Posts Tagged ‘publishing’

It’s alive! It’s ALIVE!

Specifically, the link to preorder Hannah and Other Stories is live now. As you know, Hannah and Other Stories is my new collection of short stories, and it’s releasing September 23rd, 2023. The collection contains stories of ghosts, budding serial killers, and carnivorous horses. And as of this morning, you can preorder it using the link below.

At the moment, you can only preorder it as an ebook. However, if preorders, sales and reviews are good, we may be able to expand into paperbacks and maybe even an audiobook! So please, if you’re at all interested, click on the link below and order a copy ahead of time! And in the meantime, I’ll do my best to make you want to read the book!

PREORDER LINK FOR HANNAH AND OTHER STORIES

Speaking of doing my best, check this out: BSC Publishing Group, the publisher releasing Hannah, came up with all these marketing materials to help promote the book at events. You can see some photos of them below:

A chapbook containing excerpts from the stories “Hannah” and “Queen Alice.”
Pretty sweet bookmark.
Bookplates! You can paste them to the inside cover of your books, making them collectible (especially if I sign them).
Stickers and little photo cutouts of the cover!
A big poster with a description of the book! Now that’s something to catch the eye.

Pretty sweet, right? I never had this sort of support from a publisher before, so it’s a nice change of pace. And BSC does this for all their writers, so that’s pretty awesome for us. My favorites are the chapbooks and the poster. Not only are they well made, but I think they’ll especially draw the readers in. And now that the link is live, we can slap a QR code somewhere on that poster so people can preorder with their phones.

Anyway, I hope you didn’t mind me showing off the cool marketing materials and trying to entice you to preorder a copy of Hannah and Other Stories. Still, I hope you’ll check out the book and even consider preordering a copy. And if you do order a copy and read it, I hope you’ll review it after the release. Positive or negative, I love reader feedback, and reviews help other readers as well.

That’s all for now, my Followers of Fear. I’m happy to report that while I’m not at one-hundred percent yet, I’m feeling much better than I have been. I might even do some writing this weekend. Maybe it’s all the self-care I’ve been doing lately. It makes such a big difference.

Anyway, until next time, good night and pleasant nightmares!

Are you guys tired of hearing about Hannah and Other Stories yet? You’re not? Good, because this isn’t the last time I’ll be talking about it.

Anyway, as you probably know, Hannah and Other Stories is my upcoming collection of short stories. Within the book will be tales of ghosts, budding serial killers, and carnivorous horses, among other things. And as of now, we have a specific release date, rather than just the vague “Fall 2023.”

So, are you reading to find out the date of release? Are you ready? Well, let me tell you. The release date is…

You know what, I think I’ll just keep it under wraps for a little while longer.

Kidding! Just kidding! No need to panic or sound off in the comments.

In all seriousness, here we go: the release date of Hannah and Other Stories will be Saturday, September 23rd, 2023!

So, there you have it. The release date will be September 23rd, right before the Halloween season really ramps up. Hopefully it makes one hell of an impression on readers.

Now, you’re probably wondering where and when it’ll be available for preorder. I’ll have the links for preorders as soon as they’re available, and then I’ll make sure to pass them on to you. Should you wish to preorder, you can do so then.

I’m really hoping Hannah does well, and maybe even gets plenty of preorders. For now, the book will only be available as an ebook, but if it does well, it’ll be released as a paperback and even as an audiobook! I would love for that to happen. It would not only mean that more people could read the book in their preferred format, it would mean people really liked Hannah and want to support it.

And speaking of support, thank you all for your support with this book, as well as your patience. I know it’s been a year and a half since Hannah was first accepted for publication, but I swear that it is on its way and all the waiting and clamoring and excitement will be worth it.

Anyway, that’s all for now, my Followers of Fear. I’ll be at the Canal Town Book Festival tomorrow. Please come out if you’re in the Dover, Ohio area. And if you’re not, you can show your support by heading to my Books page and getting one of the books listed there from the retailer of your choice. It’ll make great reading until Hannah releases.

Until next time, good night and pleasant nightmares!

So, one thing that really surprised me about the editing process for Hannah was that I had to get rid of brand names from the stories. YouTube became WeTube, and Kroger and Meijer became Lundgren’s, etc.

But those weren’t the only things I had to take out. Ohio State University, which was featured in What Errour Awoke and which was mentioned in Hannah, has been renamed Aurelian University. And Disneyland is now Mueller Land. Yeah, Disneyland was in a story at one point, but now it’s Mueller Land. And I was really surprised I had to change those both.

As my publisher explained, we have to be careful, because if we use a real brand and the company that owns the brand thinks the depiction is negative, they can sue both me and the publisher. Which makes sense. I mean, Apple doesn’t allow its products to be used by bad guys in movies and TV shows. If you see someone in a movie using a generic android phone, chances are they’re bad guys. And in the TV show Chuck, the name of the store where the main character works is a Best Buy parody called Buy More. And given that the store is regularly depicted as being staffed by lazy, incompetent, and oftentimes creepy employees, or is the sight of shootouts and spy shenanigans, it makes sense that the creators would change the name.

Also explains why Subway, which was a sponsor for the show in later seasons, was only ever eaten by the good guys. As far as I can remember, I never once saw a bad guy in that show going for Subway.

Still, that show also depicted Stanford University as a major recruiting center for CIA operatives, and during the first season, the main character has negative feelings towards the school due to his being framed for cheating and getting kicked out while there. Did Stanford not care? And if it didn’t, would Ohio State really care that some characters in my collection were students there?

On the bright side, I was able to keep Slender Man in Queen Alice. Even though he’s a copyrighted character (I know, most people think he’s public domain as well), I was able to keep him as mentioned in Queen Alice because he illustrates an ongoing phenomena regarding Internet boogeymen. And in What Errour Awoke, I was able to keep a reference to Die Hard because, as my editor put it, Nakatomi Plaza is not a copyrighted name or actual location and everyone loves a Die Hard reference (truth).

I still find myself wondering about this, though. Some authors, especially big-name authors, can put references to brands, businesses and universities, among other things, into their work and don’t think twice about changing them. Occasionally, you even see song lyrics from famous songs! Gerald’s Game‘s antagonist draws his name from lyrics from “The Joker” by the Steve Miller Band, and My Best Friend’s Exorcism had lyrics to many popular songs from the 1980s, albeit sung with the wrong lyrics because that’s what the characters liked to do. Not sure if that counts as parody or fair use, but it doesn’t change the fact that We Got the Beat by the Go-Gos was used as an exorcism chant later in the book.

And how does Law & Order: SVU get away with using TikTok and TikTok stars in one episode? Yeah, season 23, episode 5. Even if the app isn’t portrayed as having any bearing on the bad guys in that episode, I can’t imagine TikTok was happy to have its name used in the show like that.

I guess what I’m saying is, there’s a lot to using real brands in fictional contexts that I don’t get. It’s incredibly nuanced, and you can’t get away with using a real brand by using it in a positive light and then pointing to the copyright text at the beginning of the book stating that all characters, settings, and whatever are fictional or used fictionally. In which case, more often than not, it might be better to just turn a popular brand or institution into a fictional version with a name that may or may not reference the real thing. YouTube becomes WeTube, Disneyland becomes Mueller Land, Ohio State University becomes Aurelian University, and…well, you get the idea.

Do you have any insight on this, my Followers of Fear? Please sound off in the comments below.

That’s all for now, my Followers of Fear. Just a reminder, though: this Saturday I’ll be at the Canal Town Book Festival in Dover, Ohio, selling books. If any of you are in the area, please stop by and visit. Also keep an eye out for some exciting news on the horizon regarding Hannah and Other Stories. Trust me, you won’t want to miss it.

Until next time, good night and pleasant nightmares!

So, these past few weeks, I’ve been editing the hell out of the stories in my upcoming collection, Hannah and Other Stories. This collection contains stories featuring ghosts, budding collections, and even carnivorous horses, and it looks like we’ll be releasing it some time this fall.

And as of early this morning, I’ve finished editing the third draft of the manuscript.

I’m not going to lie, this has been the most exhausting editing process I’ve ever gone through. Way more than Rose ever was (and I had to rewrite two-thirds of that novel at one point). Some of the stories, such as What Errour Awoke and Fuseli’s Horses, required extensive editing and rewrites. Autopsy Kid, which at this time is the last story in the collection, had a ton of content cut from the story and a lot of changes made so that it could stay part of the collection. As a result, I actually missed the deadline to get this story turned in!

Yeah, I’m not happy about that. It was due on Friday night at 11:59 PM, but even though I adjusted my schedule to maximize editing time despite being at ParaPsyCon, I still couldn’t finish it by then. I actually had to grab some shut-eye, then wake up at 5:30 in the morning and finish the edits!

Still, I’m not happy that I was late. Yeah, there were factors that contributed to the lateness, such as having a day job and needing to sleep. But it was still a failure on my part, if a minor one. I’m glad I wasn’t like one of those writers in the movies and books, who are one to six months past deadline. Or that one writer whose next book is…nine years overdue?! Good Lord, we are never going to get that series finished, are we?

Anyway, now that the third draft and all the major edits and rewrites are done, all that’s left is for the fourth draft. This draft will mainly be editing the stories to be grammatically correct. Any new content will likely just to make an unwieldy sentence read better, or to flesh out something that’s more telling than showing. And after that, provided there’s nothing more to do, we can move forward with getting this book released in the fall.

I’ve actually already done three stories in the fourth draft, and it only took me an hour to get through them, rather than the hours or days for each story in the third draft. Hopefully the next four stories go the same way.

That being said, right now, I’m exhausted. Work has been crazy, so balancing work and the writer life, as well as my personal life and getting sleep, has been insane. And I didn’t get enough last sleep last night. So, although I want to party with wine, cake, and some horror movies or anime, I’m just going to get into bed. Tomorrow, on the way back from ParaPsyCon, I’ll try to pick up some of the good stuff and have a good time when I get home.

Anyway, that’s all for now, my Followers of Fear. I’m hoping to be blogging a bit more now that the third draft is done. Until then, good night and pleasant nightmares. I know I plan to have a few.

One year ago, I published my love letter to the Victorian era and to Gothic literature, The Pure World Comes, in paperback and ebook. The story followed Shirley Dobbins, a maid in 19th-century England who only wants to become a head maid of a great household. So, after the death of her employers, she think she’s hit the jackpot when she’s invited to work for the estate of the baronet Sir Joseph Hunting. However, she soon finds out the manor is not only in need of more than a little TLC, but strange things are occurring there. Things that may be related to the baronet’s research into fringe sciences. And these strange things are turning increasingly dangerous.

Anyway, I can’t believe it’s only been a year since this book came out! So much has happened in that time. But a year has passed, and I’ve been lucky enough that many people are not only reading the book, but loving the hell out of it. As I said, this story is a love letter to the Victorian era and to Gothic literature, and I think I spent five years just doing research before I actually wrote it. I wanted to not only be able to breathe the era, but to have my readers breathe it too. And I think I succeeded on that front. I certainly succeeded in making a toilet scary.

Yes, I made a toilet scary. There’s a scene where a character uses the bathroom and something terrifying happens when she’s done. It’s one of my favorite scenes in the book.

But as I said, a lot of people have discovered and enjoyed the book, and I’ve been lucky enough to get their feedback. Here’s what people are saying:

I love it when I’m pleasantly surprised by a book. Rami Ungar is not a debut author, (according to the back of the book, this is his fourth novel), but his work is new to me and so I went in not knowing what to expect. What I got was a short novel so perfectly Victorian and utterly Gothic that it made my old-fashioned self giddy as a schoolgirl…Mixing classic-romantic Victorian elements with early science-fiction, tales of Jack the Ripper/Spring-Heeled Jack, and a bit of the occult, this book gives the reader a truly chilling and also slightly fun little Gothic adventure

Heather Miller, author of “Tales My Grandmother Told Me.”

Wow Literally Breathe Taking.

This Novella/ Short Story Packed a Powerful Punch. A Gothic Victorian Tale of Heart Retching HeartAche and Disparity to a Glorious Triumph. A Depiction of England around the Same time of White Chapel/and Jack the Ripper. This writers style and depth of description brings the reader right into the story as the events unfold. The Banter between the Characters is so natural. It will surely Become a Classic in its own Right.

This has elements of Dark Shadows Lara Parker (Angelique) books, as well as Thomas Megan and so many Victorian writers including Shirley Jackson

Joan Smith, Goodreads reviewer

There were quite a few things I liked about this book – the attempt to make it historically accurate (required a lot of research), the author’s take on a possible Jack the Ripper scenario (no spoilers!), And the Big Reveal itself. I quite like the idea. I think it has many possibilities and potential uses as a plot device for future (possibly non related) stories. I also listened to Rami’s other novel Rose, and this one is completely different. A little darker, a little more philosophical. Exceptional work.

Ronald Gillepsie, Amazon reviewer

And that’s just a small sampling of what people have been saying. You can read the rest by clicking on the Amazon and Goodreads links below.

And that brings me to some exciting news: in honor of the one-year anniversary, I’m having a sale! From now until May 17th, the ebook will be on sale from all retailers! And the audio book (yeah, there’s an audio book) will be on sale from Chirp, Spotify, Nook Audiobooks and Apple as well during this period. So, if you’re interested in reading the book but might be a little cash-strapped, now is a great time to get a copy and start reading! Links are posted below.

And if you like what you read, please post a review online. Not only will it let me know what you thought and maybe improve my writing, but it’ll let other readers know whether or not to get the book.

Anyway, that’s all for now, my Followers of Fear. I hope you all enjoy reading the book, and I can’t wait to hear what you think of it. Until next time, good night and pleasant nightmares!

The Pure World Comes: Available from Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads, Audible, Chirp, BingeBooks, LIbro.Fm, Storytel, Palace Marketplace, Hoopla, Vivlio, Smashwords, Thalia, Scribd, Spotify

Life is crazy, there’s a lot going on, so here’s some quick updates on what’s going on in my life and writing career.

Hannah and Other Stories

So, the next draft has already begun on Hannah. Currently, my editor is sending it to me story by story every couple of days, with “Hannah” itself arriving yesterday. (And yes, differentiating the two in email conversations with my editor was a hoot). I actually got the story done in one evening and sent it back, with the biggest change to the story just being that I changed some names of brands and public institutions. For example, YouTube became WeTube, Ohio State University became Aurelian University, and Disneyland in Anaheim because Mueller Land in San Dimas. Fun fact, took me about half an hour to rename Disneyland, but given that they’re a brand I don’t want to owe money to for using in a story, it was a half hour well spent.

I should receive the next story, “Queen Alice,” in a few days at most. When I get it, I’ll get it edited as quickly as possible and get it back to the publisher. With any luck, we’ll be done with this draft by the end of the month.

They Sleep Within the Rock and other projects

I finally got around to doing a third draft of this novella last week. With my beta reader’s help, I’ve been able to improve the story immensely, and have edited about seventy percent of the story. Unfortunately, while working on it, I realized the last thirty percent doesn’t have the oomph this story needs to be great. I mean, it’s a story about giving neo-Nazis some epic karma! You would think the story would have an ending on par with the explosiveness of Die Hard or the finale of The Little Mermaid (say what you will about that movie, but that finale is nothing to sneeze at).

So after a lot of messaging back and forth with my beta reader, I think I came up with a new ending that might be closer to my vision. I’ll be working on it in-between stories of Hannah, so it may take time, but I’ll get it done and back to the beta reader before too long.

After that, I would like to edit “The Underground Kings” and “It Changes You: A Backrooms Story,” as I’ve received some great feedback on how to improve those stories and I want to see what I can do with them. With any luck, they may even find homes!

And as for new stuff…well, I would like to get back to my mummy novel Crawler. And I do have some short stories, novelettes and novellas I might want to work on later this year. But really, nothing definite at this point. Just a ton of editing.

Horror Writers Association news

You may not be aware of this, but I’ve been the Chairperson for the Ohio chapter of the Horror Writers Association, HWA Ohio, since around its inception. I didn’t volunteer for the role or anything in the beginning, I just kept reserving meeting rooms for our meetings, and as we got more organized, I just kind of became the chair.

This year, the HWA implemented a system to elect chairs every two years organization wide. And I can officially say that I’ve been elected to serve the role two more years. I’m looking forward to serving as the Chairperson again, and to growing both the chapter and its members. If anything exciting pops up in that regard, I will let you know.

Anything else?

As you know, this Saturday I will be selling books and doing Tarot readings at the Hidden Marietta Paranormal Expo in Marietta, Ohio. It’ll be at the Washington County Fairgrounds from 10 AM – 4 PM. If you’re in the area this Saturday, please stop by, because it’s going to be a ton of fun.

I’m also going to be doing a flashlight tour and a ghost hunt at the local Anchorage Mansion this weekend with a friend, so hopefully we come across some spooky stuff. If we do, and I can, I’ll record it so you can see it!

And I finished Every Woman Knows This by Laurel Hightower, and thought it was a strong collection of scary short stories. 4 out of 5, won’t disappoint readers who give it a read.

Other than that, there’s nothing I can talk about. At least nothing that’s relevant to this blog right now or that I can talk about without getting into trouble. So, I’ll take this moment to bid you all a good night. Until next time, my Followers of Fear, pleasant nightmares!

As I mentioned in a previous post, BSC Publishing Group’s editors and I had several Zoom and email discussions regarding the content in my upcoming collection, Hannah and Other Stories. During the discussion, I realized a lot of things about my stories and my writing in general that needed improvement. And this led to some discussions with one of the editors about my writing, writing horror in general, and what directions I could go with my writing.

I won’t go into details, because some of it is for stories that you have yet to read, and I really want things to be a surprise. But the biggest conclusion I came to was that there’s still so much I need to learn as a horror writer.

I mean, I kind of already knew that, but I think part of me thought I’d become some sort of authority on horror writing, and the content meeting, as well as all the discussions that followed, really made me see the light. All of a sudden, I’m understanding why some of my stories haven’t been accepted, what fatal flaws I’ve allowed to slip into my storytelling, and what needs to be fixed so I can write not just effective horror stories, but publishable horror stories.

Honestly, it’s been rough to realize how much I still have to learn and how many ways I’ve actually been sabotaging my own stories. It’s been enough to make me doubt my own abilities as a writer…for a second. Then I remembered this is why we have editors and beta readers and why authors are their own worst judges and how we also need this feedback so we can grow and become better writers. If we never learn from others or discount what our editors and beta readers say, we end up writing really bad stories that never get published.

So, this whole experience, while slightly disheartening, has been a good eye-opener for me. Hopefully I can learn from this past week and write some stories that magazines and publishers will want to release and readers will want to read. I’m already thinking of ways to improve the stories I still need to edit, including “They Sleep Within the Rock” and “It Changes You,” and stories I might want to tackle next. I’ve also thought of ways to change Toyland and Crawler, and, of course, I’ve had plenty of thoughts of how to improve the stories in Hannah. With any luck, I can put these thoughts into practice and edit these stories so that they’re worthy of the promise at the top of this blog and on my business cards: “Scared yet? My job here is done.”

I look forward to updating you all on my progress.


One last thing, my Followers of Fear: I know I got into all the events I’ll be attending yesterday (you can see that post here), but I got confirmation on one more today, so I’ll add it to the end of this post. So this summer, I’ll be a guest at Gem City Comic Con on July 22nd and 23rd, 2023 in Dayton, Ohio! I’m really looking forward to this convention, so if you can stop by, please do so. I don’t know if they’ll let me do Tarot readings yet, but I’ll be happy to sign your book.

Until next time, good night and pleasant nightmares!

In Tarot, the Two of Cups represents reconciliation and balance in a relationship. It’s a card I thought often of during these past few days while figuring things out with BSC.

The relationship between an author and a publisher is a collaboration. The author creates a work, and the publisher helps them get the work cleaned up enough to be published. Together, they release the book into the world and put in the work to make sure the book gets to as many readers as possible. That’s all known.

But, as I said above, the relationship between the author and their publisher is also a relationship. And a relationship is often about give and take, compromise, and balance.

I was reminded of this fact recently during a two-hour Zoom meeting with my editor at BSC Publishing Group. BSC, as you probably know by now, is releasing my new collection, Hannah and Other Stories, later this year. Part of the reason why I wanted to release this collection with a publisher is that I knew these stories would need help reaching their full potential, so I wanted a publisher with experience that could help me reach that potential. Plus, the people working for BSC know the industry well and are enthusiastic about helping their authors reach as wide an audience as possible.

This particular meeting was a content meeting. Simply put, we were looking over the individual stories and seeing what in the story’s content could be fixed in the next draft. This way, we could continue to improve the stories by identifying any story issues and maybe cutting out anything that would be too controversial or souldn’t help the stories. And my editor had plenty of suggestions for the stories, some of which I’d already hit upon. Most I didn’t have an issue with. They either made sense from the get-go or they made sense after a bit of explaining.

A few things that came up, I was glad to receive. I mean, if you haven’t already noticed, I’m a white male. And, try as I do, I don’t always see things from outside that perspective. It’s good that my editor and others at BSC are women and can see outside that perspective. They pointed out more than a few things I didn’t realize might come off as problematic. And now that I know, I can change and learn from these examples so (hopefully) I don’t make that mistake in the future.

Other suggestions, however…I had more than a bit of hesitation.

Look, I’m normally an amenable guy. I like getting along with people and I’m usually good with going along with someone else’s suggestion if it’s not a big deal. But without getting into details (spoilers, you know), some of the suggestions my editors made just didn’t sit right with me. And I pushed back, which resulted in a lot of emailing back and forth.

And that’s something you have to keep in mind when you work with publishers. While they do want to help you get your book out there and even further your career, they do have their own ideas, goals and needs. And sometimes, all that with conflict with your vision in some way or another. That’s not a bad thing, it’s just the way things are. And ultimately, the best you can hope for is either coming to an understanding, or a compromise.

Otherwise, the relationship between author and publisher could dissolve and the book go unpublished, or the relationship between author and publisher is extremely unbalanced and the two parties, as well as the resulting book, suffers.

Ultimately, BSC and I were able to talk it out, come to a few agreements, and reach a compromise. And now we have a direction for the next draft of this book. Soon, I’ll get the notes on the second draft from them, and we’ll go from there. What happens next…well, we’ll see. At the very least, we’re still able to get along and still committed to getting this book out. And that’s what’s important.

Earlier this week, my publisher got in touch with me and asked me to pick some excerpts from each of the stories in Hannah. Specifically, they were looking for excerpts that reflect the theme of the collection. And that really made me think, because up till then, I hadn’t thought there was a theme to Hannah. It was just a bunch of stories I’d been working on at the same time that I thought might make a good collection if included together.

So, I had to ask myself: is there a theme to Hannah and Other Stories?

Now, if for some reason you’re unfamiliar, Hannah and Other Stories is a collection of short stories that I’ll be releasing later this year in the fall (exact date to be determined). It’s a collection of seven strange and unique stories, ranging from ghost hunters investigating a haunted school, to budding serial killers, to even carnivorous horses. And BSC Publishing Group, the company that will be releasing Hannah, and I have been working hard so as many people as possible are interested to read this book when it releases.

Which brings me back to the point of this post: BSC wanted me to pull excerpts from the stories inside that really speak to the theme of the collection. So, I had to sit back and really think about if there was a theme to the collection. And if so, what was it? There certainly wasn’t when I wrote and released The Quiet Game. That was just me writing stories that interested me and which I thought people would enjoy. I thought with those five stories, I’d be making a good foray into the world of publishing, self-publishing, and horror fiction.

And as mentioned above, I was working on some stories I liked and thought would make a great collection when I put Hannah together. So, was there a unifying theme below it all? Maybe something I only noticed subconsciously when I was choosing which stories to put together? Because there were definitely a few I rejected for one reason or another.

Well, after some rumination, I did realize something: in all the stories, there’s a senselessness to the world. The violence and horrors that occur don’t seem to occur because of some greater plan, or a good versus evil struggle like you see in horror. Shit is happening, and even when you go back through events and see how they start and how inevitable the endings are, you don’t feel like there’s anything guiding the world. It’s just a cruel, indifferent world with cruel or indifferent people and cruel or indifferent circumstances leading to horrific results.

And for many, that’s scary in and of itself. Even those of us who aren’t necessarily religious like to think there’s a higher power or guiding force or principle in the universe. The idea that the universe has none (except maybe a writer with a penchant for dark, sinister and macabre storytelling) is sure to chill more than a few readers.

So, I chose excerpts I felt reflected that. Sure, some of those excerpts featured people being awful (and those scenes are incredibly violent), but in the end, that senselessness and lack of guidance or purpose is at the center of the excerpts.

Hopefully, the excerpts chosen help with the marketing campaign we’re going to do in the months leading up to Hannah‘s release. As I said, I have high hopes for this collection, and I think many readers, whether new to my work or fans for years, will find plenty to enjoy.

And maybe, if I put out more collections in the future, I’ll think harder about themes before I put it together and try to shop it around.


That’s all for now, my Followers of Fear. I actually woke up sick today, so my weekend plans kind of fell by the wayside. Hopefully I can do some of the stuff I wanted to do this weekend. At least I was able to get a blog post out. That was something I wanted to do at some point this weekend.

Anyway, I’m off to heat up dinner. I hope this post got you excited or more interested in Hannah and Other Stories. And while you wait for its release, if you’re looking for something spooky to read, if you want to support my career, or if you want to help me feel better, maybe consider checking out my Published Books page and finding your next read there. Trust me, there’s plenty there to enjoy.

Until next time, good night, pleasant nightmares, Shabbat Shalom, and only 200 days till Halloween! Yes, I’m keeping track, that should surprise none of you.

So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.

And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”

I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.

I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.

Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.

Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.

That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?

But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.

Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.

Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.

What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.

Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.

*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.