Posts Tagged ‘AHS: 1984’

Season 9 of American Horror Story decided to get on the 1980s nostalgia train and create its own love letter to the decade which produced my favorite music, particularly to the slasher films that came out during that decade. And the very first episode made sure to saturate us with bright colors, crazy hair, a fun playlist, a murder story told around a campfire that turns out to be true. It was both a homage and a satire that I enjoyed. And I was interested to see what the rest of the season would be like.

Turns out, AHS: 1984 decided to spend the next couple episodes playing up the slasher tropes, and then turn EVERYTHING on its head for the rest.

And that’s one of this season’s strengths. For the most part, the show knew how to give us everything we expected in the first couple of episodes, especially when it came to 80’s culture, and then found ways to make our jaws drop. Characters whom we thought were good people turned out to be bad and vice versa, the cause of all the horrors is first one person, and then another, and now we don’t know what to think.

Oh, and I love all the references to famous slasher films, especially the references to the original Friday the 13th film in episode 8.

I also really liked the characters, especially the three lead females. Brooke, played by Emma Roberts, turned out to be a surprisingly strong protagonist who developed very well over the course of the season. Leslie Grossman’s Margaret was a blast to watch once you found her hidden depths. And oh God, did I love Billie Lourd as Montana. I swear, Lourd can change characters and personalities and be totally unrecognizable in each incarnation, and that’s especially true with Montana.

Of course, our serial killers were great as well. John Carroll Lynch’s Benjamin Richter, aka serial killer Mr. Jingles, went from a rather one-dimensional slasher killer to a very sympathetic character. Zach Villa as Richard Ramirez was petrifying! I would not want to meet him in a dark alley! And oh, it was nice to see Dylan McDermott on the show again!

That being said, there were some issues with this season. 1984‘s final episode opted for flashbacks to tell the ending events of the main conflict of the season, and while that worked well in season 2 for the most part, it kinda fell flat like it did in season 5. When we already have an idea of how it’s going to shake out and is over-reliant on flashbacks, it can take some of the tension out of the story. Not to mention that I felt the show didn’t give Brooke the ending she deserved. And don’t get me started on the plot hole the last episode opened up with Richard Ramirez! All I’m saying is, they better fix that in a future season, or this is going to be a never-ending gripe among fans of the series.

I want Zach Villa as Richard Ramirez back, and not just because he’s freaking terrifying!

Oh, one more thing: the make-up used to make Donna and Brooke look older did not work at all! We could all tell they were waking make-up!

But all in all, this was a solid enough season, and it delivered on the promise to make the season a standout on the 80’s nostalgia that is so rife in our pop culture these days. On a scale of 1 to 5, I’m giving American Horror Story: 1984 a 4.2 out of 5. A bloody, tension-filled season with twists to make your mouth drop and characters to draw you in and keep you watching. Get your shoulder pads and leg warmers and get ready to dive right in.

You’ll enjoy it more than the Friday the 13th remake. And no, I’m NEVER letting that go! Not until we get a better movie anyway.

Anyway, looking forward to season 10, whatever that is. I’m still hoping for an academy or orphanage setting. Maybe some references to J-Horror or K-Horror or some Lovecraftian elements too. And a fixed plothole from 1984 might be nice. Hey, a guy can hope, right?

Until next time, pleasant nightmares!

Once again, I am releasing my review of the first episode of AHS a day late because that show is on after ten, and I try to be in bed or getting ready for bed by that time because I get up early for work. My apologies if you were waiting with baited breath for my review or you think I’m too late to give my opinion. One day, God willing, I’ll be able to write full-time, and then I can stay up late and give my opinions on this show right after the episode airs.

AHS: 1984 takes place in California in–you guessed it–the summer of 1984. Several good-looking twenty-somethings, including the shy and sweet Brooke, played by Emma Roberts, take on jobs at a small summer camp to avoid the 1984 Summer Olympics. However, they don’t realize until they get there that the camp was the site of a horrific massacre by Mr. Jingles, a Vietnam vet who went mad and killed nine campers and counselors. Oh, and the one survivor is now the camp director. And the camp just happens to be opening the day after Mr. Jingles escapes from the hospital he’s been staying at since his trial.

So if it’s not obvious, American Horror Story is getting on the 80’s nostalgia bandwagon this season. But unlike everyone else taking up this trend, AHS is doing it not just by paying homage to the 1980s–particularly to slasher films like the Friday the 13th and Sleepaway Camp franchises, as well as the Halloween films–but satirizing it in a loving way that only AHS can deliver. One of the very first scenes takes place in a sexy aerobics class, which is then followed by discussion of the Night Stalker, Richard Ramirez, and then…well, I won’t spoil it. Let’s just say an equal mix of camp and horror, though without being as annoying as it was in Coven.

I will say though, it looks like this season is set up to be a camp slasher film told over ten episodes, during which the show will both follow and upset the normal tropes of this sort of film (looking at you, gas station attendant warning of doom trope). And so far, it’s good. The humor and horror worked well together, and you love all the 80’s music and callbacks to the culture of that decade. It’s like the show’s filmmakers are saying, “Yeah, we know 80’s is saturating everything, so we’re going to shove it in your face and have fun with it too.”

The acting isn’t too bad, either. I completely forgot Cody Fern was Michael Langdon, aka the Antichrist, last season, and totally believed he was Xavier, an aerobics teacher/aspiring actor. But really, the true stars are the female leads. Emma Roberts as Brooke is a nice change of pace from her previous roles in the series, usually bitchy characters or half-repentant con artists, and she embodies the quiet girl most likely to survive very well. Still, I’m betting there’s hidden depths to this character, possibly even bloody ones, and I look forward to seeing them. Billie Lourd and Leslie Grossman as Montana and Margaret, respectively, are also great. Lourd’s Montana is supposed to represent the party girl trope, while Grossman’s Margaret is a holier-than-thou uber-Christian type, but I can already tell, there’s more to these characters than meets the eye. Montana’s already proven that in the first half of the episode.

On a scale of 1 to 5, I’ll give the season premiere of AHS: 1984 a 4.5. There’s nothing that’s uber-scary or unsettling yet, but the premise and set up is strong and I’m looking forward to seeing what comes next. And I think you will too.

And at the very least, you’ll probably like this more than the Friday the 13th remake. Because as we all know, that was a crock of shit film out of Michael Bay’s ass and accented with the desperation of men who need to write boobs into a film in order to see them IRL. That’s right, I found another opportunity to make fun of that piece of crap film, and I won’t stop until we get a new Friday the 13th film that does the franchise justice! You’re welcome, Internet!

That’s all for now, my Followers of Fear. As per usual, you can expect me to review the season as a whole after the final episode airs. Until then, and until my next post, I would like to wish you a good night and pleasant nightmares.