After reading Philip Fracassi’s book Gothic back in spring (see my review here) and after meeting and sharing a drink with him at Stoker Con in June, I was interested in his new book Boys in the Valley. It helped that there was a lot of advanced buzz around the book. So, I preordered the audio book, and started listening to it earlier this month. What did I think?
Boys in the Valley takes place at St. Vincent’s, a Catholic orphanage for boys in an isolated section of 1905 Pennsylvania. It’s not a terrible place, but it’s not exactly a great place, either. Still, those there try to make the best of it. At least, until one night, when the sheriff shows up with an injured man covered in occultic symbols. The events of that night set in motion the release of a terrible evil and a plot that will test everyone in the orphanage. And failure of that test may lead to consequences worse than death.
Gothic was good, but I liked Boys in the Valley better.
The best part of the story is the cast, and it goes to show Fracassi’s skill as a writer at how well he juggles an ensemble cast. Among the characters are Peter, a young man who is training for the priesthood (though he also has feelings for a local farmer’s daughter) and who views himself as part of a long line of St. Vincent boys; David, an angry young man who considers the orphanage a sort of hell; Brother Johnson, a brutish staff member at the orphanage whose journey through the story is fascinating to watch; and Father Poole, the megalomaniac running the orphanage whom I wanted to strangle throughout the book (and it says a lot about the writer that I reacted as viscerally to the character as I do with some politicians).
All these and more characters really made the story come to life for me, as did the story itself. It’s a possession story, but it doesn’t follow the usual trajectory of one, and that makes the direction unpredictable and the twists so much more satisfying. There were several moments where I had no idea what would happen, but desperately hoped for it to go one way and to open my mouth in surprise when it didn’t.
If there were some things I would have liked better, I would have preferred to see some more demonic antics in the novel. That, and I was hoping for a different ending in the final chapter.
But overall, Boys in the Valley by Philip Fracassi is an excellent novel and a fun read. On a scale of 1 to 5, I’m giving the book a 4.6. Heartfelt, with a strong cast and vivid storytelling. Set yourself down with a copy and some communion wine and strap in for the ride.
And if you go with the audio book, you’re in for a treat. The narrator, David Aaron Baker, does an excellent job with the various voices of the characters, shifting from boys and teens with cracking voices to gruff adults in a skillful flash.
That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.
I’m back, Followers of Fear! And let me tell you, I had the best time at Stoker Con, the biggest convention for the horror writing community in the world! Four days spent with my comrades in the Horror Writers Association discussing all things horror and enjoying all things macabre. Honestly, it was one of the best experiences I’ve ever had!
And it was in Pittsburgh, which despite how difficult it is to drive in, was the home of George A. Romero, so his presence was felt throughout the convention. Hell, the city has kind of embraced Romero as sort of a patron saint, and the George A. Romero Foundation was even a sponsor for the con, so that made it extra special.
But back to the con. Honestly, how can I describe it to you? I guess I could go over the things that made it memorable to me while also supplying photos here and there. Yeah, that works, so let’s go for it.
All the awesome panels! I think there were over 60 panels and classes to take, and I attended as many as I could. All were a lot of fun and quite educational. I didn’t sit on any panels, but I did enjoy watching them. Some, like the Evolution of the Zombie panel, were more like a conversation between the panelists and the audience. Probably helped that I walked in pretending to be a zombie in need of caffeine and snacks.
The panel for portraying drug use and drug addiction. Started out funny, but quickly got serious.
Others, like the Bisexuality in Horror and the Mental Health in Horror, hit me in a personal space (for those unaware, I’m bisexual, and I am on the autism spectrum. I also have ADHD and an anxiety disorder, among other things). It was interesting to hear what others had seen about my communities in horror and how we can portray them better in our stories.
Others, like Writing Nonfiction and Pitching Your Novel, I went to see what tips I could glean from my more experienced colleagues. I got some great info from the former that are already producing results, and the latter will come in handy in a couple of years once I finish Crawler.
Every panel was definitely worth it!
Author readings! While I was there, authors gave and attended readings for upcoming and recently released works. I did a reading with Barbara Cottrell, Jeremiah Dylan Cook, and Gabino Iglesias on Friday. We each took turns, with me going third. Of course, I read from Hannah, specifically the story “What Errour Awoke.” I think people enjoyed it.
Me during my reading. And yes, I wear that hat and cloak during plenty of events.
From left to right: Jeremiah Dylan Cook, myself, Gabino Iglesias, and Barb Cottrell.
Of course, the best reading was from Clay McLeod Chapman. And it wasn’t even a reading, but a one-man show! He’d basically memorized a monologue where a seventh grade boy recounted learning sex ed and how the diagrams of the reproductive systems resembled Lovecraftian entities (and they kind of do, from a certain point of view). He flailed and gesticulated around the room while speaking loudly. It was the most hysterical histrionics I’ve ever seen! I wish I’d seen it on camera.
The Final Frame competition was intense!
Final Frame film competition. On Friday night, we gathered in one of the ballrooms for a competition of 13 short horror films from around the world. These films ranged from the comedic to the terrifying, and most were quite good. The clear winner was “The Queue,” about a content moderator for a video-sharing platform who finds the videos are way more than meets the eye. God, that film was so terrifying, my brain tried to repress it minutes after I’d seen it! If you get the chance, definitely go out and see it.
Honorable mentions go to “Shut,” “Eric,” “Drop Dead,” and “We Forgot About the Zombies.”
The Awards Banquet. Saturday night was when the Bram Stoker awards were awarded, and it was lovely. After a tasty dinner, awards were given out in Superior Achievement for a variety of categories (and I love that it’s “Superior Achievement,” not “Best”). There were a lot of laughs from our speakers and presenters, and some beautiful moments. Cynthia Pelayo became the first Puerto Rican horror author to win Superior Achievement in a Poetry Collection, and to win a Bram Stoker, overall. And Gabino Iglesias became the second not too long after, while also winning Superior Achievement in a Novel, the first Puerto Rican to do so.
And a lot of people won Stokers for the first time, leading to tears. I got to hug a lot of people who won their first Stokers after years of trying, and I was happy to be there for those moments. It was beautiful, and I’m so happy for them.
People showing interest in my work! Throughout the convention, people were showing interest and even preordering copies of Hannah and Other Stories (which you can do here). And during a mass author signing (think a book fair within a very small hotel room where you can either buy books or bring your own to get signed), I sold plenty of copies. It put a hop in my step to have so many people wanting to read and support my work.
Being with my people! It’s great being connected to so many horror writers online, and even meeting a few over Zoom or even in person from time to time. But it was nothing compared to meeting so many likeminded individuals in person, and being able to discuss horror subjects so openly. Hell, I had two different conversations on cannibalism in one evening!
Being part of this community, being able to meet and talk with people I’d only interacted with online, and making new friends, is truly special.
Me and my fellow HWA Ohio members: DM Guay, Neil Sater, Sarah Hans, and John Kachuba.
Me with Gabino Iglesias, first Puerto Rican author to win the Bram Stoker award in Superior Achievement in a Novel.
Me with Alma Katsu, Lee Murray, and Barbara Barnett, three amazing ladies of horror. Alma and Lee won Stokers later that evening.
Me with John Langan and Phillip Fracassi. The former and I had plenty of laughs sitting next to each other at the banquet.
Me with Patrick Frievald.
Me with Clay McLeod Chapman.
Me with Brian Keene.
So yeah, Stoker Con was absolutely amazing, and I was so happy to be able to go. And while I probably won’t be able to go next year (San Diego is a little too expensive for me), I would definitely like to go. Maybe next time, I’ll be able to sit on a panel. Maybe I’ll even be nominated for a Stoker award. That would be nice.
Opening ceremonies. It was great.
And if you get the chance, I would highly recommend going to Stoker Con. It’s a fun time and you can learn a lot. I’m already so inspired and can’t wait to start writing this week. Imagine what it’ll do for you.
Well, that’s all for now, my Followers of Fear. I got a lot of work to do before the day is over. But don’t worry: I’ll be back real soon. There’s still plenty to talk about.
Until next time, my Followers of Fear, good night and pleasant nightmares!
I’ve been hearing about Philip Fracassi here and there for a little while now and was curious to try one of his stories. One or two of his books have even made it onto my TBR list. This one became available to me on Audible, so I snapped it up. And today, while cooking dinner, I finished the audio version of Gothic. Obviously, I have to share my thoughts.
Gothic follows Tyson Parks, a middle-aged horror author who was a big seller in the 90s but hasn’t turned out a hit since and needs one to stay afloat. It doesn’t help that he pitched one book to a publisher and turned in something entirely different to his agent. However, when his wife gets him a new writing desk for his birthday, one with a black stone top and lots of terrifying designs in the wood, he finds himself inspired to write something dark and violent. However, this inspiration, and the source of it, turns him dark and violent as well. And that’s because the desk isn’t just a desk. It’s something old and evil. And it has a terrible purpose in mind for Tyson.
I liked Fracassi’s writing style. He goes into the trials and troubles of a writer, especially one with bills, with both realism and a strong sense of humor. Not to mention, the story itself is dark and intriguing, moving along at a steady clip as you watch Tyson’s descent and how those he loves are pulled along for the ride. Honestly, there were some parts that made me cringe when I read them, they were just so brutal.
And the source of the horror, the writing desk, is a pretty cool concept. Yeah, at first glance it sounds like Christine gone silly, but the damn thing’s scary in more than just looks. Especially as it begins to exert a stronger and stronger influence on Tyson. And in the last fifth or so, elements of In the Mouth of Madness are incorporated, which I enjoyed.
That being said, I was disappointed by the ending. I thought it felt rushed, like Fracassi was trying to meet the same deadline as his character, and he just slapped on an ending that wouldn’t require another ten to twenty thousand words. Part of me wonders if the intention is to give this story a sequel where some of the plot threads are wrapped up and the desk’s influence can be further explored, but I don’t know if that was the intention.
On a scale of 1 to 5, I’m giving Gothic by Philip Fracassi an even 4. With plenty of pain and horror, it’s an entertaining read and worth taking a look at.
Just don’t read it near any antique desks. And if you do, make sure you have the desk’s history and you’re sure it’s not dangerous before you do.
Rami Ungar The Writer 