Posts Tagged ‘films’

Season 9 of American Horror Story decided to get on the 1980s nostalgia train and create its own love letter to the decade which produced my favorite music, particularly to the slasher films that came out during that decade. And the very first episode made sure to saturate us with bright colors, crazy hair, a fun playlist, a murder story told around a campfire that turns out to be true. It was both a homage and a satire that I enjoyed. And I was interested to see what the rest of the season would be like.

Turns out, AHS: 1984 decided to spend the next couple episodes playing up the slasher tropes, and then turn EVERYTHING on its head for the rest.

And that’s one of this season’s strengths. For the most part, the show knew how to give us everything we expected in the first couple of episodes, especially when it came to 80’s culture, and then found ways to make our jaws drop. Characters whom we thought were good people turned out to be bad and vice versa, the cause of all the horrors is first one person, and then another, and now we don’t know what to think.

Oh, and I love all the references to famous slasher films, especially the references to the original Friday the 13th film in episode 8.

I also really liked the characters, especially the three lead females. Brooke, played by Emma Roberts, turned out to be a surprisingly strong protagonist who developed very well over the course of the season. Leslie Grossman’s Margaret was a blast to watch once you found her hidden depths. And oh God, did I love Billie Lourd as Montana. I swear, Lourd can change characters and personalities and be totally unrecognizable in each incarnation, and that’s especially true with Montana.

Of course, our serial killers were great as well. John Carroll Lynch’s Benjamin Richter, aka serial killer Mr. Jingles, went from a rather one-dimensional slasher killer to a very sympathetic character. Zach Villa as Richard Ramirez was petrifying! I would not want to meet him in a dark alley! And oh, it was nice to see Dylan McDermott on the show again!

That being said, there were some issues with this season. 1984‘s final episode opted for flashbacks to tell the ending events of the main conflict of the season, and while that worked well in season 2 for the most part, it kinda fell flat like it did in season 5. When we already have an idea of how it’s going to shake out and is over-reliant on flashbacks, it can take some of the tension out of the story. Not to mention that I felt the show didn’t give Brooke the ending she deserved. And don’t get me started on the plot hole the last episode opened up with Richard Ramirez! All I’m saying is, they better fix that in a future season, or this is going to be a never-ending gripe among fans of the series.

I want Zach Villa as Richard Ramirez back, and not just because he’s freaking terrifying!

Oh, one more thing: the make-up used to make Donna and Brooke look older did not work at all! We could all tell they were waking make-up!

But all in all, this was a solid enough season, and it delivered on the promise to make the season a standout on the 80’s nostalgia that is so rife in our pop culture these days. On a scale of 1 to 5, I’m giving American Horror Story: 1984 a 4.2 out of 5. A bloody, tension-filled season with twists to make your mouth drop and characters to draw you in and keep you watching. Get your shoulder pads and leg warmers and get ready to dive right in.

You’ll enjoy it more than the Friday the 13th remake. And no, I’m NEVER letting that go! Not until we get a better movie anyway.

Anyway, looking forward to season 10, whatever that is. I’m still hoping for an academy or orphanage setting. Maybe some references to J-Horror or K-Horror or some Lovecraftian elements too. And a fixed plothole from 1984 might be nice. Hey, a guy can hope, right?

Until next time, pleasant nightmares!

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Now let’s get one thing out of the way: the Doctor Sleep movie is based on the novel Doctor Sleep by Stephen King, which is a sequel to King’s previous novel, The Shining. The movie is also an attempt to reconcile the novels and Stanley Kubrick’s adaptation of The Shining, which King hates (and which I kind of agree with). And apparently King loved the script for this movie, as well as the final product. Everybody got that? Good.

Doctor Sleep follows Danny Torrance post-Overlook. He’s grown up to inherit his father’s issues with anger and alcohol, though once he arrives in a small New Hampshire town, he does sober up. At the same time, he makes a psychic connection with a young girl in a neighboring town named Abra Stone and who shines way more powerful than Dan does.* Which is good, because there’s a group of people known as the True Knot roaming around America in RVs, kidnapping kids with shine abilities and killing them to extract their power in the form of steam. In order to defeat the True Knot, as well as their leader, Rose the Hat, Dan and Abra will have to go someplace special to defeat them. A place Dan never wanted to revisit.

Well, I’m going to say this: it does feel like a Stephen King novel brought to film. In a good way.

So there are a lot of callbacks to the source material, as well as to King’s works in general. I had a private laugh at shots meant to pay homage to the Kubrick film, as well as to a field of corn and the number “19” showing up (folks who know King get it). And it’s really awesome to see the theatrical Overlook brought back to life (though degraded with age). And the novel does a great job of hybridizing the books and the Kubrick film in a way that would satisfy most King fans.

And the actors also do their jobs very well. I should mention that. The True Knot actors are particularly creepy when they’re sucking up steam or doing something else freaky, inhuman and cult-like.

That being said, there are some issues. For one thing, there is a lot of exposition, which in a novel we can get away with (especially in a King novel), but in a film it can slow things down. There are some things from the original novel that never made it to the movie that I would’ve liked to see, and there were some changes I didn’t care for.

And I didn’t find it that scary. I mean, there were a couple of moments where I jumped or was a little freaked out, but they weren’t enough to scare me. My criticisms of the Kubrick film aside, at least it’s unnerving to watch. But while the intent is there, Doctor Sleep can’t bring that unnerving feeling to life.

On the whole, I’m giving the Doctor Sleep film adaptation a 3.5 on a scale of 1 to 5. If you’re a big fan of the Kubrick Shining film, you’ll be disappointed. If you’re here for a horror movie, you’ll find it so-so. And if you’re a fan of King and the original novel, as well as interested to see how the film version can reconcile all the books and films, you’ll walk away satisfied.

That’s all for now, my Followers of Fear. I’m going to bed and getting into writing tomorrow. Until next time, pleasant nightmares!

*Fun fact, I named a character Abra in my NaNoWriMo project Toyland after reading Doctor Sleep. No psychic powers though. Not a spoiler, just a statement of fact.

I don’t have work tomorrow, and I wanted a horror film to watch on Halloween while still saying I went out for the evening. I’ve seen everything else playing that’s considered “horror,” so I went into this with low expectations. I only knew of it because of some commercials showing audiences reacting like Paranormal Activity and a promotional app popular among teenagers and young adults.

Countdown follows a nurse named Quinn who downloads an app she hears about from a patient, which supposedly predicts the very date and time of your death. When people try to change their fates based on the app’s predictions, they end up stalked by a demon that taunts them before killing them at the appointed moment of their death. Now Quinn has to find a way to cheat death or she and those dear to her will die in the worst possible way.

So, we’ve all seen this sort of movie before. It’s like a simple recipe. People take part in something that seems harmless, it turns out to be real, supernatural in nature and very deadly. Someone becomes affected, finds an expert to help them identify where the evil comes from and possibly how to beat it. After a showdown with a CGI evil and a few deaths, the protagonist manages to beat the evil, which lives on one way or another. Throw in some jumpscares and some creepy imagery, and you have a cheap horror film trying to get in butts in seats because somebody knows how hungry horror fans are.

But Countdown didn’t even manage to meet my expectations for this kind of poor horror! Everything was predictable, and at times, it felt like the cast and crew weren’t even trying. They indulge in a lot of tropes, and not even do it very cleverly. The one trope they try to change is to have the supernatural expert be a priest who, rather than being old and well-experienced with demons, is a young man who literally calls the Bible “the world’s greatest graphic novel” and geeks out over the possibility of stopping a demon. It’s supposed to be funny, but is kind of cringey instead.

There is one thing that sets this movie apart, however. There’s a subplot where Quinn has to deal with a doctor who sexually harasses her and then tries to ruin her career when she spurns him. Now, I’m all for exploring these sorts of subjects in media, including horror. I often feel that horror is a good lens to view societal problems, and horror is a fertile ground to explore women’s issues. However, I don’t know this was the right film to have this sort of subplot. It feels more like a gimmick and a bad one too.

On a scale of 1 to 5, I give Countdown a 1.5. There are a lot better horror films out there to watch on Halloween. I suggest you go find them, especially if you want to feel scared and that you didn’t just waste eighty minutes of your life.

Well, that’s all for now. Halloween ends in forty-five minutes or so, and then something rather crazy will begin. I’ll let you know how that goes in due time. Until then, my Followers of Fear, pleasant nightmares and Happy Halloween. See you again soon.

So it’s about three days till National Novel Writing Month, or NaNoWriMo. For those of you who are unaware, NaNoWriMo (which at this point is an international event) is a yearly challenge held every November (though some writers do it when they actually have time for it), where writers will attempt to write a fifty-thousand word novel within thirty days, or just under seventeen hundred words per day. Anyone who actually manages to get that amount wins bragging rights and a sense of accomplishment.

Anyway, I’ll be participating this year, my first time since college. And with all that writing, there’s a good chance I’ll be blogging less during that time. I do plan to post regular updates on the progress of my NaNoWriMo project, as well as any reviews of movies/shows/books I feel I need to post. And if anything pertaining to my career pops up (like something getting published or released, God willing), I’ll post about that. But in case even that’s not happening much, I’d like to leave this post so people know what’s up with me and my work while I’m neck-deep in storytelling.

It’s possibly an exercise in narcissism, to think you all are interested in that, but hell, it’s my blog. I’ll do what I want here. Onward ho!

Toyland

The one-sentence pitch for my NaNoWriMo project is, “A boarding school is haunted by a ghost obsessed with a children’s book.” It’s a Gothic horror novel with hints of the weird, and I’m very excited to be working on it. The first chapter is already half-written in my head, as well as several other scenes. I’ve gone through the outline at least seven times, so I think it’ll be free of plot holes and other issues. Whether or not it’ll be any good, we’ll see. But I’m hopeful. After all, there were plenty of times I thought Rose was terrible. And it’s doing relatively well for my first book with a publisher.

NaNoWriMo

As I’ve stated in a few previous posts, I’m taking time off from work for the first third of November to work on Toyland. The plan is to get up around seven or eight each morning, eat breakfast, write, eat lunch and read, write some more, and then knock off for the evening. Maybe see a movie if anything good is playing. Of course, I’ll adjust these plans as situations evolve. You never know when I might need a run an errand or something along those lines. Or write a blog post. Or get drawn into anime or a horror television series and binge several episodes in a row (ah, the fun of ADHD and procrastination).

After I return to work, I’ll be spending a lot of time doing catch-up and whatnot, so I may have to work late some days and not get to write some evenings while I recover my equilibrium. However, the point of participating in NaNoWriMo this year isn’t to finish the book in thirty days, but just to give me one hell of a head start. So even if during the last twenty days of November I don’t get as much as I want done, if I get plenty done during the first ten, I’ll be satisfied.

River of Wrath

Unfortunately, my beta reader has not had much of a chance lately to finish this book. And unfortunately, I need their feedback on certain subjects before I can edit this story. So it’s going to be a while till I get to edit this novel (which, coincidentally, I finished almost a year ago. October 30th, 2018 at about one in the morning. That was a fun night).

On the bright side, by the time I get to it, I’ll have plenty of energy and desire to get it done. And maybe another book or two out. I can hope, anyway.

The Short Story Collection

I’ve been busy on that, believe me. These past couple of months, I’ve spent writing and editing short stories for the collection. I just haven’t been posting every time I finish one because I wanted some of them to be a surprise! As it stands, this collection is about ten stories long. I’d like three more, two short stories and maybe a novelette or novella. With NaNoWriMo and Toyland only a few days away though, I’ll have to put it off till I’m either done with the latter or ready for a break (hopefully done with it). Fingers crossed when that time comes, I’ll be done faster than you can say, “It was a dark and stormy night.”

Rose

Yes, I have some news on Rose. As I said above, the Kafkaesque horror story of a young woman turning into a plant creature is doing very well. In fact, I got my first sales report a couple weeks ago, and it was very encouraging. With Rose getting so many new reviews in October, hopefully this’ll continue into the next quarter.

And in the meantime, the audio book is coming along swimmingly! As I said, I’ve heard the first fifteen minutes, and it sent chills up my spine! And last week, my publisher shared with me the cover art for the audio book. The way things are going, it could be out early or mid-November. And when it is, not only will I be the first to download a copy, but I’ll be making sure everyone else knows to check it out too.

In the meantime, if you’re interested in checking out Rose, I’ll leave the links for it down below. And if you do end up reading Rose, please let me know what you think. Positive or negative, I love reader feedback, and reviews help me out in the long run.

Rose: Amazon US, Amazon UK, Amazon Canada

 

Well, that’s all for now, my Followers of Fear. If I don’t catch you around Halloween, I’ll catch you at some point during the first week of November. Until next time, pleasant nightmares and Happy Halloween!

 

The Lighthouse is the latest film by Robert Eggers, the same director who brought us The Witch. I went in hoping for two things: to be scared and that it would be easier to understand what everyone was saying than in The Witch.

On both counts, I can say it was a success.

The Lighthouse follows Robert Pattinson as a young man who signs up to be an assistant lighthouse keeper at a remote island. There, he works under Willem Dafoe, an irascible lighthouse keeper who forbids his assistant from going up to the light at night for some reason. As time goes on though, both men, particularly Pattinson’s character, start seeing strange sights and creatures. Madness and isolation begin to set in the longer they stay together, leading to an irreversible outcome.

This is the first horror movie I’ve seen in theaters since Us where I’ve been truly terrified (I enjoyed Scary Stories to Tell in the Dark, but I wasn’t that terrified). There’s a very claustrophobic feel to the film, which is helped by the fact that there are only two characters with speaking roles, and the film is filmed in black and white. Shadows seem bigger than they are, and the occasional blaring of a horn has almost a psychological effect on the viewer. The use of dialogue, which is only at times is slightly difficult to understand, is never excessive, instead deepening the feelings of madness and our inability to trust the characters and what they say.

It’s a very Lovecraftian sort of film: while it doesn’t involve space gods or giant monsters from the depths, the ocean, as well as what’s in it, do have a negative effect on the characters. They’re dealing with madness, isolation, claustrophobia, forces they can’t understand, secrets, questions without answers, and each other. And there’s this sense, especially near the end of the film, where what’s behind the curtain will only appear to be what you’re seeking. In reality, it’s going to ruin you.

Also, speaking of the characters, Dafoe and Pattinson are great! You can hardly recognize them as actors, they just totally envelop themselves in these characters. Granted, Pattinson’s accent changes quite a bit (is he Irish? Brooklyn? I can’t tell). But you actually start wondering if these actors are going as crazy as their characters may or may not be.

I can’t really think of anything negative about the film without being nitpicky. It’s a great film, technically well done and psychologically unsettling. On a scale of 1 to 5, I’m giving The Lighthouse a 4.7. It’s a vast improvement from The Witch, weird and disturbing, and I think it’ll be an instant Halloween classic. Dive in and check it out for yourself.

We all know I love the Addams Family, especially the 1960’s sitcom iteration. So of course, I’ve been keeping my eyes out for anything new from the franchise. And when the first trailer for this movie dropped…well, let’s just say I may have been mistaken for a banshee or a werewolf in the Columbus community.

The Addams Family shows the Addams living in New Jersey. Due to past experiences with less-than-tolerant townspeople, they’ve lived in isolation to protect themselves. However, when a new suburb crops up by the Addams’ estate, they have to deal with not only the suburb’s creator/leader, a TV interior decorator, but the temptations and dangers of having to live near people again. All as the Addams prepare for an upcoming celebration in which the whole family will be gathered under one roof.

Before I start, let me just clarify one thing: in this adaptation, Fester is Gomez’s brother again (though whether older or younger is unknown), Grandmama is Gomez and Fester’s mother, and Wednesday is the older sibling again. These relationships can vary from adaptation to adaptation.

Now that that’s out of the way, let me state this: this might be my new favorite adaptation of The Addams Family.

For one thing, the animation really resembles the original Charles Addams cartoons, as well as allows for more crazy happenings during the course of the movie. (Not saying it’s better than any of the live-action versions, which I know a lot of people love, Just saying it looks nice and allows for more creative freedom)

And the story is decent. While it’s the sort of story we’ve seen before–people of different backgrounds learning to find common ground despite a powerful person trying to keep power–it’s done with a lot of heart and creativity here. Not only that, but it allows for a lot of character exploration, particularly with Morticia and Wednesday. The former is dealing with the fact that she can’t protect her child from the world anymore (something a lot of parents are dealing with more and more in a world where social media makes us grow up faster), while Wednesday is confronted with a world she’s unfamiliar with, and is ready to explore it despite her mother’s worries.

What took me by surprise, though, was how much this film’s themes could be applied to today’s world. I know there’s a lot of talk about refugees seeking safety in other countries,* and the Addams could stand in for refugees. In fact, the very first scene depicts them as refugees, fleeing the old country after Gomez and Morticia’s wedding is interrupted by townspeople with pitchforks and torches. The villain of the film could be seen as a stand-in for a lot of politicians or media types who use social media to comment on their issues, and sometimes inflame and direct people to action.

There’s actually a lot to unpack with these films, and it might surprise a few viewers. Granted, sometimes the way the film handles its themes hits us on the head–the new suburb is called “Assimilation,” for one–but for the most part, it’s done pretty well.

And yes, it is extremely funny. And there is an opportunity to snap your fingers and sing the theme song during the film. Trust me, everyone in the audience was doing it.

All that being said, I did have a few issues with the film. There’s a subplot revolving around Pugsley preparing for his Saber Mazurka (basically the Addams’ version of a bar mitzvah), and it feels kind of rushed compared to the other characters’ arcs. You can kind of tell that his arc is an excuse to get all the Addams in one place, and I would’ve liked to see his arc given more attention.

Also, Grandmama is barely in the film, which is a shame because she’s fun to play off other characters, especially Morticia. The villain’s fate…well, without spoilers, it leaves a bit to be desired. And was Snoop Dogg really okay playing Cousin Itt? He’s on screen for two minutes and has maybe three lines, all of which is gibberish. I’d have thought he’d want a bigger role.

But all in all, 2019’s The Addams Family is a fun family film perfect for the Halloween season. On a scale of 1 to 5, I’m giving this one an even 4. Pack up the hellspawn, get in your favorite hearse, and check it out. You should have a blast (though not because of the grenades).

*Due to my day job, I can’t openly comment on issues like that, but anyone who knows me should have some idea of what my views are.

I did say I would announce this when we got a bit closer to November. And my intuition, which is right about eighty percent of the time when it comes to this sort of thing, says now is the time to make the announcement.

As many of you know, I’ve been planning to take part in National Novel Writing Month for the first time since college, or about seven years. For those of you who are unaware, National Novel Writing Month, or NaNoWriMo, is a yearly challenge where authors try to write a novel of fifty-thousand words or more, just under seventeen-hundred words a day. This challenge is usually held in November, though sometimes authors will attempt to do it in another month when it’s more convenient for them (in which case, it’s known as Camp NaNoWriMo). I’ve been wanting to take a crack at it again for years, but college got busy, and things never quite added up in the years 2015-2018 for me to do it.

But since last November, just a few days after finishing a novel called River of Wrath at three in the morning on October 30th, I’ve been considering it. I even picked a novel out to write about. Since around early summer, I’ve been doing light research for this story. And in a little over a month, I’l be taking a bit of time off from work so I can devote as much time as possible to writing (and maybe de-stressing a bit while I’m at home). So without further ado, let me announce my next novel, a story I like to call Toyland.

Don’t let the name fool you, Toyland isn’t whimsical or cute at all. It’s a Gothic horror novel following students at a boarding school in southern Ohio. They start noticing some weird going-ons during their fall semester. A girl with dark hair, as well as strange creatures, are seen around the school. Several odd injuries, some close to fatal, fall upon students and even faculty. There even seems to be a world within the school, one in which the laws of reality have no say whatsoever. All of it seems to trace back to a children’s book discovered in the school’s library. A children’s book called Toyland.

How’s that for a setup? Granted, there’s a good chance it’ll veer away from Gothic fiction and straight into weird territory (trust me, I outlined the whole thing back at the beginning of the summer and have done subsequent drafts since). But I tend to enjoy writing stories that stray into weird territory, so it works for me.

Anyway, I’ve just about finished up the research for the book. I’ve even watched the 1961 Disney film Babes in Toyland just so I could make a comparison between that film and the kid’s book in the story.* All that’s left is to write it. And while I doubt I’ll get anywhere near the fifty-thousand word mark (I’m many things, but not a miracle worker), I do think when the first draft done, it’ll at least be a decent first draft. Maybe something worth publishing one day.

Well, that’s all for now, my Followers of Fear. There’s a bed calling me in the next room, and I so desperately want to sink into it for a few hours. Until next time, pleasant nightmares!

Are you participating in NaNoWriMo this year? Why or why not? Whatever you’re doing, what sort of story are you writing?

*By the way, that was my first time watching that film, and I didn’t like it at all. Yeah, the setting looked spectacular and the villains and side characters were enjoyable, but the plot was really unfocused and the main characters were really boring. Hell, you can see the boredom on Annette Funicello’s face as she plays the female lead! She’s like “Oh my God, someone get me out of here so I can go make beach party movies. Anything would be better than this shiny lack-of-substance.”

Also, one or two of the songs feel kind of sexist nearly fifty years after the movie’s release. Especially the one where Annette complains about being unable to do her finances. Yeah, there’s a song like that. It’s kind of cringey.

And no, I won’t watch any of the other movie or television adaptations of the Babes in Toyland operetta. I won’t even watch the operetta! I suffered enough watching the most famous adaptation, thank you very much!