bring not just Annie, but the whole town to the edge of sanity.

While Season 1 was more influenced by newer, weirder Stephen King, Season 2 was definitely more old-school King: visceral, terrifying, and at times very explosive. Drawing on elements from mainly Misery and Salem’s Lot, the storytelling is mixed with terrifying scares and fun twists (episode 7, am I right?). And even the things you see coming from a mile away (and there are a few) are told in such a way that you don’t mind seeing them coming. And you gotta love all the homages to and Easter eggs referencing King’s works, including a heartfelt tribute to The Body (aka Stand by Me) in episode 3.

Probably the best episode was episode 5, “The Laughing Place,” which gives Annie a new backstory. Honestly, I was a little unsure at first, but as the episode goes on, it just hits you with the weight of the story and the emotion behind it as Annie becomes the person she meets. Sure, Annie is changed from a metaphor for toxic fandom to a painful example of what untreated mental illness can do to a person, but here it works.

“The Laughing Place;” best episode this season.

The actors were also great. Lizzy Caplan’s Annie Wilkes is a wonderful forerunner to the character we meet in Misery, a woman trying to do right by her daughter even as she wrestles with demons that not even medication can fully contain. Tim Robbins (aka Andy Dufresne of The Shawshank Redemption) gives the character of Pop Merrill, in the books a greedy and scheming man, a human side with guilt and a history he’s trying to make amends for. Yusra Warsama is excellent as Dr. Nadia Omar, Pop’s adoptive daughter dealing with her world basically imploding due to what’s going on around her. And Barkhad Abdi and Elsie Fisher as Nadia’s brother Abdi Omar and Annie’s daughter Joy, respectively, give great performances as people trying to deal with their upbringing and at the same time move away from it towards something positive.

If there’s one thing I’m going to ntipick, it’s that I wanted to see more of John “Ace” Merrill. It’s not easy to explain this without spoiling anything, but basically we only get to see one side of the character for a single episode, and then it’s a different side for the next nine. And I kind of wanted to see more of that first side (though the second side is an excellent villain). Did that make sense? I hope it does.

Overall though, Castle Rock season 2 is a scary and tense thrill ride drawing from some of the best of King’s earlier works and then some. On a scale of 1 to 5, I’m giving the season a 4.8. Sit down and buckle up, you’re going places you never imagined going before.

And while no season 3 has been announced, I feel it’s only a matter of time before we get word on that, so let’s start speculating. Which characters will come back? What stories will be drawn on?* And can I please get a commission to write an episode for the show? Only time will tell.

*I’m hoping The Library Policeman, Needful Things and maybe Apt Pupil.

What did you think of Season 2? What do you hope to see in Season 3?

This has been long overdue. But as promised, I am doing another post on anime I like. After all, along with horror, anime is a huge influence on me and my life as well as my writing (anyone who’s read Rose can see that). So with that in mind, I thought I’d do another post recommending some anime I’ve enjoyed recently and that I hope other people would like to check out.

If you’d like to check out my first list, click here.

And with that in mind, let’s get onto the recommendations!

Princess Tutu

At first glance, this anime seems like it’s something aimed at little girls. A duck is chosen to become a human girl, and then become a magical girl named Princess Tutu, who uses the power of dance to restore a prince’s lost heart. And admittedly, the first couple episodes are light-hearted and comedic. But as you continue on, it becomes clear that this is actually a dark and emotional anime about fate vs. free will. The characters soon begin to realize that there are sinister forces manipulating their lives, and it becomes a struggle not just to restore the prince’s heart, but if they should restore it, as well as to find a path that allows them to control the course of their lives.

This is the sort of anime where you’ll look back at the first episode after watching the last and be like, “Holy crap? Did that just happen?” It’s a roller coaster, a thought-provoking anime that uses dance to create emotional struggle and to explore the idea of who controls our destiny. If you want a surprising fantasy anime using a beautiful art form to tell its story, you might enjoy Princess Tutu.

Also, this is an anime I watched as research for Toyland. Just saying.

The Helpful Fox Senko-san

An overworked and super-stressed office worker comes home one day to find a fox spirit in the form of a human girl in his apartment. This fox-girl introduces herself as Senko, and says she’s here to take care of and pamper the office worker. Thus starts the office worker’s new, and hopefully more relaxing, life.

At first, I was not sure what to make of this anime, or why I kept watching it. But then I had a long, exhausting, stressful day at work, and I realized the reason why I was drawn to this show. We’ve all had days where life has stressed us out and we want to scream to the heavens about our exhaustion. And on those days, we really wish there was someone waiting at home for us at home to take care of us and make things better. Maybe not a magical fox girl, but someone. Senko-san taps into that, and gives us a scenario like that. And rather than making us overly jealous, it actually relaxes you a bit. You relax vicariously.

If you’re interested in an anime that aims to soothe you (or you’re into ASMR, like I am), I highly recommend The Helpful Fox Senko-san.

Digimon Tamers

A lot of people think Digimon is a knockoff of Pokemon, but in reality they’re just very similar products that came out around the same time in the 1990s. In fact, at some points Digimon was more popular than Pokemon! Another thing people don’t realize is, unlike Pokemon, the anime is made up of several different anime revolving around the same concept, like how there are multiple coexisting versions of Marvel superheroes with their own separate universes.* And Digimon Tamers is, by far, the best of the various series.

In this version of the franchise, Digimon are fictional characters with a TV show and card game, kind of like our world at the turn of the century. However, certain children come across real Digimon. Unlike on TV, however, these are violent and wild animals who enjoy the fight and the kill as much as they enjoy the human world. As time passes, it becomes clear that a secret shadowy organization is watching the Digimon and trying to stop them as they emerge into our world. And if these kids aren’t careful, they’re going to lose more than their new friends.

A darker take on the franchise, Digimon Tamers deals with the issues of what it’s actually like to have a connection with what is essentially a sentient wild animal that needs to kill its fellows to survive. It’s a slow burn story that grows more complex as time goes on, dealing with heavy psychological issues and even incorporating cosmic horror themes at times. If you want to see how a “kids show” can be more mature than some shows for adults, while at the same time evoking 90’s and 2000’s nostalgia, this may be the show for you.

*And for those unaware, the concept of Digimon revolves around children who befriend monsters made of computer data, and together they fight evil Digimon and try to maintain the balance of both the human world and the Digital World.

Flying Witch

Makoto is a young witch who moves out to the country to live with relatives. The goal is to attend high school in an area with plenty of nature while also nurturing her magic skills. Along the way, she makes friends, sees amazing sights, and collects a lifetime of memories.

Flying Witch is a relaxing, quiet anime that focuses more on interaction between its characters and making you laugh or feel good rather than building a big, magical world. The result is a mellow series that leaves you feeling relaxed while you watch it. If you’re just looking for something wholesome to melt your stress away, Flying Witch is probably the answer.

And trust me, it’s worth it just for the “Mommy” joke in the first episode.

Puella Magi Madoka Magica

Madoka Kaname is your average middle school girl. That is, until she saves a mysterious creature from a transfer student in her class, and the creature offers to grant her one wish in exchange for becoming a magical girl and fighting evil entities known as witches. While at first it sounds like a great deal, Madoka soon learns that every wish comes with a price. And for some, it’s too much to pay.

Considered a classic of anime, Madoka Magica is a dark take on the magical girl genre, showing the psychological toll of trying to be a savior of humanity at the tender age of 14 can do to a girl. Combined with masterful twists and storytelling, beautiful backgrounds and trippy imagery, this is an anime that’s still being talked about today.

If you’re looking for an anime to surprise you (or you want to see one of the other anime I watched as research for Toyland), I can’t recommend Madoka Magica enough.

Cells at Work

You know that movie, Osmosis Jones? Imagine an anime version that’s a thousand times better, and you have Cells at Work, which portrays an anthropomorphized world full of cells working together in a human body as their city.

This series has been lauded for its accuracy as a portrayal of how blood cells actually work (albeit from a whimsical side) and has even been used as a teaching tool in universities around the world. Plus, it’s just fun to see a hapless red blood cell hanging out with a ruthless white blood cell, platelets portrayed as small kids going around and building things, and watching bacteria getting the shit kicked out of them.

Maquia: When the Promised Flower Blooms

This is one of the most Ghibli-like non-Studio Ghibli films I’ve ever seen, and I mean that in a good way. Maquia is part of the Iorph people, a tribe of long-living humanoids with blonde hair, blue eyes, and youthful appearances. One day, after a powerful kingdom invades their homeland and Maquia is separated from her people in the ensuing madness, she comes across a human baby whose mother has just died. She adopts the child, and soon begins a journey that will change the both of them forever.

While I have some problems with how the movie explains the world it’s set in, I have to admit this is a beautiful tear-jerker of a film. It captures the struggles of parenting beautifully, while also adding in the pressures of being an eternally young mother. At the same time, it deals a lot with identity, extremism, and the things people are willing to do to survive. It’s a powerful film and may make you cry. If you prefer your anime more heartwarming and Ghibli-ish, I can’t recommend Maquia: When the Promised Flower Blooms enough.

Gonna be the Twin-tail

A parody of magical girl anime, Power Rangers, and the hairstyle of twin pony/pigtails (aka “twintails”) which shows up in 80% of anime, this is one of those anime meant to make anime lovers laugh!

A high school boy with a thing for girls with twintails is approached and tasked with a humongous task: aliens are coming to Earth with the goal of stealing the world’s twintails and other attributes that cause physical attraction! Why? Because they feed on that sort of thing, apparently! And this young man must stop these aliens from messing with his beloved twintails…while at the same time transforming into a redheaded girl with twintails named Tail Red.

Yeah, this series is weird. But for anyone who’s been around the anime scene long enough, it’s basically a goodhearted laugh at what makes most of us keep coming back to the medium. I wouldn’t watch it if you’re looking to explore anime for the first time. But if you’re already into the scene, and you need a lighthearted laugh, Gonna be the Twin-tail is the series for you.

 

What anime do you recommend? Have you seen any of the ones on this list? What did you think? Let’s discuss.

That’s all for now, my Followers of Fear. I’ll have more posts out soon, believe me (though it may be another 6-8 months before I do a list like this again). And until then, goodnight and pleasant nightmares!