Posts Tagged ‘possession horror’

Years ago, when I was interning in Germany, I tried writing an exorcism story. And over the years, most recently 2019, I would try again and again to write this particular exorcism story, which would go by titles like “Summer of the Devil,” “Stuck in the Horror House,” and “Oppression.” I never finished the story. I don’t think I ever got further than five thousand words through it.

The story would have been about four friends breaking into a haunted attraction during the off-season and one of them intentionally summoning a demon for kicks, only for every one of them to get possessed and chaos to ensue. Looking back on it now, I feel it’s pretty paint by the numbers as far as possession and exorcism stories go. More like one of those B-movie summer popcorn munchers that rely way too much on jumpscares and CGI to be scary to veteran horror fans.

However, earlier this month, I started a new exorcism story. This one, titled “The House on Lafayette Square,” featured a totally new scenario and characters, and I ended up finishing it late Wednesday night at about 9,400 words. And after I’d finished it, I came to realize what factors were limiting me from writing the previous exorcism story, or any others for that matter.

Those factors were conventionality and emotional investment.

You guys know me well by now. I don’t march to the beat of anyone else’s drum but my own, and that’s especially true when it comes to the stories I write. I mean, I’ve written about plant/human hybrids (Rose), Mafia-hunting serial killers (Snake), and carnivorous horses and strange gods (Hannah and Other Stories), among other things. Not what you would call run of the mill, even for horror.

And like I said, the story I was trying to write back in 2015-2019 was much more conventional. It confirmed for me something I’ve suspected for a while now: if I consider the story too run-of-the-mill, or if it gets away from what I consider a Rami Ungar-style story (like starting in one genre but becoming too close to another), I just won’t be able to write it. No matter how much I like the idea.

As for emotional investment, let me explain something: “Lafayette Square” is a Jewish exorcism story. That already brought in some emotional investment, as there’s still not a lot of Jewish horror out there and I liked the idea of adding to the catalog with something not usually explored in our stories. However, since the Israel-Hamas conflict began last month, it’s brought about a lot of stress and dark feelings, both for myself and the Jewish community. Thusly, “Lafayette Square” became a story for me to work through my emotions regarding the conflict.

Who knew it would take emotional investment as well as a new angle to finally get me to write an exorcism story?
Photo by Luca Nardone on Pexels.com

In other words, writing it became a cathartic exercise. Or maybe a cathartic exorcism is a better way to put it.

So yeah, having a strong emotional reason to write this story, as well as it feeling like something new and exciting and definitely something I would write, really helped me get through this exorcism story. That’ll be good to know with future stories, whether they’re about exorcism or not.

As for whether or not we’ll see “The House on Lafayette Square” out in print anytime soon, we’ll have to wait and see. I already have someone taking a look at the story and giving me feedback, so hopefully after I get their notes and make some edits, I can find it a home. Still, I think it’s got a chance. And if it does come out, I can’t wait to see how people respond to it.

For now though, I have a new story to research and start working on. And I have a feeling I’m not going to have any trouble writing it.

Until next time, my Followers of Fear, good night and pleasant nightmares.


One last thing, my Followers of Fear: did you know it used to be a tradition during the holiday season to tell scary stories? I think it’s a damn shame this tradition has faded so much. And with the holiday season now upon us, why not revive it? Go out and get yourself or a horror fan you know a new scary story for the holiday season!

And if you’re at all interested, maybe consider checking out some of my work. As I said above, I have plenty of work out there that’s both unique and scary. If that’s your thing, check out my Book Links and Excerpts page. And if you or a friend end up reading some of my work, be sure to leave a review so I and other readers know what you thought.

Happy reading, Followers of Fear!

After reading Philip Fracassi’s book Gothic back in spring (see my review here) and after meeting and sharing a drink with him at Stoker Con in June, I was interested in his new book Boys in the Valley. It helped that there was a lot of advanced buzz around the book. So, I preordered the audio book, and started listening to it earlier this month. What did I think?

Boys in the Valley takes place at St. Vincent’s, a Catholic orphanage for boys in an isolated section of 1905 Pennsylvania. It’s not a terrible place, but it’s not exactly a great place, either. Still, those there try to make the best of it. At least, until one night, when the sheriff shows up with an injured man covered in occultic symbols. The events of that night set in motion the release of a terrible evil and a plot that will test everyone in the orphanage. And failure of that test may lead to consequences worse than death.

Gothic was good, but I liked Boys in the Valley better.

The best part of the story is the cast, and it goes to show Fracassi’s skill as a writer at how well he juggles an ensemble cast. Among the characters are Peter, a young man who is training for the priesthood (though he also has feelings for a local farmer’s daughter) and who views himself as part of a long line of St. Vincent boys; David, an angry young man who considers the orphanage a sort of hell; Brother Johnson, a brutish staff member at the orphanage whose journey through the story is fascinating to watch; and Father Poole, the megalomaniac running the orphanage whom I wanted to strangle throughout the book (and it says a lot about the writer that I reacted as viscerally to the character as I do with some politicians).

All these and more characters really made the story come to life for me, as did the story itself. It’s a possession story, but it doesn’t follow the usual trajectory of one, and that makes the direction unpredictable and the twists so much more satisfying. There were several moments where I had no idea what would happen, but desperately hoped for it to go one way and to open my mouth in surprise when it didn’t.

If there were some things I would have liked better, I would have preferred to see some more demonic antics in the novel. That, and I was hoping for a different ending in the final chapter.

But overall, Boys in the Valley by Philip Fracassi is an excellent novel and a fun read. On a scale of 1 to 5, I’m giving the book a 4.6. Heartfelt, with a strong cast and vivid storytelling. Set yourself down with a copy and some communion wine and strap in for the ride.

And if you go with the audio book, you’re in for a treat. The narrator, David Aaron Baker, does an excellent job with the various voices of the characters, shifting from boys and teens with cracking voices to gruff adults in a skillful flash.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.