Posts Tagged ‘editing’

I’m far from perfect. And there are lots of areas I can be better (especially my impulse control when it comes to sweets). However, this post will be focused on the writing aspects I can improve upon.

There are a couple of reasons why I want to talk about that here. One is that for personal things I want to improve upon (damn you, sweet tooth! Damn you to hell!), I only talk about those sort of things here when it’s really important. Like if I’m really struggling with my choices in life, or if I want to talk about being on the spectrum. And at the moment, there’s nothing in my life I feel like talking about here at the moment. Second, this is a blog for a writer, so it makes sense that if I’m going to talk about improving stuff, it’ll be about improving my writing. And finally, while a lot of people I know in real life and even a few people online treat me as THE writing expert, especially when it comes to fiction writing, I’m far from an expert. If I were an expert, I’m pretty sure I’d have several bestsellers out by now, a few of them would have been made into movies already, and I’d be writing full-time in a nice three-bedroom, one-and-a-half bath house (I have goals that I aim for).

Point is, as a writer there are areas I’d like to improve in, so I thought I’d list some of those and ask for your feedback. Many of you who follow this blog are writers, and have much more experience than I do. Perhaps you’ve dealt with some of the issues I’ve dealt with, and have some tips on how to deal with them. Anything’s possible, right?

1. I’m addicted to adverbs and gerunds. Now if you don’t remember most of the fancy terms from grammar class, adverbs are words that end in “ly” (wildly, musically, horribly) and gerunds are words ending in “ing” (ending, writing, killing). And I overuse them in my writing (see? Did it right there). One of the biggest criticisms I got from Rose, truth be told, is that I overuse them. In fact, I almost used “actually” instead of “truth be told” in that last sentence. And in the one before this, I started writing “nearly” before I switched to “almost.” And in that last one, “I switched” started as “switching.” And before that–oh, you get the idea!

A couple of years ago, I wrote a post about how I had a similar problem with semicolons. I overused them, especially when they weren’t needed. Once I recognized the problem, I was able to correct it. But I have a feeling correcting these issues won’t come so naturally (see?). For one thing, while the semicolon issue was about fixing incorrect uses of punctuation, what I’m doing here isn’t technically wrong. These are speech patterns used everyday, you just don’t see them in a lot of fiction to the extent I use them. At least, not really good fiction. So one thing I’d like to do is know when to use adverbs and gerunds, and when not to use them.

2. Passive vs. active voice. I have a lot of trouble telling those two apart. Which is bad, because editors and publishers tend to prefer active voices in fiction, and I somehow always end up writing in passive voice. What’s the difference? Is there a video I need to watch or something that explains this? Help!

3. Writing snappier action. This is something I’ve taken steps to improve, but it’s still a work in progress. I tend to write these long sentences that illustrate a character taking a certain action. Example: “She stood, walked to the kitchen, and placed the glass in the dishwasher.” It’s a good sentence, but for fiction, this is better: “She put the glass in the dishwasher.” Boom! And if I’ve already established that the character is on the couch, it works even better. It shows the same amount of action with less words.

I’m trying to implement this sort of snappy action into my stories. Editors and publishers seem to like it, and when there are limits to how many words a submitted story can have, it’s helpful in reducing the word count. Still, it’s going to take some work. This, like the adverbs and gerunds and possibly the passive voice thing, are deeply ingrained habits.

No reason to add this photo. I just want to show you my new author profile pic.

4. Short story writing. I’ve written novels or works meant to be novels for most of my life. That’s what I mostly read, so that’s what I mostly wrote. I’ve learned how to write short stories and read plenty of them since high school and college, but I’m still not as good at them as I am at novels. Which is sad, because I’ve had many, many ideas for short stories and novelettes over the years. And since I’ve spent most of my time on novels, I’ve written only a few short stories, and not many of those have been published.

What I want to do is write more short stories and novelettes, get better at writing them, and get a few of those published. Is it necessary, especially since I prefer novels? No, but a lot of authors I like do great short fiction, so I’d like to do great short fiction too. Good news is, I’ve been reading a lot of anthologies lately, and I should have a bit of time after I finish the fourth draft of Rose. That should give me time to practice.

5. Not listening to my anxieties. All writers deal with anxieties, especially with how their work will be received. Sometimes I let them have too much control of my mind, and I start freaking out Just yesterday, I got panicky over whether certain characters in Rose might be called racist caricatures because of their ancestry. After a lot of discussion online with friends and colleagues, I don’t believe they are, but the worry ate at me for a while.

The important thing for me is just to be a bit more confident in myself, and the stories I write. And I should work on techniques to combat those anxieties when they try to tear at me. Because at the end of the day, I’ve still written some decent fiction. And I won’t let doubt or fear keep me from improving it and making it into possibly publishable fiction.

 

Well, those are the things I want to improve on with my writing. What are your suggestions on fixing those issues? Let me know in the comments below.

That’s all for now, my Followers of Fear. I’ve only six chapters of Rose left to edit, so I’ll hopefully get started on the next one tonight. Until next time, pleasant nightmares!

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Go to any slasher movie. I guarantee someone will do something stupid. And I also guarantee there’s a reason behind why they did it.

So yesterday I was doing some edits on Rose* and one of the points in the beta reader notes stood out to me. In that particular point, my friend/colleague/beta reader Joleene Naylor pointed out that it was taking the titular character Rose a lot longer to figure something out about the scene that Joleene had figured out much earlier. My immediate first thought was, “Well, it’s horror. Everyone’s a bit slower in horror.” And that thought really stuck with me. Yeah, the characters in horror aren’t always the brightest bulbs in the closet, are they? People in slasher films take too long to realize there’s a killer hunting them around a lake notorious for murders and disappearances, the family stays in their haunted house and might even pretend things are normal even if it’s obvious there’s demonic possession at work, dumb teenagers run upstairs when they should run out the door. They either realize something well after the audience has realized something, or they make really dumb decisions. And it’s such a well-known trope, it gets parodied quite a bit in our media, like in this Geico commercial.

This got me thinking: is this intentional on the part of horror writers? If so, why?

Well, I thought about this throughout the day (couldn’t write this before because I had to go to bed and then to work), and I think that what’s happening is intentional. However, I don’t think the intention is to make the characters stupid idiots.

First, let’s consider something: we’re the audience, and the characters are characters. In our daily lives we’re not keyed up, checking to see if horror-movie circumstances everywhere we go (and if we are, we’re usually recommended to see a doctor about that). It’s only when we sit down for a horror story that we start looking for signs of horror, because that’s what our brains are trained to do. Similarly, unless they’re enjoying a horror story or think they’re in one, characters won’t typically see all the signs of something evil around them unless that evil chooses to make itself known.

There’s also the fact that authors have to tell a story, and often the stories they tell have to be of a certain length. For example, I classify a novel as sixty-thousand words or more, so I have to figure out how to keep a novel going for that long. One of the ways to do that is to make the characters figure things out much slower than the audience, either by only giving them clues slowly or later in the story, or by actually making it so they can’t connect the dots until it’s convenient for the story. And considering that part of the appeal of horror, the thrill of the mystery and the unknown as well as our reactions to it once exposed, this is a sound strategy.

Okay, so making characters slow on the uptake is part imitating people in the real world, part storytelling tool. But what about stupid decisions?

Well, that’s actually pretty easy to answer: they’re under stress. When a character is being chased by a killer or trying to get away from a ghost, they’re under unimaginable pressures. So unless they’ve been trained to think under pressure, like in the Army, they’re not going to make a rational decision. They’re going to make split-second decisions that they hope will ensure their survival, and because it’s a horror story, they’ll likely make the wrong decision. Unless the author says otherwise, of course.

And even if they’re not in a stressful, life-or-death situation, the need for survival can cause us to do very stupid things sometimes, as well as our characters. Polly Chalmers, one of the protagonists of Stephen King’s Needful Things, keeps a charm around her neck, despite suspecting that there’s something alive in it and it’s twisting her personality somehow, because the thing is easing the debilitating pain of her arthritis. In other words, fulfilling a need to help her live.

Sometimes a character acts a certain way either because they’re imitating real people, or the author needs them to be that way.

So it’s not that characters in horror stories are dumb or slow. They’re victims of imitating people in the real world as well as the author’s discretion in storytelling. And we the audience, free of those issues, are able to pick up on things they can’t or won’t for a little while longer.

Of course, we will continue to call characters stupid and wonder how they could not do the smart thing. That just comes with the territory. But perhaps the next time we sit down for a scary movie, we’ll also consider what the characters are going through, as well as what the storytellers behind them decided was best for the characters and their story.

That’s all for now, my Followers of Fear. Hope this gave you plenty to think about. I had fun just thinking of it. Until next time, pleasant nightmares.

*Speaking of which, the editing on Rose is going very well. Yesterday I got through four chapters, bringing me halfway through the fourth draft. At the rate I’m going, I could be done before the end of the month. And after that, hopefully it’s a short wait till I find a publisher. God-willing, anyway.

I’m not going to lie, 2017 was a tough year in a number of ways. In some ways, it even rivals 2016, which everyone agrees was kind of a shit year, pardon my language. We dealt with really horrible terrorist incidents, learned that some of our most beloved figures in entertainment and other industries were secretly monsters, and saw terrible devastation from hurricanes that left communities without good food, water or electricity. This and a whole lot more affected so many lives, and definitely not in a good way.

However, there were a lot of good things about 2017 too. Many of the things I described above caused people to come together and fight. Not too long after the bombing at Ariana Grande’s concert in Manchester, she and several high profile artists put on a charity concert to raise over ten million pounds for the families of the victims. After the shooting in Las Vegas this October, thousands rushed to donate blood at the Red Cross, with lines reportedly snaking around city blocks and lasting up to six hours, and millions were raised for the families of the victims! Plus in response to the shooting, Massachusetts banned bump fire stocks, which were used in the attack, and several bills were introduced into Congress to hopefully prevent attacks like this from happening again.

Throughout the year, men and women came together to protest sexism and the treatment of women in America and abroad, with marches throughout the year. The revelations of Harvey Weinstein led to dozens of women and men to open up about their experiences with sexual assault and harassment, catalyzing the #MeToo movement and leading to the ousting of several serial abusers from a variety of industries for their crimes which, up till now, they could get away with, and started a conversation that is continuing today about how to combat sexual assault by powerful people who use the system to get away with it. Heck, voters in Alabama came together to keep a man who has been accused of assaulting multiple teen girls from becoming a Senator despite widespread support for him. That’s huge!

A Red Cross station post-Las Vegas shooting.

And while Puerto Rico and other areas of the world are still recovering from natural and man-made disasters, a lot is being done online and offline to help. Thousands are still sending money, supplies, and even solar power equipment (looking at you, Elon Musk) to help Puerto Rico out of the rubble. Despite the United States pulling out of the Paris climate agreement, many corporations, cities, and even states have said they will continue to abide by the agreement’s guidelines in order to combat global warming, which likely contributed to the many hurricanes we saw this year. And plenty of people each day are pressing for relief to peoples in trouble, both at home and abroad, from their leaders. It’s amazing to see that happen.

I could go on (I really want to speak about the entertainment industry’s positive contributions this year), but I fear this post will go on too long if I do, and there’s quite a bit I’d like to talk about. I’ll just summarize by saying that there was a lot of positive things that happened this year. And while the bad stuff does sometimes seem to overshadow the good, it’s important to recognize the good and cheer ourselves for what we accomplished, as well as what we can accomplish in the coming year. Which seems to be plenty, if we put our minds to it.

On a more personal note…

2017 was a pretty good year for me. Yes, the things I listed above, good and bad, may have affected me at times (they affect everybody, don’t they?), but in terms of my own personal life, I had a very good year. A lot of positive things happened to me , and if you don’t mind, I’ll just highlight some of the big ones:

  • My health seriously improved this year. I lost about thirty pounds of unneeded weight, which means I’ve had to take fewer sick days and I’m less likely to develop certain diseases. My back pain has also lessened tremendously, thanks partly to weight loss and to seeing a chiropractor. I can now move as I used to pre-back pain, and while I’m still working on improving my back and my health, the fact that I’ve accomplished this much already is a great motivator for me.
  • This was a good year for writing for me. I got halfway through the first draft of Full Circle (still on break from that until I feel ready to tackle it again), finally pushed out a new draft of Rose, and even wrote and edited some short stories. I also published two short stories, the science romance novelette Gynoid, and the LGBT fantasy romance story What Happened Saturday Night. Not only that, but over sixty new people started following this blog, putting me within striking distance of the thousand-follower milestone! For me, that is huge, and I can’t thank you guys enough for making that happen.
  • As many of you know, I work for a supply organization in a role that involves getting disabled employees accommodations and organizing events to highlight the diversity in our workforce. As of December, I’ve been with the organization for eighteen months, and it’s been great. I’m doing work that helps people with a great team around me, and I get great pay and benefits too. What’s not to love?
  • I went on the best vacation ever to Massachusetts with my dad back in July, and it culminated with a night at the famously haunted Lizzie Borden Bed & Breakfast. I cannot even begin to tell you what a big deal that was for me.
  • All the movies I was super-excited to see this year were awesome, as I’d hoped. Especially the new version of It. That was the It we deserved.

And those are just a few of the highlights of 2017 for me. Yeah, it was a good year. And I hope 2018 goes just as well or even better. Especially if any of these happen:

  • More good news on the writing front, particularly with a fourth draft and maybe the publication of Rose, as well as several new stories and hitting the thousand-follower mile marker.
  • Continued improved health.
  • Continuing to do well at work.
  • Maybe a bit of travel, and definitely a bit of fun, whether that be going to shows or seeing friends.

And that much more.

So guys, I want to wish you a Happy New Year, and to remind you that, as hard as 2017 is, it’s 2018, and there are endless opportunities to have a better year. You just have to be brave enough to try and make a change.

And again, thank you all for being my Followers of Fear and reading my work. I’ve grown so much over the past couple of years, and you guys have been there for every accomplishment and lesson I’ve experienced. I hope you’ll continue to support me for this year too as I try to accomplish all my dreams and scare people silly.

Until next time, pleasant nightmares.

My latest article from Self-Published Authors Helping Other Authors, How to Write an Interlude, has just gone live on the site. I don’t see a lot of discussion on this topic, so I thought I’d write an article on the subject (it beat writing another article about Lani CSarem and her con job, anyway). Click on the link, and learn all about writing interlude chapters in your novels.

And while you’re at it, why not check out the rest of the site? Self-Published Authors Helping Other Authors is a wonderful site that is written by authors for authors to help them write, edit, publish, and market, no matter their background, budget, or story. It’s great, it’s free, and it’s quite edifying. Believe me, I’m not just a contributor, I’m a client (so to speak).

That’s all for now, my Followers of Fear. I hope you enjoy the article, and I hope to have another post on this blog out very soon. Until next time, pleasant nightmares.

So good news, folks: as of around 6 PM today, I’ve received feedback from both of my beta readers for Rose, which means I can start the fourth draft of the novel! Why is the fourth draft so significant, you may be asking. Well, this is the last draft I plan to do until I get an agent and/or publisher! And I think that is significant enough to write a blog post (which would’ve been written earlier this evening, but I was at my dad’s for Hanukkah dinner).

Now if you have no idea what Rose is, it’s a novel I wrote as my thesis in college, which I started working on again earlier this year and finished editing back in October. The story follows a young woman with amnesia whose body starts going through incredible, magical changes. The only person she can rely on for help and information about these changes and about herself is a young man who says he’s her boyfriend, but he’s keeping things from her, and things are not at all what they seem.

Yeah, it is not a fun story. Not by a long shot. But I think it’s a good story, made even better after the most recent draft, which fixed a few issues with the story and doubled the word count (don’t less that scare you, it’s shorter than the second Harry Potter book).

Of course, before you start submitting it to publishers or agents, you want to make sure your novel is actually good. Not just good in your opinion, but in others’ opinions, and that’s where beta readers come in. They take a look at stories you write, and let you know what works, what doesn’t, and give you feedback on what can be made better.

One of my beta readers for Rose was my dear friend, Joleene Naylor.  She read the novel in about a month, and got back to me with a ton of notes, as well as plenty of feedback. Overall, she enjoyed the novel. She thought my characters and their development was deep and reminded her of anime characters, which are often complex and never completely good nor completely evil, but often a mix of both (you can now tell who inspired that post about why writers should check out anime). That made the characters within Rose not only multilayered, but often very surprising. For one particular character, Joleene hated him at first, but then she found out some things about him and actually became kind of sympathetic towards him. Then she learned some more things about that character, and her feelings changed again. It’s very hard to do that in fiction, to have your emotions about characters change that rapidly, and Joleene liked that.

However, she did have some thought about a few things, including grammar and word usage, and she thought some things could be fixed, changed, or worked around in order to make the novel that much better. Her feedback makes a lot of sense to me, so I’m going to be incorporating a lot of it into the story.

My other beta reader got back to me earlier today, and I was very glad to see his feedback. Who is this beta reader? Believe it or not, he’s my chiropractor. As many of you know, I have back problems, so I’ve been seeing Dr. Black since June to remedy them (and the progress has been amazing!). You see someone so much, you get to talking, and it turns out Dr. Black is a huge horror fan, so obviously we got to talking about Stephen King, HP Lovecraft, and my writing. When I was getting close to finishing Rose, he offered to read it as a horror fan, and I said I’d like that.

This is what a beta reader or two can lead to: a published novel.

Now, Dr. Black is not a writer, but a reader. However, it is important to have the feedback of readers, as they are who we write for. And Dr. Black did give his reader approval. He thought the novel kept his attention throughout, and that he especially enjoyed the flashbacks in the novel. I’m glad he told me that, because those were parts I actually worried about. Flashbacks are difficult to do, and different readers and writers react to them in different ways. I’m glad Dr. Black enjoyed them, and what they added to the story.

He also mentioned one issue he had in the story while reading one chapter, which I hadn’t realized was a problem, so I’ll make sure to fix that up so that the end result won’t have that same problem.

So I have both of my beta readers’ feedback, and I can start on the fourth draft. To be honest, I’m really glad I finally have all that feedback. I haven’t really been in a writing mood lately, waiting on getting that much-needed feedback. Sure, having my laptop in the shop for over a week didn’t help, but even when I had it, I just wanted to work on Rose (even if I was working on a great story in the meantime. A story I’ll have to put on hold for now, but whatever. I’ll get it done eventually). When you put this much work into a novel, and you think it has so much potential, you really want to see that potential fulfilled, I guess.

And now that I’ve gotten my feedback, I’ll put out a couple of blog posts I’ve been meaning to write for a while, and then I’ll get to work. I doubt it’ll take very long to get through this time, so hopefully that means I’ll have some good news soon.

Thanks to Joleene and Dr. Black for their valuable feedback. It means so much to me that you took the time to do this for me.

And thanks for keeping in touch with me, my Followers of Fear, and following my progress of this novel. I hope that if it comes out, that you decide to pick up a copy and that you enjoy it. Until next time, pleasant nightmares and Happy Hanukkah!

Going with a classic this time around, as well as one of the most polarizing films in horror. Some love it, some hate it. I hated it at first, but I think it’s time I see if my opinion needs to change. After all, this was one of the earliest slashers and is considered a staple of horror movies. Maybe it’ll give me a jump.

WHAT’S IT ABOUT: A pair of siblings and their friends go to the former’s ancestral home to make sure their grandfather’s grave wasn’t a victim of recent grave-robbing in Texas. They later come across a house filled with a cannibalistic family, including the chainsaw-wielding Leatherface.

WHY I DIDN’T LIKE IT: In high school, I had heard this movie hyped so much among horror fans. When I finally could get Rated R movies on my own library card, I was disappointed. I didn’t jump, or feel any atmosphere. I wasn’t scared. It just felt over-hyped.

WHY I REWATCHED IT: You learn more about its production and legacy, you see some remakes and one sequel. You wonder if you missed something. Hence a rewatch.

THOUGHTS: I didn’t care for it.

Yeah, I was more aware of the film’s importance in the horror genre, but I still didn’t find myself enjoying it. It took the film forever to actually get going and become interesting. And even then, it was cheap to the point of noticeable (I refer you to the meat hook scene), there were lots of awkward close-up shots of girls freaking out, and more shouting and screaming than was probably necessary…from the villains. When damsels in distress scream, it’s fine with me, it’s kind of expected. But villains being so loud and annoying…yeah, I don’t care for it.

Yeah, it was quite the shocker in 1974, and that was the point. The film was meant to shock the 70’s movie-going audience. And it did, which lead to it becoming so famous and getting so many sequels and remakes. But to me, who is used to more gore and shock and terror from later slashers, it just feels tame and boring.

JUDGMENT: 1.5 out of 5. Watch it to see what it did for horror, but honestly, once you’re past a certain age and seen enough horror films, you’re just not going to get scared.

Don’t kill me in the comments for hating my opinion. It is what it is.

 

Next time around, I’ll be taking a look at a film that has become a staple for Halloween, but I had one particular problem with it that ruined the experience for me. It’s time to rewatch Oculus.

“The Power of Friendship!” as symbolized in Yu-Gi-Oh’s famous hand smiley face.

So yesterday I watched a YouTube video about a common trope in fiction (you can check it out HERE), which is (say it in your heads with a big, echo-y voice) “The Power of Friendship!” Now, if you aren’t familiar with the trope and you didn’t have time to watch the video, “The Power of Friendship” is a trope in which the bonds of friends is so powerful, it becomes a power in and of itself, capable of cosmic-like acts such as giving heroes power ups, stopping psychic mind readings, snapping people out of brainwashed states, and occasionally even defying gods. This power shows up in a ton of popular media, including a ton of anime and manga (the Fairy Tail series  practically is nicknamed “The Power of Friendship” manga).

Now the video I linked to goes into much more detail about the various intricacies of this trope (go watch it if you do have the time, the channel that produced it is awesome), but I wanted to focus on one particular aspect of “The Power of Friendship” trope that the video didn’t go into: how it surfaces in the horror genre. Or rather, how it doesn’t surface in the horror genre. At least, not all that much.

So if you didn’t watch the video (and you’re missing out!), the trope works like this: you have friends, and those friends can help you out of a bad situation, whether that be isolation or a powerful demon overlord is about to destroy the Earth and your power alone is not enough to destroy the demon’s power. It can be a metaphorical power to help a character out during a bad patch, like the former situation, or it can be a literal power and the equivalent of taking one of those mushrooms in a Mario game, like the latter situation. Thus, “The Power of Friendship!” And you can kind of see why it shows up so much: we all wish we have that power, or believe our relationships are that powerful.

But horror doesn’t feature this power as much as other genres, and there’s a reason for that. Horror is horror. It incorporates the darker aspects of the world around us and sometimes amplifies them for maximum effect. And in real life, friendships aren’t as powerful and as lovely as in fiction. In the stories, friendship is powerful and unyielding. It can overcome all sorts of obstacles, and the more you try to destroy it, the more it bounces back and kicks bad guys in the ass. But in reality, friendships grow, cool, and break all the time. It can take only a little bit to destroy a friendship, and a lot to repair it once it’s broken. Horror writers not only recognize that, but incorporate that into their stories. And it’s such a well-known fact about life, writers don’t draw attention to it, because it’s so well known among readers.

That’s not to say that “The Power of Friendship!” doesn’t show up in horror fiction at all. For example, Stephen King’s It pretty much says that the friendship of the seven main characters is what allows them to fight the malevolent entity in their town.* It just doesn’t say it as loudly as other media does, and also tells the reader that the characters’ friendship, while powerful, can be broken or is less effective if they aren’t all in sync or allow their fear to divide them. This is what leads to that one infamous scene in the novel, and is also shown in the new movie after the first fight with It.

Weirdly enough, the power of love or family is shown more than the power of friendship in horror, and I’m not quite sure why. Perhaps it’s because love and family, unlike friendship, has a more powerful evolutionary purpose, and therefore is given more power in fiction in general. If you’re willing to do more to save your perfect partner for creating offspring or the lives of your offspring, it’s going to show up more in stories than the grouping of creatures of the same species to ensure survival.** Hell, a lot more of my stories revolve around romance and family than friendship. One of my stories even involves a friendship gone bad, but that’s about it.

If “The Power of Friendship!” can be portrayed as it was in It, you can include it in horror stories more effectively.

That doesn’t mean we can’t include “The Power of Friendship” in horror stories. It can be used, but it’s more effective if used as it was in It: not overstated and a bit more realistic.  Showing a friendship form, grow, and overcome obstacles in a story, without drawing too much attention to it and showing how fragile the friendship can be under certain pressures, will work fine for the horror audience. If you go for overblown storytelling and basically say, “The Power of Friendship can overcome anything,” it will take the audience out of the story. Let the friendship’s strength demonstrate itself, rather than shoving it in through dialogue or just outright stating it. In other words, show, don’t tell.

While still not that common a trope in horror, “The Power of Friendship” can be part of horror. It may require being handled differently than in other genres, and with a bit more realism (weird for “realism” to show up in horror, but there you go), but it’s not impossible. You just need the right touch, and “The Power of Friendship” can best even shapeshifting entities that take the form of clowns.

That’s all, Followers of Fear. I’m in a bit of a blogging mood right now, so expect more posts from me soon. Until then, pleasant nightmares!

*There’s also some sort of power up thanks to a turtle from another universe, but let’s not get into it, shall we.

**Best explanation I can come up with given my aromantic nature and already jaded worldview.