Posts Tagged ‘writing’

For those of you who might have been wondering, I went over the chapter wehre I introduced my character Frissora, a hitman from the pits of Hell…or maybe North Africa. I don’t really have a character history for the guy yet, only that he’s a scary bastard with facial scars and he’s going to give the Snake all sorts of trouble.

As I was saying, I went over the chapter where I introduce Frissora and I actually didn’t have to change as much as I thought I would have to change. I just added a few lines and changed how the chapter ended. I still think Frissora is scary as hell, adn I plan to keep that up in later chapters. I may even give some hints as to how Frissora came to be, thsoe sort of obscure hints where the reader gets a small idea of what created Frissora but still has a lot to imagine because those hints are vague and probably only make sense to Frissora…and me.

Well, I’ve made my update. If I have anything else, I’ll let you know.

Onto Chapter 79!

Careful, there’s a character like him in “Snake”.

In the movie Daredevil, based on the famous Marvel comic book, Bullseye is the character Daredevil has to face before he can go against the Big Boss, the Kingpin. Bullseye is a hired killer, totally psychopathic and deadly as hell. This character totally freaked me out when I was 11 and first saw Daredevil at a friend’s birthday party. To this day I still think that Daredevil, particularly the Bullseye character and the murders he committed, influenced my writing and gave me a taste for killing (fictional) people in all sorts of horrible ways.

So I’m happy to introduce the Bullseye of Snake, Frissora, a brutally scarred man with a past shrouded in darkness and the ability to be suave while carrying out heinous acts. In a way, he’s like Bane as played by Tom Hardy in The Dark Kngiht Rises, intelligent and strong and not someone to be messed with lightly…wait, that’s Bane in nearly every adaptation of Batman he’s been in. But you get the idea, right? Frissora is dangerous, and the Snake will have to face him before he faces the head of the mafia family he’s been hunting.

I created Frissora as a way to weaken the Snake and give him a challenge. I also didn’t want the Snake to have too much of an advantage when he finally fought the mafia boss, who is a dangerous fighter as well, so Frissora was necessary. I’m going to enjoy working with this character as he fights the Snake, but I may have to go over Chapter 78, where Frissora is introduced, to make sure I get his character across like I want to.

I hope I can give Frissora the power and depth I wish to give him, and which I hope the reader will be able to feel. Because honestly, it would suck if he just seemed like another thug in a line-up of thugs.

Writing A Sex Scene

Posted: December 4, 2012 in Novel, Reflections, Writing
Tags: , ,

Please use this photo to show people you are not up to anything salacious.

The following blog post may or may not contain sexual elements that are not suitable for younger readers. If you are a younger reader, please consult your parents before reading this blog post. If someone walks in on you reading this, please scroll up to the picture above to make it seem like you’re not some pervert. If you are ready to read this post, please make sure to look left and right with your eyes so as to make sure nobody is watching you read this post. Thank you, and have a nice day.

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I just finished writing Chapter 76 of Snake. And as you can guess from the title, it has a sex scene in it.

A long, graphic sex scene. Which takes up about ten pages total and 2775 words, making this chapter the longest (pun totally intended) and most uncomfortable chapter I’ve written for this novel yet.

But you know what the worst part of it was? Not the fact that I’d written a sex scene and wondered what people would think of me once they read it, though that did cross my mind as a close second. No, it was the fear that what I’d written wasn’t well-written. You see, I’m no E.L. James, though I’d learned a thing or two about sex scenes from reading the works of some of those who’d come before her, namely Anne Rice and Jean Auel. Even with this sort of training, it’s not easy: men are visual thinkers who are stimulated by pictures, which is why Hugh Hefner is one of the richest guys in this nation and worldwide. However, women are more stimulated by the written word, which is why E.L. James and those torrid romance novels you see in the supermarkets sell so well. (And if you don’t believe me on this, ask any psychologist, they’ll tell you it’s true.) So with all that in mind, could I write a decent sex scene?

Well, I’m not sure. I wrote one for practice years ago, which I’ve now misplaced, and I wrote one for Reborn City‘s initial draft, but I cut it out during the edits of the second draft because it didn’t fit with the rest of the story (though when I get to the sequel, there will be sex scenes that do fit with the story). With both of those, I never had anyone look at them, never had anyone to critique them or to tell me that I didn’t know how to write erotic scenes or that something in the story was unrealistic. The only time I ever even told anyone I’d written a sex scene was when my mother was passing by while I was writng the RC sex scene and she asked how the writing was going (“Great Mom, but this sex scene is so awkward to write.” “Doesn’t surprise me at all.” I swear the conversation went something like that)!

So how does my sex scene compare with James, Rice, or Auel? Probably doesn’t compare at all.

But is it well-written? I’m probably not the best judge of that, which is why I hope that when I edit Snake, not only will I be a better writer, but I’ll also have someone very knowledgeable about thrillers looking over the chapters with me and giving me feedback. Until then, I’ve got what I’ve got and I’ll leave it at that.

Now if you don’t mind, I’m going to go take a cold shower and then sit down and watch The Dark Knight Rises, which I couldn’t watch after I watched Batman Begins and The Dark Knight the other day because TDKR hadn’t been released to DVD yet and because it has hardly any sexual elements whatsoever.

So a friend of mine who looks at my short stories as an unbiased third party just got back to me and said he enjoyed reading my succubus story and he thought my writing had improved (thanks, Marc!). So before I started the next chapter of Snake, I went over the story one last time, made some minor adjustments, and now I think I’m ready to send it off. I don’t know any magazines off the top of my head that might publish this sort of story, but hopefully I can find a publication that will be interested and maybe they’ll publish it.

That’s the hope, anyway.

Now that that’s over and done with, I’m going to start working on the next chapter of Snake. It’s a sex scene though, so I have a feeling that my writing will be slowed down my sheer awkwardness and embarassment! Wish me luck.

Peek-a-boo! Woof!

Peek-a-boo! Woof!

Well, I’ve finally come up with an idea for a story that features a black dog spirit, and it came from the most unexpected place. You see, I was writing the latest chapter of Snake while listening to some Native American meditation music on YouTube. I paused to go and take my medication, and while I was taking it, I had epiphany: why not bring together the black dog spirit–normally a harbinger of death and occasionally an emissary of Hell–and meld it somehow with a Native American ceremony? It might require a lot of research, but the payoff would be enormous.

After I took my medication I went and filled out a sticky note, which I then put on my tackboard, bringing the new total to fifteen ideas on that tackboard. As you can tell, I’m going to be extremely busy when I’m done with Snake, but I finally figured out what I’m going to do with that idea for a story and I’m very happy with it.

Now, I know very little about Native American myths involving dogs. I know some of the Plain Indians equate the coyote with evil spirits and sometimes the Devil or King of Darkness. I’ve also heard of something called a “manitou”, but I think that’s some sort of shapeshifter. That’s all I really know, to tell you the truth. However one of my two majors is History, so we’re trained to do research. In addition, I’m at Ohio State, one of the biggest and most diverse schools in the country. More likely than not, we have a department that deals with Native American history and culture, and I’d be more than willing to ask them for help. And if I have to make a trip to our humungous library, all the better; I like to read, and I love that library (if you’ve seen it, you know why).

So before I go, I thought I’d embed the video that inspired me in this post. You should listen to it, and since it’s a long video, you should listen to it when you’re working on something and you need a little background music; you might find yourself inspired, or at the very least you’ll feel relaxed while you work. Enjoy.

My dad called me last night and told me to get my hands on a copy of the latest issue of TIME magazine, saying there was an article that ran 5-6 pages on the ever-growing industry of self-publishing. I asked a friend of mine in my dorm if I could borrow his copy, and this evening I sat down to read it. What I saw encouraged me; there were so many stories of authors who had found success in the self-publishing industry, and even those who’d sold only a few hundred copies or less were finding ways to increase sales. It made me think: I hope that when Reborn City comes out, it’s a success.

Of course, I’m a bit far away from that at this point. I’ve only gotten three chapters finalized, and I’m waiting for the next one. At this rate I’ll probably be finished sometime between March and June. But I’m already gedtting ready, spreading the word as much as I can. Soon I’ll start up my own Facebook page as a writer, and see about creating a fan page for RC. I’m also getting a lot of work on Snake done and I hope to have that done by the end of the year, God-willing, and then I’ll start planning publishing that (and seeing if there’s someone who can look at it and give me an opinion before I put it out). And if I have the energy, I may just put out a small collection of horror short stories. With the power of e-publishing and the author as the marketer, the possibilites are endless.

So let’s hope I can get RC soon. If I can sell 1000 copies of RC, I’ll consider this all a success.

By the way, question for the other self-publishers who read this blog: how are your books doing? And what’re you doing to increase your sales and exposure (besides blogging a lot, of course).

It’s December 1st, so that means National Novel Writing Month is over. I was in it, then I was out, and then I was in again. I got over 30,000 words written of Snake written, which is not bad at all, especially when you consider all the breaks I had to take for class work and for my part-time job. But hey, I think next year I could make 50k. Who knows?

In the meantime, I’ll work on finishing Snake and publishing Reborn City; I’ll keep my grades up and do well at work; I’ll work on several short stories after Snake is finished; I’ll work on losing some unwanted weight I’ve accumulated over the semester; and I’ll just try to be a better person, I guess. Also, National Short Story Month is in May, about six months from now, so that’s something to look forward to.

And to the people who participated in NaNoWriMo, whether you reached your goal or not, congratulations and I hope you get 50k next year! Let’s work hard as writers and do our best.

Well today we had our last meeting in my English 2265 class, Introduction to Creative Fiction. I don’t think it’ll surprise that many people, but I did very well in this class. Still, it could be difficult at times, especially since I had to write a literary short story with only genre elements. That was rough. Luckily the second draft went very well, so I think that one I could potentially get published.

Well, we did our final critiques and revision exercises in class, someone passed around candy, we filled out some papers meant to grade the teacher (God I love that), and somehow at the end I managed to convince the entire class to join me in a singing of “Hallelujah” by Jeff Buckley. It was pretty funny, actually. After the class I had to listen to that song on my iPod.

I also turned in my final portfolio for the class, which included my initial draft of Doll’s Game, the revision exercise I had to turn in and read to the class, the global revision (or as I call it, the rewrite) and an essay where I went over how I incorporated the material from the critique session into my short story. I think I’m one of the person to turn their portfolio in, so hopefully my teacher will get to it first. I really would like that to be the case, because I want to send Doll’s Game (or as I renamed it, Animal Child) to a certain new magazine I’ve heard about.

Here’s to a good grade. Have a great weekend.

This evening at my dorm, we had a program about how Disney might’ve affected our worldviews in a number of ways when we were children. The discussion wasn’t so much to bash Disney as an evil organization that brainwashes children (though that might actually be the case, for all I know), but so much to sit back and tak as educated adults about how Disney may have incorporated certain things into their works, willingly or unwillingly, that changed our outlooks on life. The discussion went through all sorts of topics, from the princess mentality (you saw that coming), sexuality, the villains all are ugly and wearing black, the good looks of the main characters and the sometimes stereotypical ugliness of the villains and minor characters, the differences between men with power and women with power, and it encompassed all sorts of works, from the early Disney films that were obviously about women in traditional roles and love at first sight, to Disney’s current attempts to be more modern and accepting at the expense of the princess of Brave being called a lesbian and the popular TV show Once Upon a Time, which is owned by Disney but takes it old classics and turns them upside down in an interesting fashion.

What we discussed was really interesting and I learned a lot more than I thought I would, and I think everyone else feels the same. Heck, we brought up major criticisms of Aladdin involving stereotypes and mishmashed cultures, and that’s something I haven’t thought about. If you go back and look at some of these old films, you may find yourself seeing things you didn’t see as a kid (I went to Youtube to look at some songs brought up at the discussion, and Good Lord, there were lyrics with more significance than I remember).

Oh, and for those of you wondering how much Disney may have affected me (and consequently my writing), you don’t have to worry; when I first saw those films, I was at an age where I had pretty pictures and sounds to occupy me. I didn’t absorb much beyond that. It wasn’t until I was older that I started absorbing stuff from what I watched, and by then I’d moved onto animes like Sailor Moon and Ronin Warriors. Trust me, it showed in my early writing: when I was ten I tried writing a pirate novel, and a princess ended up joining the crew after they boarded her ship (why she was on the ship or what happened to the crew of said ship or why she joined the pirate crew as an alternative to a dungeon on a magic island or why she was automatically made first mate, I never explained, but I was 10, so go figure), and for a while she was only interested in being a good first mate. Romance didn’t develop till later (or it would have; I never finished that story to tell you the truth).

What about you? Has Disney films affected you in any way?

That includes wondering if your kids should be watching this sort of stuff with all the themes you’re noticing in the storyline and animation, by the way.

Oh, and who in the discussion group said that in the Aladdin song “Arabian nights” there was a lyric about getting ears cut off for ugly faces? I looked, but it’s not in the official movie. It’s in another version though. Look:

Last night before I went to bed, I came up with another idea for a short story. It didn’t involve black dog spirits, but it did strike me as an interesting idea, so I got out a sticky note, wrote it down, and tacked it to the tackboard above my desk. The idea was someone who had an unusual addiction (I’m not going to say what this addiction is, for obvious reasons) and what happened to him when he tried to get clean (again, I’m not going to say what happens to him, just to be mysterious). I considered saving it for my creative writing class next semester, where the teacher has a bigger emphasis on literary fiction than my previous teacher, but I felt this story would be better written with some dark, supernatural elements, and besides, I wouldn’t know how to make the conflict interesting if it was just getting over his addiction (there’s enough stories out there, real and otherwise, that are like that).

This makes fourteen stories if you include the black dog idea that’s still forming in the mess that is my head. And yet with my school and work schedules and trying to write Snake in a timely manner (I started Chapter 68 last night), it’s difficult to find time to write them. I probably won’t even consider starting one of these stories until after I finish the first draft of Snake. So until then, I’ll just have to keep them on the tackboard till then.

But after Snake is finished? Well maybe I’ll do some short story writing. It’ll be fun and good practice for me. And who knows? I could get some of them published in magazines, or I could create a short story collection and put it online as an e-book for $1.99. I really won’t know until I start writing.

Until then, I’ll keep collecting ideas as they come to me. When Snake is done, I’ll have plenty of work to keep me occupied until Reborn City is published and I’m ready to tackle its sequel and editing Snake. And keeping busy is a good thing in my book.