Archive for the ‘Writing’ Category

I write scary stories. As such, I sometimes have to use the supernatural in my work, something I enjoy doing. But at some point, if you start to write stories about demons and spirits and murderous beings from other dimensions, people are going to ask you, what’s your own beliefs? Do you believe in any of the things you write about? Do you believe in aliens that appear over Boston, like in Ripple (if you want to read that short story, click here: http://www.nthzine.com/fiction_online.php?archiveDisplay=20121105), or do you believe in succubi like that one short story you wrote that you hope to publish?

Well, I thought I’d clear a few things up before I get asked that question. I’ll include about five major things that people will probably ask me about, and unless people want to know more, I’ll leave it at that. Hope you find it informative:

1. God and Satan: I definitely believe in an all-powerful, all-encompassing authority that created our universe and is very active in the day-to-day lives of human beings as well as the changing of the seasons and the orbiting of the planets. I also believe that this Being is called by many names, answers to several of them, and as long as you live a good life and do not do horrible things in your life, eventually He will reward you for your good behavior (when though, I can’t say).

As for Satan…well, I believe there is a being called Satan, but my belief in him is more in line with the traditional views of Judaism, which say he’s more a servant of God with a bad job of tempting good people in order to test their devotion. The view that Satan is the antithesis of God only came later, around the time of Jesus, and it’s more Christian than Jewish belief, so I really don’t follow it, or follow the belief that there’s one being who embodies all evil and is set against the being that stands for all good. Doesn’t mean I can’t enjoy a story involving that bad boy Lucifer, though.

2. Ghosts/Demons/Spirits/Angels: I do believe that there are beings I can’t see, but do have ways to interact and even interfere with the material world. I’ve actually had encounters with ghosts/spirits, leading to some very interesting stories (ask about the time a spirit was pushing against my teeth while I slept). I also believe in demons and angels: there are times when I’ve believed there is something near me that wishes to do me harm, like when I wrote that succubus story and I swear something was summoned because I couldn’t stop thinking about and researching succubi. At the same time, I believe that there are benevolent beings that if you can call them by name will come to your side to protect you. There’s even a prayer in Judaism that calls the four archangels to protect you in time of trouble, and the couple times I’ve used it, I’ve felt like there was something around me protecting me from harm. It’s pretty neat.

Now, if I believe in demons, how can I not believe in one that’s leading a war against Heaven? Well, if humans and demons all have one creator, why does there have to be a king of demons when there isn’t a king of evil humans? Just doesn’t make sense to me.

3. UFOs/Extraterrestrials: I’m a bit of a skeptic on this one. There was actually a class here at OSU I took that explored the subject, and the conclusion was that if there is life out there, it probably is either very basic, like single-cell organisms, or if it’s like humans, it’s probably at the same level of intelligence and technology as humans, so we probably don’t get a lot of visitors from the deep, dark space. I know there are a lot of people who say they’ve been abducted, but then again there are a lot of people who say they speak to Jesus and that they are being investigated by the CIA (who aren’t allowed to do domestic investigations, by the way) because they know how their chocolate fudge recipe relates to the attacks of 9/11, and they all sound alike to me.

No offense meant to those who believe in aliens, though; I just need more substantial proof before I start believing in visitors in ships coming to observe and abduct creatures that, for all our intelligence, still don’t know how to live together without getting into a huge fight.

4. Magic: I believe there are forces that human beings can summon and control with rituals or spells. Such rituals and spells can be found in nearly any group, including Judaism (*cough* mezuzah *cough*), and that each group’s rituals/spells are unique and can do wonderful things when done right. 

I also believe that this can be rather dangerous, especially if you are summoning a spirit or a being with great power, for example, so only take part if you are aware of the risks, you accept them, and you don’t think your particular God will mind if you take part in such a ritual.

5. The Afterlife: Now, here’s where my beliefs aren’t traditional in any sense of the word: I believe that this life is sort of a preparation room, one where, through the choices we make and the actions we take and the people we meet, we’re groomed for a journey we take in the next life (assuming we don’t get stuck in this world as ghosts). What this journey entails or whom we take it with, I can’t say. All I can say is that this journey is specially prepared for us after our deaths, and that at the end of this journey…perhaps then it’s the final destination.

If you’re wondering what Jewish traditions might say about my beliefs, I’ll tell you that the only mention in the Torah of the afterlife is “Sheol”, which is either some sort of pit, or it’s a plain of existence where the dead go. Truth be told, nobody’s really sure what it is, Jewish scholars are well-known to have many different opinions on any number of issues (in fact, the joke goes you get two rabbis together, you’re going to get three different opinions). There’s also something in the Kabbalah that could be seen as reincarnation, but I’m not familiar with it, so who’s to say my beliefs on life after death are out of line with my religion?

Well, that’s all I’m going to say for now. If you want to know my beliefs on the Loch Ness monster or Bigfoot or something along those lines, let me know.

But what I really want to know is:

What are your beliefs? Do they agree or disagree with mine? And what gives you faith in your own beliefs?

There comes a time when a writer achieves something that says, “My writing is really worth something.” And that’s the first time we’re paid for something we wrote.

Edgar Rice Burroughs, the creator of Tarzan, was first paid for his work when his novel, A Princess of Mars, was published in the serial magazine All-Story. For the serialization rights, Burroughs was paid four-hundred dollars, quite a bit of money back in 1911, and an even bigger sum for a struggling husband with two kids to feed. Years later, with several successful science fiction, fantasy, romance, and western stories under his belt, Burroughs would claim it all paled to the feeling of accomplishment he felt when he recieved that check for $400.

Similarly, I was first paid for something I wrote in my senior year of high school, when I wrote a short story for a magazine called TEA, A Magazine. The short story I wrote, which I had geared towards this very magazine, was called Summers with Grandmother Fumika, and was about a young girl in Japan who hosts a tea ceremony for a fox spirit with her grandmother. The magazine paid me $100 for the story, and published it in their Winter 2011 edition, with a little illustration in one corner of the fox spirit to boot.

That $100 felt like a gold brick to me. And even though I haven’t gotten any paid pieces since, I think that no matter how successful my short stories or my novels may possibly become, I’ll be like Edgar Rice Burroughs, feeling the most pride for a small sum of money.

What about you? Have you ever been paid for your work?

What did it feel like?

A Single Lecture Goes A Long Way

Posted: November 15, 2012 in Reflections, Writing
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Yesterday I was working on two writing projects. One was my short story for my creative writing class, Animal Child (I’ve decided to stop calling it Doll’s Game, because that title’s no longer relevant), and the other is chapter forty-five of my serial killer thriller Snake (don’t marvel, thrillers are notorious for having many chapters buch each chapter is incredibly short). Both times, I plugged in my earbuds and started listening to lectures given by Deepak Chopra, a leading expert in alternative medicine and spirituality to improve your life. The lectures, available as hour-long videos on YouTube, each had different topics. The one I listened to while working on Animal Child was about how to improve your physical and mental well-being. The other, which I used to finish chapter forty-five and start chapter forty-six, was about how through certain forms of meditation, one can radically change their outlook on life.

I can honestly say I remember almost nothing from either one of these lectures, except the second one featured some stuff that reminded me of string theory’s ideas on vibrations shaping our world, and only because I finished chapter forty-five at a certain point in the lecture and bothered to watch and listen for a few minutes.

You see, those lectures hypnotized me, but not into meditating on the nature of life. Instead, the lecture became a background noise, while I focused on the world of the story that formed within my head and on putting that world down on paper (or to be more precise, bits of data that the monitor made to look like paper with words on it). It was interesting, because not only was I very relaxed while listening to this lecture, but I was writing much more easily than I had been recently. The story just seemed to flow onto the page, so that I was finishing much more quickly than I’d expected, and I don’t think I got distracted once!

I’ve written before on how listening to people talk on a show helps me to write, but this was different, where I only was listening to people speaking, and I wasn’t being distracted by visuals to go with the speaking. In fact, I dare to say this was an optimal state of mind to be writing in, where I’m hypnotized by the ongoing monologue of the speaker and focused on the work before me. I wonder if you did an EEG or an fMRI of my brain, what parts of my brain would light up, and what sort of brain waves would be most active. Of course, this sort of state has its drawbacks: a friend of mine saw me in the library while I was working on Animal Child and tapped me on the shoulder. I swear, I nearly umped out of my skin, I was so startled.

But even if I’m easily shocked while I’m in this hypnotic state by external distractions, it’s an interesting state to be in. I think the next time I try to write while listening to a lecture, I’ll do a TED talk, see if I can become immersed listening to different experts talk about their ideas or projects. I also wouldn’t mind listening to audiobooks of stuff like Paradise Lost or The Odyssey, which would definitely suck me into that state after a while. Anyone know any websites where you can listen to those sort of things for free? I’d be happy for recommendations.

I Do Okay Writing Both Sexes

Posted: November 15, 2012 in Reflections, Writing
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You know, I’ve never had any problems writing from the perspectives of either boys or girls. It’s never been an issue for me, and yet I hear from writers all the time about how they’re males and they just can’t get into the minds of their female characters, or for some women, they just can’t figure out what motivates their main character’s boyfriend. I kind of feel like an outsider in these conversations.

Granted, I think most writers feel more comfortable writing characters that are more like us, and that includes gender. It’s easier to relate to someone with the same likes, dislikes, and struggles, and it can be difficult at first to get into the head of someone with a completely different sort of life. But I think with time and experience, it gets a little easier.

Take me for example: I’ve had both time and experience learning how women think. I grew up in a house with several women in it, and that’s not including pets! I kind of got used to women early on, and some of these women, including my mom, were big and positive influences on my writing (this is also where my beliefs on women’s rights were formed, but that’s no surprise, right?). And to add to that, I grew up watching a lot of shows that featured women characters as leads playing out the traditional male role of fighting evil, such as Sailor Moon and Buffy the Vampire Slayer. With all that input, I got an inkling on how to write from a female perspective.

And you know what? It showed! Some of my early short stories featured women in lead roles, and they got praised for how realistic these girls I wrote seemed. It was a big boost to my confidence, and it’s why a lot of my works–such as my short story Doll’s Game or my science-fiction novel Reborn City–feature female protagonists.

So yeah, I’ve had the time and experience, enough that I can write some decent female characters. And I’m sure that with time and experience, I’ll be able to write all sorts of characters and make them all feel real. Just a matter of time, right?

What about you? Do you have trouble or ease writing for the opposite sex?

I just finished with the first draft of the rewrite of Doll’s Game. And yes, I said I was renaming it “Animal Child”, but you all are more familiar with the title Doll’s Game, so for now I’ll continue calling it that. The new version of the story is four pages shorter, and doesn’t cover as much ground as the earlier version. And unlike the original version, I like this one much better. In fact, I think this draft kicks the old draft’s butt, and actually stands the chance of being published somewhere, which I certainly don’t mind.

Well, now it’s time for the next step in the process for short stories I’m trying to publish: I save the story and put it away for later, when I can edit it with fresh eyes. I’m pretty sure that when I do the edits, I’ll be doing a lot of work on the middle and ending sections of the stories more than the beginning section, just because those sections involve important character important, so I have to make sure those sections are good sections.

In the meantime, I have some projects and papers to write for class, and then I have work to do on my novel-that-is-in-its-final-stages Reborn City and my novel-in-progress Snake. Of course, the former requires more work than either of the latter, which may mean I’ll have less time to devote to NaNoWriMo. Ah, the troubles of a college student.

I have to go now, so I’ll write more later. Happy Wednesday.

As I’ve said in previous posts, I’m working on editing the short story I’m writing for my creative writing class, Doll’s Game. One of the biggest criticisms I got on that short story when we workshopped it was that for a little girl who’s been held captive and abused for most of her life, she adapts to the outside world rather quickly.

So now I’m writing a version of the story showing the events of the main character’s first few days on the outside through her perspective, and since she hasn’t had much human contact, she has a rather unique point of view that’s been challenging to write. Then again, I like the challenge, so what’s the problem?

I’m also trying to rename the story, seeing as in the act of a total rewrite, a title that worked under one circumstance doesn’t work under another. Since kids growing up in the sort of environment my main character is growing up in tend to be feral, I’m going with “Animal Child’ for now, but it’s subject to change. Hopefully a better title that fits the direction of the story will come along.

Anyway, I better get back to work; I’m two-thirds of the way with this rewrite, and I need to do a little more if I want to get to three-fourths. Wish me luck.

In my creative writing class, I have to do a revision exercise due two days after my workshop date. Yes, that means I have to turn in a new draft on Sunday. By noon, too. Jeez, what if I want to sleep past one in the afternoon?

Well, I can’t sleep in that late apparently, not without getting a lowered grade. So I did my revision exercise and I plan to send it in after I finish writing this post. What I had to do was take a certain section of the story and, taking into account all the suggestions I got on the day of my workshop, rewrite it. And that’s what I did, editing one of the early sections of Doll’s Game. And now, I think I’ll work on the rest of the short story, doing an entirely new version of the story based on all the feedback and critiques I got on Friday.

What does that mean, though? Basically I’ll be writing an entirely new story with the same main motif at the center. What was that motif? A girl raised in captivity by her kidnapper gets free and gets a real shock when she escapes. The original story focused on her entire life after she escaped, but now I’ll be focusing on her time in captivity, and what happened immediately after the escape.

And yes, I do write that sort of creepy subject material. Why? I blame a childhood trauma I wrote about several posts back.

But back to the main theme of this post: I’m basically doing an entire rewrite. At the center will be the main character and her experience, but it’s less about her lfie growing up after her trauma and more about what happened immediately afterwards, which is just as terrifying, if not more so, than her time in captivity. Imagine how terrifying an unfamiliar world might be after escaping one that was familiar but filled with pain and fear. It’s horrible.

Which works to my strengths, since I’m writing disturbing material whenever I’m not writing a term paper or something along those lines. But still, it’s going to be quite a lot of work.

Oh well, that’s the challenge I’ve taken up, isn’t it? And besides, I’ve got about a month. If I work now, I should have plenty of time to do any necessary revision. And if I get a good grade, who knows? I may seek to get it published somewhere. I’m not sure where, though; even hardcore horror magazines might pass on a story involving this sort of story if they feel it’s a little too disturbing for their tastes.

Well, wish me luck. I’ve got some work to do.

Alright, so I just got back from lunch, and now I’m writing about what happened at the workshop, where Doll’s Game was discussed and we talked about ways to improve it. Surprisingly, people didn’t hate it. Some actually liked it, and one person said that compared to the other stories we’ve read this semester, mine was “a breath of fresh air” (I’m going to chalk up that last part to the fact that I’m probably the only person besides the teacher in the class who’s ever been published, so I might have a little more experience than my classmates).

However, there were plenty of things to be improved upon. One was that my story spans about twenty years, summarizing unimportant bits while going into detail about life-changing bits. The gist was that all this information would make a great book as well as a novel (not that I’d write such a novel; in addition to the projects already in progress, I don’t want to write something that has nothing to do with horror). However, my classmates and my teacher recommended that instead of making a novel, I should focus on when my character Renee is eight years old and her life is changed forever, which sounds challenging and interesting to write.

There were some other parts that were pointed out as implausible, and now that I think about it, I can see the logic in this. So I’ll have to fix those areas up as well.

So I’ve got to do some rewriting to do, starting with a short revision exercise that I’ll do over the weekend. Finally I’ll turn in a rewrite in early December, and aftar I get the grade…well who knows? Maybe I’ll have something publishable. Fingers crossed and hope for the best, right?

Some of you know that I wrote a short story for my creative-writing course, Doll’s Game, and that I turned it in last week. You may also remember that I thought it was the worst piece of fiction I’d ever written in my college career, and I made a point of telling my classmates that it would be the worst story they read this semester.

Well, I stood corrected on that last point: mine’s the second-worst. The grand prize goes to the guy who’s story, although interesting in terms of plot, had so many point-of-view switches that it left me dizzy. Not too mention the guy couldn’t properly signify dialogue to save his life. It just took down the quality of the story so much.

But today I’m getting my story reviewed. And I am not looking forward to it one bit. I mean come on, my strength is in scary stories, not literary ones, and my plot goes all over the place. I sent everyone the link to my recently-published alien invasion short story Ripple just to make up for the quality of Doll’s Game.

Well, maybe they’ll give me an idea to improve the story. Who knows? I’ll let you guys know how it goes after class and we’ll see. Wish me luck.

I’ve mentioned this once or twice, but I’m preparing to self-publish my science-fiction novel Reborn City (still being looked over by a friend at this moment, hope for some new news soon). I’ve also mentioned that I’ll be starting up my own independent publishing press, both as a way to gain more legal control over my published work and as a way to gain maximum profit if, God-willing, my books are picked up by a major publishing company.

Well, I contacted Ohio State’s Student Legal Services to see if they had any advice in that area, because I have no idea whether or not forming these sorts of businesses requires any paperwork to be filed or fees to be paid to the state or whatever. They emailed me today, about an hour after I’d sent my email to them, attaching a document with all the different business types here in Ohio and what was required to create any of them. Looking over the document, I think my best bet would be to create a sole proprietorship, which would give me all the control over the business and its assets, and all I’d have to do would be to file a form with Ohio’s Secretary of State if I’m using a business name other than my own (which I plan to do). I’ll probably download both the document SLS sent me and the forms for the business once I can get to a printer, so until then I’ll be making sure no one else has the name I plan to use for the press (I’ll let you know what it is as soon as the paperwork’s filed and I have everything in order).

You know, this self-publishing process is easier than I thought it might be. So far, the only fees I might accrue are copyright and trademark fees, especially given I’ll be formatting my work as e-books and the sites I’ll be using don’t charge for the formatting. Hopefully my books will be successful as well (fingers crossed). Now I just have to put the final touches on Reborn City, get a cover, set up the business, set a release date, and do some advertising. Not too much trouble, right?