Be very afraid.

AAAAAH! That was the reaction of several people in the audience at various points during the movie. Ever since I heard of As Above, So Below, I’ve been dying to see it, and that desire only increased after visiting the Paris catacombs themselves. So when my friend Ramsey, who went on the study abroad trip with me back in May, suggested we go see a movie this weekend, I had just the movie in mind.

Written and directed by Drew and John Erick Dowdle and starring Perdita Weeks and Ben Feldman, As Above, So Below follows urban archaeologist who finds a clue to an old mystery during a covert trip to Iran. Heading then to Paris with a documentary student and teaming up with an old flame of hers, she ends up realizing that what she is looking for may be more than just a legend, and goes into the Paris catacombs themselves to find t. But in the process, she finds so, so much more and in her search for the truth, she may just find her death.

Apparently taking a lot of work to film and bring together, the Dowdle brothers can be assured their hard work was worth it. The film’s slow build up of suspense, couple with the claustrophobic feelings of being in dark, underground tunnels (and watching it in a dark movie theater), lends to a creepy atmosphere that only gets heightened in the last act of the film, where monstrous visions and creatures appear one after another, eliciting those screams from the audience that I mentioned. The brother also know how to insert a twist into their script, by taking the last couple minutes of the movie in a direction that other directors might not have gone down, and completely subverting the rules of found footage films (for more on those rules, check out my article on them). And Weeks and Feldman as the film’s leads manage to portray a romance that doesn’t seem contrived or sappy at all.

My one criticism of the film is that at times, things move a little too slowly so that the terror and suspense dies down a little. Luckily at the drop of a hat it can be ramped up again, but I think terror throughout would’ve done more for the film. Still, it was a good horror film, and later over drinks Ramsey, two friends of his that he’d brought along, and I enjoyed a good hour or so of dissecting the film and looking at all the aspects of it, whether symbolical, plot-wise, or what terrified us in our seats.

Grading this film was hard, and I’m still not sure I was able to give it a good grade. Nevertheless, a grade must be given, so I’m going to go with a 4.4 out of 5. Great film, plenty of scares, and no bad sequel. If you like scares, you shouldn’t be disappointed with As Above, So Below. I know I wasn’t.

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