Posts Tagged ‘writing’

First draft of what, you may ask? Well, I’ll tell you: remember that short story I had to write for my fiction-writing class that was taking forever and a half to get done? Well, I just finished the first draft for it and let me tell you, that piece of work was a piece of work! Sixteen pages, nearly fifty-four hundred words, and more literary-style writing than I’m used to.

Anyway, the working title of this story is Doll’s Game (no, this is not the short story about the creepy doll) and I’ll probably get around to editing it in a few weeks, before it’s due. In the meantime, I’d like to get back into Snake, make some adjustments to some of the work already done and go over the outline to see if there is anything I can improve upon for the latter half of the story. I’d also like to read some books I’ve been meaning to get to, but with the amount of classes and homework I do, do you think it’s possible? We’ll just have to wait and see.

Speaking of homework, I’ve got to get some done, so I’ll talk to all of you later. Bye!

I’ve always considered myself someone who’s not very good with computers beyond the Internet, Microsoft Word, Powerpoint, and the basic Excel spreadsheet. However, today in class, I realized that might not really be the case:

In my documentary class, we’re making documentaries in various forms on the Macs in our classroom. What are those documentaries about, you might be asking yourself? Well, they’re about us, each and every one of us in the class, and how we go about creating various works of literary greatness. I’ve already completed one project, using GarageBand to make an audio essay, and got an A on that. The project we’re working on now is a short video that we will create using Zoom cameras and iMovie, and to prepare we’re learning all the ins and outs of iMovie by creating short practice videos.

Now, normally I’m a little leery about using new programs and I usually need someone to hold my hand throughout most of the learning process. However today I was able to create a short, two-minute video commemorating the one-year anniversary of the Occupy protests with an old film clip of 1950s fashionable wear, several pictures of the Occupy protests, and a song by Bing Cosby. It wasn’t half-bad, and I was able to use a few special effects we hadn’t covered yet in class because I had the gall to check out the homework for today before class. Let me tell you, the sense of pride I felt by the end of the class was immense, and I could not wait to make the short film about my writing process (expect it to have a certain factor of creepy).

So this got me thinking. When I do consider going the self-publishing route (something I consider a lot, especially after I hear back from an agent or publisher saying they’re not interested in my work), I usually think the best way to get started would be by creating an e-book. And when I think of that, I usually consider using a service to create the e-book, because I’m not exactly a Bill Gates or Steve Jobs when it comes to technology.

But today I was able to use iMovie, and before that GarageBand, something that before the start of the semester I thought impossible for me. If I can learn to use those programs, then what’s to stop me from making the e-book myself on my laptop or on a school Mac and then upload it onto Amazon for a cheap $2.99 download price tag? Not only would it probably be cheaper and give me more control over my work, but it would show how serious I am about being a writer, that I would learn to use scary programs and ask for help with them just to get my work out there.

So if I do go the self-publishing route with my novels, you can expect that I’l try to do all the work myself in making the e-book (a regular book is a whole other story though, and much more expensive, so let me think on it before I come to any conclusions or decisions). And if you have any tips, let me know. I’d love your advice and help.

The Names Coincidence

Posted: September 18, 2012 in Reflections, Writing
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I wrote a post not too long ago about the strange coincidence of how the main character of my short story, “Aasif”, has a name that means “apologies” or “forgiveness”. And for those of us who have blogs on WordPress, we might’ve seen the article from Kimberly Packard, “What’s In A Name?” on Freshly Pressed, where she discusses the importance of the names we give characters in our stories (link’s right here if you haven’t read it yet: http://kimberlypackard.wordpress.com/2012/09/18/whats-in-a-name/).

And just now, I found out the name of the main character of the short story I’m writing for my fiction class, Renee, is French for “rebirth” or “born again”, which makes odd sense for a girl trying to establish a new identity for herself after being kept prisoner in a basement most of her young life. I just chose the name because I’ve always thought the name “Renee” carried with it a connotation of strength, like “I don’t care what happens to me, I’m going to get through it!”

I also just checked the name of my main character Zahara Bakur from my novel Reborn City: Bakur is from Abu Bakr, father-in-law to the Prophet Muhammad, one of Muhammad’s earliest followers, and according to the Sunni tradition, the first caliph after Muhammad’s death. I already knew all that from my research into Islam, but I was happy to learn that Zahara’s name means “shining” in Arabic. It makes sense, as Zahara is the main character, and she does “shine” the way for some of the other main characters throughout the Reborn City trilogy. But still, I had no idea when I named her that her name would be so suitable to her!

It’s just weird to me, how I choose these characters’ names based on some aspect or other of the name, and yet there’s a whole other meaning to the same names that I didn’t know about. I’m almost tempted to start looking through every other character I’ve created in the past couple of years just to see if any names have any cool significance I’m not aware of.

But for now, I’m just going to hold off. My short story’s gotten to a good stopping point, at least for this evening, so maybe tomorrow I can wrap it up. In the mean time though, anyone got any funny or interesting stories about characters they’ve given names to and the significance behind those names? I’d love to know.

I said a while back that while partying at a club near campus, I came up with an idea for a story that I could write for my creative writing class. Well, it’s been several weeks since then, and I’m still working on that short story. But let me tell you, it’s changed since the original idea popped into my head. It started out as a story about a girl who thinks she might be from the nineteenth century growing up in the twentieth century and being confused about her identity; then it lost the part where she actually was from the nineteenth century; and now the story, which was originally in first person, is now…well, it’s still first-person, but it’s the main character addressing someone else in the room with her.

There have also been minor changes along the way, things that do not really affect the story as much as these other changes have, but even as I’m trying to finish up the first draft, I’m finding myself amazed that a story still in the writing stages is changing so much. It started out as literary with a touch of supernatural strangeness, but the supernatural strangeness has been cut out and there’s just a literary story that’s unlike anything I’ve ever written before, mostly because I do not really care for literary with notable exceptions.

This makes me wonder about other stories I admire, and if they underwent huge changes in the midst of being written. I know Japanese manga and anime may have many plot changes as the story progresses, but that’s mostly because manga and anime for the most part are influenced by reader and viewer popularity, so a story arc might be added, changed, or cut out altogether in order to bring up the popularity of the story.

But did J.K. Rowling, who made me want to be a writer in the first place, make certain characters more or less prominent than she originally intended, or did Stephen King want to make Randall Flagg the leader of a whole cadre of demonic villains in The Stand? Did Thomas Harris originally intend for the Red Dragon to be a singer with a dark past instead of a sufferer of a cleft palate with a history of abuse and violence? And did George Lucas originally intend something more steampunk than regular science fiction when he first concieved Star Wars?

In actuality, other stories I’ve written in the past underwent huge changes (Ripple had a different ending in the first draft and Zahara Bakur of Reborn City was one of several main characters before she became the main character in my mind). But the scale of the short story I’m working on now (it’s title, for now, is Doll’s Game) is something I’ve never encountered before, so I’m wondering what this will lead to later. Is more change in store for me? Will I ever get a finished first draft? And what else do I have to discover about this story, what hidden tricks will I uncover next while writing it?

Tell me about your experiences. Did a story you wrote change a lot during the writing process? And how so? And did you like this change? Please tell me, I love to hear from others, especially those with more experience than me.

Chinese symbol for “snake” surrounded by a snake. Pretty cool, huh?

Wow, it’s been a while since I’ve written about the Snake. Like, several weeks, at least.

Oh, for thsoe of you who don’t know, I’m working on two novels. One, a science fiction novel titled Reborn City, I’m trying to market to publishers write now. The other, a serial killer thriller called Snake, is in the middle of its first draft. Currently I’m working on chapter thirty-three of Snake, which isn’t very far in considering thrillers are notorious for having many chapters with less than ten pages per chapter.

One of the things I’m doing for Snake is that I’m also working on some Russian transliteration, as my main character speaks Russian throughout the novel. I’m working with one of my university’s Russian professors on this (and if he’s reading this, thank you so very much for your help), and he’s been a big help. It’s not always easy, though: according to my professor, getting phrases and words I’d normally use in English translated and then transliterated into Russian can be difficult, as I not only have to get across the meaning, but the intention as well. It’s like getting down on one knee and saying “I love you, will you marry me?” to a foreign girl in her native language, but you actually end up saying “love marry you” or “marriage me you” instead. The effect’s just lost.

Still, I think a pretty good job’s been done, and every bit of Russian up to chapter thirty-two has been transliterated. Hopefully when I see my professor again, I’ll have some easier phrases to translate. We’ll just have to wait and see, won’t we? I know where I want to go with this story, but how I’m getting there and what happens in the meantime is still up in the air in some ways.

All for now. Talk to you later.

I have an assignment for my creative-writing class: to write a short story and then turn it in at the end of the semester. For the past couple of weeks, I’ve been writing about an orphan girl who finds out she’s not who she thought she was (and for those of you who think it’s a short story I started writing in May that I thought of during meditation, this is a different story, the one I thought of while out at a club one night). For a while now, it’s been slow-going, mostly because it’s less horror/sci-fi/fantasy and more along the lines of literary writing, which I’m not too fond of.

However, today I had an idea of where the plot would go, and what the actions taken by this girl and the places she would go could symbolically mean. Like that, I felt my writer’s block dissolve, the story forming for me in my head. So throughout the day, I’ve been working on this story, passing the minimum number of words required and getting well beyond.

Other stories I am working on that have been plot problems, I’ve been thinking of ways to improve them, and today I thought of ways to fix those too. One story, one involving a psychic girl who’s life is very unlike Carrie’s, I got an idea from an acquaintance on how to make the plot better, involving the girl leaving her home for the first time in her entire life. It should be an interesting story.

And another story, involving a school shooting, I’ve been working with on and off throughout the years. However, the story never gets any better. Today, I saw how it could be fixed. It’ll be a radical change for the story, but it might just work for the better.

Even after publishing a few short stories, I’m still learning about the importance of plot, among other things. Hopefully someday, I’ll be able to teach others the things I have learned. But for now, I’ve got a girl in a short story who is not psychic in the least who needs to realize her life needs a radical change. Talk to you later.

Now, you’re probably thinking, “Rami’s a college student at Ohio State. What’s so important that he wants to share it with us?” If you’re not thinking that, then I’m sorry for trying to read your mind and failing miserably at it.

But back on subject: I was talking with a friend of mine and I told him my short story, Aasif (which, if you have not read, can be found at this web address: http://mobiusmagazine.com/ ) was published over the weekend. Since my friend was right by a computer, I told him the web address and gave him the name of the story.

Now my friend, who is Muslim, saw the title and said, “Did you know that ‘Aasif’ means ‘sorry’ or ‘apologies’ in Arabic?”

No, I did not. Most likely, I got the name from Aasif Mandvi, the Indian-American correspondent from The Daily Show with Jon Stewart, not caring what the name meant. But strangely that name, “Aasif”, makes sense for the character, given what happens to Aasif (and if you still haven’t read the story even though I posted the link above, read it now because there’s a spoiler alert after I close these parentheses): Aasif has to kill a child. Not only that, it’s a child he knows, and the possibility of facing the child’s parents after what he’s done grieves him horribly. He’s also worried because right afterward he killed the warlord Marda’ar, and he wonders if that will have reprecussions on him and his soul.

Now, I won’t get into whether or not Aasif’s problems have solutions; I will say though that I think that everyone has done something horrible, something we wish we could take back, and like Aasif, there’s no way we can. In a way, we can emphasize with Aasif because we’ve all been in his situation before.

Any thoughts on this? Oh, and if you’ve read the story, thanks for your patronage!

Oh, happy first day of Septhember! The Buckeyes are preparing to kick Miami of Ohio’s butt, the sun is shining, and a certain little short story got published! The web address for Mobius Magazine is down below. Once you get to the website, you’ll find my short story on the left under fiction. I hope you enjoy reading it.

This story was inspired by the Kony 2012 video that came out back in April, and you can definitely see the influence there. The story itself may have taken me a week to write, but I credit the fact that I had great inspiration behind it that it didn’t take longer.

Please feel free to tell me what you think of the story. Did you like it? Hate it? Was there a particular part that stuck with you? Did you think a certain character may have been a racist caricature of some ethnic group or another? Whatever your thoughts, please leave me a comment and let me know.

So, without further ado, here’s the address for Mobius Magazine. Hope you like what you read.

http://mobiusmagazine.com/

Some Thoughts On Voice

Posted: August 31, 2012 in Reflections, Writing
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As the days wind down and the exact day when my short story Aasif, being published by Mobius Magazine, draws nearer and nearer, I can’t help but think of what a friend of mine said to me in a conversation last week:

I can’t remember how we got onto the topic, but my friend told me he’d been on my blog and that he thought that I’d become famous. When I said, “Really?”, he said, “Yeah, you write with such confidence. I think you’ll make a great author.”

I was so happy that he’d logged onto my blog (it always warms your heart when you find out a friend’s been on your blog and has thoughts on it, doesn’t it?), that I didn’t think to tell him that the voice I use as a blogger, and the voice I use when telling a story, are two very different things. By voice, of course, I’m talking about writing style, word choice, the sort of things that scholars analyze years after a famous writer’s death and look for in order to make sure it is a genuine work by said author.

I’ve had time to think on my two voices (and that makes me think of split personalities for some reason, but whatever), and here’s what I’ve thought up: my voice for my blog Rami Ungar the Writer is more laid-back. If you were to actually meet me and speak with me, you’d get something like the way I write on my blog when I speak. In my short stories and my novels (which I’m still marketing to publishers and agents, so be patient, all you who want to read them), I write it differently: my tone is more subdued, and I’ll admit, sometimes I think my description of action is a little sloppy. I do think though, that I can describe a scene with a few choice phrases, something that I see as a plus, and I tend to think my character’s thought processes tend to mirror real-life thought processes.

Of course, I’m the only one who’s read my work and my blog, so I’m probably not the best person to ask about my own voice. Perhaps you all, you readers who will find out where and when my short story is published and read it for yourselves, will do a better job telling me about my own voice. Again, just sharing my own opinions and thoughts, so disagree if you wish to.

What’s your opinion on your voice? Do you have one?

And do you have an opinion on mine?

“We must make certain this Declaration of Independence is well-written and professional, since we’re submitting it to the King of England. Oh, and Mr. Hancock, please make your signature a little smaller this time.”

Today, I was asked what it would take to make an excellent submission to a magazine like The Writing Disorder. My first thought was, “They’re asking me for advice? I’m so flattered; usually I’m the one asking for the advice!” So I gave a reply back, giving a few tidbits of advice, but I also told this person I’d write up a post that gave some more tips and advice for submitting to magazines. So Anthony, here’s the post that I promised.

I write down these tips because they’ve been helpful to me in the past. I don’t know if others who read this, especially more experienced writers, will also find this helpful, but if anyone does, that makes me very happy. Also, I will try to stay away from sounding preachy or making it seem like I have all the answers and the reader does not. If I fail in this task, please let me know so I can feel embarassed about it.

Here are my tips for making a successful submission to a magazine:

1. Write, then edit. The basic thing to do is write a good piece of literature, whether it be fiction, creative non-fiction, or poetry. This is the most basic step and without it you can’t do anything else. How to write I won’t get into; all I’ll say is that it takes years of practicing writing and a whole ton of reading to get good at. Editing is also important; you can compare it to finding a geode, and refining the crystals inside so that they’d look nice as pieces of jewelry. It also helps to space some time between writing and editing a draft; I usually wait a couple of weeks or a month to edit a story, because then I can look at it with fresh eyes.

2. Find an appropriate magazine. As you can imagine, there are a plethora of magazines out there for budding and aspiring writers to submit to, especially on the internet. Before submitting though, make sure that the magazine is the right fit for you and your story. For example, a magazine may be a fantasy magazine, but they may be looking for a specific type of fantasy, such as children’s fairy tales involving creatures living alongside people in urban and suburban settings. If you send them a Lord of the Rings-esque adventure story, they won’t publish it and you’ll wonder what they didn’t like about it.

Most magazine websites have guidelines posted on their sites about what they’re looking for in submissions, so read those carefully before submitting. You can also read the guidelines first and then write a story that is meant to comform to those guidelines; I’ve done that before, and have had very surprising results with those sorts of stories.

3. Format professionally. This goes beyond having a nice-looking font and the correct sort of margin-space, though that is important. You want to make a magazine look at your story and say, “This looks so professional; the author must be an experienced writing.” I do this by creating a header before I even start the story: I begin by indicating my first page’s header is different from the other pages’ headers. I then put the words “Word Count” followed by a colon in the top left corner, before skipping to the next line and putting my contact information on the right side of the header. I then exit out of the header and skip down until I’m about a third of the way down from the page before putting the title of my story. On the next page, I re-open the header, write my last name, then a comma and put the page number.

After I finish the story, I put the word count for the entire story on the first page in the header after “Word Count:”. This tends to look good to editors, and has served me well in the past.

If you’re asked to send along a brief bio or even a photo, those can be a little more relaxed. Just tell people what you think they ought to know about you, and then put it down. As for the photo, try and take a photo that gives people an impression of who you really are, but remember, this will be in a magazine, possibly forver, so don’t take any photos you’ll regret.

A photo of me at my dorm, and one of severl I had taken of me. I think it gives a cool, writer look, but that’s up for interpretation.

4. Write a good query letter. I cannot stress enough the importance of a good query letter, which is essentially the letter you send the editor saying you are submitting a story for their consideration. It’s basically your first impression, and if your query letter sucks, the editor won’t even look at your story. There are plenty of books and websites that can give you pointers on writing excellent query letters, but I won’t mention them here; I’ll just say, you should write a query letter as if you’re writing what you believe will be the most important work of your life.

5. Expect long waits. Magazine websites and their editors will say they can get back to you on a story within a certain amount of time, but often they’ll be behind schedule on their work, so if the time they say they’ll get back to you passes by and you don’t hear from them, write a letter or email to them. If they don’t respond, write them again until they do. I’ve gotten a few acceptances and plenty of rejections from writing editors, but I’ve gotten them faster than if I’d kept my mouth shut.

6. Don’t give up. If one magazine rejects you, don’t take it that your story is worthless. Take another look at it, edit where you see there could be improvement, and then send it somewhere else. You never know what might happen. After all, that’s how my short story “Ripple” got published, and I despaired for a while that it would ever find a home.

That’s all I can think of at the moment. If you have any questions or need clarification, let me know. I also would like to take this oppurtunity to reccommend “The Short Story & Novel Writer’s Market”, an annual publication from Writer’s Digest that has all these tips and more, shows you how to write a query letter, and most importantly, has a catalog of agencies, magazines, and publishers you can submit your work to. I’ve found it a wonderful resource, and highly recommend it to anyone who wants to find places to submit their work.

All for now. Write to you later.