Archive for the ‘short story’ Category

“God, I love what you’ve written. I do have some thoughts though…first off, can we maybe have less commandments? Twenty-seven’s a little much to remember and recite!”

For the first half of my creative writing class this semester, we’ve been going over some of the fundamentals of writing fiction, including plot, dialogue, and characters, among other things. We’ve also been told to each write a shorty story between 8 and 20 pages, or 2,000 and 5,000 words, and while I certainly had trouble writing my story, mostly because it’s literary, I’ve been enjoying reading and critiquing the stories of my classmates.

We’ve actually only read 4 stories so far, but they’ve all been interesting in their own way. There was a story about the rivalry between two princes, a vignette about a day in the life of a soldier, a crime story, and even one involving a virtual reality game. And later today we’re recieving a new story, so I’m wondering what that’s going to be about.

After we read the story, we have to type up a critique in the form of a letter and hand it in to both our teacher and the writer of the story in question. We also give our impressions orally to the writer during class, allowing them to absorb some more feedback before they start editing their story. Although I like getting critiqued myself (because I want to know what problems my stories have and what I can do to fix them), it’s another story entirely to critique someone else’s work (pun intended). I like the feeling of helping someone improve a story they wrote, especially if the story is good. And it’s different from when I look over my own work, because I’m not looking at my classmates’ work with a biased eye.

I’ll be turning in my own story for critiquing in early November, a few days before my science-fiction short story “Ripple” is set to hit the web. Between now and then, I’ll go over my story and do a few edits before I turn it in, because I like to give my short stories an edit or two before I turn them in for critiquing by anyone. But for now, I’ll just sit back, get my homework done, and critique other people’s work.

What about you? Have you ever been critiqued or critiqued someone else’s work? How does it feel when you do?

Leah’le, a character from the 1937 film “The Dybbuk”, who was possessed by the titular spirit. Based on the play of the same name by S. Ansky

Well, it seems I have a lot of creepy stuff on the mind lately: evil dolls; succubi; and now dybbuks. Anyone want to put down bets on what will be the subject for the next short story?

Anywho, I saw The Possession a while back (wrote a positive review of it) and just now I finished watching The Unborn (one of those movies that I enjoy but the critics just seem to hate). Both have to do with dybbuks, which if you are unfamiliar with, are spirits that were once the souls of humans but, according to Jewish mysticism, were barred from Heaven or turned away from God and became monsters that possess human beings, looking for a second chance at life.

Both these films got me thinking about dybbuks, and now I want to write my own story about a dybbuk (or maybe more than one; who knows?). Of course, it won’t be like The Possession or The Unborn, which follow the typical possession-exorcism story. Instead, I’ll probably try to make the dybbuk seem like a hero instead of a villain, and maybe I’ll mix in some British folklore while I’m at it (I’m not saying what or how, but I will say it involves dogs).

i’m not sure what sort of story I want to tell yet, but I’ll see what I can come up with. I just hope that I don’t accidentally summon something by thinking about it too hard like I did when I was researching succubi!

First draft of what, you may ask? Well, I’ll tell you: remember that short story I had to write for my fiction-writing class that was taking forever and a half to get done? Well, I just finished the first draft for it and let me tell you, that piece of work was a piece of work! Sixteen pages, nearly fifty-four hundred words, and more literary-style writing than I’m used to.

Anyway, the working title of this story is Doll’s Game (no, this is not the short story about the creepy doll) and I’ll probably get around to editing it in a few weeks, before it’s due. In the meantime, I’d like to get back into Snake, make some adjustments to some of the work already done and go over the outline to see if there is anything I can improve upon for the latter half of the story. I’d also like to read some books I’ve been meaning to get to, but with the amount of classes and homework I do, do you think it’s possible? We’ll just have to wait and see.

Speaking of homework, I’ve got to get some done, so I’ll talk to all of you later. Bye!

I said a while back that while partying at a club near campus, I came up with an idea for a story that I could write for my creative writing class. Well, it’s been several weeks since then, and I’m still working on that short story. But let me tell you, it’s changed since the original idea popped into my head. It started out as a story about a girl who thinks she might be from the nineteenth century growing up in the twentieth century and being confused about her identity; then it lost the part where she actually was from the nineteenth century; and now the story, which was originally in first person, is now…well, it’s still first-person, but it’s the main character addressing someone else in the room with her.

There have also been minor changes along the way, things that do not really affect the story as much as these other changes have, but even as I’m trying to finish up the first draft, I’m finding myself amazed that a story still in the writing stages is changing so much. It started out as literary with a touch of supernatural strangeness, but the supernatural strangeness has been cut out and there’s just a literary story that’s unlike anything I’ve ever written before, mostly because I do not really care for literary with notable exceptions.

This makes me wonder about other stories I admire, and if they underwent huge changes in the midst of being written. I know Japanese manga and anime may have many plot changes as the story progresses, but that’s mostly because manga and anime for the most part are influenced by reader and viewer popularity, so a story arc might be added, changed, or cut out altogether in order to bring up the popularity of the story.

But did J.K. Rowling, who made me want to be a writer in the first place, make certain characters more or less prominent than she originally intended, or did Stephen King want to make Randall Flagg the leader of a whole cadre of demonic villains in The Stand? Did Thomas Harris originally intend for the Red Dragon to be a singer with a dark past instead of a sufferer of a cleft palate with a history of abuse and violence? And did George Lucas originally intend something more steampunk than regular science fiction when he first concieved Star Wars?

In actuality, other stories I’ve written in the past underwent huge changes (Ripple had a different ending in the first draft and Zahara Bakur of Reborn City was one of several main characters before she became the main character in my mind). But the scale of the short story I’m working on now (it’s title, for now, is Doll’s Game) is something I’ve never encountered before, so I’m wondering what this will lead to later. Is more change in store for me? Will I ever get a finished first draft? And what else do I have to discover about this story, what hidden tricks will I uncover next while writing it?

Tell me about your experiences. Did a story you wrote change a lot during the writing process? And how so? And did you like this change? Please tell me, I love to hear from others, especially those with more experience than me.

I have an assignment for my creative-writing class: to write a short story and then turn it in at the end of the semester. For the past couple of weeks, I’ve been writing about an orphan girl who finds out she’s not who she thought she was (and for those of you who think it’s a short story I started writing in May that I thought of during meditation, this is a different story, the one I thought of while out at a club one night). For a while now, it’s been slow-going, mostly because it’s less horror/sci-fi/fantasy and more along the lines of literary writing, which I’m not too fond of.

However, today I had an idea of where the plot would go, and what the actions taken by this girl and the places she would go could symbolically mean. Like that, I felt my writer’s block dissolve, the story forming for me in my head. So throughout the day, I’ve been working on this story, passing the minimum number of words required and getting well beyond.

Other stories I am working on that have been plot problems, I’ve been thinking of ways to improve them, and today I thought of ways to fix those too. One story, one involving a psychic girl who’s life is very unlike Carrie’s, I got an idea from an acquaintance on how to make the plot better, involving the girl leaving her home for the first time in her entire life. It should be an interesting story.

And another story, involving a school shooting, I’ve been working with on and off throughout the years. However, the story never gets any better. Today, I saw how it could be fixed. It’ll be a radical change for the story, but it might just work for the better.

Even after publishing a few short stories, I’m still learning about the importance of plot, among other things. Hopefully someday, I’ll be able to teach others the things I have learned. But for now, I’ve got a girl in a short story who is not psychic in the least who needs to realize her life needs a radical change. Talk to you later.

Today in my history class we had a guest speaker, whose focus was African history, particularly in her native country of Liberia. While discussing the civil war in Liberia, she also broached the topic of child soldiers and Kony 2012 and how they related to her research. After class, I went up to her and told her that I’d recently published a short story titled Aasif (here’s the link for those new followers who haven’t read it yet: http://mobiusmagazine.com/) and that I thought it was interesting that she’d mentioned child soldiers and Kony 2012, which were the inspirations for Aasif. Not only did our guest speaker ask for the web address, she also gave it to my teacher, who also happens to be her advisor in the graduate school.

As we were all leaving the classroom, both my teacher and the guest speaker said they’d take a look at it…and possibly discuss it in class. Discuss my short story in class? Now that’s some exposure! And in history class too! What’s next?

Has anything like this ever happened to you?

Now, you’re probably thinking, “Rami’s a college student at Ohio State. What’s so important that he wants to share it with us?” If you’re not thinking that, then I’m sorry for trying to read your mind and failing miserably at it.

But back on subject: I was talking with a friend of mine and I told him my short story, Aasif (which, if you have not read, can be found at this web address: http://mobiusmagazine.com/ ) was published over the weekend. Since my friend was right by a computer, I told him the web address and gave him the name of the story.

Now my friend, who is Muslim, saw the title and said, “Did you know that ‘Aasif’ means ‘sorry’ or ‘apologies’ in Arabic?”

No, I did not. Most likely, I got the name from Aasif Mandvi, the Indian-American correspondent from The Daily Show with Jon Stewart, not caring what the name meant. But strangely that name, “Aasif”, makes sense for the character, given what happens to Aasif (and if you still haven’t read the story even though I posted the link above, read it now because there’s a spoiler alert after I close these parentheses): Aasif has to kill a child. Not only that, it’s a child he knows, and the possibility of facing the child’s parents after what he’s done grieves him horribly. He’s also worried because right afterward he killed the warlord Marda’ar, and he wonders if that will have reprecussions on him and his soul.

Now, I won’t get into whether or not Aasif’s problems have solutions; I will say though that I think that everyone has done something horrible, something we wish we could take back, and like Aasif, there’s no way we can. In a way, we can emphasize with Aasif because we’ve all been in his situation before.

Any thoughts on this? Oh, and if you’ve read the story, thanks for your patronage!

Oh, happy first day of Septhember! The Buckeyes are preparing to kick Miami of Ohio’s butt, the sun is shining, and a certain little short story got published! The web address for Mobius Magazine is down below. Once you get to the website, you’ll find my short story on the left under fiction. I hope you enjoy reading it.

This story was inspired by the Kony 2012 video that came out back in April, and you can definitely see the influence there. The story itself may have taken me a week to write, but I credit the fact that I had great inspiration behind it that it didn’t take longer.

Please feel free to tell me what you think of the story. Did you like it? Hate it? Was there a particular part that stuck with you? Did you think a certain character may have been a racist caricature of some ethnic group or another? Whatever your thoughts, please leave me a comment and let me know.

So, without further ado, here’s the address for Mobius Magazine. Hope you like what you read.

http://mobiusmagazine.com/

“We must make certain this Declaration of Independence is well-written and professional, since we’re submitting it to the King of England. Oh, and Mr. Hancock, please make your signature a little smaller this time.”

Today, I was asked what it would take to make an excellent submission to a magazine like The Writing Disorder. My first thought was, “They’re asking me for advice? I’m so flattered; usually I’m the one asking for the advice!” So I gave a reply back, giving a few tidbits of advice, but I also told this person I’d write up a post that gave some more tips and advice for submitting to magazines. So Anthony, here’s the post that I promised.

I write down these tips because they’ve been helpful to me in the past. I don’t know if others who read this, especially more experienced writers, will also find this helpful, but if anyone does, that makes me very happy. Also, I will try to stay away from sounding preachy or making it seem like I have all the answers and the reader does not. If I fail in this task, please let me know so I can feel embarassed about it.

Here are my tips for making a successful submission to a magazine:

1. Write, then edit. The basic thing to do is write a good piece of literature, whether it be fiction, creative non-fiction, or poetry. This is the most basic step and without it you can’t do anything else. How to write I won’t get into; all I’ll say is that it takes years of practicing writing and a whole ton of reading to get good at. Editing is also important; you can compare it to finding a geode, and refining the crystals inside so that they’d look nice as pieces of jewelry. It also helps to space some time between writing and editing a draft; I usually wait a couple of weeks or a month to edit a story, because then I can look at it with fresh eyes.

2. Find an appropriate magazine. As you can imagine, there are a plethora of magazines out there for budding and aspiring writers to submit to, especially on the internet. Before submitting though, make sure that the magazine is the right fit for you and your story. For example, a magazine may be a fantasy magazine, but they may be looking for a specific type of fantasy, such as children’s fairy tales involving creatures living alongside people in urban and suburban settings. If you send them a Lord of the Rings-esque adventure story, they won’t publish it and you’ll wonder what they didn’t like about it.

Most magazine websites have guidelines posted on their sites about what they’re looking for in submissions, so read those carefully before submitting. You can also read the guidelines first and then write a story that is meant to comform to those guidelines; I’ve done that before, and have had very surprising results with those sorts of stories.

3. Format professionally. This goes beyond having a nice-looking font and the correct sort of margin-space, though that is important. You want to make a magazine look at your story and say, “This looks so professional; the author must be an experienced writing.” I do this by creating a header before I even start the story: I begin by indicating my first page’s header is different from the other pages’ headers. I then put the words “Word Count” followed by a colon in the top left corner, before skipping to the next line and putting my contact information on the right side of the header. I then exit out of the header and skip down until I’m about a third of the way down from the page before putting the title of my story. On the next page, I re-open the header, write my last name, then a comma and put the page number.

After I finish the story, I put the word count for the entire story on the first page in the header after “Word Count:”. This tends to look good to editors, and has served me well in the past.

If you’re asked to send along a brief bio or even a photo, those can be a little more relaxed. Just tell people what you think they ought to know about you, and then put it down. As for the photo, try and take a photo that gives people an impression of who you really are, but remember, this will be in a magazine, possibly forver, so don’t take any photos you’ll regret.

A photo of me at my dorm, and one of severl I had taken of me. I think it gives a cool, writer look, but that’s up for interpretation.

4. Write a good query letter. I cannot stress enough the importance of a good query letter, which is essentially the letter you send the editor saying you are submitting a story for their consideration. It’s basically your first impression, and if your query letter sucks, the editor won’t even look at your story. There are plenty of books and websites that can give you pointers on writing excellent query letters, but I won’t mention them here; I’ll just say, you should write a query letter as if you’re writing what you believe will be the most important work of your life.

5. Expect long waits. Magazine websites and their editors will say they can get back to you on a story within a certain amount of time, but often they’ll be behind schedule on their work, so if the time they say they’ll get back to you passes by and you don’t hear from them, write a letter or email to them. If they don’t respond, write them again until they do. I’ve gotten a few acceptances and plenty of rejections from writing editors, but I’ve gotten them faster than if I’d kept my mouth shut.

6. Don’t give up. If one magazine rejects you, don’t take it that your story is worthless. Take another look at it, edit where you see there could be improvement, and then send it somewhere else. You never know what might happen. After all, that’s how my short story “Ripple” got published, and I despaired for a while that it would ever find a home.

That’s all I can think of at the moment. If you have any questions or need clarification, let me know. I also would like to take this oppurtunity to reccommend “The Short Story & Novel Writer’s Market”, an annual publication from Writer’s Digest that has all these tips and more, shows you how to write a query letter, and most importantly, has a catalog of agencies, magazines, and publishers you can submit your work to. I’ve found it a wonderful resource, and highly recommend it to anyone who wants to find places to submit their work.

All for now. Write to you later.

Okay, so I’m logging onto my computer with the aim of getting alittle homework done before lunch. But what do I find out? That a short story I wrote last year, “The Street Urchin’s Gift” is going to be published by The Writing Disorder next June, sometime around my birthday. Can I just say one thing? Awesome!

The Writing Disorder is an online magazine that caters to a wide variety of interests, including poetry, fiction, art and reviews, and does everything from literary to genre. I found them while looking for a magazine to send “The Street Urchin’s Gift”, and thought they’d make a great match, and I sent it in. It took a while for them to get back to me, but it was well worth it: today I got the email, and you cannot imagine how excited I am!

“The Street Urchin’s Gift” started out as a story I wanted to write for another magazine, one that dealt with Victorian and Edwardian England and liked scary stories. The story itself centers around making an impossible choice when neither one benefits you, and the moral problems of that. When I found out the magazine I had in mind went defunct, I decided that “The Street Urchin’s Gift” deserved another chance. Seeing that I decided right off the bat to go with the Writing Disorder, I’m very happy with the choice I made.

I would like to thank The Writing Disorder for accepting my submission and will try to send a little business your way. In fact, here’s a start: if any of you have a short story or poem that you’d like to see published, here’s the link to the website of The Writing Disorder. Hopefully it’ll be a match for your work.

http://thewritingdisorder.com/