The cover of the original Carrie novel. Oh, does this bring back some fond memories.
In case you haven’t heard, MGM and Screen Gems are doing a remake of that wonderful debut novel of His Highness Stephen King, Carrie. I feel a strange connection with that novel, not just because I’m a huge fan of King, but because I was bullied when I was a kid, so I know what it’s like to want to lash out (and sometimes actually lash out) at the bullies who hurt you. So you can tell I’m super-excited that Carrie‘s getting a third chance at the screen, big or small.
I’d like to devote two posts to Carrie. One will be on what I hope the filmmakers will do with the novel, in comparison to what others have done with the novel. The second post, which I will write in the morning or afternoon, will deal with what I hope people will get from a new film adaptation of Carrie. And trust me, what I’m thinking of, is probably different than what you’re thinking of; they are two very different subjects.
Theatrical poster for the wonderful 1976 film.
Alright, the first film, the one that’s famous, starred Sissy Spaceck as Carrie, and Piper Laurie as Margaret White. Spaceck was very believable as Carrie, though a tad prettier than I expected, while Laurie was freaky as hell as Mrs. White (honestly, I’m soooo glad my mother, who’s a rabbi, is not like her!). The prom scene seemed not as scary as I’d hoped, though that may be because I’m a Generation Y-er, which means I’m used to special effects and whatnot. And of course, Chris Hargensen was a total bitch. 4.2 out of 5, if I had to review it.
The second film, a made-for-TV movie, could’ve done a lot better. Angela Bettis not only looked like a real Carrie, she embodied the role to the point I believed that girl was Carrie. Patricia Clarkson, on the other hand, did not intimidate, but then again what do you expect: the woman was passive, and wore colors other than black. Not scary in the least. The music for that film also was better suited for a Hallmark Channel white-women romantic drama centered around family life, not a Stephen King-based horror movie. There were high points though: not all the characters were Caucasion, and Sue Snell was even African-American, so kudos for diversity, which I think should be looked for in every movie, especially horror with its nearly-always white victims. And the special effects, while not exactly state-of-the-art enough to look very real, were done in such a way that during the prom scene, I had a huge grin on my face from glee. Once again, freaky as hell.
Poster for the flop of a TV remake.
Like I said however, the TV remake could’ve been better, barely getting a 2.9 on my review scale.
Now what I hope from the new movie: we’ve learned by now that Chloe Grace Moretz, the little girl with a punch from Kick-Ass, is playing Carrie, while Julianne Moore, who I’ve seen in a couple of films but never really taken note of till now, is playing Margaret White. Now, as I’m not that familiar with Moore’s work, I’m going to decline to specualte on her in the role and hope she plays a good crazy woman. As for Moretz though…well, she’s a very pretty fifteen-year-old. The make-up artists are going to have to work hard to make her look plain. I’m also a little surprised that they didn’t include an actress who’s maybe a little chubbier so as to be more in-line with the book, but hey, if Moretz can seel it, I won’t complain.
As for special effects…let no expense be spared. This is a movie about a psychic girl with a ton of issues, and the one thing the TV remake did right was make that prom scene scary to behold. So this time around, I hope they can top that: students screaming, flames burning students while scoreboards fall into water to electrocute other students, and Carrie standing in the middle of it all, a melding of the Queen of Hearts and the Red Queen, silently chopping off heads.
Promotional image for the new movie. So far, I like what I’m seeing.
Was that a great metaphor or what?
Two other things I’d like to see: one would be more of a stand-off near the end between Chris Hargensen and Carrie. It just seems a little anti-climactic that Chris and Billy always see Carrie on the road and then get killed while accelerating at her. Can’t Carrie have a few seconds to say, “Very funny, bitch” or something before crushing them? Or maybe just a stare to say, “Our eyes are locked. Here’s my revenge”?
I’d also like to see the inclusion of the subplot featuring Sue’s pregnancy. So far, that hasn’t made it to the films, but I would love to see it happen in this one. After all, it plays a big part near the end of the novel, especially since this is a story centered around blood. Blood starts it, blood is at the climax, and blood should symbolically end it.
By now I’m thinking my words won’t affect the script, but hey, I can hope, right? Let’s see what happens.
Tune in at some point tomorrow; I’m planning on doing some thoughts on the subjects of Carrie and bullying, all before I go to see a movie at the theater near campus.
Bye.
Rami Ungar The Writer 