Posts Tagged ‘editing’

I think this fits the theme of the post very well, don’t you? Photo by Karolina Grabowska on Pexels.com

In my last post, I mentioned that I would soon be tackling editing River of Wrath and The Pure World Comes, two novels that each have gone through some edits and which I would like to try submitting this year. As promised, I have started editing River of Wrath, which is about one of the nine circles of Hell appearing in a small town in 1960s Mississippi (you can guess what sort of themes are included with that description).

And so far, the biggest obstacle I’m dealing with is my narrator’s voice.

For a bit of background, my narrator, Audrey Falley, is writing down her experiences as she remembers them. She’s a character I thoroughly enjoy. She’s an Army wife in the 1960s, but she’s not demure like you would expect from that sort of character in that time period. She’s brash, street smart, she admits she drinks, swears, and has sex with her husband. In other words, she’s unladylike, and proud of it, and I tried to make that show in how she tells her story.

Which is challenging. In addition to all that above, Audrey is also not your typical narrator. By which I mean, this is her first time really telling a story, as her life hasn’t had many opportunities for her to practice creative writing. She also breaks the fourth wall a lot in a way Deadpool might approve, pointing out things about her word choice and how at certain times she sounds like she’s writing a romance novel.

And yet she’s very much aware what sort of story she’s telling.

And here I am, on the computer, trying to tell this story through this character’s unique perspective, while also balancing that perspective with the needs and tone of the story. Not only that, but I have to make the language used sound both like they were written by Audrey and by me, a writer who has a few published books and stories under his belt. And I have to ensure it reads like a horror story.

All told, it’s a bit of a juggling act. And I’m feeling the struggle. There are plenty of points where I’ve wondered to myself, “Does this sound good? Or does it sound totally amateur-ish?” It can affect how I look at the project at times.

That being said, there are moments where I look at the changes I’ve made and I’m like, “Yeah, I got this.” I had one of those moments when I was editing the scene the novel goes from period piece with strong romantic overtones to full-on horror story. Here’s the passage in the previous draft:

Before either of us could answer, there was a scream from the edge of the park. It was followed by several other screams, not just women, but men and children. Dogs barked, and birds flew into the air and away from the park entrance. Around the park, and in Little Angola as well, people stopped what they were doing, stood up if they were sitting down, and looked in the direction of the screams.

And then there’s the section from the current draft (asterisks are to prevent spoilers):

From the edge of the park came a woman’s scream.

Everyone, including Gordon and me, froze before turning in the direction of the scream, which was the same direction we’d come from. We could hear more people screaming, not just women, but men and children too. And that wasn’t all: dogs were barking, birds were flying in every direction, and everyone in the park, from the folks in ********, to the families at their picnic benches, to the children on the playsets, and to the couples in the flower garden, stiffened.

Later on, it occurred to me that we were all feeling the same thing. We weren’t just afraid. We were dreading whatever was causing those people to scream and making the animals go crazy. We dreaded it in our very bones.

Busy editing. Hopefully by the time I’m done, this novel will look a whole lot better and I’ll have a better idea if it’s ready to be submitted anywhere.

How was that? It’s not perfect, but it is better written than the previous version. Feels more like something you might read in a professionally-published horror novel. And that difference really made me feel like I could balance all those things I mentioned above. I don’t know if by the end of the draft, the novel will be ready to submit to publishers as I’d hoped, but if the new passage is anything to go by, I’ll at least get a bit closer.

Anyway, that’s where I’m at right now. I think, as the draft continues, I’ll hopefully not only get a better idea of where the story is in its development, but maybe even be able to go back to the beginning and do a better job of polishing up the story. We’ll see what the rest of the draft holds.

That’s all for now, my Followers of Fear. I’ll check in again soon, though I’m not sure when or what I’ll be talking about. Until next time, pleasant nightmares!

Be careful. Not every mermaid sings about being part of our world.

I’ve been teasing for a couple of posts now that I’m working on a mermaid horror story. Yes, a horror story involving mermaids. You read that right. And I’m happy to say that as of this afternoon this story, which I’m calling “Cressida,” is finished!

“Cressida” follows a young man who goes out to his uncle’s beach house after a very strange phone call makes him worry about his uncle’s mental state. What transpires, however, is that the uncle has a mermaid in his basement! And that’s not the strangest thing of all, because the mermaid’s presence brings up uncomfortable memories for both men. And it’s going to have an irreversible effect on them as well.

I’ve had the base idea for this story–a guy keeping a mermaid in his basement–for quite a while. But then I saw a submissions call for an anthology dealing with deep water horror with an unusually high word count. Since I’m such an expansive writer,* I was excited. Rarely do submission calls give me such an opportunity to breathe and really go all out. I checked my story ideas, saw something that fit the theme, and got to work.

A few weeks later, and the story is finished at about 10,200 words, or about 33 pages. And I’m quite proud of the story. I don’t think it’s some of my best work, as I stated in some posts on my Facebook and Twitter pages. But I was able to really work in some themes of trauma, regret, and the power of desire and I think it makes for a good read.

Of course, I’m not the best judge and will look into having a beta reader go over the story before sending it off to the anthology. As long as I get the notes of “Cressida” back by the end of the month, I should be able to edit and submit it before the deadline. And if not…well, there’s likely another market to send it to. I’m always keeping my eyes open for this sort of thing.

Going to be a lot of writing and editing in the near future. I’m looking forward to it.

In the meantime, however, I’ll be doing the second draft of “Window Audience Blues,” the story about Robert Johnson I wrote. After that, I’ll likely be editing my novels River of Wrath and The Pure World Comes before submitting them anywhere. Depending on how things transpire in the coming weeks and months, I’ll hopefully get those all edited by June and submitted by July. Should be exciting.

Well, that’s all for now, my Followers of Fear. I’m going to read a bit and then hit the hay. Until next time, good night, pleasant nightmares, and how do I have a basement in my home to store the trophies I take from my victims? I live in an apartment on the third floor!

*Seriously, I once had a teacher in a creative writing class comment that my work tends to involve a lot of character development and world building, even though I tried to keep the stories I turned in under ten thousand words. I summed it up as “yeah, I’m an expansive writer.” She wholeheartedly agreed.

Oh frabjous day! Calloo callay!

Okay, enough with quoting Lewis Carroll. As you are already aware, today is the release day of my short horror story, “Agoraphobia,” is released. The story follows a man with severe anxiety and agoraphobia is forced to leave his home due to a hurricane bearing down on his area.

And I’m so excited for all of you to read it! I’ve been hyping this story for weeks and I’ve heard from a number of you that are looking forward to reading it. So I’m glad the release day is finally here and you get to read it.

If you haven’t already preordered the story and would be interested in reading “Agoraphobia,” I’ll leave links below. The short story is only 99 cents (or the equivalent in UK and Canadian money), so it’s totally affordable. And if you do end up reading the story, please let me know what you think. I’ve already heard from a few early readers, but I would still love your opinions. Positive or negative, I love reader feedback, and it helps me out in the long run.

Not to mention, if you leave reviews and tell people your thoughts, it helps them decide whether or not the story is worth their time.

Also, if you’re wondering about physical copies, I only sell those as chapbooks at events. I’ll be posting an update on events soon, so in the meantime, hang tight and check out this post if you have no idea what a chapbook is.

That’s all for now, my Followers of Fear. A publisher I’ve been keeping an eye on is going to open for submissions soon, so I have a novel to polish. Until next time, stay safe, happy reading and pleasant nightmares!

Agoraphobia: Goodreads, Amazon US, Amazon UK, Amazon Canada

(Note: All stories and publications have had their names removed. This way, my stories and my career won’t be negatively affected by mentioning anyone by name. I would flatter myself by adding that the circulation of the publications won’t be negatively affected, but we all know that’s never gonna happen.)

Before you ask, no, I was not happy to receive a rejection because the publication was actually run by bad people or ethically dangerous or whatever.

Also, no one likes getting a rejection, least of all me. It’s never nice to hear that your story isn’t going to appear in a publication or an anthology. That all those hours of hard work, of writing and editing, of making sure your story is as exciting and memorable and well-crafted as possible, weren’t enough to sway an editor to publish your story. It can dishearten anyone. There have even been times where I’ve gotten rejections and have not wanted to submit anything ever again (or perhaps just for several months).

But every now and then, you get a rejection where the editor takes their time to let you know what they thought of your story. And sometimes, even in a rejection, it elevates your mood like nothing else.

Take yesterday, for example. I received a rejection for one of my stories. However, the editor noted that the story wasn’t bad. Far from it, actually: he said that this submission period the magazine got a huge number of submissions, and some decisions had to be made. He also included one editing suggestion for the next time I submit the story, which I listened to after a bit of thought (it was something cosmetic that I didn’t really think would make a difference, but apparently to him it did).

So, that was very nice. Yeah, the story isn’t going to appear in the next issue of the publication. However, the editor did imply he liked it, he just had to make a tough decision. And he also gave me some advice for the next time I submit the story (which has already gone out again. Here’s hoping it finds a home at the next place). I love it when people enjoy my stories, so even if this editor didn’t take the one I sent him, I was still happy he thought so highly of it.

Turn your rejections into fuel for your creative bonfire. Trust me, it works.Photo by Pixabay on Pexels.com

And this isn’t the first time this has happened, either. A while back, I got a rejection from a well-known publication whose editor I happen to know personally. While it was a rejection, what the editor had to say made me really happy. They gave me some strong feedback and some ideas on how to further improve the story. I was so happy with the message, I sent them a private message on Twitter just saying how helpful I found their advice. If I remember right, they responded with a smiley face.

What’s the point of recounting all this? Well, I guess it’s just to remind writers who submit stories and get rejections that this happens to everyone. The rejections, anyway. We all get passed on or told our stories aren’t a good fit or that the editor found the story hard to believe. But then we get the ones that encourage us. That tell us the stories, or that we the authors, have the potential. That if we keep writing and editing and submitting, and with a bit of luck, we can get our stories published.

In the meantime, let those rejections be the fuel for your creative fire. They’ll keep you going strong until you reach the end.

At least, that’s what I think. And the Tarot cards seem to back me up, so that’s what I think. Hey, the Seven of Wands means overcoming obstacles to reach your goals. When that appears in the Future position, you know you gotta keep trying because you know those rejections are just more fuel. Better listen and get to work.

Well, that’s all for now, my Followers of Fear. I hope you found this post inspiring for your own creative work. Let’s not get bogged down with rejections (even when it seems everyone else is getting acceptances) and get to work. Who knows? We may just end up finding the perfect home for our story with the next submission.

Until next time, stay safe and pleasant nightmares!

For the past week or so, I haven’t been really focused on any one project, and I’ve been confused by that. Usually, when I’m working on something, I go all in. And I almost have a project to work on. Yet beyond a couple of blog posts, I’ve had nothing to settle on working. Or I have, I just haven’t worked on them.

I’ve been thinking about why that might be, why I’m not going all gung-ho on any project, even ones that really call to me at times. And I’ve come to a simple conclusion: I’m looking into starting a new projects when there are older projects that need my attention. In other words, I need to focus on editing. Which honestly, I don’t know why I didn’t realize that sooner. I have several short or shorter stories that need editing right now, and I’m likely to hear from the last beta reader for The Pure World Comes very soon. Not to mention I’m probably going to want to do another draft of River of Wrath, and if I’m lucky enough to get one or more stories accepted, I’ll be editing those as well before they’re published.

With all that in mind, as well as the many projects and other obligations I’m juggling (kid you not, I’ve three Zoom meetings this weekend related to my writing life), and the needs of daily life, now’s not a good time to be working on anything new. Instead, I’m going to focus on trying to get some stories as polished as possible and then try submitting them to various places.

Once all those stories are “done,” as my old high school English teacher used to say–in his opinion, you couldn’t get a story “perfect,” but you could get it “done,” meaning no more work can be done to polish or better it–and are being sent out and about to find homes, I’ll work on some new stuff. Maybe a new novel, maybe a bunch of shorter works, but something new.

Until then, however, I’m going to start work on a new draft of my novelette “Blood and Paper Skin.” Hopefully this is just the start of sprucing up some really scary, strange and ultimately read-worthy stories.

So, that’s the latest update on what I’m doing, my Followers of Fear. I’ll see you all very soon. Until next time, stay safe and warm, pleasant nightmares, and watch out for unusual creatures in the snow. Some have a taste for human flesh, after all.

This day has been full of exciting stuff happening behind the scenes. In fact, quite a lot has been happening on and off the blog. I can’t go into all of it right now, but I hope to get a few out before this time next week. For now, however, there’s an important one I have to make.

As I announced previously, my next e-release will be “Agoraphobia,” a short story I wrote last year about a man with severe anxiety and agoraphobia who has contend with the possibility of leaving his home during a hurricane. It gets even worse when something gets into his home.

I haven’t talked about it since then, but guess what? I’ve finished looking over the manuscript, the cover’s been created and the release date is set. The gears, ladies and gentlemen, are moving and “Agoraphobia” will release on Tuesday, March 16th, 2021! Why that date? No reason. I just believe stories, from short stories to novels, should have a good lead up time so that as many people as possible can get excited/interested in reading it.

And now, for the cover reveal. This cover was created by Don Noble and Rooster Republic Press. They do some amazing cover work, if you’re interested (you can check out their design services here). And I have to say, I love what they’ve done with my ideas:

Pretty cool, right? It’s quite atmospheric and I love the title font. And it really evokes the hurricane element.

So, where do you get “Agoraphobia” if you’re interested? I’ve include the Amazon links below. It’s available for pre-order, and at only 99 cents (or 77 pence in Britain or $1.26 in Canada). And if you do decide to read it after it comes out, please let me know what you think. Positive or negative, I love reader feedback, and it helps me, as well as other readers, out in the long run.

And yes, I’m sorry that it’s only available in e-book format. Print versions will only be available at events where I’m a vendor as chapbooks. (Click here to see what events I’ll be attending and when) Yeah, it’s a marketing strategy I’m trying. Here’s hoping it pays off.

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

That’s all for now, my Followers of Fear. I have a marketing machine to set into motion. I hope you’re excited to read “Agoraphobia” as I am for you to read it.

And if you’re interested, or need something to read in the meantime, I’ve got some other stories available. You can check out my short story collection, The Quiet Game: Five Tales to Chill Your Bones; my serial killer thriller novel Snake and my fantasy-horror novel Rose; or “Mother of the King,” the first story in the New Arthur Universe, a series of shorter stories centering around the return of King Arthur. I’ll include the links below. And if you decide to read any of them, let me know what you think. As I said, it helps both me and other readers out in the long run.

Until next time, my Followers of Fear, stay safe and pleasant nightmares!

The Quite Game: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Mother of the King: Amazon US, Amazon UK, Amazon Canada

So this past week, I watched an anime series that turned out to be pretty bad (I swear, this is related to writing and isn’t another anime-themed post). There were several reasons why it was terrible, but a major reason was that the main character was the reincarnation of a guy who died in our world and was reborn into a fantasy world with most of his knowledge and memories intact.

As we’ve discussed on this blog before, anime where characters from our world end up in fantasy worlds are called isekai anime. Because the main character(s) are from our world, that usually plays a large part in their character. The audience can’t watch the show without remembering that this character is from another world and the original world influences their personality and decisions in a hundred different ways.

And this anime…didn’t really do that. Like, the protagonist used some of his scientific knowledge from his previous life to make his magic stronger and invent new devices. But other than that, I often forgot he was from another world. At one point, I found myself thinking, “You know, they’ve already established this guy as a quirky magic genius. They could have written out the isekai element, attributed his knowledge of oxygen and the theory of folding space to his unusual brain, and the show would have one less problem. It wouldn’t be great, but it would have one less problem.”

And that long-winded intro leads into the subject of today’s post. How do you find a story element that’s actually hampering the story rather than improving it? What prevents a writer from creating the sort of pitfalls, be it an unnecessary character or adding an isekai aspect to the story when it serves no purpose? Or if they do, how do they find it and get it out before the story is published?

I had to make a lot of these decisions during the editing of “Rose.”

Well, part of it is experience. Namely, as we become more experienced writers, we get used to figuring out what elements work and what don’t. It’s like a voice in the back of our heads is asking, “Does this work? What does it bring to the story? Would the story suffer if I removed it?” This happened a lot when I was doing major rewrites of Rose. Rose’s fiancé Mark had a slightly larger role in earlier drafts, but during the rewrites, when I was taking the plot in a different direction, I realized that Mark couldn’t fulfill that role anymore. He still had a part to play, but the part he’d played previously made no sense in the new direction. If I kept it, it would have not served the story. Thus, Mark’s role was reduced to what it is in Rose now.

Something similar happened while writing The Pure World Comes, but that will have to wait till it’s published.

But if you do miss something, that’s where beta readers and editors come in (and why it’s important to use them before you try submitting/publishing a story). Back to Rose, while I was rewriting the book, my publisher recommended I cut out the flashbacks, which were about a third of the book. I was confused and a little upset, as I was very proud of those scenes. However, I realized that flashbacks need to connect to the main events of the story. And while the flashbacks did explain plenty about Rose‘s character in earlier drafts, it didn’t connect much to the current events, so I nixed them and started rewriting.

See? Editors and beta readers do help.

But what if you really like an element in a story and there’s a strong indication you need to nix it? Well, then you have a choice to make as the creator. In the case of the anime I mentioned, the creator, if confronted with this choice, could have either made the fact that the protagonist was from another world more essential to his character or the plot. Or, like I suggested, he could have nixed it.

You may not like it, but sometimes you have to throw out problematic elements if you can’t find a way to make them work. Photo by Steve Johnson on Pexels.com

And that’s what it often boils down to. Authors can either cultivate those elements so that they actually matter and don’t bring down the story, or they can “kill their darlings” and nix the elements. This can be hard to do, as we may love those elements as much as we love the very stories we write.* However, it’s a decision we eventually have to make with our stories if we want to not only continue with these stories, but share them with as many people as possible.

No author likes to hear that they need to nix something from their story because it adds nothing or brings the story down. However, it’s important to hear and learn to deal with them, as in the end, it helps to improve the story and maybe even get it into the hands of many readers. And besides, it’s better than having a lot of people complaining about the problem elements after release, right?

That’s all for now, my Followers of Fear. I have a busy week ahead of me, but I’ll be back before too long. Until next time, stay safe, pleasant nightmares, and if you’re looking for a good isekai anime, let me know. I have recommendations.

*Though I think the creator of the source material for the anime, he did it because isekai stories are hot right now, to the point that they’re inundating the market. It’s a problem we anime fans both joke and groan about.

Me and my roommate Jonesy in my old apartment.

Funny story: earlier this week, I found out I lost some weight, even though I hadn’t expected it (if anything, I thought I gained). I’m talking to my dad about it and say, “I’ve no idea what happened. I’ll have to watch my weight carefully for a while. Make sure I’m not going through something like out of Stephen King’s Thinner.”

My dad has never read a Stephen King novel in his life. His response was, “…okay.”

Me: “Trust me, it did not end well for the guy suddenly losing weight in that book.”

And if you count that as a spoiler, remember that book is nine years older than me. What were you doing these past thirty-seven years?

Okay, onto the meat of this post. The audience on this blog has been growing by leaps and bound lately. So first off, hi everyone. Thank you for joining the Followers of Fear. We don’t (normally) sacrifice members and there are hidden benefits to joining. Namely you’ll likely survive when I start the Apocalypse. Maybe.

Second, since there are so many of you, I thought you should know something about me and my works. First off, me: I’m a novelist from Ohio specializing in horror and dark fantasy. I like reading and writing, anime and horror movies, and being an unabashed eccentric. I also have three books and a short story on e-book available right now, so if you don’t mind (and if it doesn’t make you want to unfollow me), I’d like to tell you about those books. You know, in case you’re interested.

I won’t mention the e-book, though. I did that last post.

The Quiet Game: Five Tales to Chill Your Bones

In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.

My second foray into self-publishing. While a lot of these stories aren’t as scary or as well-polished as some of my later work, I think they’re still enjoyable to a degree. Plus, I had a lot of fun writing these stories. Give it a shot if you’re interested.

Available on Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

A homage to my burgeoning love to slashers, too many James Patterson novels, and Law & Order: Special Victims Unit, this was another one I had fun with. It’s also, too date, my longest book, over 100,00 words! And yet, people still find it a quick read. Must be the fast pace. Anyway, check it out if you like unusual tales about serial killers in your diet.

Available on AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

Rose

Rose Taggert awakens in a greenhouse with no clear memory of the past two years and, to her horror, finds her body transformed into an unrecognizable form.
Paris Kuyper has convinced Rose that they are lovers, and as Paris could not bear for her to die, he has used an ancient and dark magic to save her from certain death.
But the dark magic Paris has used comes at a price. A price which a terrible demon is determined to extract from Rose.
As Rose struggles to understand what is happening to her, she must navigate Paris’s lies and secrets; secrets that Paris will do anything to protect.

I wrote this novel back in my last year of college as my thesis. It took five years, and more rewrites than I care to remember, but the novel was accepted by Castrum Press, my first novel with a publisher (and hopefully not the last). And you know what? Nearly two years later, it only just got its first one-star review! Yeah, that’s a record (and something I hold as a badge of pride). I think that makes it worth a try, don’t you?

Rose: Amazon US, Amazon UK, Amazon Canada, Audible


So, those are my published works. And I hope to follow them up with plenty more. And while I work on those, I hope you’ll consider not only checking out these stories, but letting me know what you think once you’ve read them. I love getting reader feedback, no matter what that feedback is, and it helps me out in the long run.

Well, that’s all for now. I’m off to get a lot of sleep. Followers of Fear, stay safe, have a great weekend, and pleasant nightmares!

Happy February! How are you? Did you survive January? How’s 2021 treating you so far? How many fingers am I holding up?

Okay, enough of that. As you can see from the title, it’s been exactly two months since I published my short story “Mother of the King.” Given that milestone, I figured it was time to do another post about it. (I would have done a post marking the one-month mark, but that was also New Year’s Day. Didn’t think it was worth the bother)

So, if you’re unaware, “Mother of the King” is a fantasy/science fiction story centering around King Arthur, and the first story in a little side project of mine I’m calling “the New Arthur Universe.” The story is about the fabled return of King Arthur, told from the recollections of his mother. It’s a different take on the Once and Future King.

I actually planned for this to be a one-off story. I was like, “I just dove down the rabbit hole of Arthurian legend and came back with this one story idea. Let’s write it and see where it goes.” However, the response from readers was that they wanted more. And I was like, “Sure, why not?” So I’ve been thinking of ways to further expand the story and the universe of “Mother of the King.”

In fact, I’m working on a new story in the “New Arthur Universe.” It’s still early stages, but I hope I can put out a new short story or novelette at some point this year.

But enough about that. If you’re interested in checking out “Mother of the King” and supporting this new venture of mine, I’ll leave links below. You can read what other people are saying and maybe purchase a copy yourself. This is an ebook exclusive, with print copies only available at events as chapbooks (click here to see what events I’m currently scheduled to attend in 2021). And if you do end up downloading or buying a copy, please let me know what you think in a review. Positive or negative, I love reader reviews, and they help me out in the long run.

That’s all for now, my Followers of Fear. I’ve got a full day of work ahead of me, followed either by some writing or a movie night. Until next time, pleasant nightmares!

Mother of the King: Amazon US, Amazon UK, Amazon Canada

As many of you know, I recently moved into my new apartment, which comes with a second bedroom. I don’t really need a second bedroom, as my only roommate is Jonesy (and skeletons don’t need that much sleep), so I turned it into a home office where I can write and do my day job. And since I finished putting it together today (as well as putting up all the wall art and getting rid of all the boxes), I filmed a short YouTube video of my new home office/writing space. Or as I prefer to call it, THE NURSERY OF HORRORS!

And yes, you have to capitalize it when writing out the name. I wrote the rules, and I enforce them as well.

Anyway, the YouTube video is below. It’s about six and a half minutes long, so why not give it a watch?

Anyway, I hope you enjoyed that tour. If you did, please consider liking and/or commenting on the video. Maybe even subscribe as well? I don’t post often to the YouTube channel, but when I do, it’s usually because I’m passionate enough about what I’m posting. Link for the channel itself is here.

In the meantime, I’m looking forward to writing, editing and (hopefully) publishing some stories here that will scare the pants off of you in this new writing space. I’ll keep you updated on those as they happen. Until then, good night and pleasant nightmares to you all!