Posts Tagged ‘short story’

I’ve mentioned on this blog more than a few times that I make sure to write down my ideas on Word documents. This way I don’t forget them. I have a few separate lists to store these ideas, depending on the kind of idea it is. One list is just for ideas that will likely be short stories or novelettes (assuming they don’t end up evolving into something longer). And today, I had three new ideas for stories, which I made sure to put on that list. This brings that list up to a thousand ideas.

You read that right. A thousand ideas. Some good, some bad. Some are very short, and others will end up longer than most novelettes. Some are horror or dark fantasy, others are science fiction or regular fantasy, or some other form of speculative fiction. A few are erotica, because as I said in that video yesterday, I think there’s an art to writing a story where the story is told through sex. It’s something I might want to try someday.

I’m not stating this to brag. I’m just stating a fact. And you know what? I’ll never write most of them. There’s just never enough time.

It’s the sad truth of writing. We creatives have many ideas over the course of our lives. But rarely, especially in the world of writing fiction, do we get to tell all of them. Hell, I doubt even big names authors like King get to work on all the ideas he has. But it’s especially hard for those of us smaller names. We work day jobs, pay bills, run errands, eat, socialize, try to stay healthy, and try to sleep enough to function the next day. And in-between all that, we carve out time to write.

I said a lot of this when I had my five-hundredth idea, almost exactly five years ago today (what a coincidence). In fact, I’ll say again what I said in that post (which you can click here to read): Time’s a quick bastard. And it’s all we can do to keep it with us so we can get the best of your work down on paper. And maybe then edited and perhaps even published.

There’s enough time in the day for this.

And how can you tell from the trove of your ideas which ones are worth spending time on? Hard to say. Usually I can tell from the idea phase, but occasionally I write a first draft and I realize this story is crap, why did I ever try to write it? I guess the best thing to do is just to go with your gut. If you’re really passionate about a story, it’ll show in the writing and in the story, and you’ll be able to work on it over and over again, until you’re able to share it with others (hopefully, anyway).

Well, I’m going to get back to an idea I think might be worth working on. I just wanted to talk about some of the things that went through my mind as I started nearing a thousand ideas. And I wanted to talk about something other than Rose for once.

Speaking of which, tomorrow is the last day to buy the ebook version of Rose at a discount price (I couldn’t help myself). So if you want to check out the Kafkaesque fantasy-horror story of a young woman turning into a plant creature (and that’s just the start of her problems), now’s a good time to do so. I’ll include the links below, including for the paperback and audio book. And if you end up checking out the book, leave a review and let me know what you thought of it. Helps me out in the long run, and it’s nice to hear what you think.

Until next time, my Followers of Fear, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Recently, I saw a couple of people on my social media mention that they’re writing stories taking place at the tail end of or during the COVID-19 pandemic. You know, the pandemic we’re dealing with now and which we’re still far from out of the woods of? This intrigued me, especially when I realized I could incorporate the pandemic into one of the stories I wanted to work on this year, if I set it after the pandemic was over!

Out of curiosity, I consulted my writer friends on if you can write such a story. And if so, how you go about doing it. Nearly everyone said that yes, you can write a story set after our current crisis. A few even had advice to give me, while at the same time warning me that there’s going to be “a glut of COVID-19 stories” and I should be careful what I put out. One person mentioned that I should market the story as science fiction, seeing as it will take place in the future. Another suggested that I keep the story for a while, at least until the pandemic is actually over. That way, I can edit it if I get my predictions on what will happen wrong.

The best advice, I think, was that a good author will take notes. Remember when certain things happen, look up those things if you can’t, and try to note details that might come in handy in building the world.

As to other practical advice, I guess you should just write a story that you would write.

Yeah, I got nothing else. Sorry, but I’ve only written one story that takes place during the early days of the pandemic, and I’ve never written a story that takes place after the pandemic. I’m going to try with my next story, which obviously means I’m not going to post advice before I do.

So, I’ll be doing what every writer should do: writing the stories only they can write. I think I have a unique view on a certain aspect of our current pandemic and how it can translate into a short horror story. I’m working on an outline, and afterwards, I’ll work on that story. I’m not sure if it’ll be any good, but at least I’ll have tried. And given how stressful our current day and age is, it might prove therapeutic.

Write the story you’re going to write. Even if it takes place after the pandemic.

In summary, if you have an idea of a story that takes place after the COVID-19 pandemic, feel free to write and explore it. It’ll take some work, and you may have to change some things depending on how events play out, but only you can write this story. Might as well try it for that reason alone.

That’s all for now, my Followers of Fear. Remember, the one-year publishing anniversary of Rose is coming up, and you have the opportunity to submit questions for a YouTube Q&A. Just send an email to ramiungar@ramiungarthewriter.com with your name, where you’re from, and up to two questions before noon on June 17th, and they may appear in the video. Not only that, but anyone who submits from the US and UK may be eligible for a download code for the Rose audio book.

In the meantime, I’ve got dinner to make and evening plans to get to. Until next time, stay safe and pleasant nightmares!

Well, I didn’t think I could do it. But I did. At almost exactly 10:45 PM on May 31st, 2020, I finished the latest novel from my twisted imagination, The Pure World Comes.

If you aren’t aware, The Pure World Comes is a story I started writing back in April. It’s a culmination of all my love of and research into the Victorian era. The story takes place in 1894 and follows a maid who goes to work at the estate of a mad scientist. It’s part historical fiction, part Gothic horror, and part gaslamp fantasy (a subgenre I need to write an article about one of these days), with some slight elements of science fiction. All in one crazy story.

And with this story, I’ve actually broken a few personal records. First off, with Toyland back in March, this makes two novels finished in a single year. That has never happened before. Not to mention I wrote this novel in less than two months, another record. And today, I finished the novel by somehow getting forty-five hundred or so words down in one day. Yeah, forty-five hundred words. And none of these records I expected to beat until I beat them.

Am I bragging? Sorry about that. I just thought I’d mention them.

Anyway, onto the page and word counts. In terms of Microsoft Word pages, 8.5 inches by 11, with double-spaced, 12-point Times New Roman font, the novel is 214 pages. And, in terms of words, the novel is 59,333 words. Yeah, I know I used to say novels are sixty-thousand words or higher, but it’s recently come to my attention that most publishers and contests put the cutoff from novella to novel at around forty thousand words. Therefore, I’m caving into peer pressure just this once and will designate this a novel.

So, what’s next? Well, normally I would celebrate the completion of a novel with a huge party. Mead, pizza, heavy sugars, a movie or several episodes of TV. But it’s late, and tomorrow I have a busy morning, so I’ll delay the partying till tomorrow. After that, I might take some time to recharge creatively before I attempt so much as another short story.

In the meantime, I’ve already sent the first draft of The Pure World Comes to someone who has agreed to take a look at the first draft and give me feedback. With any luck, they’ll give me some advice which will allow me to eventually get this story published.

So glad to finally finish this story, a distillation of my love of Victorian England.

I sense there are great things on the horizon.

That’s all for now, my Followers of Fear. Remember, there’s still plenty of time to send in a question for my YouTube Q&A for the first publishing anniversary of my novel Rose. Just email a question with your name and where you’re from to ramiungar@ramiungarhtewriter.com by June 17th at noon, and your question will show up in the video. And if you’re from the US or UK, you may win a download code for the audio book for Rose.

And of course, if you want to read Rose but don’t want to go through Amazon or Audible, I’m selling signed copies directly to readers. Send an email to me, and we’ll discuss the details.

Until next time, my Followers of Fear, stay safe and have some pleasant nightmares.

Hey everyone! So, a lot of my fellow writers, especially within the horror writing community, have been posting videos of themselves reading all or parts of stories they’ve written. This is actually something I wanted to do for a long time, so seeing my colleagues doing it gave me the push I needed to finally go ahead and do it. Plus, it gave me the opportunity to make a special announcement (more on that below).

Specifically, I read from “Car Chasers,” the short story that was published in the anthology The Binge-Watching Cure II back in December. It doesn’t have an audio version, and I wouldn’t want to try with Rose on a YouTube video when the audio book’s narrator, Sara Parlier, did such a great job, so this was the perfect choice.

However, this video almost didn’t make it to the Internet. Yeah, YouTube has this stupid policy where it won’t let you upload videos longer than fifteen minutes unless you go through this whole rigmarole with them. And they didn’t tell me this until I already spent nearly three hours uploading the video. So I had to go through that process, then wait another three hours to upload and release a video. Thanks, YouTube! Ruined my evening plans! I thought you were trying to be more creator-friendly! Hmph!

Anyway, here’s the video. Please give it a watch, and stick around till the end for a special announcement.

Well, what did you think? Hope my reading voice didn’t cause your ears to bleed.

Also, if you didn’t stick around to the end, here’s the announcement: you can get a signed copy of my novel Rose from me! All you have to do is send an email to ramiungar@ramiungarthewriter.com to get the full details.

Of course, you can still get Rose from Amazon and Audible, as well as any bookstores that happen to have copies in stock (there are a few), but this would be a bit more special. And you’d get a physical copy without forcing an Amazon employee to run around the fulfillment center while Amazon ignores social distancing rules.*

And if you haven’t already, please consider getting a copy of The Binge-Watching Cure II from Claren Books. You’d be supporting a great company and encouraging them to print more anthologies. And this book has a lot of great authors in it: Nick Younker, Amanda Crum, Bill Adler, Armand Rosamalia, and many more. And every story is chilling in each its own way. I’ll include links for that down below as well.

And remember, if you buy a copy of either and read it, please leave a review so that I and the other authors know what you thought of our stories. Thanks!

That’s all for now, my Followers of Fear. Until next time, happy reading, stay safe, be healthy, and pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

The Binge-Watching Cure II: Paperback, Kindle

*Hey, I make money through them, but that doesn’t mean the company is above criticism.

I had a revelation recently. No, not the kind that inspires texts that are the basis for entire religions. I had that already, and you do not want to know what information was imparted to me. No, it’s about Lovecraftian fiction.

Now, the common image among people, readers and writers, of Lovecraftian fiction is Cthulhu or any other Great Old One/Elder God/giant terrifying monster from the deep sea/outer space/alternate dimension. And that’s not wrong. From stories like The Dunwich Horror to the recent science-horror film Underwater, big monsters are a major part of the story and, along with the mind-bending insanity and dark truths they represent, are the main source of horror.

But it’s recently come to my attention that Lovecraftian horror stories are about more than just the monsters. Sometimes, it’s about psychological horror. Sometimes, you can have an effective scary story by not showing the monster, but by instead relegating the monsters to mere glimpses or suggestions and focusing on the characters’ reactions. And if done right, it can lead to some compelling horror.

There are actually plenty of stories like this. And if you’re reading this blog, you’ve probably run into plenty of them. The Call of Cthulhu, for example. Being by Howard Phillips himself, it’s obviously Lovecraftian, but have you ever noticed that we never really see Cthulhu? Think about it. The closest we ever get to seeing the High Priest of the Great Old Ones himself is through the eyes of a Scandinavian sailor’s diary. The narrator only sees drawings and statues of him.

And yet we’re scared, because the very idea of what we glean from these diary recordings is of a worldwide cult, one devoted to a very real god. One that will use humans as its pawns so that, when it finally arises, it’s in prime condition to take over our world. And the cult will do away with anyone who gets in their master’s way.

And while that’s a great example, there’s plenty more where that came from. Last year’s film The Lighthouse (see my review here) was Lovecraftian with a capital L, but we barely saw any of the marine monstrosities supposedly behind the horrors occurring on the island. And what we did see, we weren’t sure if they were real (within the film, anyway). Are they monsters, or are they just the manifestations of two men on an isolated island having a breakdown? Or maybe it’s a bit of both. It’s hard to tell.

A great example of this Lovecraftian psychological horror, 2019’s The Lighthouse.

And not just The Lighthouse. Stephen King’s novella N is told from the POV of people who all claim to be guardians of a circle of stones. If they don’t perform certain rituals, the stones will become a portal for terrible monsters. We never see these monsters though, and it’s possible that all the characters are suffering from a shared delusion. Or is it something more?

And in the novel I’m reading now (I hope to finish it and have the review up tomorrow or Thursday), there’s a Lovecraftian undertone, but the focus is on the characters and how they’re dealing with all the lies and hidden secrets swirling around them.

Or maybe that’s not a Lovecraftian undertone, but some other supernatural undertone. I’ll let you know when I finish the novel.

Anyway, it’s a good thing I’ve noticed that. The story I’m trying to write next is going to be heading into that psychological/Lovecraftian territory, so hopefully I can do a good job of it. And even if I don’t, it’ll at least be good practice.

That’s all for now, my Followers of Fear. I’m off to bed. I hope you’re not going stir-crazy while social distancing yourselves. If you want, we can talk in the comments for a bit.

Anyway, until next time, pleasant nightmares!

On Sunday, I posted about finishing my first short story of 2020, a science-horror story called “Primordial Nuclear Soup” (what a title, right?). I mentioned in that post I wanted to find a beta reader to take a look at the story before I edited it and tried to send it anywhere. Thankfully, I found someone very quickly who turned out to be the right sort of reader for this story. They gave me some excellent feedback on ways the story could be improved, but there’s one point that I wanted to focus on.

With “Primordial Nuclear Soup,” I was going for an ambiguous ending to the story. You know, the kind where things are left kind of open, leading to readers wondering what happened after “The End”? Yeah, apparently I confused my beta reader with that. They actually asked me if I’d cut it off early.

Now, this may have been because I simply forgot to put the words “The End” at the end of the story. But it got me thinking: when is an ambiguous ending good for a story, and when does it actually get in the way of telling the story?

As usual, when faced with a writing quandary that I can’t reason out on my own, I go to Facebook groups for writers. I got a variety of opinions on the subject, some of which felt more on the mark than others, but one response in particular resonated with me. The writer in question said that ambiguous endings work best with ambiguous stories.

What do I mean by ambiguous stories? Well, these are stories where so much is up in the air, that an ending where things are up in the air makes sense. A story with an unreliable narrator fits this description, or a story like The Haunting of Hill House, where we’re not sure if the house is really haunted and we feel the psychological strain on the characters. By the end of the latter, we’re still not sure whether the house is haunted, so an ending that still leaves us questioning what the hell just happened fits nicely.

Of course, some more “definitive” stories may benefit from an ambiguous ending, especially if it ramps up the tension. “All That You Love Will Be Carried Away,” a Stephen King short story about a traveling salesman contemplating suicide, has an ambiguous ending dependent on whether the protagonist sees a light from a farmhouse through a snowstorm.* It’s a great way to top off a story revolving around a troubled man wondering whether or not he should kill himself or live to write a book about his encounters on his travels.

As for my own story…well, it’s science horror. And science/science fiction tends to deal with exactness. Even though the Xenomorph from the pinnacle of science horror, Alien, has an unclear origin,** everything else in that film is clear as crystal. So perhaps I need to give my own story a clearer ending.

Well, we’ll see. I’ll give the story an edit before I start that essay (yes, I’m going to write it) and see what I can do with it. Hopefully, I’ll make something a magazine won’t want to throw in the trash after the first page.

A dramatic shot of “Rose” I couldn’t help but take.

Oh, and while I have your attention still, did you know today is the two-year anniversary of when I announced Rose was accepted for publication? Yeah, it happened on this day in 2017, and a lot’s happened since then. A year of edits and rewrites, the release and all the marketing, the audio book, and so much more. More and more, people have been telling me they’ve enjoyed the story, and hearing that is the most gratifying feeling ever. Makes me want to keep writing.

If you haven’t read the Kafkaesque story of a young woman turning into a plant creature (and that’s just the start of her problems), and you’d like to check it out, I’ll include the links below. And if you do read it, please let me know what you think. I love feedback, and reviews help me out in the long run.

That’s all for now, Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

*It’s been 19 years since it first came out, so I’m not sorry I didn’t include a spoiler warning.

**I like to pretend Prometheus and Alien: Covenant never happened. They take all the mystery out of the franchise.

Well, this has been a busy day today. Met with the Ohio chapter of the HWA for a very productive meeting, ran some important errands for stuff happening at work and in the Jewish calendar, watched a movie with dinner, and…oh yeah, got the first short story of 2020 out of my way. It looks like I’m making good progress on those writing goals.

“Primordial Nuclear Soup” is a science-horror story about a team of scientists and their military escort who go into a nuclear power facility two years after a meltdown, and what they encounter there. It was inspired by a YouTube video I watched going into some of the science about the Chernobyl disaster, and was further influenced by a certain Stephen King story and a certain Godzilla movie (neither of which I can reveal without giving too many hints about the story). It’s about sixty-five hundred words long, so it’s not super long. And as it’s partially science-fiction, there will hopefully be plenty of magazines or anthologies that would consider publishing it.

I had a lot of fun writing this short story, but it was also challenging. I thought I knew which way it was going to go, but the story ended up going in different directions than I expected. I was actually pantsing for the last half or so, but it ended up working out in the end. Maybe that’ll give it a bit more surprise for any readers.

For now though, I’m going to see if I can’t get someone take a look at this story before I edit and submit it anywhere. I want it to be in top shape, after all.

As for what’s next, I’m going to do some research into essay writing for that essay I mentioned wanting to write. If I feel up to the task, I’ll write that essay. If not, I’ll move onto my next story. After all, I have nine short(er) stories I mean to work on, and I’ve already figured out which one I’ll be tackling next. Should be good to get it out, considering how long it’s been knocking around this twisted head of mine.

Well, it’s late, and I’ve got work in the morning. Goodnight, my Followers of Fear, and pleasant nightmares!

Call the press! Pour the honey wine! Sacrifice your neighbor to the eldritch deity of your choosing! The first draft of Toyland is done! To be specific, I finished it early this morning at around four in the morning. I started working on the last two-and-a-half chapters around ten o’clock last night, after I wrote my review of The Lodge, and just didn’t stop.

And now that I’ve gotten some sleep, I’m blogging about it, because that’s what you do!

Now, for those of you who are unfamiliar, Toyland is a Gothic horror novel I started writing back in November for National Novel Writing Month. The story takes place at a boarding school in southern Ohio, and follows students being menaced by a ghost obsessed with a children’s book. Yes, that’s the plot. I can assure you, it’s just as bonkers as that pitch sounds. I hoped to have it done by the end of January, but I’m glad I was able to finish it by the end of February, which is still a whole new record for me in terms of writing a novel (I think Rose had the last one at around six or seven months).

And how is the first draft?

Well, it’s a first draft, which means it’s crap.

Okay, that might be harsh. It not crap, it just needs a lot of work. First drafts are nicknamed “rough drafts” for a reason, after all. I’m going to have to do a whole lot of editing to get this book out to people. And I may need to have someone take a look at it just to make sure it can survive out in the world as a full novel. I did that with Rose, after all, and Rose is doing very well now, with an audio book and some awesome new reviews.

So how long is Toyland, anyway? I knew it would be longer than fifty-thousand words (the minimum word count for “succeeding” at NaNoWriMo), but I haven’t done a count recently. Give me a moment to do some math…holy crap! In terms of pages (with twelve-point, Times New Roman font, double-spaced on regular MS Word paper), Toyland is three hundred and sixty pages long and 97,186 words! For context, the first Harry Potter novel is around seventy-seven thousand words.

This isn’t the longest story I’ve ever written (that honor goes to my thriller Snake), but still pretty freaking long.

So what’s next? Well, obviously I’m going to party a bit (pizza and locally made mead tonight!). But in terms of Toyland, I’m going to let it be for a while. I always believe a story needs to lie and sleep for a while before editing, so I can look at it with fresh eyes. After a second draft, I may start looking for a publisher. Hopefully, it won’t take five years like it did with Rose to get it published.

I wanted to post this graphic one last time.

In the meantime, I’ll try to take a little vacation from writing anything except blog posts (though if the writing bug gets me, that’s that). After that, I’ll try my hand at those ten short(er) stories I mentioned in a previous post. Two of those stories, by the way, take place in Victorian England and one of which I hope to put into that short story collection I’m putting together. I’m looking forward to them. I may also work on an essay which has been cooking in the back of my mind. We’ll see what happens.

For now though, I’m off to relax. Thanks for supporting me during this writing process, my Followers of Fear. I hope you’ll check out Toyland when it comes out and maybe let me know what you think of it. For now though, how about checking out my novel Rose? It’s a Kafkaesque horror story about a young woman turning into a plant creature (and that’s just the start of her problems). If Toyland sounds up your alley, you’ll probably enjoy Rose. I’ll post the links below.

Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

You know, I feel like I should’ve written a post like this a while ago. Like, at least a month ago. Oh well, better late than never. I’ve been thinking for a while of what I want to do in terms of writing for 2020. Which is unusual, because while I’m a huge plotter for my stories, I don’t usually plan out goals for an entire year. But I feel like, with a book published and a short story included in an anthology last year, I feel like I should try some new strategies to keep the momentum going. So without further ado, let’s talk my writing goals of 2020.

Finish Toyland

Of course, this was on here. Luckily, I’m already on my way there: as of a few days ago, I’m only six chapters away from finishing Toyland, the Gothic horror novel I’ve been working on since November. Depending on how things play out this year, I’ll probably edit it at some point. After that, perhaps I’ll find a publisher for it. Fingers crossed it goes well (and that a novel approaching ninety thousand words doesn’t intimidate anyone).

Complete the short story collection

Before November and NaNoWriMo, I was putting together a collection of short stories. As of now, there are twelve stories in the as-yet unnamed collection. Being a horror writer though, I want thirteen stories. Good thing I’m already making strides on that goal: I’ve been doing a lot of research for a story I want to write after Toyland‘s done. I think it’ll be somewhere between the length of a novelette and a novella, or ten thousand to sixty thousand words. Hopefully writing it goes well, once I hammer out the plot details.

After that, I’ll hopefully be able to find a publisher who can help me get the stories in tip-top shape. Or maybe I’ll self-publish again. We’ll see how things develop.

Write at least ten short(er) stories

Including the last story for the collection, I want to write at minimum ten stories shorter than a novel. Preferably, they’ll all be short stories, but I know that a few of them will be novelette or novella length (depends on the story, obviously). I would also like to edit most of them within a year, and get at least three or four published in some form or another. Getting a short story in The Binge-Watching Cure II last year was an amazing experience, so I want to see if I can do it again.

And of course, it’s always a good idea to polish your short fiction-writing skills.

Maybe start a new novel

I’ve known for a while what novel I’d like to write after Toyland. However, I think I’ll wait a good while until I write it. Novels are a huge commitment of time and energy, so I want to make sure I’m ready before I try my hand at a new one (and maybe get one or two others edited and/or published).

Grow my audience

I’ve been lucky to grow an audience over 8.5 years of blogging, Facebooking, tweeting, Instagramming, and occasional YouTube videos. But I’m always hoping to grow my audience just a bit more. And while I don’t have any particular numbers I want to reach, I want to draw more people in and maybe get them hooked on my particular brand of weirdness. Especially my fiction.

 

Well, those are my writing goals. Here’s to them going well in the 11.5 months we have left of 2020. I hope you’ll continue to support me during that time, and maybe even read/review my published work if you can.

Until next time, Followers of Fear, pleasant nightmares and WHO LET THE MONSTER KNOWN AS THE DEAD MAN’S STRUGGLE INTO MY BUILDING?! Now I have to either kill it or seal it away. Either way, the cleanup’s going to be exhausting.

What are your writing goals for 2020? Have you made any progress with them so far?

February is Women in Horror Month. Since women writers are a big influence on my writing–JK Rowling got me into storytelling in the first place, and Anne Rice helped pave the way for me to write darker fiction–I thought I’d recommend some stories for those who want to help support the month. You’ll see some familiar names here, but also some you may not be familiar with. Either way, I hope you’ll consider giving them a read.

Tiny Teeth by Sarah Hans. This is actually a short story by a friend and colleague of mine, but it is a scary one. Imagine a world where a virus turns children into dangerous, gnawing animals, and one woman’s experience in that world. You can find it on Pseudopod.org, a website where scary short stories are read by narrators and released as a podcast. Give it a listen. Guarantee you, it’ll be 45 minutes not wasted. Here’s the link.

Garden of Eldritch Delights by Lucy A. Snyder. This is also by a friend and colleague of mine, but it’s also a great collection of scary stories. The majority of them feature cosmic horror themes and entities, which I love, as well as intriguing characters and plots. A couple of the stories also incorporate sci-fi and fantasy themes, and feature a diverse cast, which is something I love to see. If you pick up Garden of Eldritch Delights, you will find it worth your time. Here’s the Amazon link.

The Amaranthine Books by Joleene Naylor. You’ve probably seen Joleene’s name around this blog before, but did you know she’s written an entire book series? She has, a vampire series called the Amaranthine books, and they all come highly rated. Even better, some of the books are free or under a dollar under the Kindle edition, so why not take the opportunity to read them? You can find all the Amaranthine books, and then some, on Joleene’s Amazon page.

In a Dark, Dark Wood and The Death of Mrs. Westaway by Ruth Ware. Technically, these are mysteries, but they have horror themes about them, so I’ll count them here. In a Dark, Dark Wood follows a mystery writer invited out to a bachelorette party by a friend she hasn’t seen in years, unaware of the forces conspiring against her. The Death of Mrs. Westaway stars a Tarot reader on hard times who finds out she’s received an inheritance from a grandmother she didn’t know she had, and what that inheritance entails for her. Both are terrifying and keep you on the edge of your seat with suspense. You can check out both further on the author’s Amazon page (and I need to check out more of her work).

Kept me on the edge of my seat the whole audio book.

Within These Walls and The Shuddering by Ania Ahlborn. No joke, Ania Ahlborn is one of the scariest writers I’ve ever had the pleasure to read, and I really need to read more of her work, as should you. Within These Walls follows a true crime writer as he and his daughter stay in the home of a Manson-like cult leader, and what happens while they’re there (I actually reviewed it a few years ago). The Shuddering follows a group of young adults as they go skiing at a mountain resort, only to discover the area has come under siege from a rather hungry enemy. Either one will leave you shaking in your boots! Here’s the Amazon page if you want it.

The Haunting of Hill House by Shirley Jackson. Come on, you know I had to include this. Even if I’m not a fan of this book, it’s undeniable that Jackson’s most well-known novel, and one of the most influential horror stories of the 20th century. Following a group of paranormal researchers as they explore the titular house and the effect the house has on them, this book is still a well-known classic in the genre, and some consider it required reading for fans and authors. It’s so well known, I won’t include any links for it (surprise!).

Interview with the Vampire by Anne Rice. Again, can you blame me? Whatever you think of the many sequels, it’s undeniable that Anne Rice’s debut novel has remained a classic for a reason. A journalist interviews a 200-year-old vampire named Louis, who recounts his creation in French New Orleans and his travels around the world looking for meaning and for more of his kind. It’s a haunting tale, the horror coming more from Louis’s psychological journey and despair rather than from the supernatural. As I said earlier, this novel also paved the way for my eventual turn to horror, so I can’t recommend it enough (and I’ll have to reread it someday). Again, no need for links. It’s that well-known.

 

What recommendations do you have for Women in Horror Month? Are you reading anything for it? Are you familiar with any of these books? What was your opinion of them?

That’s all for now, my Followers of Fear. I hope you find something good to read based on this list. I’ll be listening to The Accursed by Joyce Carol Oates this month on audio book, so maybe I’ll add it to a future list someday. I better get started soon!

Until next time, pleasant nightmares!