Posts Tagged ‘Jason Voorhees’

Last week in my review of Us, I speculated Jordan Peele’s new horror movie was making a Friday the 13th reference through one of its characters. It’s been nearly a week since then, the film has made nearly six times its budget back at the box office since its release, and people are still finding reasons to talk about this film. So I thought I’d throw my hat into the ring and further explain my own theory about the film, or to be more specific my theory regarding one specific character.

That being said, I’m going to be going in-depth with this film, so if you haven’t seen Us yet, THIS IS YOUR SPOILER WARNING! STOP HERE IF YOU HAVEN’T SEEN THE FILM YET AD GO SEE IT BEFORE CONTINUING!!

Still here? Good. Let’s begin.

My theory is that the character of Jason Wilson, the son character in the film’s protagonist family, is one big, possibly unintended, reference to the Friday the 13th films and their main antagonist, Jason Voorhees. Let me explain:

1. The character’s name is Jason, and he wears a mask throughout the film. These are small details, but they’re what turned me onto this. Jason Wilson wears a Chewbacca mask throughout the film, something never really explained beyond a statement by his sister Zora that he’s socially awkward. In the Friday the 13th films, Jason is famous for wearing a mask, most notably the iconic hockey mask. Additionally, both Jasons have two-syllable surnames, with the first letters of each surname right next to each other in the English alphabet.

Both Jason Wilson and Jason Voorhees wear masks and are named Jason. Is that a coincidence?

Okay, but that’s just a tiny detail. Is there anything else to back it up? Why yes, of course.

2. Their lives are forever changed around water. This is another small detail, but it’s also important. Jason Voorhees “drowned” in Crystal Lake, and afterwards hunted and killed around that lake. It was a turning point in his life, so to speak. In Us, Jason Wilson first meets the Tethered version of his family at his family’s vacation home, which is right on a lake. Later, his family travels to the Santa Cruz beach, where Jason kills his Tethered and is kidnapped by his mother’s double. Both of these events have a profound effect on Jason, psychologically scarring him, and will probably affect his life growing up. Just like Jason Voorhees when he drowned and when his mother was killed.

3. He and his Tethered. Both Jason and his Tethered, Pluto, share aspects of Jason Voorhees’s appearance and personality. Pluto is physically scarred, which is why he wears his mask. Jason W. is socially awkward, which may play into why he wears his mask. In the Friday the 13th films, Jason Voorhees is said to have been born with a condition that deformed his face, and made his interactions with other children difficult to say the least. You can make a connection between his physical and social problems to Jason W’s social issues and Pluto’s physical appearance.

And speaking of Pluto…

4. Pluto’s name. Pluto is the Roman god of the Underworld, and is one of the few beings who can come and go from that realm at will. Pluto from Us comes from an Underworld of his own. And even before Jason V became a supernatural being who could resurrect himself every few years, his relationship to death was tenuous at best, having died or appeared to have died twice before Tommy Jarvis actually gave him what appeared to be a permanent death in the fourth Friday the 13th film.

Speaking of Tommy…

5. How the killer dies. In Friday the 13th Part IV, young Tommy Jarvis shaves his head to make himself appear like Jason V as a boy, allowing him to eventually strike a fatal blow to Jason V. In Us, Jason W uses his connection to Pluto to compel his doppelganger to walk into a burning car, killing him.

6. The mothers. This is the detail that really made me think I had something with this theory. Both Adelaide Wilson and her Tethered Red are especially close with their sons, as we see through their interactions with them. This connection is so deep that, after Pluto is killed, Red takes Jason W into her underworld instead of killing him in revenge. It’s as if she couldn’t bear to lose her son and would accept his above-world counterpart rather than lose him entirely. Adelaide then follows Red into the tunnels to fight her, kill her, and take back her son, who is scarred forever from this event.

In addition, both women are not what they seem. “Adelaide” is revealed to have originally been a Tethered, and “Red” was from the surface world, motivated by revenge to destroy the above world she was taken from. When we first meet Pamela Voorhees in the original Friday the 13th film, we believe she’s an eleventh-hour Samaritan to the surviving counselor, only to be revealed as a crazed killer seeking revenge for her son–her world–who was taken from her.

At the end of Us, Jason W seems to know his mother is a Tethered, and his reactions seem to indicate he’s going to be watching her from now on, even though he loves her. And in the second Friday the 13th film, Jason V is revealed to be alive, having become an adult and starting his own reign of murder and terror. Which begs the question, if he was alive all these years, why didn’t he find his mother? Why didn’t he let her know he was alive? Perhaps did he know his mother was unhinged and decided to stay away from her because he couldn’t trust her?

Tell me Mr. Peele, did I stumble onto something?

 

Ultimately, this may just be me looking too deeply into one aspect of a film and drawing an entire theory from it. I’ve been known to do that before.* And I may be shouting into the wind with this blog post. But even if I’m totally off-base and making connections that weren’t meant to be there, it’s amazing how much is there to back up my crazy theory. And there’s a theory that the anime movie My Neighbor Totoro is a secret retelling of a murder-suicide in the 1960s. It got popular enough that Studio Ghibli came out and denied the theory.** Perhaps I can get enough people to believe in this theory to get a response from Jordan Peele. Anything’s possible.

But what do you think? Think I’m onto something? Am I crazy? Did I miss something that supports or tears down my theory? Let’s discuss.

And while you’re here, I’m still looking for advanced readers for my novel Rose. It’s the story of a young woman who starts turning into a plant creature (and that’s just the start of her problems). If you would like to get an advanced electronic copy, please send me an email at ramiungar@ramiungarthewriter.com. All I ask is that you consider posting a review with your thoughts on or after the release date. Thanks, and I look forward to hearing from you.

*I kid you not, I once saw a ballet based on the Oz books, and came up with a whole time travel theory based on its ending scene. My mother said I was crazy. I say it’s the only way outside of a dream sequence the ballet makes sense, and this ballet didn’t treat Oz as a dreamland.

**No kidding, that’s a thing. Here’s an article that looks into the theory. And Studio Ghibli did have to come out and say it’s bogus. Which is only slightly weirder than the theory about Spirited Away that Ghibli did confirm was legit. The more you know.

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I wasn’t able to catch Get Out when it was in theaters, and by the time I watched it on DVD, so much time had passed I didn’t feel like writing a post with my thought. To sum up said thoughts, I thought it was a creepy, atmospheric film that openly explored racial attitudes among Americans, though I felt the main character was less a fully realized character and more of a vehicle for the audience to experience the movie through. So when I heard about Us, I was very intrigued. And then I saw that first trailer. And I knew I had to see what Jordan Peele had cooked up this time. Today, my sister and I went for an early showing, eager to see what people were talking about.

To say the least, the film was surreal. Like Peele was channeling Stephen King when he was writing The Dark Half and created a visual twist on the concept. And it works for the most part.

Us follows Adelaide, played by Lupita Nyong’o, a mother and former ballerina who goes up with her husband Gabe, daughter Zora and son Jason to a vacation home that Adelaide stayed at as a kid in 1986, when she experienced a traumatic episode. That night though, they’re attacked by the Tethered, twisted, animalistic doppelgangers of themselves that seek to murder Adelaide and her family. Thus begins a trial for the family to not only survive, but to find out why this is happening to them.

From the get-go, this is a strange and eerie film. It combines storytelling with atmosphere, music (seriously, the part music plays in this film cannot be underestimated), and action in order to create an intense experience. At some points we were so on edge, a woman sneezing a couple rows behind us caused twenty people to jump out of their seats! And that includes me and my sister.

And the amount of symbolism in this film can’t be understated. A lot of details go into this film that are meant to make you examine the imagery and ideas being presented. From actual twins, symmetry and patterns in objects and pictures, the Bible phrase Jeremiah 11:11, rabbits,* and so much more. All to get you thinking on these themes of identity, duality, being an American, socioeconomics, creative expression, and so much more. I won’t go into what it all means–I’m sure there are bloggers and YouTubers who will do a better job of that than I could–but it will leave you thinking for hours after you leave the theater.

I will take a moment just to say that I think the son character is one big reference to the Friday the 13th franchise. This is mainly because his name is Jason and he wears a mask throughout a good portion of the film for some reason, but there’s plenty in the film I could point to that backs that assertion up. I won’t because I don’t want to spoil anything.

If there’s one thing I didn’t care for, it was the humor in film. Not that it was terrible, but after the main plot of the film kicks into gear, I found how much of it there was, most of it coming from family patriarch Gabe (played with plenty of love by Nyong’o’s Black Panther costar Winston Duke) distracting. Like, there’s this one scene where the family is discussing what to do in light of what they’ve experienced, and they make a series of Home Alone jokes! Takes you right out of the tense, creepy mood.

Then again, this is from Jordan Peele, who’s still primarily known as a comedian. Humor should be expected. But at a certain point, I just would like it if was toned down a bit. That may just be my quirk, but it’s how I feel.

All in all though, Us is a true success for Peele. On a scale of 1 to 5, I’m giving it a 4.6.  Unsettling, trippy, and memorable, Us will stay with you for hours after you see it. I have no doubt that with time, it’ll be seen as one of the best horror films of 2019, and maybe the first great one of 2019 as well. Take a breath, jump in, and see the madness yourself.

 

And while I still have your attention, I’m still looking for eARC readers for my novel Rose, about a young woman who starts turning into a plant creature (and that’s just the start of her problems). If you would like to get an advanced copy, all you have to do is send me an email at ramiungar@ramiungarthewriter.com. I only ask that you consider leaving a review on or after the release date. Thanks, and I look forward to hearing from you!

*Fun fact: rabbits are capable of a much wider range of beneficial mutations when they reproduce that cousins or even siblings can mate with each other and still produce a healthy and genetically diverse brood. Take that how you will, but I have thoughts on how that plays into the film.

As many of you know and as the below video demonstrates, I’m a huge Friday the 13th fan.

Yes, that was me with my Jason Voorhees hockey mask. Shouldn’t surprise any of you that I have that.

And as many of you know, I HATE the remake that came out nine years ago. Seriously, what was that film? It was like the director and writer started making a porno because they hadn’t gotten any action lately, added a bunch of swearing and dirty humor to hide it as a raunchy comedy, and then added Jason just because they couldn’t get studio support for the comedy. But what do you expect, when Michael Bay is producing?

Obviously, I would like for a better Friday the 13th film to come out. So I was intrigued when a friend told me about Never Hike Alone, a Friday the 13th fan film that has gotten some good press. And with the day off from work (we’re observing Veteran’s Day today), I decided to watch it and see if it was as good as said.*

Holy shit, why haven’t I heard of this before? That was great!

Never Hike Alone follows Kyle McCloud, a vlogger who records his hikes on his GoPro and then uploads it to YouTube. He goes hiking in the Catskills and comes across Camp Crystal Lake, abandoned and dilapidated due to years of neglect. Exploring the ruins of the camp, Kyle expects only to find some pieces of history that have expanded into a famous ghost story. What he ends up finding is that some legends are very grounded in reality. Especially when they involve Camp Crystal Lake.

First off, I love how much this looks like a professional production from a major studio. From the camera work to the buildings around Camp Crystal Lake, it’s so well done. I also thought the storytelling in this film was par excellence. Using a minimalist approach to focus exclusively on Kyle’s experience, it creates this suspenseful cat-and-mouse mood. For the first half of the film, you’re on the edge of your seat, expecting Jason to appear in frame at any moment. When he finally does make a move, the film smoothly transitions to this thrill-fest as Kyle tries to survive Jason. And while there is plenty of violence, it’s never overly sensational or stupid, but just enough to give the necessary scare. There’s also only a little swearing, and absolutely no sexual or drug content, which I was thankful for.

I guess Womp Stomp Films, the studio who produced Never Hike Alone, also took one look at how those elements were misused in the remake, and decided to go the opposite route. Good call.

The only major issue I have was that the last scene, which goes on about seven minutes, could’ve been cut a bit shorter. I mean yeah, there’s a cool little cameo at the end, but other than that I would’ve preferred five minutes of it be cut so that it didn’t drag.

Other than that though, Never Hike Alone is a great tribute to the Friday the 13th franchise and a possible view as to where the series could go in the future. On a scale of 1 to 5, I’m giving it a well-deserved 4.5. Atmospheric and suspenseful, you’ll find this satisfies you until we get an actual good film from the franchise, should that ever happen.**

If you’re still unsure, take a look at the trailer below before going to check out the full film on YouTube. Trust me, it’s an hour well-spent.

That’s all for now, my Followers of Fear. I’m not sure when I’ll be posting again, but until I do, I wish you all some wonderfully pleasant nightmares.

*I would’ve waited till the next Friday the 13th, but that’s not till September next year, so I’ll have to settle for Monday the 12th.

**And if that ever does happen, with or without Lebron James, I hope they take example from this film on how to make a good Friday the 13th film. And maybe let me help write the new one. I’ve a few ideas on how to bring back my boy Jason, and none of them involves bringing him to Manhattan.

Halloween (2018) poster

This past weekend, the new Halloween movie was released and eager horror fans, including myself, flocked to theaters to see it (see my review of the film here). At the time I’m writing this, the film has made over 103 million bucks, nearly seven times it’s original budget. This definitely counts as a financial success for the film and its producers, and it’s all but certain at this point that a sequel will be greenlit. This has many horror fans speculating on a particular question: is the slasher genre coming back, bigger and badder than ever?

Now in case you stumbled on this post by accident and have no idea what a slasher is, let me explain: slasher, also occasionally known as splatterpunk, is a sub-genre of horror that focuses on violent deaths and gore, as well as the prospect of those occurring, as the source of its terror and tension. Slashers were really big in the 1980s, but declined as the many sequels kept going for more ridiculous kills and even more ridiculous plots. There were some brief flare-ups of good slashers in the late 90s and early 2000s, with films like Scream, Urban Legend and Wes Craven’s New Nightmare and remakes of franchises like 2003’s Texas Chainsaw Massacre and Rob Zombie’s Halloween, but for the most part it didn’t stick. Recently, slashers have done well in television format with shows like Slasher and Scream (yes, based on the film I mentioned a sentence ago), but Halloween‘s the first in years that’s managed to satisfy this many fans, critics, and bank accounts.

Hollywood can be a very reactive sort of place: anything that’s proven to be even slightly successful will be copied over and over again by movie studios until long after audiences have lost interest. So with Halloween doing so well and sequels definitely being discussed in boardrooms, can we expect more slasher reboots and remakes on the horizon? Which ones? And is this the first of a slasher renaissance similar to their first wave of popularity in the 1980s?

Well, there are actually a few slasher movies being developed right now based on the older franchises. Child’s Play, which first introduced the character of living doll Chucky, is getting both a reboot and a TV series, and A Nightmare on Elm Street has had a new remake in development for a while now. But with the success of Halloween, there’s a chance the studios producing them will give them more attention and funding than they might’ve had without Halloween.

Please bring back Friday the 13th! Jason and I both want to see a comeback for the franchise!

And I don’t think it’s too far-fetched to say other series will be getting new films. There has been talk for years of rebooting Friday the 13th with my boy Jason Voorhees. Recently a court case regarding the original film was resolved, and basketball player-turned-actor and producer Lebron James, who is as big of a fan of the franchise as I am, has come forward saying he would like to help produce the film. And while Lebron’s still new to Hollywood, I would welcome his involvement in a new Friday the 13th film. Sometimes it takes the perspective of a fan, especially one who has more power than expressing outrage through a keyboard, to truly give a character or franchise new life.*

And after the crappy 2009 remake, almost anything would be welcome. Seriously, what was with that film? It felt like the filmmakers were making porn, then making a raunchy comedy, and then remembered to put Jason in it! By the time the final third rolled around, I was bored! I’m seriously considering destroying a copy of the film on DVD when its tenth anniversary rolls around, it’s that bad!

But not just Friday the 13th: there’s room for other franchises to get new films. I think a Hellraiser reboot would be great, as the series has devolved into cheap, direct-to-DVD sequels. A proper remake would give the series’ concept the fresh rebirth it needs. Of course, I’d love to see some new Freddy Kreuger, as there’s still so much to do with that character. And I think given our current social/political climate, a director like Jordan Peele could do something great with the character of Candyman.

But there should also be original works, not just remakes and reboots. As you’re reading this, there are plenty of filmmakers out there with fresh ideas for the slasher genre that should be given a chance. Perhaps with the success of Halloween, studios will be willing to give them a chance. Heck, maybe Jason Blum and Blumhouse, one of the companies that produced Halloween, can use this to recruit some female directors to develop some new projects.**

Perhaps we can see all these dudes, and then some, get new films.

And as for if this is the beginning of a slasher renaissance, we’ll just have to wait and see. One film doesn’t indicate a genre’s comeback. Sometimes several films don’t mean a particular genre or sub-genre is going to be the next big thing (*cough* YA dystopia and fantasy films *cough*). It’ll take several successful films, both originals as well as remakes and reboots, before we can really say if the slasher genre is back with a vengeance.

Still, I’m hopeful. I didn’t think until the trailer that anyone could bring Halloween back. Perhaps with the right writers and directors, we could see the return of the genre. We’ll just have to wait and see.

Until then though, we’ll just have to content ourselves with Halloween, the old classics, and this awesome little video (sorry, couldn’t help but post it. Enjoy).

*And if you do end up producing a new Friday the 13th film Mr. James, can I help? I love Jason too, and I’d love to see him given a film worthy of his franchise. Perhaps I can help write the script? I have ideas.

**Sorry Mr. Blum. I love your work, and I even sent a resume to your company after I graduated, but you really put your foot in your mouth with that “lack of female directors” comment. I mean really? One article found 30 female directors who can do horror! Perhaps Halloween‘s success means a chance to start fixing that fiasco and bringing them on board.

Whenever you hear a movie getting a ton of hype, especially a horror movie, you tend to be a bit skeptical. And when you hear that Platinum Dunes, Michael Bay’s production company for horror movies, is involved, you’re even more skeptical. I mean, have you seen Ouija? Or that crappy, way-too-sexual middle finger to a franchise that was the Friday the 13th reboot (I’m sorry, but I’ll never forgive Michael Bay for that film. Did not understand what made Jason Voorhees or the Friday the 13th films great at all).

I’m glad to report that this film was not only very good, but actually scared me a bit. And I credit that to how much its director, John Krasinski, who also starred in the film with his real-life wife Emily Blunt and co-wrote the script (rather than a certain director who thinks explosions, boobs, and unsteady camera movements make good cinema).

A Quiet Place follows a family–a father (Krasinski), a mother (Blunt), their deaf daughter (actually deaf actress Millicent Simmonds), and hearing son (Noah Jupe)–living in the first years of a post-apocalyptic world where a predatory race of creatures that hunt through sound have exterminated most of the human race. The family tries to survive each day without making a sound, speaking only with sign language and going to extreme lengths to muffle or suppress every noise (which makes you very aware of how much noise we make in our everyday lives). Which is getting more and more complicated because the mother is heavily pregnant (you can understand why that might be an issue). The film chronicles one particularly nasty night, when the mother goes into labor, and what happens afterwards.

This film is a great horror film. For one thing, the emphasis on sound in this film, both in terms of the lack of ordinary sounds like speech, electronics, and whatnot, the sounds we do hear, from nature to the monsters’ roars and growls, to the music, help to create this creepy, unearthly atmosphere. This helps in suspenseful moments, where characters have to be very careful not to make a sound or they’ll get killed, as it heightens the terror you feel. Hell, I was afraid to make a sound during those moments, and I was in the audience! Coupled with a some well-timed jump scares, you get a really scary film.

I also really liked the monsters in this film. Even in broad daylight, the monsters aren’t very easy to make out through most of the film, keeping them mysterious and making their deadliness all the scarier. And when we finally do see them, they are still really terrifying to look at, even if they may look like the monsters from a certain popular science-fiction/horror franchise (those who’ve seen the movie know what I’m talking about). And I love how not much about the monsters is revealed in the film. You learn enough to understand how they hunt and why they’ve been so successful in hunting down humanity, but you never really learn where they came from or how they appeared on Earth. And that, like the Xenomorphs from the Alien franchise before Prometheus, just makes them all the scarier.

But the best part of this film are the relationships between the family members. With little to no spoken dialogue, you really get to see how this life has been wearing on them, how little mistakes and arguments, along with the constant need for survival, have given each character their own struggles and fears, and how all that creates tensions between them. Seeing them work together, fight, and try to overcome this life is not only enthralling, but contains a great metaphor for the struggles of a family–any family–during difficult times.

That all being said, the lack of sound and action at times does make it hard to stay invested or pay attention to the story. I also thought that the ending could’ve been darker, which would’ve made it a much more memorable and powerful film. At least in my mind.

All in all, I’m giving A Quiet Place a 4.3 out of 5. This is a scary film that will draw you in not just with its premise and atmosphere, but with its intelligence and depth. Take a look and see why silence is truly golden.

Today I’m doing something different, and showcasing one of my favorite things: collect dolls and figurines! I’ve mentioned it maybe two or three times on my blog, but I have a growing collection of these, coming in a variety of styles and themes, and from a number of franchises. Why am I showing this off, when this is a blog about a horror author? Read on, I might get into that later in this post.

First off, plenty of anime figurines. As many of you know, I’m a huge anime and manga fan, so it’s no surprise I have figurines based on anime characters:

From left to right: Homura Akemi from Madoka Magica; a cutesy chibi Christmas version of Asuka from Neon Genesis Evangelion; and Madoka Kaname, also from Madoka Magica.

Hatsune Miku, a famous Japanese music persona; Nina Wang from My-Otome; and Asuna from Sword Art Online.

Asuka from Neon Genesis Evangelion, outitted in a Gothic Lolita style (this one partially inspired a novel).

Except for the Nina Wang figurine, which I bought on Amazon, all of these figures were purchased at Akiba Arcade, a local place that caters to the Japanese game, manga, and anime fans in Columbus (which are many). They have a ton of Japanese games and merchandise, and I visit as often as I can. Yeah, they can cost a lot (most of these cost between $40 and $60), but they’re well worth it.

Of course, not everything I have that is Japanese in origin is anime/manga-related. For example:

This is a maneki-neko, or a lucky cat statue. In Japan, these babies are supposed to bring good luck, especially financial luck. I don’t know if it has, but I’ve noticed my life has improved bit by bit over time, so maybe it’s having an effect?

Of course, not everything I have is Japanese. True, a lot of it is, but not everything. Like these:

Ninth Doctor Funko Pop doll

Sailor Moon and Luna Funko Pop dolls.

Jason Voorhees Funko Pop doll

Lizzie Borden bobblehead doll and a raven statue. Nevermore! Thwack!

The barfing gnome from Gravity Falls; a Grinning Jak from The Nighmare Before Christmas; and Waddles the Pig from Gravity Falls

Yeah, the Sailor Moon one is technically Japanese, but Funko is American, so it evens out. And you’ll notice, a lot of these are related to franchises or pop culture properties I’m a fan of. The exceptions in this group is the Lizzie Borden bobble head doll and the raven. The former is related to an amazing experience I had earlier this year, while the latter is just a fun Halloween decoration that I have out all year because for me, every day is Halloween. Not to mention, they’re creepy.

And now for some of my most recent acquisitions:

 

These are Sally and Jack, and they’re pixified versions of the Sally and Jack characters from The Nightmare Before Christmas. In fact, you can see them holding doll versions of their namesakes in their arms. These are first-edition figurines made by the Hamilton Collection. There are two more figurines in the series, and I hope to collect those two in time. For now though, I’m really happy with these two. Thy’re very pretty, based on a truly awesome movie, and I just love to see them when I walk in the door each day.

And finally, here’s the oldest figurine I own.

This is Zero from the anime Code Geass, which is still one of my favorite animes ever. I made it in art class back in high school, because I couldn’t afford figurines or dolls at that time, and not for several years afterwards. Zero was my way of saying that one day, I would be able to own these sort of things I’d always wanted. And I think I can say I’ve accomplished that goal.

And my collection is growing every day. I’m probably going to get the other two figurines in The Nightmare Before Christmas series from Hamilton, as well as many more figurines from various anime (including an actual Zero figure), and maybe even some of the more traditional kinds of dolls, the ones that wouldn’t look out of place in Victorian England, among others. I’m saving up for them, and for a cabinet to put them all in so they don’t get dusty. And when that happens, maybe I’ll post about those new editions too. We’ll see.

That’s all, Followers of Fear. Just wanted to post about my weird hobbies and show you all how proud I am of them. Until next time, pleasant nightmares.

As you guys know by now, I’m a pretty dedicated horror fan. I read a lot of horror novels and watch a lot of horror movies, I decorate my apartment with horror knick-knacks (just the other day, a Jason Voorhees mask and Funko doll arrived for me from Amazon), and of course, I write a ton of horror. Only thing is, lately I’ve been writing a lot of science fiction, and that’s getting a little old.

The hockey mask looks good on us.

I’ve been working on Full Circle, the final book in the Reborn City series I’ve been working on since high school, since November. And as of the completion of the latest chapter this morning (finished it in just a little over an hour. Do you know how rarely that happens?), I’m just under halfway through the first draft. And while I’m still dedicated to finishing the first draft and the series itself, I’m getting a little tired of the constant sci-fi. Don’t get me wrong, I love science fiction. Doctor Who is one of my favorite shows, after all, and I get as geeky as anyone else when I think about The Last Jedi coming out this winter.

But check the About page of this blog. I’m a horror writer, and all this sci-fi gets a little wearisome. I want to dip back into the world of ghosts, ghouls, serial killers, and all other manner of monsters that go bump in the night.

Plus, I’ve mentioned before that I’m trying to publish more horror short stories, as I’m trying the traditional route again and publishing short stories is a good way to do that. Can’t publish horror short stories if I’m constantly working on sci-fi.

So with that in mind, I’m taking a break from Full Circle to do a little short story writing. I’m going to first write a short story that I had the idea for a couple months back, and then I’m going to edit The Playroom, a short story I wrote back in late 2015 and have not touched since. I think it’s about time I took a look at that one again, and then see if I can get it in a magazine or an anthology. After those are both done, I should be good to get back to work on Full Circle (though if I need to, I’ll write another short story). I have a feeling that starting with the next chapter, it’s going to be hard to stop writing this one anyway, so this is a good time to take a break and slake my thirst for horror.

Until next time, Followers of Fear. And may the terror be with you…always.