Posts Tagged ‘The Grudge (2020 film)’

After the failure that was the Grudge reboot earlier this year (see my review here), I was hopeful after learning a television series based on the original Ju-On movies was going to be released in Japan. And it was being brought to America through Netflix. And as soon as I could, I sat down to watch all six episodes of JU-ON: Origins. After all, it was guaranteed to be better than the Grudge reboot, but would it be legitimately scary?

JU-ON: Origins begins with a paranormal researcher named Odajima appearing on a talk show with an idol who experienced supernatural happenings at her apartment after her boyfriend goes house-hunting for them. At the same time, a troubled high schooler named Kiyomi becomes involved with a mysterious house near her school. This and other events leads to many people’s lives becoming involved with the house, a house whose history is alive and kicking, and in the worst possible way.

While this series bears very little resemblance to the original story of the movies beyond a cursed house and several men questioning if they’re the father of the children they’re raising, it’s definitely a better horror story than the Grudge reboot. And even better, it’s freaking scary.

First off, the show does a great job of setting up a mystery. The characters spend their time running down multiple leads, each one leading to a new aspect of the haunting. And each new aspect seems to add more questions than it answers. But even better, there are a number of terrifying moments. There were quite a few moments, especially in the later episodes, where I was squirming in my seat. Anyone who gets to episode five will shiver every time they think of it.

I also liked how they incorporated famous tragedies from Japan’s recent history into the story. A lot of the major events of the story occur around the same time as the murder of Junko Furuta, the sarin gas attacks, and the Kobe child murders (which, by the way, are terrifying in their own rights). Almost as if to say the house’s evil has some sort of connection to those events.

And if you don’t like subtitles, there’s an English dub on Netflix, and it’s decent. The English dialogue matches very well with the Japanese lip movements, and there are some well-known anime voice actors in the series (I had a lot of fun making jokes about that in the calmer moments of the show). Though I am sad to say, that’s not Nicholas Cage voicing the main character Odajima, but a guy named Brock Powell doing a really good Nicholas Cage impression.

This scene! Oh God, I’m shivering again.

If there’s one thing I didn’t care for, it was that I would’ve liked to see more from the original films incorporated into the story. I’m not asking for a direct based-on-the-movie or Kayako and her son to fully appear on screen, but I would’ve enjoyed more references or incorporation of the original story that’s become so beloved by fans.

And just a trigger warning: this series delves into subjects such as domestic violence and sexual assault. So if that’s a turn-off, maybe don’t watch this one.

For everyone else, however, JU-ON: Origins is a terrifying TV show that will satisfy anyone else bored with more recent entries into the Ju-On and Grudge franchises. On a scale of 1 to 5, I’m giving this show a 4.5. Head on home and settle in to watch it. Just make sure to watch with the lights on.

Also, if you go house hunting and the house has a history, make sure that it hasn’t harmed anyone in at least a decade before deciding it’s your dream home!

And welcome to my first review of 2020! As many of you in the horror community are aware, the Grudge film series is famous both in its homeland in Japan, where it is known as the Ju-On movies, and in America, where both the original films and the first remake are considered classics in terrifying people.* However, the sequel to the American remake was only so-so, and the direct-to-DVD Grudge 3 was awful. Thus ten years have passed since the last film was released. When word of a new film got out, people were skeptical, but some were willing to give it a chance based on the trailers. Including me.

2020’s The Grudge begins with a live-in nurse leaving the original house from The Grudge and heading home to Pennsylvania.** However, she brings the curse home with her, and ends up killing her family and herself, making her home and her family an extension of the original curse. Years later, a detective enters the house while investigating a possibly-related murder, setting off a chain of events that will impact her life forever.

So this is technically a side-story to the original Grudge remake, following a new family of spirits and a new community to torment with the curse. The filmmakers did this so they could hopefully reinvigorate the franchise.

And they failed miserably on that front. While the film is told in a non-linear fashion and has plenty of callbacks to the 2004 film, switching Kayako and the Saeki family out for a new family of spirits was a huge mistake. Not only do these new ghosts feel so generic that they could come from any other ghost-centered horror movie, Kayako is an iconic part of the franchise. You can’t separate one from the other. It’d be like calling a movie Friday the 13th and having it focus on Jason’s cousin Matthew Bellman, who wears a football helmet and kills people who enter an abandoned ski resort. It just wouldn’t work.***

Even if you don’t factor that in, the film leaves a lot to be desired. As I said, the ghosts feel like they could come from any horror film, and the rest of the film feels pretty lackluster. Most of the scares derive from jumpscares, which are there and then gone pretty quickly. Most of the plot and acting feels pretty phoned in, and Lin Shaye’s appearance is horribly wasted (good thing she’s had better roles in most other horror films).

Is there anything good about the film? Well, there is a scene where the main character has to defend herself from the spirits in the dark basement of the police station that’s kind of tense, and a bloody scene with LIn Shaye that’s super-freaky. And John Cho as a realtor dealing with a crisis in his marriage is a surprising highlight of the film.

But other than that, 2020’s The Grudge is a poor horror film that was banking more on name visibility than actually trying. On a scale of 1 to 5, I’m giving this one a 1.7. Only watch if you want to make a drinking game out of how many times you see the number 4 (which in Japanese sounds a lot like the word for death). Otherwise, watch either the 2004 remake or the original Japanese films, but definitely not this.

I’m off to get the remake from the library. I need my faith in the series restored.

This is a bad start to 2020’s horror films. Hopefully the other ones coming out this month are better by leaps and bounds.

*No joke, when I first saw the American remake, my sister asked me to watch it for her to let her know if she could watch it without getting scared. I watched that movie in our basement, and then I never let her near that franchise until I moved out of the house. As far as I know, she still hasn’t watched any of the films.

**Why a live-in nurse goes from Pennsylvania to Japan for work when her family is still in Pennsylvania is not actually explained, so don’t expect an answer from me. I can only guess that there was a sudden shortage in live-in nursing jobs and they were only available in Japan, because otherwise it makes no fucking sense whatsoever.

***And it would also be worse than the 2009 remake, as hard as that is to believe. Yes, I found another way to blast that horrific movie! Screw you, Michael Bay! Your horror movies are travesties and deserve to be erased from history!