Posts Tagged ‘editing’

On Wednesday, I created the cover for Reborn City out of a photograph and Photoshop. Problem was, I wasn’t completely satisfied with it. So, after much thought and encouragement from the ever-helpful Matt Williams, I turned to CreateSpace. If you don’t know what CreateSpace is, it’s a program through Amazon that you can use to self-publish ebooks, paperbacks, and all sorts of wonderful things. I’d never considered using CreateSpace because I heard it costs money, but I learned that only some services do, while others are very DIY and free-of-charge. And I like those options.

Now check out the old cover:

RC cover

Now check out the new one:

Reborn City

Same photograph, better picture. Sure, there’s no graffiti-esque writing, but this looks better, more professional. And maybe someday, if God is good to me, I can create the cover of my dreams with a later edition.

And guess what? CreateSpace also does print-on-demand paperbacks for no cost to the author, just a small percentage of royalties. Do you know what that means? It means all my books can be someday turned into ebooks and paperback editions! All you have to do is order them from Amazon!

And of course I’ll try to do this with The Quiet Game, get the cover to be customized so that it stays the cover. That’s one I can be satisfied with, I just hope I can get it onto the editions. I hope you’re as happy as I am! If I can, I’ll get the cover loaded up tomorrow, along with sending RC to the copyright office. It’s going to be fantastic!

Expect Reborn City November 1, people, and The Quiet Game this summer whenever that gosh-darn copyright is processed. Ooh, I’m so excited. Hope you’re excited with me!

Oh, I am feeling good tonight, ladies and gentle-bloggers! After going at it for hours on end with only a few breaks to eat, use the bathroom, and working with my sister to create the base to the cover, Reborn City is done! It’s been a crazy and long process for this novel to reach this stage, begun in 2009 and finished right before I graduated high school, but I’m happy we’ve reached this stage.

I’d like to thank my sister Adi Ungar, who helped me with the cover (I’ll unveil it tomorrow after I’ve worked on it a little, God-willing), Matthew Williams for his tireless editing and tolerance to my semicolons and prodding (you’ll get part of that prize, I assure you Matt), and to all those who have supported me over the years and given me advice and encouragement.

Starting tomorrow, the easy parts of the publication process begins: I’ll write a dedication, a note to the readers, a letter of acknowledgement. Then I’ll format the novel so that it’s easy to read on e-reader. After that I’ll get the cover done and send it all to the copyright office, giving me plenty of time till November, when RC hit’s the digital stands. During the waiting period, I’ll create a book trailer, do interviews, create a Facebook page, spread the word, and get people excited. Oh, and The Quiet Game will be coming out during that time, so I’ll do some work on getting that out as well.

I’ll also decide what I want to write in the meantime (though I have a pretty good idea of what I’ll be writing at the moment). I’m looking forward to moving on and writing something new, I can tell you that much.

Wish me luck. I can promise exciting things from here on out, ladies and gentle-bloggers.

Ladies and gentle-bloggers (I so have to patent that term), I have wonderful news.  My friend and fellow author Matt Williams (you can check out his work here) has sent me the final chapters of Reborn City, my science-fiction novel. He has also sent me his praise and some great feedback, so I can’t wait to get to work.

In fact, I’m going to get to work now. I’ve got 5 or 6 chapters to edit still, and then RC will be done. Then I will be able to write a dedication and an acknowledgements page, create the cover myself (I already have an idea for what I want the cover to look like), format the chapters for e-reader, and send it off to the copyright office. At this rate, I’ll be ready for publication by November, which is my ultimate goal. I can even create a book trailer for RC in that time. It’ll be great.

Thanks to Matthew Williams for looking through each chapter and giving me plenty of great feedback. I hope you’ll consider looking at RC‘s sequel, Video Rage, when I’m ready for beta readers to look at that. And thanks to everyone who’s been supporting me since I first began to write RC back in high school. I cannot wait to finally hand it to you and let you read it.

Just pay me a $2.99 download fee first so that I can afford to buy groceries, okay?

Off to edit now. Wish me luck!

Last night I edited two short stories whose editing phases were long overdue because I was busy finishing up Snake. Today I turned to the problem of finishing “Vile”, the short story that I began over the semester but got stuck on. Earlier while hanging out at the library, I was looking over the first page and I thought to myself, How did I write this? It’s terrible. When I considered why it was so bad, I realized it had a lot to do with what I had been trying to accomplish with this story.

When I first came up with the story, about a man who comes back to life through the wonders of cryogenics, I’d set out to write a science-fiction story that was deep and philosophical and reflective, like Star Trek fans often claim the original series was and like a lot of science fiction can be. Despite my best efforts, I’ve never been much of a trekkie, and I apparently can’t write a deeply philosophical story with a sci-fi background, no matter how much I try. And believe me, I’ve tried.

Take a look at Reborn City, for example. It’s a science fiction novel, but it has moral-filled and philosophical themes. Those came later though. I never intended all the morality and philosophy to get in there in the beginning. It just got in there during the planning-and-writing process. The moral of this: I can get deep…but I need a great adventure or horror story to get deep in.

Which is why when I read “Vile”, I wondered to myself, how can I make this a good story without getting stuck again? I went back to the basic idea behind the story: a guy is brought back to life through the power of science, but things don’t go well afterwards. So how can I proceed? I thought about it…and then an idea came to me. I’d been struggling with another story about a demonic possession gone wrong. Could I combine the two? Indeed, I found a way to do so.

So now I’ve got a story I’m pretty sure I won’t get stuck on and be able to finish it. I just need to write it. In fact, I’m going to go do that right now. I’ll see what comes up. Hopefully it’ll be a terrifying sci-fi story with the deep themes I wanted, but the themes don’t clog the writing process.

Creepy, is it not? Even if it is a cartoon.

Oh, I’m feeling good. I took the last twenty chapters (all less than ten pages, let me remind you) and edited them. I think I ended up increasing Snake‘s word count by about six-thousand or so words, but all in all the entire book will be around three-hundred and fifty pages once I format it for publication (so don’t go running off afraid to read my thriller novel. If you’re going to run away, be it for the content and not for the page count).

I like this draft. I ended up doing a lot of character development and explaining some things that I realized did not make a lot of sense. I also gave my characters more character history, and even added two full chapters. I think I also cut out some of the unnecessary words and what not, made the plot run a bit smoother.

All in all, it’s a good draft. I’m not sure if at this point I want to send it to the presses, do another draft, or if I want to send it to a beta reader again. In any case, I’ll think about it over the next few months as I take a break from the Snake and his blood-filled world. In the meantime, I’ve got two short stories to edit, one to finish writing a first draft for, and two to research. Plus my good friend and fellow author Matthew Williams is almost done reading my science fiction novel Reborn City, which means I can get ready to send it to the copyright office.

All that can wait till tomorrow though. I plan on celebrating finishing the third draft with a marathon of Doctor Who and Torchwood. Good night and thanks for all the support!

There are only so many names in the world. We rarely think about it, but there are only so many names in the world. And as writers, we generally use a lot of these names. Some people will use certain names more than once (Stephen King seems to have a fondness for characters named Jack, and uses a variety of last names so that it doesn’t seem like he’s using the same character every time). There’s nothing wrong with that, just as there’s nothing wrong with not using certain names (I think the names “Jack” or “John” are too commonly used, so I rarely use them, and there’s a certain girl’s name that I’m saving because if I ever have a daughter I want her to have it).

However, as it occasionally happens, there are certain names that our friends share, or that random people we meet on the street have. You could write a novel about a guy named Jason Colbert and then some guy will come up to you and say his name is Jason Colbert. This is the reason why the page in the novel that has the copyright info on it says “All names, places and groups are fictional and any resemblance to real people are coincidential” or something like that.

And as I know from personal experience, it’s important to disclose that. Whenever I decide to name a character a certain name and I have a friend who has a similar name, I make sure to let them know the character is not based on them. Here’s why:

1. You might inflate someone’s head. A few posts back I wrote about some of my early attempts at writing (you can read that post here). One of those attempts, a vampire novel called Mahiro, starred a vampire/vampire hunter named Daniel Axton. And one day I let slip to a friend of mine this character’s name. This friend’s name was Danny L. (I dare not disclose last names for the sake of privacy)

My friend thought that this meant I’d name the character after him, and the idea was only furthered when I mentioned the character also had brown hair. From then on, whenever the topic came up, he insisted that the character was named after him even though that this was far from the truth and that they had different last names. Good thing the vampire craze reached its peak midway through the second draft, or I may have tried to publish the novel and further inflate my friend’s ego.

2. It could get awkward. I’ve mentioned before that the female protagonist of my novel Snake is named Allison. Well, I have two friends named Allison. And although the Allison of my creation is very different from the Allisons I’m friends with, I made sure to let them know there was no resemblance between them. After all, if they read the novel and see some of the things my character gets into, it could lead to awkward conversations and lead to problems in my relationships to them if they thought the character was based on either of them. I mean, there’s a sex scene in that novel. Guess who’s in it. You can see why I would want to tell them there’s no resemblance or relationship between the fictional Allison and the real ones.

3. Angry lectures on “my character”. You ever get people asking you to put them in your novel? I used to, but I stopped doing that a long time ago. Why? I took some liberties with the characters, and my friends were upset about those liberties. After reading pieces of the manuscript they would tell me they didn’t think a character based on them would act that way or would say such a thing or “why is my character a ginger?” or “why did you kill my character off?” Even if I don’t base characters on my friends anymore, I make sure to tell anyone with a similar sounding name there’s no connection just to avoid these little lectures.

4. Someone may try to capitalize on the name. I don’t think anyone I know are particularly greedy or untrustworthy. I generally keep good company. However if someone came to me for money as payment for using “their name” in the novel, I’d tell them there was no relationship. Heck, during the writing phases I’d let them know this. It’s not that I don’t trust them, it’s just that if the novel does well, the scent of money may bring about something dark and usually kept locked away. It’s just better to nip that in the bud than let it blossom.

So that’s why I disclose to people if there is or isn’t a connection to a character in a story. It’s just safer that way and stops any weird situations from rising up. And it’s pretty handy too.

Though someday I may create a character after someone whom I really don’t like just to spite or satire them. But only if they really annoy me (which means my sisters better watch out if they know what’s good for them).

Do you disclose to friends/family whether or not there’s a connection between them and a character you created? What happens when you do?

I’ve heard fiction writers say they worry that they’re writing the same story over and over, just changing the names, the locations, and the situations. They say they worry they’re becoming one-liners, that their work is unoriginal and that they might as well be using cookie-cutters to write their stories.

I’ve had these worries myself. A lot of ideas for novels I have sound very similar if you look at them from certain angles. I’ve gone on thought trains that go something like this: “Oh, this story’s heroine reminds me of this heroine from another story…and she reminds me of another heroine…and don’t their stories sound a little similar?…and what about their male counterparts?…oh my God, did I repeat myself?!” Luckily I’ve got so many ideas for stories that I’m sure I can space these similar sounding stories enough so that critics and readers can’t accuse me of being unoriginal. But even if I didn’t have so many ideas, who cares? You can tell so many of the same story and still be successful. Look at Shakespeare! Every tragedy ends up with a ton of blood, every comedy ends up with bad guys getting butts kicked and lovers falling into each others’ arms in comical fashion, and every history…well, it’s history.

But if you still worry that your work is repetitive and just looking like the same old story over again, then don’t despair. Treat it like you do writer’s block–in my case putting the story aside for a couple of weeks and then getting it out again to look it over. In the amount of time that break took up, I’ve probably done a lot of fun things, or read several awesome books and graphic novels, or watched some pretty interesting TV shows or movies. I can add all that I’ve experienced to the story as I go over it and try to find some way to improve it. And if that doesn’t work, try using a random word generator and using three nouns from that generator to help mix up your story (it’s something I learned to do in high school. Thanks Mr. Guinan).

But if you still feel that you’re only repeating yourself, look on the bright side. Most people don’t have the energy or the fortitude to write a full story, even if they are born with the talent to do so. The fact that you can write only one story, you can do a lot more than others. Perhaps you can even make the best version of that story ever written. And isn’t that worth all the repeats over the years?

As of this evening, I’m only fifteen chapters away from finishing the third draft of my thriller novel Snake. Boy, it’s been a lot of work. I added two chapters, and I cut out a bunch of words and I added a lot more words than I deleted because it was necessary…and I’m starting to worry that it’ll be so long nobody will want to read it. It’s already kind of scary. If it’s long too, will anyone want to read it?

I hope. And I also hope to get this draft done by the end of this coming Memorial Day Weekend. Because once I’m done, I’d like to work on other projects before I decide if I need another draft or if I should go straight to the presses. I want to edit a couple of short stories that have been waiting for their next drafts. I want to finish “Vile”, the short story about coming back from the dead that I had some writer’s block on when I last looked at it. And I want to write a short story that’ll be a homage to Edgar Allen Poe’s “The Premature Burial” (and yes, I love  The Following despite how crazy its story can get). And yes, I want to put out The Quiet Game and get ready for when it’s time to put out Reborn City.

But I do like how this draft of Snake has turned out. With every draft my story is a bit more polished, what the characters do makes more sense. I added a lot of character development and I fixed some things that I’m pretty sure some fanatic will nitpick to death on the Internet. And I’m sure that if I do another draft, give my story to a beta reader, or just send it to the presses, I can at least say this story turned out much better this draft.

So whether or not you like books up to 400 pages, I hope this book finds its niche and a group of fans…and hopefully not any mentally unstable fans. Until that time though, I’m going to finish this draft and keep working on my writing. Wish me luck.

This is the first of two posts I plan to write this evening. This one was inspired by my younger sister, who asked me how many stories I’d thought about in my head yesterday as I was helping prepare dinner. Now I’ve mentioned my Ideas list on this blog before, a document on my flash drive that contains a little over fifty different ideas for novels, movies, TV shows, mangas, and even a video game. I keep this list because my memory is amazing on some things but remarkably poor on others (but doesn’t everyone have that problem?). However at various times throughout each day I’m thinking about one or more of these stories and trying to work out various plot points and scenes, even if I won’t write these stories for a long while.

I answered my sister truthfully, “About three or four.” One of them was my science fiction novel Reborn City, which is in its final draft and less than ten chapters away from completion (thank you, Matthew Williams, for your diligence on this project). The other, my thriller Snake, is in the middle of its third draft, and when I had the chance yesterday, I was able to edit a few more chapters. The other two was a possible novel about an assassin with multiple personalities, and a story influenced partially by Sleeping Beauty (by the way, I call stories I write based off of fairy tales and other well-known stories, of which I have many ideas for, “Fractured Fairy Tales Untold”. Catchy title. A prize goes to the first person who gets where I got the title for this category from).

Anyway, my sister’s latest dream of what she’ll do when she’s an adult is to write, though I think she’s more into fantasy and I’m not sure how deep her devotion is or if this is just one of those passing fancies all kids seem to go through, even during the teen years. She claims she has twenty ideas going through her head each day, which I take to be exaggeration and possibly the hubris all starting writers have when they find they can string a few sentences together to make the bare bones of a story. But the conversation got me thinking, and I’ve been wanting to write this post since then, because there are a lot of writers out there who have a ton of ideas running through their heads and I think it’s a good topic to explore.

Every writer wants to be known for something they’ve written. Some have just the one work and want that to be well known, while others want to be prolific and have lots of famous stories. I think the former dream of just publishing their manuscript, while the latter dream of being the next Stephen King or Ernest Hemingway or Ezra Pound. I also believe the latter tend to have many different ideas brewing at any one time in their head. After all, if they want to be known for a large body of work, they have to have a lot of it in their heads already, right? These authors are always working on something, and they often spend great amounts of time just working on a story, whether by writing or by daydreaming. Not to mention, they also have new ideas coming into their heads, so when they do get a new idea they may spend hours, days, weeks, months, or sometimes years plotting and planning before they start to write it.

Of course, with so much in their head, it’s doubtful they’ll run out of ideas at any point. Or more precisely, it’s in doubt that they’ll finish even a tenth of all the work they’d like to do. I personally view this to my advantage, as it means that I’ll have multiple objects every time I start a new project. Should I start the next volume of a series? Should I work on a new series? How about a stand-alone? Which one? A Fractured Fairy Tale Untold? A psychological thriller? Something with the potential of a sequel should it do well? A science fiction novel with thought-provoking social themes? The options are endless!

Other writers may not have the same view of having many ideas as I do. They may think its better just to focus on the one idea, or perhaps they try to write as much as possible so they can get as much out as they can while they’re still breathing. Or, if your name is James Patterson and you have tons of money on hand, you hire co-writers to work with you so you can get out nine books a year (yes, I’m still a little sore over this, though I thought Alex Cross, Run was one of the better books in the series lately). It’s different for every author.

But like I said, I like having multiple ideas to focus on at any one time. It gives me something to do, and I think as time goes on, like wine, these stories get better with age. And even if I don’t write everything on that Ideas list, even if every manga isn’t serialized, every movie made or every TV show has a pilot filmed, I can still say that I gave it my all while I was writing and that’s enough for me.

Do you have multiple ideas in your noggin? What’s your view on having all these ideas?

I’ve been meaning to write this post for two days, but Sunday was nuts, and Monday wasn’t much better (though I did see Iron Man 3). In any case, I wanted to talk about something I noticed while working on Chapter 47 of Snake. In that chapter, the Snake gains an unlikely ally, and she goes out of her way to help him escape from the police. As I was looking over the chapter, I was puzzled by some of the things I was reading. I couldn’t figure out why I had written a character doing or acting a certain way, so I had to go back and explain in detail why the character had taken that action. As I did this, I realized something: this wasn’t the first time I’d done this.

I have this bad habit sometimes with my writing. I’ll forget that unlike me, my readers don’t know everything about the story or the characters. So what makes sense to me won’t make sense to the readers because they don’t know the same things I know. What’s worse is I sometimes do this with my characters as well: I’ll have my characters think about what a character did or is doing right now, not realizing that I hadn’t planned on revealing that until later, so it’s weird that the character should know that.

I’m sure this has happened to all writers, but it’s still embarrassing  for me (and I’m sure for many others) when it happens. In fact, while writing this post I realized another moment in that same chapter that I have to fix up because of one of these instances occurs there and I totally didn’t realize it until just now. I hate having to admit it, but it’s true, so as soon as possible I’ll get into that chapter and fix that little problem up.

I guess the important thing is not to let these moments bog you down or make you think you’re a terrible writer. Just go back, fix it up, and try to keep these instances in mind so you don’t repeat them in the future. That’s what I’m going to do, anyway.

Has this ever happened to you? How do you feel about it?