Posts Tagged ‘holidays’

I’ll admit, when I bought my ticket to see this movie in the theaters (yes, I went to a theater), I didn’t have high expectations. It had a good trailer, but plenty of bad films have good trailers. But I wanted to see some new horror, and who knows? It could surprise me.

Surprised, I was.

Come Play follows Oliver, a young, non-verbal autistic boy who is stalked by someone named Larry, who wants to be his friend. However, Larry isn’t human. He’s an entity, one that lives in the world of the digital and the Wi-Fi and interacts with our world through electronics. And he wants Oliver to be his friend, whether Oliver wants it or not.

First off, I thought Oliver ‘s actor did a great job playing an autistic character. As you know, I’m on the spectrum, and I recognized myself as a child and as an adult in Oliver. Stimming to stay calm, going to therapy, dealing with people who don’t understand what you’re going well. And I’ve been through the experience of kids pretending to be nice to me only to show a nastier side. Believe me, the struggle was (and in some ways, still is) real.

As for the film itself, it wasn’t half-bad. Jacob Chase, the writer and director, did a very good job of putting together a unique monster story. There were several moments where the atmosphere was tense and I was kind of afraid. And the jumpscares, while in another film would have been over the top, fit very well here. And I definitely didn’t see the final twist coming until it showed up.

The use of the villain Larry was also done very well. He’s not based on any sort of ancient mythology or anything, so points for originality. And yeah, the monster using a children’s book has been done by better films (*cough* The Babadook *cough*), but it’s given a different spin here, and the fact that Larry can only manifest through our ever-present devices and electronics added a certain element of danger you don’t normally see in these sorts of horror films. We also don’t see Larry that much, and when we do, he’s usually in shadow so we can’t make out all the details. Makes the fact that he’s basic CGI easier to handle.

Of course, the film does have its issues. While Larry was used well in the movie, I never felt entirely afraid of him. Also, the film relies on a lot of tropes we could get from a below-average Blumhouse movie, so it gets a little tropey and predictable at times. Especially the second half.

On the whole though, Come Play is good. It’s not great, but it’s not terrible either. On a scale of 1 to 5, I’m giving it a 3.8. All in all, I’m glad I went out to see it. And if you need a bit of new horror as well, maybe you will be too.

That’s probably it for October, my Followers of Fear. I hope you had as great a Halloween season as I did, despite the pandemic and all that went with it. Let’s hope November is good as well.

Until next time, pleasant nightmares and WATCH OUT FOR THAT TENTACLE!!!

You know me. I tend to be a little silly at times. Okay, I tend to be a lot silly at multiple points throughout the day. And occasionally, I channel that into short videos I shoot for YouTube. One of which, by the way, I set to release this morning at 12:15 AM. Ladies and gentlemen, Followers of Fear, here is my contribution to YouTube for Halloween: Happy Halloween from a Gas Mask Zombie.

Yes, I am aware I am ridiculous. I don’t care.

So, if you watched all forty-two seconds of that video, you’re probably thinking, “What the fresh hell?” Let me explain: you guys know I’m a Doctor Who fan (or if you didn’t, now you do). And in the first season of the show’s reboot in 2005, the Doctor and his companion Rose Tyler end up in London during the Blitz. There, they encounter a form of pandemic zombie, the kind that are spread by virus?

Only this one’s a little different. It’s the result of a child being resurrected by alien nanotechnology. The child went out during the bombs looking for the woman he believes to be his mother. While wearing the gas mask. The nanomachines, not knowing what a human is, thinks that the being they resurrected is what a human is supposed to look like. And then they start spreading, turning everyone they come into contact with into things like the boy.

Imagine, a swarm of zombies wearing gas masks, all going about asking one question: “Are you my mummy?”

The gas mask zombie, AKA “The Empty Child,” from Doctor Who.

Ooh, I just felt chills up my spine!

Anyway, this story is pretty famous and well-regarded in the Who community. I even dressed up as a gas mask zombie for Purim one year (think Halloween for Jews). And since I recently started rewatching some of the earlier seasons because they relieve my pandemic stress, I thought it might be fun to dress up as the gas mask zombie for a YouTube video. It was.

Anyway, just wanted to post that for you. If you liked that and want to see more videos from me, check out my YouTube channel and subscribe. There are plenty of other videos there that don’t get featured on the blog (such as my recent celebration video for getting a hundred subscribers on that platform), so why not check them out?

Listen to me, I sound like a real YouTuber. Subscribe! Subscribe!

Anyway, that’s all for now. I’m sure you’ll hear from me again before this wonderful month of October is out. Until next time, my Followers of Fear, pleasant nightmares!

At the time I’m writing this, I’m in the middle of Chapter Ten of the second draft of Toyland, the Gothic horror/dark fantasy novel I finished earlier this year. And let me tell you, as I work through each chapter and make my edits, I find myself in awe.

What the hell was I thinking when I wrote some of these chapters?

Anyway, for those of you who aren’t familiar with Toyland, it takes place in an Ohio boarding school and follows students who become aware of a ghost haunting their school, one obsessed with a children’s book and that may be harming some of the students. Yeah, bonkers premise, but I make it work. At least, I’m hoping to make it work. Hence why I’m editing it rather than publishing it right here and now.

And I’m glad I am editing it. Because I cannot believe some of the shit I wrote. I mean, yeah, I was writing the early chapters during NaNoWriMo last year, so there’s a good chance I was up late and either sleep-deprived or hopped up on caffeine (or, if it was a weekend, buzzed). But still, some of these lines! What was I thinking? 

For example, in Chapter One, my protagonist Mason heads to the men’s rooms in the dorms. Here’s how I describe it:

Gabe and Mason entered, the door hinges squealing behind them. To the left were the stalls and sinks for the normal bodily functions.

“Normal bodily functions.” As opposed to what, Rami? Are there other kinds of stalls and sinks in bathrooms? Just what the fuck were you talking about?

And there are other passages like that, sprinkled here and there. Every time I come across them, I wonder what my state of mind was when I wrote them. Either that, or if I was just that desperate to make a fifty thousand word count by the end of November.

And in Chapter Ten, the one I’m working on now, I did something incredibly stupid the first time around. Mason the protagonist is about to reveal to a classmate of his about some of the strange events in the school. The story then fast-forwards to hours later, where Mason recalls the conversation in flashback. 

When I read that, I was taken out of the story for a second. I imagine potential readers will have that same experience as well. So now I’m busy rewriting Chapter Ten so that it flows better and doesn’t take the reader out of the story. It’s a pain in the ass, and I’m annoyed at myself for writing the story that way. What the hell was I thinking?

Well, that’s where the story is right now. The good news is, as I get further along, I find fewer of these problems. Hopefully that stays true for the rest of the second draft. But man, until I get to that point, I’m going to be looking back and shaking my head at those sections. 

So, that’s where I stand with Toyland, my Followers of Fear. I’ll keep working on it until probably October 1st, when I have to edit a couple of short stories for some publications that will be opening for submissions soon. But after that, barring anything else coming up, I’ll be back at work on Toyland and hopefully have it done by Halloween. Wish me luck.

Also, to my fellow Jews, tonight starts Yom Kippur, where we atone for our past transgressions and pray and fast for forgiveness. To you, I wish an easy fast and Gmar Chatimah Tovah, or “a good sealing” in the Book of Life. As well as a pizza party after the fast ends (wink).

Until next time, Followers of Fear, stay safe and pleasant nightmares.

It’s been a rough week, so I was looking forward to ending it with a horror movie that’s been on quite a few people’s radars since the first trailer dropped. I mean, it has the producers of Get Out and Us on board! Even if Jordan Peele wasn’t part of the project (yeah, I know, I thought that meant he was too, but he’s not), it looked like it was going to be uber-scary and tackle difficult issues that have been plaguing America for centuries. How could I not watch?

Antebellum begins in what appears to be a Civil War-era plantation, and follows a slave called Eden. Suffering from the worst brutalities from her captors, she must find some way out of the nightmare she’s in. But not all is as it seems. What does what’s happening have to do with a woman in the modern era and an almost identical face named Veronica Henley? In the answer lies an evil dating back to America’s bygone days, one built on power, race and cruelty.

I think the film’s biggest issue is that, because of the creative decisions of the filmmakers, its plot is confusing. We start out on the plantation, then it changes to the modern day without any warning, then back again. It’s like two different movies have been edited together, one a historical horror film, the other a slightly supernatural horror film involving contemporary racism. It’s confusing.

And when the big twist of the story is revealed, it took me two or three minutes to wrap my head around it. And I’m the kind of guy who can usually guess a major plot point in a horror movie or at the very least wrap my head around a difficult concept rather quickly. If I’m having trouble, imagine what the casual viewer is going to have.

That being said, the rest of the film is decent. The sections on the plantation during the first third were especially horrifying for their brutality, and the second third had an uncanny, creepy feeling that balanced psychological and supernatural horror. The climax is exciting enough, and the actors are great at portraying pain, terror, hatred, sadistic joy and grief when called upon. Props especially to star Janelle Monae as the lead. The costumes and sets are also amazing, with everything looking like it might on an actual plantation in the mid-19th century. Except for the outdoor furnace, which gave me Holocaust vibes and scared me down to the core of my Jewish soul.

And like Get Out, Antebellum explores its main theme of racism and slavery in an angle that wasn’t expected and made me think. Especially after seeing the documentary 13th and learning how the modern prison system is very much a form of slavery.

On a scale of 1 to 5, I’m giving Antebellum a 3.5. How it tells its story does bring down the score, but there’s plenty there to keep you invested in the film. And if you need some new horror right now, this will scratch the itch for you. Just don’t expect Get Out or Us levels of terror or deep-thinking.

 

One more thing before I sign off, my Followers of Fear. Tonight begins Rosh Hashanah, the Jewish New Year. On Rosh Hashanah, the Jewish community prays for our past sins to be forgiven, seek to forgive and be forgiven by our peers, and hopefully have a sweet new year. I have no idea what made this past year such a horror, but I’m hoping the next one will be better, and that the news of Justice Ginsburg’s death is the last in a year’s worth of horrors.

Shabbat Shalom and L’Shana Tovah (that basically means Happy New Year) to you, my Followers of Fear. May we all be inscribed in the Book of Life, and may the horrors of last year not follow us into the new one.

Some time ago, a friend/colleague on Facebook invited friends who enjoy writing to join him for a virtual write-in. Curious, I asked him to include me, and the following Sunday, I logged in with several other writers. And you know what? It proved to be very helpful, at least for me.

So what is a virtual write-in? Well, if you’re unfamiliar with write-ins, they’re when a bunch of writers get together and use the presence of one another to motivate you to write and get words down on paper. It’s also helpful if you need advice from your fellow creatives. A virtual one is one that’s not held in-person, but online.

In this case, we’ve been meeting over Zoom. We log in at a set time by a link provided by the host (my colleague), talk about what we’re going to be working on, and then mute our microphones before trying to write for two hours. At the end, everyone who can jumps back in and talks about how much progress they made.

I’m usually pretty good about getting words on paper (to the point that people joke I’m writing a novel a week or something), but I’ve found these write-ins to be helpful for me. For one thing, having all these other writers writing alongside me, even if they’re not physically nearby, has a psychological effect. I start to think that these other writers are making progress, and that makes me want to make progress. My mind then gets into a frame where it can make progress, and then I do make progress.

And an added benefit to these virtual write-ins is that it allows for safe communication during the pandemic. COVID-19 has made it dangerous to so much as stop by a Starbucks, let alone meet with a bunch of other authors. But these write-ins take out that risk, as well as giving writers who may live far away from the host a chance to participate without a long car or plane ride. And in an age where going grocery shopping is dangerous because the store may let people in who aren’t wearing masks (how irresponsible), that’s a good thing to have.

Finally, these virtual write-ins allow us to make connections in a comfortable environment. Since starting these write-ins, I’ve met a few writers whom I’ve been able to connect and talk work with. Just recently, I had a chat with one of the participants about various aspects of publication after we connected through the write-in. Another gave me some feedback on an essay I wrote that proved helpful during the second draft. And a few are now Facebook friends!

My writing workstation. Which, by the way, is also a comfortable place to meet people during a virtual write-in.

Of course, virtual write-ins aren’t without their drawbacks. Not everyone is able to make every single meeting, sometimes people have to come late or leave early because life is crazy, and sometimes these write-ins aren’t that helpful for some writers. However, if you’re in a good group, you’ll find the other members understanding of your life or your writing style. I know the folks in mine are.

Anyway, these write-ins have been helpful. Hell, I’ve benefited so much, I’m planning one for the Ohio chapter of the Horror Writers Association, possibly one that lasts a good chunk of the day.

And since they’re so helpful, I’m spreading the word about them. Who knows? Maybe if you’ve had trouble lately with writing, getting a couple of your friends together for a virtual write-in might be just what you needed. And if it’s not, at least you’ve discovered another thing that doesn’t help with your writing. Always a plus.

That’s all for now, my Followers of Fear. I’m going to bed now. Hopefully in the morning, I’ll be able to finish the outline of a new story. Hope you all have a happy Fourth of July, even if you don’t live in America.

And until next time, stay safe, pleasant nightmares, and HAMILTON IS AWESOME!!! I hope you have the chance to watch it on Disney+. That movie had me in tears by the end.

What’s up, Followers of Fear and other assorted humans? Recently, at the start of my self-isolation, I read a historical fiction novel with supernatural overtones called The Deep, which I thoroughly enjoyed (see my full review here). Having spoken with the author of The Deep, Alma Katsu, a few times over Twitter, I thought I’d ask if she’d like to be interviewed. She agreed, and the following interview resulted. Ladies, gentlemen, and non-binary gentility, allow me to introduce the author of The Deep and The Hunger (which is on my TBR list), Alma Katsu!

Rami Ungar: Welcome to the blog, Ms. Katsu. Please tell us a bit about yourself and your work.

Alma Katsu: My name is Alma Katsu and I’m the author of five novels, all historical with some element of horror or the supernatural. My most recent book is THE DEEP, a reimagining of the sinking of the Titanic and its sister ship the Britannic. My previous novel was THE HUNGER, a reimagining of the story of the Donner Party. I was very lucky with THE HUNGER, as the book made a number of best books of the year lists and was nominated for several awards, including from Locus magazine and the Bram Stoker Awards.

RU: Please tell us about The Hunger and The Deep, what inspired them and what the writing process for them was like.

AK: Both books are similar, in that they use a historical event as a springboard for a story, but different, too. THE HUNGER is a more of a dystopian—some people have compared it to Cormac McCarthy’s THE ROAD, and Dan Simmons’ THE TERROR. But both books are reflections of the eras in which they took place, which means THE DEEP is a more romantic story, very much of the Edwardian era, with its love of occultism and spiritualism. I tend to write character-driven stories, which might make for a slower pace than some fans of thrillers prefer, but I think it will hit the spot for people looking for a richer read.

 

My writing process for these books might seem a bit heretical, depending on what you’ve heard from other writers of historical fiction but I keep a very tight schedule doing the research. I was a professional researcher for over 30 years, so I have the benefit of a lot of trial and error and learning what works for me. I do a lot of on-the-spot research along the way, of course. Generally it takes 4-6 months to write the first draft, and then there are rounds of edits, some of which can end up changing the story quite a bit. Writing a novel is definitely a marathon, not a sprint!

RU: Or several marathons, sometimes. Continuing on the topic of historical fiction, obviously you have to take some creative liberties when it comes to famous events in history for the sake of the story. How do you decide what changes to make and how do you go about making them?

AK: Historical fiction is quite a big tent. Some books strive to be reproductions of historical fact with a thin veneer of fiction on top, but that’s not me. I use the historical event as the basis of another story, a different story, usually centered around a theme. The idea behind the THE DEEP has to do with women’s rights, which was a huge issue of the day. In the novel, you see a range of women, poor and very, very rich, struggling with the confines placed on their lives by society. On one end you have Annie Hebbley, the main character, a poor Irish girl who has come to work on the Titanic, and on the other, Madeline Astor, new second wife of JJ Astor, the richest man in America. In between you have a woman doctor (a rarity of the day), an aristocrat who earned her living running a high fashion house, and other poor women with few choices. There’s also the issue of class, and I can think of few settings better to explore this issue than the Titanic!

The changes I make to the historical record are in order to tell the story I’m trying to tell. As long as readers understand that, and are willing to give me a chance to tell them an entertaining and (hopefully) enlightening story, I don’t think there’s an issue.

RU: I have to ask, how hard was it to resist making a snarky reference to the movie Titanic in The Deep? Because the temptation would’ve killed me if I resisted.

AK: I hadn’t seen the movie until I went to write the book, because the movie is what most people today think of when they hear “Titanic,” and I wanted to know what their expectations would be. So, while it wasn’t my favorite movie of all time, I can see why it was popular, and what chords to strike with some people.

RU: You also host a podcast called “Damned History,” about the history behind the stories you write. Can you tell us a little more about that, and the writing process for each individual episode?

AK: The idea for the podcast came from the talks I gave on tour. Audiences told me they got a lot from the talks that enhanced their understanding of my books, but there are only so many people who are going to make it to a live event, so I thought podcasts were the perfect medium to make them available to anyone, anywhere. So, the material in the podcasts for THE HUNGER come from my book tour.

 

For the episodes for THE DEEP, they’re more on what I think people might find interesting, or what the questions so far have been about, so there’s one episode on Titanic conspiracy theories, and another on some of the real people on the Titanic.

RU: Are you working on anything new right now? And are there any historical events you would like to write about stories about someday?

AK: I’m working on the next historical novel right now, which will deal with World War II, and gearing up for the release of my first spy novel next year, RED WIDOW. This is a first for me, drawing on my career in intelligence, and I hope readers will give it a try.

RU: I’ll check them out, especially the WWII novel. That was the focus of my history major in college, after all. So, when you’re not writing, researching or podcasting, what do you do with your time?

AK: Working! I may retired from government but am still a consultant. There’s a lot of juggling going on in my life right now.

RU: I know what that’s like. What is some advice you would give other authors, regardless of background or experience?

AK: Write and read. Read a lot, read outside of your genre. And try to write every day, write through problems in your story, because writing is like a muscle.

RU: Finally, if you were stuck on a desert island for a while and could only bring three books with you until you were picked up, which would you bring with you?

AK: That’s tough. I’m not one of those writers who worships a particular book, and I like to use my reading to study how other writers have handled a particular issue in writing. I’d definitely have a Sandor Marai book among them, because I love the way he unfolds these terribly complex stories. Right now, I’m enjoying good mystery writing, particularly those of Laura Lippmann and Denise Mina. I like old Barbara Vine mysteries, too.

RU: All are excellent choices. Thanks for coming on the blog, Ms. Katsu. I hope you come by again with your next book.

 

Both The Deep and The Hunger are available from most book retailers. If you would like to check out Ms. Katsu’s podcast Damned History, you can find it on iTunes, Google Play, Spotify and Soundcloud. And you can find more about Ms. Katsu herself on her website Alma Katsu Books, as well as on Twitter.

If you would like to see more interviews I’ve done with authors, check out my Interviews page.

And if you’re an author who will be releasing a book soon or just released a new one and would like to be interviewed, send me an email at ramiungar@ramiungarthewriter.com. If I’m available, we’ll make some magic happen.

That’s all for now, my Followers of Fear. If you’re celebrating a holiday this weekend, I hope you’re finding it spiritually satisfying. Until next time, stay safe, be healthy, and pleasant nightmares!

17th century engraving of a bicorn and chichevache, courtesy of Wikipedia.

You ever come across something in your day-to-day life–a historical event, a movie with an interesting premise or character, a conversation that goes into weird tangents, etc.–and you think to yourself, “I want to write a story around that!” Chances are you have. And chances are you’ve sometimes struggled just to come up with that story based on whatever you’ve run into.

That happens to me all the time. I’ve got a huge list of potential bases for stories–my “idea fragments”–on my flash drive, over two-hundred bases, and only about half of them have been turned into ideas. I’ve been known to obsess over these fragments for weeks or months until I come up with something for them. And I’m obsessing over my most recent fragment quite a lot these days: the bicorn and chichevache.

Now, for those of you who don’t know much about obscure monsters from the Middle Ages (pretty much everyone), the bicorn and the chichevache are kind of the polar opposites of unicorns (the names of all three, by the way, are French in origin). They both have two horns, and are sometimes described as cow-like chimeras, though more recent depictions tend to show them as horses with two horns curved like a bull’s. The difference between the two is what they eat (and keep in mind, these creatures normally featured in satirical works. So remember, someone or their attitudes were being made fun of with these descriptions). Bicorns ate kind and devoted husbands and were often depicted as fat to the point of obese, while chichevaches went after virtuous and obedient wives and were therefore thin and starving.

Remember, this was probably meant to poke fun of someone. I’m guessing medieval views of men vs. women. This also goes against the depiction of the unicorn, a one-horned horse or goat that affirms purity, usually by letting a virtuous maiden pet or ride them. You know, instead of destroying them by eating them.

I first came across the bicorn in an anime I was watching, and was curious enough to do a little research. Thus I came across the bicorn’s counterpart, the chichevache, and then the creative fires were lit. This was back in October. And I still can’t think of a damn story for the creatures!

So far I’ve cast aside revenge stories, a story where someone uses to prove that certain people in their community aren’t as upstanding as they thought, and a few others. I’ve tweaked the myth a bit here and there to make the creatures more viable in the 21st century, and I’ve focused on just one or the other. Nothing’s clicked so far. They don’t feel original enough, or fun enough, or like the sort of story I would write. I want a story that is different from the other stuff out there. If it feels too much like another story, what’s the point of writing it in the first place?

Thankfully, there are plenty of ways to come up with the story, and I’m stubborn enough to keep at it till something sticks. Immersing myself in a book or TV show or audio book; working on Toyland (or, if I need a break from that, a short story idea I have in reserve); doing some other activity; or just enjoying life. Just living my life, I come across new things everyday. Perhaps something will cross my path and make my idea fragment into a full story idea. Preferably before someone else writes a story about the creatures and makes any of my ideas pointless, that is.

In the meantime, what do you do when you can’t come up with a story for an idea fragment? And have you heard of the bicorn and the chichevache before?

And while you’re still here, are you still looking for something for the lover of the macabre and the weird in your life this holiday season? If yes, might I recommend my very own novel, Rose? When Rose Taggert wakes up in a greenhouse with no memory of how she got there, she soon finds her life, and her body, irrevocably changed. Thus begins a Kafkaesque nightmare of intrigue, magic and violence as Rose fights not just for the truth, but for her own survival. Available now in ebook and paperback from Amazon (and soon to be available from Audible in audiobook form). Links are below.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

I normally don’t do introspective posts like this. You know me, if it’s not something horror or writing-related, there’s a good chance it’s related to an issue near and dear to my heart, such as disability rights and awareness. But I found out today that there’s only 45 days left of the year, and it’ll be even less once you’re reading this post. And that’s significant, because it’s not just the end of 2019 that’s approaching, but the end of the 2010’s. And that’s crazy to think about. An entire decade is ending in just over a month and a half.

So I’d like to take a bit of time and write about my thoughts concerning the ending of 2019 and the 2010’s.*

And a lot can be said about either subject. For 2019, I’m going to argue that the best things about this year were in terms of entertainment. Think about it: Avengers Endgame, The Lighthouse, Us and the fourth season of Lucifer. They were all amazing! And the rest was pretty much cringe-inducing (I won’t say anymore on that lest I break my rule about commenting on politics and certain current events).

But it’s hard to deny that it’s been a tough year, and a tough decade to boot. Depending on who you ask, things either started out good and got worse over the years, or things started out bad and got better. Or a couple other answers, but those are the main ones, I think. However you saw the 2010’s, it’s been a decade of profound change. Technology became faster and more efficient, more ubiquitous and necessary to our lives. Many peoples became more divided because of beliefs, or backgrounds, or a hundred other reasons. Leaders have changed, and with them the policies of various nations. The need to protect the environment has become stronger, and we’ve taken steps forward and backward to address that. Pop culture took radical shifts too, with horror gaining a new, hard-won respect it previously never enjoyed, and Marvel became the movie powerhouse that DC has always been. Streaming has become the new frontier. And more media is being created every day to reflect our increasingly diverse society, with much of it making into the mainstream. All along lots more remakes and reboots and sequels than anyone wanted or needed.

In short, lots and lots of change.

The 2010’s were a decade of change for me as well. Quite literally. I started the decade as a high school student who thought I had a cushy after-school job selling basketball tickets and that I was going to be a bestselling author by the time I was 25. I graduated high school, went to college and dealt with all the growth and crazy and learning that comes with it. I went on a study abroad trip, moved to my first apartment, and graduated again. I went to Germany for an internship, and then came home for the nadir of the decade, where I dealt with a horrific job search and back pain. I finally got my job and my old place. My health improved, though at some point I did develop a nasty anxiety disorder. I visited haunted locations I’d always dreamed of visiting. I got my driver’s license and my car.

At some point, I stopped being a kid and started being an adult. And along the way, I found this amazing community of writers and bloggers and readers and published books and short stories along the way, including Rose this past summer. It’s been kind of crazy.

And for the most part, the decade was good. Yeah, there were some bad times, but the good are what I remember the most. Mostly because the good was the result of my own hard work and perseverance.

And as the new Roaring Twenties approach (hopefully they’ll be roaring because they’re fun, and not because of nuclear missiles being launched everywhere), there’s something we should all keep in mind. I know the future seems bleak and scary. Believe me, all I have to do is look at the news to be reminded of that fact. But we have the power to make good things happen. I’ve seen amazing things happen just through sheer effort. And when you take a step towards what you want to see in the world, you’ll see the world come together to help you along.

So as we end this year 44 days from now and enter a new decade, just remember to keep your chin up. You have the power to make the changes you want to see. And when you take those steps, you’ll be amazed at what you accomplish.

Well, this post is getting super long. I’ll cut off here and say see you Thursday at the latest. Until next time, my Followers of Fear, pleasant nightmares!

*Normally I’d reserve this sort of post for New Year’s. However, I’ve noticed that, probably because of the holidays, those posts don’t get that many readers. So I figure I might as well get my thoughts out now before we’re all caught up in our personal lives and can’t spare any time to read blog posts.

I don’t have work tomorrow, and I wanted a horror film to watch on Halloween while still saying I went out for the evening. I’ve seen everything else playing that’s considered “horror,” so I went into this with low expectations. I only knew of it because of some commercials showing audiences reacting like Paranormal Activity and a promotional app popular among teenagers and young adults.

Countdown follows a nurse named Quinn who downloads an app she hears about from a patient, which supposedly predicts the very date and time of your death. When people try to change their fates based on the app’s predictions, they end up stalked by a demon that taunts them before killing them at the appointed moment of their death. Now Quinn has to find a way to cheat death or she and those dear to her will die in the worst possible way.

So, we’ve all seen this sort of movie before. It’s like a simple recipe. People take part in something that seems harmless, it turns out to be real, supernatural in nature and very deadly. Someone becomes affected, finds an expert to help them identify where the evil comes from and possibly how to beat it. After a showdown with a CGI evil and a few deaths, the protagonist manages to beat the evil, which lives on one way or another. Throw in some jumpscares and some creepy imagery, and you have a cheap horror film trying to get in butts in seats because somebody knows how hungry horror fans are.

But Countdown didn’t even manage to meet my expectations for this kind of poor horror! Everything was predictable, and at times, it felt like the cast and crew weren’t even trying. They indulge in a lot of tropes, and not even do it very cleverly. The one trope they try to change is to have the supernatural expert be a priest who, rather than being old and well-experienced with demons, is a young man who literally calls the Bible “the world’s greatest graphic novel” and geeks out over the possibility of stopping a demon. It’s supposed to be funny, but is kind of cringey instead.

There is one thing that sets this movie apart, however. There’s a subplot where Quinn has to deal with a doctor who sexually harasses her and then tries to ruin her career when she spurns him. Now, I’m all for exploring these sorts of subjects in media, including horror. I often feel that horror is a good lens to view societal problems, and horror is a fertile ground to explore women’s issues. However, I don’t know this was the right film to have this sort of subplot. It feels more like a gimmick and a bad one too.

On a scale of 1 to 5, I give Countdown a 1.5. There are a lot better horror films out there to watch on Halloween. I suggest you go find them, especially if you want to feel scared and that you didn’t just waste eighty minutes of your life.

Well, that’s all for now. Halloween ends in forty-five minutes or so, and then something rather crazy will begin. I’ll let you know how that goes in due time. Until then, my Followers of Fear, pleasant nightmares and Happy Halloween. See you again soon.

So it’s about three days till National Novel Writing Month, or NaNoWriMo. For those of you who are unaware, NaNoWriMo (which at this point is an international event) is a yearly challenge held every November (though some writers do it when they actually have time for it), where writers will attempt to write a fifty-thousand word novel within thirty days, or just under seventeen hundred words per day. Anyone who actually manages to get that amount wins bragging rights and a sense of accomplishment.

Anyway, I’ll be participating this year, my first time since college. And with all that writing, there’s a good chance I’ll be blogging less during that time. I do plan to post regular updates on the progress of my NaNoWriMo project, as well as any reviews of movies/shows/books I feel I need to post. And if anything pertaining to my career pops up (like something getting published or released, God willing), I’ll post about that. But in case even that’s not happening much, I’d like to leave this post so people know what’s up with me and my work while I’m neck-deep in storytelling.

It’s possibly an exercise in narcissism, to think you all are interested in that, but hell, it’s my blog. I’ll do what I want here. Onward ho!

Toyland

The one-sentence pitch for my NaNoWriMo project is, “A boarding school is haunted by a ghost obsessed with a children’s book.” It’s a Gothic horror novel with hints of the weird, and I’m very excited to be working on it. The first chapter is already half-written in my head, as well as several other scenes. I’ve gone through the outline at least seven times, so I think it’ll be free of plot holes and other issues. Whether or not it’ll be any good, we’ll see. But I’m hopeful. After all, there were plenty of times I thought Rose was terrible. And it’s doing relatively well for my first book with a publisher.

NaNoWriMo

As I’ve stated in a few previous posts, I’m taking time off from work for the first third of November to work on Toyland. The plan is to get up around seven or eight each morning, eat breakfast, write, eat lunch and read, write some more, and then knock off for the evening. Maybe see a movie if anything good is playing. Of course, I’ll adjust these plans as situations evolve. You never know when I might need a run an errand or something along those lines. Or write a blog post. Or get drawn into anime or a horror television series and binge several episodes in a row (ah, the fun of ADHD and procrastination).

After I return to work, I’ll be spending a lot of time doing catch-up and whatnot, so I may have to work late some days and not get to write some evenings while I recover my equilibrium. However, the point of participating in NaNoWriMo this year isn’t to finish the book in thirty days, but just to give me one hell of a head start. So even if during the last twenty days of November I don’t get as much as I want done, if I get plenty done during the first ten, I’ll be satisfied.

River of Wrath

Unfortunately, my beta reader has not had much of a chance lately to finish this book. And unfortunately, I need their feedback on certain subjects before I can edit this story. So it’s going to be a while till I get to edit this novel (which, coincidentally, I finished almost a year ago. October 30th, 2018 at about one in the morning. That was a fun night).

On the bright side, by the time I get to it, I’ll have plenty of energy and desire to get it done. And maybe another book or two out. I can hope, anyway.

The Short Story Collection

I’ve been busy on that, believe me. These past couple of months, I’ve spent writing and editing short stories for the collection. I just haven’t been posting every time I finish one because I wanted some of them to be a surprise! As it stands, this collection is about ten stories long. I’d like three more, two short stories and maybe a novelette or novella. With NaNoWriMo and Toyland only a few days away though, I’ll have to put it off till I’m either done with the latter or ready for a break (hopefully done with it). Fingers crossed when that time comes, I’ll be done faster than you can say, “It was a dark and stormy night.”

Rose

Yes, I have some news on Rose. As I said above, the Kafkaesque horror story of a young woman turning into a plant creature is doing very well. In fact, I got my first sales report a couple weeks ago, and it was very encouraging. With Rose getting so many new reviews in October, hopefully this’ll continue into the next quarter.

And in the meantime, the audio book is coming along swimmingly! As I said, I’ve heard the first fifteen minutes, and it sent chills up my spine! And last week, my publisher shared with me the cover art for the audio book. The way things are going, it could be out early or mid-November. And when it is, not only will I be the first to download a copy, but I’ll be making sure everyone else knows to check it out too.

In the meantime, if you’re interested in checking out Rose, I’ll leave the links for it down below. And if you do end up reading Rose, please let me know what you think. Positive or negative, I love reader feedback, and reviews help me out in the long run.

Rose: Amazon US, Amazon UK, Amazon Canada

 

Well, that’s all for now, my Followers of Fear. If I don’t catch you around Halloween, I’ll catch you at some point during the first week of November. Until next time, pleasant nightmares and Happy Halloween!