Archive for the ‘short story’ Category

Well, I just finished another short story, if that title doesn’t clue you in. And honestly, I’m glad I did: I didn’t think I’d get this one done before the final edits on Rose come in (those are hopefully going to be sent to me later this week).

“Pinochle on Your Snout” is a short story that came from me wanting to work two very different things into a single story. The first is The Hearse Song (video of that song here), which includes this famous verse: “The worms crawl in, the worms crawl out, the worms play pinochle on your snout.” That song also provides one of the best titles I’ve ever given a story. The other thing I wanted to combine was the De Vermis Mysteriis, or Mysteries of the Worm, a grimoire created by author Robert Bloch and later incorporated into the greater lore of HP Lovecraft. The book is supposedly able to summon all sorts of nasty things, and has appeared in a whole bunch of other media since then, including stories by Stephen King revolving around Salem”s Lot.

It took a bit of brainstorming, but I was able to come up with a story based on those elements. How is it? Well, it’s a first draft, so it’s shit. But I think there’s potential there. It reminds me a lot of “The Boogeyman” by Stephen King, in that it’s mainly told as a confession between a man and someone whose job is to listen to other people’s stories (though not a shrink like in the King story). And I think it has a way of drawing people in. Perhaps it could be something someday.

Of course, I’ll need to do A LOT of editing on this one before I even consider sending it to publishers. How much, I’m not sure. Fiction is the only type of alchemy where you can turn shit and other worthless materials into gold. You just can’t tell how much tinkering you need to do before the alchemical transformation is done.

In the meantime, and while I’m still waiting for the final edits of Rose, I’ll edit a novella I think has plenty of potential and may only need a few edits. It’s one of the most disturbing stories I’ve ever written, so it has that going for it. I may even know a press that’ll consider publishing it.

And speaking of Rose, there’s only three days left if you’d like to be an advanced reader for this upcoming fantasy-horror novel from Castrum Press and yours truly. The novel follows a young woman who turns into a plant creature (and that’s just the start of her problems). If you’d be interested, send an email to ramiungar@ramiungarthewriter.com. All I ask is you read the book and consider posting a review after its release. Thanks, and I look forward to hearing from you.

Well, that’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

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Erin McGraw, author of Joy

I’ve had the good fortune to learn from a variety of different authors. And sometimes they’ve had the bad fortune–I mean, they’ve been kind enough to teach me in person instead of through the medium of a book. Recently, I had the good fortune to go and listen to one of my professors, Dr. Erin McGraw, do a reading of her new book Joy (which is also my next read, by the way) at the bookstore near me. We got to talking afterwards, and I asked if she wouldn’t mind letting me interview her.

This is the resulting interview. Ladies, gentlemen, and non-binary people of manners, let me introduce Erin McGraw!

Rami Ungar: Welcome to the show, Erin. Please tell us something about yourself and your published works.

Erin McGraw: I’ve written seven books of fiction, three novels and four story collections.  Whenever I’m writing stories, I’m convinced that novels are easier.  When I’m bogged down in a novel, I long to be writing stories.

RU: Your latest book is Joy, a collection of 53 short stories. Please tell us how the project came about and what sort of stories are inside the collection.

EM: Joy happened largely by accident.  I had just retired and finished two novels back to back, and I was tired.  I thought I was writing tiny little stories—3-4 pages—just to keep in practice until I could figure out what my next book was going to be.  It took embarrassingly long to realize that these tiny little stories were the next book.

The stories are dramatic monologues, meaning that the main character steps out of their life to directly address the reader, explaining why they’re doing what they’re doing.  Since these are people acting as their own defense attorneys, they often lie.  That’s what makes things interesting.

RU: Obviously, there are a number of different voices within Joy. Did you do any sort of research for any of the voices you wrote?

EM: I researched almost all of them to some degree.  The ones that come from actual people, like Ava Gardner or Patsy Cline’s dresser, required that I read books to get the facts and background right, but even a story from the point of view of a nameless songwriter wannabe required that I look up some of the facts of the songwriting business, to make sure I got my guy right.  It only takes a paragraph or so before I start feeling responsibility toward my characters, and I want to treat them with respect.

RU: Were there any voices you tried to write but couldn’t? What were the reasons?

EM: I tried for a year and a half to write a story about a man who searched out his spirit animal on the internet.  People do this all the time, I reasoned; it should be easy.  And funny.  But the story stubbornly refused to get funny or easy, and eventually I parked it in my ever-growing “Undead” file, where I put things that I can’t get right but still seem like good ideas.  Maybe I’ll get this one right someday.

It’s funny, right?  Going to the internet to find your spirit animal?

RU: I think so. I mean, it’s trusting an algorithm created by interns and programmers to tell you something profound about yourself. Says something about the people who use it, I’m sure.
Anyway, you also taught for a number of years at Ohio State University. Were any of the stories in Joy based on your teaching experiences?

EM: Not any teaching experiences, no, but a lot of the stories exist, at least in my mind, in central Ohio.  I lived in Columbus for 15 years, and 10 years before that in Cincinnati, so I spent a lot of time thinking about Ohio and pondering its aggrieved status as a fly-over state.  Recent politics have changed that some, which I think is a good thing.

Joy by Erin McGraw

RU: What’s next for you? Are you working on any projects now?

EM: I’ve got a few more very short stories; I think they’re the leftover energy from finishing Joy.  A new project has floated to the front of my mind, but I’m superstitious about talking about things too early.  If it happens, it will be another book with a lot of voices.  I like to hear people talk.  It gives me a break from my own company.

RU: What are you reading these days?

EU: I’ve been on a tear for two years reading about the socio-economic divide in the U.S., and I’m still reading those.  Also books about the development of a recognizable U.S. cuisine, a subject of ongoing interest to me.  Also a superb book about climbing vines.  Don’t laugh.  It’s good.

RU: What is advice you would give to other writers, regardless of background or experience?

EM: The advice I was given by my teacher, John L’Heureux, regarding character:  Complicate the motive.  Simplify the action.

RU: I’ll have to meditate on that one a bit. Final question: if you were stuck on a desert island for a little while and could only take three books with you, which would you take?

Since they would have to be books I could bear to read over and over, the first would be Eliot’s Four Quartets.  Then King Lear, which I’ve never known well enough.  Then the collected Emily Dickinson.  She wrote enough to hold me for quite a while, in case the rescue ship gets held up.

RU: Ah, King Lear. That was an interesting read. Anyway, thanks for joining us, Erin. I hope you’ll join us again someday soon.

If you would like to check out and maybe get signed copies of Joy, you can click on this link. I’ll be checking it out myself very soon. And if you would like to know more about Erin McGraw and her work, check out her website here.

If you would like to see some of the other interviews I’ve been lucky enough to do, click on my Interviews page to check those authors out. And if you yourself are an author with a book you’d like to promote, send me an email at ramiungar@ramiungarthewriter.com

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

So do you remember the other day, when I posted about the character of Momo, who supposedly reaches out to kids and teens online, and tries to hurt them or make them hurt themselves? I outlined the myth and how the character took off in the public consciousness, before mentioning that I was working on my own story inspired by Momo and other terrifying figures that originate online and gain a life of their own in the real world.

Well, I just finished that story a few minutes ago. As you can tell by the title, I’m calling the story Queen Alice, and it follows an investigative reporter who delves into the burgeoning legend of a cult leader named Queen Alice who uses social media to bring harm to her targets. Or does she? Is she even real? The reporter is determined to make it to the bottom of this mystery, and what happens when he releases his report will change his world forever.

Writing this story was a lot of fun and I found it easy to write it, despite how much went on in my life (it’s gotten to the point where I’m going to bed earlier and setting lower writing goals so I can get more rest during the work week). The online world is as much a play and communal space as the campfires were for early humanity, when our first boogeymen were created. Today we’re creating boogeymen through the Internet, and people are taking them seriously in ways that would’ve been unimaginable even just ten years ago. Tapping into that fear, even though I sometimes have trouble understanding the most basic of human emotions and motivations, allowed the story to really flow for me and I was able to get it out much quicker than I thought I would.

It probably also helped that I pictured actor John Noble in the role of the reporter. Not sure why, he just fit the part in my head when I was visualing the character.

So what now? Well, I think I could get it published somewhere. At 27 pages and under 7,600 words, the story isn’t too long for many publications. I’ll get it looked at first and see if a beta reader can’t give me some good feedback before I edit it. With any luck, I can get it published somewhere very soon.

Well, that’s all for now, my Followers of Fear. I have some stuff to take care of before the day is over, so I’ll see you all later. Until next time, pleasant nightmares!

 

And while I still have your attention, I’m still looking for advanced readers for my novel, Rose. The book is a fantasy-horror story about a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is you read it and consider posting a review on or after the release date. If you’re interested, send me an email at ramiungar@ramiungarthewriter.com.

I’m going to try to keep this post short, because it’s very late and I should be in bed right now recharging for tomorrow’s labors. But I got caught up in the writing and ended up finishing a short story this evening. And as is my habit, I have to write a blog post about it. Some things you just can’t stop me from doing. And at 13 pages and 3,352 words, this is one of the shortest short stories I’ve written in–damn, I don’t know how long. Maybe high school. Maybe ever.

Malkah, for those of you who aren’t aware, is the Hebrew word for “Queen,” and it plays a bit of a role in this story, about a pair of Jewish parents who lose their daughter to a horrific act of anti-Semitism. One of the parents goes the extra length to ease the pain, with horrific consequences.

If you read my last post, you know I’ve been a little on edge lately from the rise of anti-Semitic incidents I’ve seen in the news lately. Between that post and this one, I saw another one about a man trying to run over Orthodox Jews leaving services on Saturday with his car. Needless to say, with the subject matter in this short story, I channeled some of that uneasiness and fear into my writing. Whether or not that made the story any better is up to the reader. Still, I feel it taps into fears we all feel at times, especially when it comes to our loved ones.

And if the editing process goes well for this one, who knows? I’ve got my eye on a particular publication I’ve tried getting published in a few times in the past. Perhaps they’ll like this one and want to publish it. And if not, there are always other fish in the sea (or publications searching for stories). And I feel the work I’ve been producing lately has been of a higher grade than usual. Perhaps some of it stands a chance.

Well, that’s all for now, my Followers of Fear. I’ll take a day or two to relax from all the marathon writing, and then get into my next short story. This one, I’m sure, will leave quite a few people disturbed. Hell, it disturbs me just thinking about it. Given my tolerance for scary, I think that says something.

Well, I’m off to bed. Until next time, my Followers of Fear, pleasant nightmares!

As many of you are already aware, I’m a big fan of ballet, and a lot of characters who are dancers or are familiar with dance are peppered throughout my story ideas. With so many story ideas involving ballet and my latest story finished up, I thought it was high-time to write one. This has been my project since Tuesday, and today I finished “Pas de Deux,” my first story to feature ballet and dancers as a major component.

“Pas de Deux” is about two young dancers who decide to test a legend at their dance academy. The legend says that if anyone dances a pas de deux, or dance for two, in a certain studio, they’ll both die. When they dance together and also reveal their feelings for one another, things in their lives take a turn for the darker.

This was a fun and interesting story for me to work on. Besides writing it in five days, which is something unusual for me, but because for a while I wasn’t sure what genre it was. At times it walked a tightrope between dark fantasy and psychological horror, and it could’ve gone one way or the other based on creative and word choices. In the end, I ended up going with psychological horror, as I felt that would make the story better and more memorable.

Using dance in a story as a major component was also something else. I’ll probably devote a post just to this topic alone, but there’s a trick to writing dance movements in a prose story that I had to discover through lots of research of said movements and then writing them into the story. Interspersing both technical terms and descriptions of the terms along with the protagonist’s own beliefs and observations about ballet was both a challenge and a little educational. If ballet shows up in another story (and knowing me, it will), I can use this experience for any dance sequences I want to write into the story.

But for now, I’ll let this story be for awhile. At sixteen pages and 4,622 words, I think it could get published in most publications, assuming that the dance-heavy and flowery opening and the quick second half doesn’t turn some publishers off. Hopefully with the right beta readers, I can get some good feedback for the story and make whatever edits I need to make.

In the meantime, I have plenty of other stories I want to write, so I’ll think about which one I’d like to write next, and maybe put out that post about writing dance sequences in prose fiction. So until next time, my Followers of Fear, goodnight and pleasant nightmares. I’m off to watch a scary movie.

Oh my God, it’s finally Day 10! We’re at the end! Whoop whoop!

So if you’re tired of me posting every day (sometimes twice daily), don’t worry, I’m planning on going back to my one-or-twice-a-week schedule after this. It’s too much of a hassle to keep posting day after day after day like this. It was still fun to share my favorite books with you, but still. a lot of work.

Anyway, here’s the rules for the Ten Day Book Challenge, brought to you by my cousin Matthew (who is probably glad this thing he started is coming to an end):

  • Thank whoever nominated you with big, bold print. If they have a blog, link to the post where you got tagged there.
  • Explain the rules.
  • Post the cover of a book that was influential on you or that you love dearly.
  • Explain why (because I don’t see the point of just posting a picture of a book cover without an explanation. That goes for Facebook as well as blogs).
  • Tag someone else to do the challenge, and let them know they’ve been tagged.

So for the last day of the Ten Day Book Challenge, I picked a book I read quite recently. Actually, I finished reading it on Day Four, on the ride back from the chiropractor’s. The book is the Future Days Anthology from my publisher Castrum Press:

There are several reasons why I wanted to highlight the Future Days Anthology. Obviously, it’s from my publisher, so I wanted to highlight it and support them, even if I’m not in this anthology (maybe I’ll be in a later one). Besides, supporting small presses and their authors allows for decent competition in the publishing industry and allows the authors to feel their hard work has paid off, which is never a bad thing.

Another reason why I wanted to highlight Future Days is because it’s fairly recent: it was only published August 15th this year, so it’s barely been out a month. The first couple of months a book is out is very important, so I’m happy to spread the word.

But the most important reason is because, let’s face it, this is some damn good sci-fi!

As I mentioned in my most recent interview with Matthew Williams (who is also in this anthology) I’ve always been of the opinion that good science-fiction should show us a reflection of humanity’s current state, as well as what humanity could do in the future. The Future Days anthology does this quite well, in my opinion. First, it takes a lot of issues that we’re currently dealing with as a species today–overpopulation, the disparity between the wealthy and the poor, and corporate power over common people’s lives–and explores how those issues might shape our lives in the generations to come.

As for where we’re going as a species,* that’s given a lot of exploration too. Space exploration to be exact: many stories deal with the challenges humans might encounter once interplanetary travel and off-world colonization becomes possible. Who will pilot and care for the ships during the long travels between worlds? What will be the physical and psychological effects of such travel? Are there ways to get between planets faster?

The value of human life also gets plenty of examination: what happens when, in an increasingly technological age, we’re no longer able to hold jobs now occupied by machines? How much sway do the powerful have over the lives of the weak?

I could go on, but then why spoil the fun? If you’re looking for some decent hard science fiction, look no further than the Future Days Anthology. With several great stories from a variety of excellent sci-fi authors, you’ll be transported when you read it. Don’t believe me? Go to Amazon now and check out some of the reviews (including the one I left). And if you’re still not convinced, just read the book. Believe me, it’s worth it.

And before I forget, I have to nominate someone. Adan Ramie, you’re tagged! I look forward to seeing what you put out.

That’s all for now, my Followers of Fear. With September here, Halloween is approaching, as is just about everything else awesome about this season. And I’m going to revel in every aspect of it.

Until next time, pleasant nightmares!

*Or where you’re going as a species. I still maintain I’m only half-human on the best of days, and there’s plenty of proof that’s not just me messing around.

Before you ask, no this story isn’t some sort of reference to Game of Thrones and the numerous weddings ending in someone dying that occur in that series (spoiler alert).

I needed a break from the novelette/novella I’m working on, so I decided to tackle a short story I’d had the idea for recently to give my brain some breathing room. The story involves two kids who are given a job by a strange entity known as the Master. And that’s all I’m saying, because I’d hate to give away this story before I’ve had the chance to polish it up and maybe get it published.

The thing is, I have no idea if this story is any good. On the one hand, it reminds me of other stories I’ve read that have gotten published in prestigious anthologies and collections. Heck, it even reminds me of some of Stephen King’s early works, especially in his collection Night Shift. And at only a little over three-thousand words, it’s a lot shorter than most stories I write and therefore I might have more places to publish it. However, the story is a little weird. Not surprising given the fact that I wrote it, but then again, that could also work against me just as easily. Heck, even I find it somewhat odd! And in some dictionaries, I’m right next to the word “odd!”

I’m also next to the words “eccentric,” “strange,” “malevolent,” and “interdimensional being,” but you knew that already, right?

Anyway, I’ll let this story lie for a little while. When I have time, I’ll revisit it and see if I can get it published anywhere after some edits. In the meantime, I’ll use the rest of my Labor Day weekend to watch a movie and do some reading. I’ll get back to work tomorrow on the novelette/novella and hopefully make some more progress on it before I have to get back to work on Rose. Fingers crossed that it all works out.

Until next time, my Followers of Fear, pleasant nightmares.