Posts Tagged ‘short story’

If you’ve been following this blog for a while, if you know me in real life, or you read the things I post on my personal Facebook page, you know that I can be a funny guy. I love a good pun, a funny story, or a well-done prank. Or all three, if it can be done. And I try to insert humor into many facets of my life, much to the enjoyment of some and the exasperation of most others. Where do I get this reverence for humor? I’ll tell you: when a mommy and a daddy really like each other, they–

I’m sorry, but my lawyers tell me I’m not supposed to go into that. Let’s just say it might be a family trait, and leave it at that.

But guess what aspect of my life doesn’t see that many laughs? Surprisingly, not my writing. I actually don’t tell a lot of jokes in my stories. Yeah, imagine that! I don’t put jokes in my horror stories. In fact, my funniest story so far may be Video Rage: it’s got protagonist Zahara making a jab at male lead Rip’s manhood, and at a later point, main cast member Kevlar makes some bondage jokes when speaking to a Native American healer. That’s it.

Okay, now some of you non-horror fans may be reading this and be like, “Isn’t that par for the course? It’s horror.” But that’s the thing: just like how not all horror authors are dark, pessimistic creeps, neither are all horror stories devoid of humor. Stephen King, one of my biggest influences, often finds way to insert humor into his work. Ever read his novel Needful Things? That book is chock-full of comedy! There’s even a plot thread where two housewives buy objects from the antagonist that they believe are connected to Elvis Presley, and they start having hallucinations that the objects let them have a sexual/romantic relationship with Elvis! It’s freaking hilarious! And that’s just one example out of many.

But not just King: a lot of other horror stories make use of humor. One of my favorite Dean Koontz novels makes use of witty observations and funny turns of dialogue to great effect, adding a bit of levity to a very dark thriller. Buffy the Vampire Slayer often has tons of jokes and funny lines. Many slasher films from the 80’s and 90’s have funny moments (hell, Nightmare on Elm Street is often as funny as it is dark). And there are so many more examples of horror stories which sprinkle comedy in to alleviate tension and fear for a few seconds before starting it up again.

So why doesn’t my work have more laughs? Well, there may be a couple of reasons for that. One, in almost Freudian fashion, may stem from a childhood incident. And by childhood, I mean high school, but at this point in my life, the only difference to me is height and hormones. Back before Twilight poisoned the vampire genre, I tried my hands at several vampire stories. One of them was an epic, multidimensional vampire story, which for a while I was getting help with from an English grad at OSU my dad put me in contact with. During one email session, he noted that the story had a lot of humor in it. Every other line was a joke, and he said as a wishful horror writer, it should be more serious. I took that to mean no jokes, and cut the humor from that story in a snap. You may be thinking, “That doesn’t sound like that big a deal!” But to me, it may have been a huge deal. In fact, that memory is what I keep coming to when I think of where humor stopped showing up so much in my writing. You could say it forever scarred me (cue dramatic music!).

Another reason why I might not write that much humor into my stories is because of the type of humor I excel at. You see, my humor tends to be at its best when it’s situational. It’s like I’m living in a sitcom, and every word spoken has the opportunity for a funny line if I know where to look. That’s my mindset. My favorite jokes to pull on people usually reflect that. You’d be surprised how many times people have asked me how I’m doing, and I tell them, “I’m pregnant.” The reactions! They look something like this:

“YOU’RE PREGNANT?!!”

That being said, being a situational humor guy doesn’t always translate well to my fiction. I’m a plotter, which means I plan out the entire story from beginning to end. Keeping such dark stories in mind, from beginning to end, you don’t have much room to think of funny moments to add. You’re more likely thinking of the sad past of the protagonist and the arc they’re going through with this horrifying story.

Or it could just be the old adage, “Tragedy is easy, comedy is hard,” and all the stuff in the last couple paragraphs is a bunch of bullshit. That’s always possible.

Whatever the reason, it’s not that big a deal. Every author is comfortable with different amounts of humor in their work, and I’m comfortable with minimal amounts in mine (though if I ever write for Doctor Who, that might change). Besides, there’s a good chance if I tried to force more humor into my work, it would suck. In fact, I’m sure it would suck. Last night, I tried writing a horror-comedy short story about a tour of hell. The first paragraph was kind of funny, and then everything after that…not so much. Hence why I’m writing this post.

In any case, I think I’ll stick to what I’m good at. That’s what people like, and that’s what I like, so no problem. I’m sure I can fulfill all my writing dreams by not forcing jokes into my serial killer stories.

Or I could just stay at my job for the rest of my life and never make a thousand bucks off my work, but I don’t like to think like that.

If you write, how much humor do you put in your stories? What do you even think of humor in non-comedy fiction, anyway?

Back in January I got into another Lovecraft binge (see my thoughts on that here), and during that binge I read one of Lovecraft’s most famous stories, “The Call of Cthulhu.” Around the same time, I found out there was a movie version of that short story that was made in the style of a 1920’s silent film, matching the period of when the story was written, and knew I had to see it. Which turned out to be easier said than done: it’s not on any streaming service I can find, copies at my library had all been lost or damaged to the point they needed to be taken out of circulation, and I did not want to illegally stream it on my laptop. Finally, with some Amazon gift card money, I managed to buy my own copy, and after Amazon lost the package and had to send me a new copy (was that Cthulhu’s work, I wonder?), I finally got to watch the film with dinner this evening!

“Call of Cthulhu” tells the story of a man as he recollects becoming the executor of his late great-uncle’s estate, and how he discovered his uncle’s research on a cult devoted to the worship of a being known as Cthulhu. As the man goes deeper into the mystery of the cult and even conducts some research himself, he finds himself falling deeper into a rabbit hole of madness and despair that has no way out, and some things waiting within.

Firstly, this movie looks and feels like a 1920’s silent film. It was filmed using Mythoscope, a process that combines older and newer techniques to produce a film that looks like a silent picture but with much better special effects, and it looks great. You can tell that a lot of work went into making this film just right. And what’s truly amazing is that this film was made almost in a DIY sort of way: sets were made with cardboard, tape, and even a few blankets, with cast and crew sometimes working in miserable condition and using props bought off eBay to make this work. If you watch the film and then watch the behind-the-scenes video, like I did, you gain such a deeper appreciation for how well executed this film is.

Another thing I really enjoyed about this film are the actors. They are great at their work! As it’s a silent film, much of the storytelling is done through expression and movement, like in a ballet. You never once doubt for a moment that the actor are feeling the emotions they are trying to convey to us, and that just makes the film all the more amazing. It also helps that these actors are not Hollywood stars. In a major motion picture, the narrator of the story might be cast as Tom Hanks or someone else who’s good at playing an everyday guy put into extraordinary circumstances. The actors in this movie, however, often look like folks you see on a daily basis, and that instantly makes them more relatable to me.

If there’s one thing I didn’t care for, it might be Cthulhu himself. Or maybe I do care for him. I’m kind of split on my opinion of him when he finally appears. On the one hand, he doesn’t appear on film that much, even at the climax of the story, and when he does, it’s often very quick or he’s seen as a shadow. The stop-motion used to animate him is also very well done, and he looks like how he might be styled in a 1920’s film. That’s very good. But, he is the film’s big bad, and I like to feel even jut a little intimidated by the big bads I see in film. And whenever Cthulhu is on screen, I’m just not intimidated. I guess if I had lived in the 1920’s (an age where Lon Chaney’s version of the Phantom of the Opera was so terrifying to audiences, people actually fainted in their seats or ran out the theater screaming), I might have found the stop-motion terrifying, but I’m from the age of CGI, so it takes more to terrify me. So I’m honestly unsure of whether the stuff with Cthulhu himself adds or takes away from the film.

But all in all, this is a great film, an artistic masterpiece courtesy of the HP Lovecraft Historical Society (do they have a museum to the guy yet?). And when you consider that the original short story has been called “unfilmable,” and the conditions during production tried to prove that assertion, you learn to love it even more. On a scale of 1 to 5, I’m giving “The Call of Cthulhu” a 4.8 out of 5 (as well as the title of “one of my new favorite films”). Find yourself a copy, and enjoy the experience.

Now I just need a good adaptation of Shunned House. That story is SCARY! And it feels like the sort of story that would translate very well to film.

That’s all for now, my Followers of Fear. Join me next week when I watch another Lovecraftian-influenced film. No, not Guardians of the Galaxy Vol. 2 (though I probably will see that next weekend with my sister). It takes more than a tentacled monster to make it a Lovecraftian story. No, I mean the film adaptation of Junji Ito’s terrifying manga, Uzumaki.

You know, I think every horror writer has a story that has a title that sounds a lot like this one. “The Woman in the Coffin”; “The Pit and the Pendulum”; “The Lady in the Water.” Okay, that last one isn’t a horror story, but it is pretty horrifying. And you get my point, right?

Anywho, in my last post I said I was going to take a break from Full Circle and work on a few short stories. This is the first of those: “The Woman in the Coffin,” a short story about two cousins living in the English countryside who find a coffin with, you guessed it, a woman inside. In a way, it’s similar to my previous short story “Buried Alive,” which also revolved around someone buried in a coffin, but the whole coffin thing is really where it ends. Especially when you consider what the woman in the coffin in this short story does.

Do you think I have a thing for coffins? I have always wanted one that I could convert into a bed. That would be cool.

Anyway, I had a lot of fun writing this story. It only took me four days to get it down, which is a record for me (though considering this is my first short story written almost entirely with Dragon software, maybe this will be a new norm). I also had a lot of fun writing British characters. Normally my characters are in the States and talk like they’re from the States. I had to draw on all my years of reading British literature and watching British films and television to make it sound like they were actually British and not Americans in a British setting. I’ll probably have to work on that further when I get to the editing phase with this story.

It’s also shorter than most of my short stories, at about 6,550 words (for me, that is short. Most of my short stories average around 8,000 words). And I think there’s a lot of material I could cut out without sacrificing quality. If I can do that, I think it’ll be much more likely that a magazine or an anthology will want to publish it. And wouldn’t it be cool if that happened?

Anyway, it’s getting late, so I’m going to sign off. Next I’m going to edit my short story “The Playroom,” and then I’m going to write a quick short story that takes place in a location we’ve all heard about and hope never to visit. Hopefully I’ll be done with all that in the next two weeks.

Until next time, my Followers of Fear. Pleasant nightmares!

As you guys know by now, I’m a pretty dedicated horror fan. I read a lot of horror novels and watch a lot of horror movies, I decorate my apartment with horror knick-knacks (just the other day, a Jason Voorhees mask and Funko doll arrived for me from Amazon), and of course, I write a ton of horror. Only thing is, lately I’ve been writing a lot of science fiction, and that’s getting a little old.

The hockey mask looks good on us.

I’ve been working on Full Circle, the final book in the Reborn City series I’ve been working on since high school, since November. And as of the completion of the latest chapter this morning (finished it in just a little over an hour. Do you know how rarely that happens?), I’m just under halfway through the first draft. And while I’m still dedicated to finishing the first draft and the series itself, I’m getting a little tired of the constant sci-fi. Don’t get me wrong, I love science fiction. Doctor Who is one of my favorite shows, after all, and I get as geeky as anyone else when I think about The Last Jedi coming out this winter.

But check the About page of this blog. I’m a horror writer, and all this sci-fi gets a little wearisome. I want to dip back into the world of ghosts, ghouls, serial killers, and all other manner of monsters that go bump in the night.

Plus, I’ve mentioned before that I’m trying to publish more horror short stories, as I’m trying the traditional route again and publishing short stories is a good way to do that. Can’t publish horror short stories if I’m constantly working on sci-fi.

So with that in mind, I’m taking a break from Full Circle to do a little short story writing. I’m going to first write a short story that I had the idea for a couple months back, and then I’m going to edit The Playroom, a short story I wrote back in late 2015 and have not touched since. I think it’s about time I took a look at that one again, and then see if I can get it in a magazine or an anthology. After those are both done, I should be good to get back to work on Full Circle (though if I need to, I’ll write another short story). I have a feeling that starting with the next chapter, it’s going to be hard to stop writing this one anyway, so this is a good time to take a break and slake my thirst for horror.

Until next time, Followers of Fear. And may the terror be with you…always.

As I’ve mentioned before, I’m dividing my writing time between working on Full Circle* and working on short stories. And with my short stories, there’s been more of an emphasis lately to write them with the goal of getting them into magazines and/or anthologies. Why? Well, as many of you know, I’ve been trying the traditional publishing route again (though I will self-publish if I feel a story is better off getting published that way), and while getting published in magazines and anthologies isn’t absolutely necessary to getting an agent and/or publisher, they do help make you more appealing to them. Kind of like internships and volunteering on a resume during a job search, if you think about it a certain way.

That being said, getting your short stories in mags and anthologies is pretty difficult these days. Okay, the short story market has always been difficult (Stephen King said in his autobiography On Writing that he had railroad spikes full of rejection letters from mags/publishers/agents/etc. before he found success), but in an age where so much content is available for free, reading has to compete with movies, streaming, and video games, and even self-publishing is cutting into magazine’s readership,** magazines and anthologies are even choosier than they used to be. Especially the ones that pay. They only accept the best work out of all the submissions they receive.

So up against this market, how can an author increase their chances of getting their stories published? Well, keep writing, get other people to take a look at your work for feedback, and don’t take every rejection as the end of the world or as a reflection of your talents, of course. But is there anything beyond that to help one get editors’ attentions? Well, there are a few strategies, and I’d like to list them here:

  1. Research and target. In this strategy, an author should create stories geared towards a particular magazine or group of magazines. For example, if you find a magazine that prefers urban fantasy stories, write an urban fantasy story that the magazine would probably like. Look at the magazine’s website and/or in recent issues to get an even better idea of what sort of stories they prefer (maybe they prefer female protagonists, or they hate romances between humans and supernatural creatures). Once you have a good idea of what they prefer in their stories, write one in that vein and then submit it to them. Chances are that if the story is the kind the magazine specializes in and likes, they’ll publish it.
    I’ve actually used this strategy successfully before. My first published short story, Summers with Grandmother Fumika, is about a fox-spirit that takes part in a Japanese tea ceremony. It was written after I discovered a magazine that specializes in articles and fiction relating to tea! Earned $100 for that story, which to a high schooler who averaged about $28-$35 dollars selling tickets for basketball games, was a pretty big deal. And I recently wrote a short story that I wrote for a specific sub-genre of horror, so there’s a good chance that it could be published in any of the publications that like those stories (though time will tell, of course).
  2. Rely on your networks. We live in an age of social media, and that means we come across all sorts of people we might never have even known existed thirty, twenty, or even just ten years ago. That means if you have a blog, belong to writer’s groups on Facebook, or belong to an online critique circle, you potentially have dozens or hundreds of people who can help you find homes for your stories. For example, I asked one of my writers’ groups on Facebook if they had any suggestions for places I could submit another short story in a particular sub-genre of horror. Within a few hours, I had a couple of responses that I could follow up with.
    Sometimes your friends don’t even have to give you suggestions. Occasionally, they run magazines or anthologies! In the past three years, three short stories were published in anthologies where a friend of mine was one of the editors (you know who you are). Just from this, you can see what an amazing resource friends can be!
  3. Check your publications. There are a buttload of books out there that are meant to help the average writer write and publish their work. Most of them have sections full of listings for magazines, agencies etc, and a lot of them are updated yearly. The best part is, a lot of libraries carry copies of these great tomes with them. I highly recommend The Novel & Short Story Writer’s Market from Writer’s Digest. They have great articles and listings (though never enough in the horror department, sadly).
  4. Google. I know, sounds like something that goes without saying, but you’d be surprised how often this doesn’t occur to people. Google is a remarkable resource, and if you’re careful with your search terms and what links you click on, it can open doors. In the past couple months, Google has led me to several magazines and anthologies that specialized in stories I could send them. At the moment, I’ve been rejected by one, but there’s a chance I could be accepted by two more. And if those don’t work out, there are all sorts of places I can still try out. All thanks to Google

Now, there’s still no guarantee that you’ll get into a magazine or anthology, even with using these tips. That’s fine, many successful writers have rarely or even never been published in these sort of publications. But if you think it can help your career, or you prefer short to longer stories, these tips might just help you get into that collection of winter-themed romances or into that magazine that likes hopeful stories involving space exploration and interactions with alien species. And that is a joy that every writer relishes.

*Speaking of which, when I’m working on that, the general policy is “get a chapter done, then work on a short story or a blog post.” So if you see a post come out on this blog over the next couple of months, it’s either because something big happened worthy of blogging about, or I just got a chapter of FC done. Like I did right before I started writing this post (only 22 more to go!).

**Dammit self-publishing, why do you have to–wait, what am I saying?

I normally don’t make New Year’s resolutions. When I do, they usually don’t last longer than a month or even a week.  But this year, I decided to break from tradition and actually make a resolution: to try new methods to get people interested in my writing. This decision was partially spurred by my earlier decision to try and find a literary agent, as well as from reading a book on marketing and realizing that I needed to change my approach to how I was getting people interested in my fiction.

It’s a hard market out there. If what you’re doing isn’t working, maybe you should try something new.

So if you’re still here and you’re not thinking, “Oh, this is just one of those posts where he blathers on about what’s going on with him and his life”, then you’re probably thinking “How is he doing with that resolution, then?” and “How did he change his approach?”Well, I like to think that so far, so good. This isn’t the sort of resolution that can be objectively measured, like losing so many pounds or bringing your academic scores up. I could measure it by new followers, but not all followers read posts frequently, and only a small fraction are willing to spend money on my books. Book sales can be an indication, as can reads on Wattpad, but to base my success solely on those factors doesn’t seem the wisest course to me. And finally, building an audience is a long and arduous process. This blog took five years to gain as many followers as it has, after all. An audience of readers interested in my books might take even longer.

It’s easier to talk about what I’m doing different. One thing I’ve done is that I’ve stopped doing ads through Facebook and Twitter. Unless you have of big budget like Coca-Cola’s advertising department, ads through those sites usually don’t translate into sales. At the very least, I’m saving money, and that’s never a bad thing.

Another thing I’ve been doing is related to my goal of trying the traditional route again and finding a publisher. That is focusing more on my niche, which is horror. I know, I’ve written and published a lot of sci-fi, but I prefer horror, and what I’m trying to do now is to write more horror stories and trying to get them published in magazines and anthologies. I’m still working on Full Circle, the final book in the Reborn City series, but I’m also devoting more time to horror. The hope is that I can produce enough work and get it published in magazines, building my name as all or a writer, thereby making myself a bit more attractive to horror fans and possibly literary agents and/or publishers.

As of yet, I’ve only submitted one short story, and I’m still waiting to hear back on it. But the next time I take a break from Full Circle, I plan to do some editing and writing, and see what happens. The goal here is to at least get a couple stories published by the end of the year (fingers crossed!).

A third method I’m trying, and this is already producing results, is I’ve started publishing through Wattpad again. Last month, I published my sci-fi novelette Gynoid on that website, and so far I’ve had a positive feedback. There’s been quite a few readers, a couple of votes (which is kind of like “Likes” for that platform), and even a comment or two. One of those comments was from someone who was very relieved to see a certain outcome for one of the characters. That particular comment made me feel very happy, because it showed that the story I wrote and the characters within had people invested.

Sure, Wattpad doesn’t make me any money, but it does give me an audience. And based on Gynoid’s success, I may publish more stories through the website in future, especially for stories that might have a hard time getting placed in magazines.

So that’s what I’m doing right now. It’s a multipronged approach, which is usually what is recommended for any big endeavor like this. Later this year, after I finished the first draft of Full Circle, I plan on editing Rose and shopping that around to agents. Rose really represents not only my growth as a writer, but it is a prime example of the niche I want to write for, so I feel that’s the best novel to shop around to agents and publishing companies. I’m also considering different social media platforms to try out, like Goodreads and Reddit (I know one person who is very active on one of those sites, so I may ask her for advice). If it can work, anything’s on the table.

For now though, I’m just focusing on focusing on my niche and finishing Full Circle. Any resolution that is to be successful takes time, proper planning, and patience. I want this to go well, so I’m not going to rush any of the steps I’m taking to further widen my audience. Will any of it work? Tough to say. But I’m an optimist at heart, and I like to think that this new approach will eventually yield results.

And if you are interested, I’ll give an update in a couple of months or at the end of the year, and let you know how I’m doing. In the meantime, if any of you have any tips on expanding my audience, or places I can look for an agent/publisher, or places that I could potentially publish my stories, let me know. If they work out, I’ll credit you in any post I write about it.

That’s all for now, Followers of Fear. I’ve got a lot of work ahead of me, so wish me luck. And thank you, as always, for supporting me as I work hard on becoming a great horror novelist.

Lately I’ve been pondering something. Well actually, I’ve been pondering a lot of things, including how kissing is treated in different genre fictions and if swallowing the prize in a cereal box makes you a specially marked package (I ponder a lot of things, some of which are strange and some of which may appear in future blog posts), but this one thing in particular I’d like to explore. In a YouTube video I watched recently, the host of the video pointed out that a lot of movies start out with a protagonist walking in on their spouse having an affair, and how that is supposed to start a journey of transformation. This actually caused me to have an epiphany: a lot of fiction–not just movies–revolve around, or start off with characters being in, being caught, or thinking about having an adulterous relationship.

Like, a lot. A whole lot. Like if it’s not a main focus, then there’s a good chance an adulterous relationship will show up in a story at some point or another. I can think of four Stephen King stories that involve affairs as major plot points. One of the most popular TV shows out right now has an affair as a major plot point (*cough* Scandal *cough*). The novel Gone Girl, one of the most compelling mystery/thrillers of the past decade, has an affair as its catalyst. Adultery is freaking everywhere you read/view/listen!

So this got me thinking on three points. First, why do affairs show up so much in fiction? Second, is this a good trope, or a trope that should be done less? Perhaps even phased out? And third, how often do adulterous relationships appear in my own fiction?

Well, that first point is rather obvious (unfortunately). Adulterous relationships show up so much in fiction because they happen so much in real life (unfortunately). Of course, affairs have happened since the beginning of monogamy, but I’m not so sure they were discussed as openly as they are these days. Affairs were considered vulgar things, so the only places they were really talked about were places where it was okay to discuss that sort of thing: bars, raunchy plays (William Shakespeare was actually considered a very dirty and lowbrow for his time), and the occasional dirty poem (yes, those did exist). In polite society, they were only quietly discussed, and that kind of reflected how often adultery was discussed in fiction, and how it was treated when it was brought up.

Scandal, which revolves around an adulterous relationship (still love you, Olivia).

Nowadays though, for whatever reason, we’re a lot more comfortable discussing adultery. In fact, rather than being something discussed in hushed whispers, adultery can be a major and accepted talking point. When a celebrity or a politician, especially one who preaches family values, is caught having an affair, it gets discussed ad nauseum in checkout lines and on national TV. Websites that facilitate adultery are at the center of major scandals, and advice columns around the world regularly feature letters from people who had discovered their lover has a side lover. There are even people who think that having an affair is healthy, natural, or no big deal. It’s a thing, and it’s pervasive (unfortunately).

And as fiction tends to reflect the real world up to a certain extent–last I checked, there aren’t any real exiled queens with dragons calling her “Mother”– it makes sense that adultery would show up in a lot of fiction.

So that answers the first question. What about the second question? Is the adultery trope a good one, or is it overused to the point that we might want to use it less?

Well, that’s a tricky one. Affairs are so common (unfortunately) that it would seem weird to take them out of all fiction. It’s like war or murder; they’ve happened, and they will continue to happen, so you might as well base a story or two around them. Like it or not, adultery is a part of everyday life, so it will show up in fiction.

I think the thing to keep in mind is just to avoid certain clichés with adultery. Any mystery writer will tell you that the lover killing the victim over jealousy or an affair has been done to death (pun intended), so perhaps one should avoid using that cliché, or find a way to use it so that it actually comes as a surprise rather than being expected, like in Gone Girl. Another cliché to avoid is how finding out your lover had an affair is a signal to go on a journey of self-discovery, or to try something new and exciting. Like I said above, the cliché has been done quite a bit, and it really doesn’t make sense. Affairs can change lives, but I don’t think they are one of those events that suddenly change how you look at life or at yourself. A near death experience, or the realization that you become everything you didn’t want to be, maybe. But walking in on your spouse? I think that’s a more likely to cause a shouting match. Maybe an alcohol binge or a murder, but probably not a journey of self-discovery.

And while we’re on the subject, nearly all the affairs in that cliché I mentioned involve the wife or the girlfriend doing the cheating, which is odd because most affairs involve the husband or boyfriend. That’s not some anti-male sexism, that’s just statistics. We could balance it out a little more.

I guess the answer I’ve come to is that if you’re going to have an affair in your story, and it’s going to be a major plot points, make sure it’s not subject to tiresome clichés we’ve seen a thousand times.

And now to my final point how much does adultery show up in my own fiction? And yes, I have to make this a major point of this post. This is my blog about my writing, and all authors who share their work with others are a little narcissistic, including me. Can you blame me?

Surprisingly, not that much. I’ve thought about a number of stories I’ve written since I was ten years old, and of those, adultery shows up in maybe three or four. Only to really come to mind. One was a vampire novel I wrote in high school that was really me exploring my own sexuality before I was aware of it (see this post for more details), and the other was a recent short story. In the latter example, I only spent about a paragraph on the affair. It serves as one of the reasons why another character commits a double murder, but it’s far from the main focus, which is actually the environment of the characters. I actually have plenty of story ideas that involve adultery, but I haven’t gotten around to writing them, and they are a minority among all the other stories I’ve come up with but have been written yet.

Whether we like it or not, adultery will continue to appear in fiction for a long time to come.

I think this might be because adultery is just not an issue I want to focus on. Outside of a few shows I watch, I’m not very interested in adultery. This might be because I’m not interested in romantic relationships in general, or because they’re just other tropes that I would prefer to work with. Not only that, but adultery is rarely that scary. I am all or a writer, I prefer to write about scary things. Monsters, ghosts, the horrors that mankind is capable of, the fear of things that could happen to us if things were just a little different. Unless you’re dating a psychopath or something, adultery is not really that scary. The biggest fear is getting caught, and in most fiction, that is what happens. Not much incentive for a horror writer to focus on adultery. Or at least not this horror writer.

But who knows? Adultery could show up in more stories in the future. My style is still evolving, so anything is possible.

Adultery is sadly very common, which means it will continue to show up in fiction for generations to come. However, the way we use adultery in our fiction can be highly a versatile, and that ensures that it won’t be a trope that will get tired anytime soon. Just avoid the clichés, and if you don’t care to use adultery in your stories, don’t. For every writer who isn’t comfortable running about such a subject, there is always one who is.

What’s your take on adultery in fiction?