I’ve been wanting to do a post on my favorite types of fictional characters on and off for a while now, but now feels like the right time, since I’ve got an inkling of what sort of characters I like to write and read about and since Reborn City‘s coming out and Snake‘s on its way. So, if you read my work sometime and decide that you want to show how I’m a bad author, here’s the post you can point to if you want to prove I have predictable characters.
So here we go. Here are the types of characters I like to work with:
1. Protagonists with flaws: I like my heroes to be flawed in such ways that it inhibits their abilities. For example, Rip from RC is super bad-ass, but (spoiler alert!) he’s a recovering drug addict and he’s got a huge chip on his shoulder. These sort of things weigh him down and keep him from achieving his true potential. Plus he can be incredibly insensitive, as two characters in chapter two let him know! Not only that, but there’s the Snake himself; he’s killing members of a powerful mafia family and shaking up the criminal underworld, and some might see him as good, whether or not they know why he’s killing in the first place. Either way, there’s one thing that cannot be denied: he’s mentally ill. Not that it inhibits him in life or anything, but I wonder what a shrink might say if they could learn about all the details of the Snake’s condition. It might give people a second thought or two on rooting for him.
2. Amazing girls with issues: What do I mean by that? I like my female leads to have problems even as they’re changing the world around them. For example, the protagonist from RC, Zahara Bakur, is a positive influence on the other characters who inspire them to have lives that aren’t defined by violence. Even so, Zahara saw her parents murdered and feels a little guilty that she’s the one who survived. Not to mention she feels she’s holding her friends back because she’s not real gangster material, and puts herself down when she attributes something that happens to her own weakness. Even with all that, she ends up bringing some positive change to those around her.
Another example is from a political thriller I plan to write someday. The main character is around Zahara’s age, though has her own dark past and her own problems to deal with (not saying what at this point, but it makes an interesting story). She’s timid and shy, and anything that reminds her of her dark past scares her horribly, especially when that past comes back to haunt her while she’s trying to save the United States. Watching her break free of the hold her past has on her and then going on to save the nation is something I’m looking forward to writing, because it’d be an awesome story to read.
3. Nasty human villains: I make a distinction between villains who are human and those who are something else, since I plan to write about both. This one will focus on human villains, which can be vary wide-ranging in their motivations or designs. For the most part though, the villains I write, when they’re human, either think they’re doing good or don’t really care whether or not their actions hurt people. An example of the former comes from RC: the main antagonist Jason Price (who’s design I based on Samuel L. Jackson, by the way), believes that his company’s actions will benefit the world someday, even if it means using unethical and deplorable means to get there, and anyone in his way is trying to stop progress and the safety of the world.
On the other hand, you have Christopher Camerlengo, head of the Camerlengo Family from Snake. The main and final antagonist the Snake goes up against, Camerlengo’s mob organization deals in human trafficking and the sex trade. Does he care that he’s degrading the lives of women and men everywhere? No; instead he sees what he does as a business, and the Snake is ruining that business. Perhaps he’d raise a hand if someone tried to traffic someone from his family–one of his kids, per se–but for the most part, all he cares about is making easy money, and people are easy money when you know what you’re doing (or so I’ve heard).
4. Supernatural villains: Like the human villains, these sorts of villains are wide-ranging both in designs and motivations. But they also have two general types: survival or to be the ultimate ruler of all. In the first category, we have a demon from a supernatural crime novel I’m going to call The Weaver when I get around to writing it. I’m not saying what kind of creature we’re dealing with here, but I will say that the creature in question is concerned about the survival of its species, and goes on a killing spree for that very purpose (do not confuse this with Stephen King’s IT though; it’s very different). In the other category, we have the main villain of a novel based on Alice in Wonderland that I plan to write one day (and in case you haven’t figured it out yet, I have a whole list of stories I’d like to write someday; I just can’t write them all right now). The villain in question, whose specifics I also shall not reveal, is a powerful force of intelligent evil whose whole purpose is to turn our world into a nightmarish hell because he feeds off of suffering, and enjoys it too! Can you see the advantages of stopping this one from achieving power?
5. Wise mentors with mysterious pasts: In the stories where characters have mentors who teach them and guide them during critical minds, these characters have plenty of experience they want to give to the protagonists. In the trilogy RC belongs to, the characters run across an old man with a connection to Rip, and helps them out as best he can. He also becomes close to Zahara, and helps her help her friends in the one way she knows best. In another series, this one a 6-book series set during WWII, the main character receives help from a woman he met while living in America. It is through her tutelage that the main character gains the skills he needs when he decides to take on the Nazis (and boy, that’ll be a story to tell). And remember that story The Weaver? The male protagonist is a cop; whenever he’s in trouble, he looks to his uncle, a veteran detective who was a proud gay man despite never being able to come out at work, whenever he has a problem.
The thing is, most of these mentor figures have pasts that aren’t explained, either for plot purposes or just to make them mysterious or because it doesn’t really matter what their pasts are like, but that just makes them so much cooler, right?
That’s all I can think of for now. If I have some more ideas on characters I like, I’ll let you know. But what about you? What kind of characters do you just loooove to write about? Don’t be shy, let me know; I like discussing the pros and cons of such characters, personally.
Rami Ungar The Writer 