Posts Tagged ‘psychological thriller’

In his latest collection, Junji Ito contains four short horror manga for us to enjoy. Surprisingly, none of them are named “The Liminal Zone,” which is unusual for his collections.

That’s it. That’s the summary of the book.

So, as you all know, Ito-sensei’s work can be really hit-or-miss with me. Some of it, like Remina or Uzumaki, are masterpieces and I feel should be read by horror lovers everywhere. Others, like Smashed or Fragment of Horror, didn’t make that big an impact on me (though I think one of the short stories in the latter inspired one of the stories that’ll be in Hannah). This collection, for the most part, was a miss.

The first story, Weeping Woman Way, is about a couple who come across a professional mourner, affecting the woman in the couple. It is kind of eerie, but it kind of fell flat with me. Too much exposition and not enough focus on the horror, which I feel is a trend with the lesser of Ito’s stories.

The second, Madonna, was my favorite. Taking Catholic veneration of Jesus’s mother Mary to new extremes, the story takes place at an all-girls school where the principal’s wife dresses up as the Virgin Mary. As new student Maria Amano notices weird things occurring at the school, and the attentions of the principal and his wife become more than creepy, she finds herself wrapped up in a terrifying plot centered around the belief that the Virgin Mary will reincarnate one day.

As a cult story, I rather liked it and how it took Mary worship in a rather disturbing direction. I also like how Ito-sensei explored feminist themes in the story, like how many of the female characters equate acting passive and devoted to their god–the principal–to acting like Mary. Even the main character acts very passively and only takes action when her own life is threatened.

The one flaw with the story was that I would have liked a slightly different ending, but overall it’s easily the best story in the collection. I would love to see how a live-action horror adaptation would handle the story. It would likely be an improvement over that other horror movie about twisted Marian veneration that came out last year.

The third story, The Spirit Flow of Aokigahara, is Ito’s take on the famous “Suicide Forest” of Aokigahara, and I did not think it was possible to find a story on that subject I would hate more than 2016’s The Forest (see my review here). A terminally ill man and his girlfriend head to the forest to commit suicide and find a mysterious phenomenon involving ghosts and a mysterious cave. I really have no idea what was up with this story. It just seemed like Ito was throwing darts at a board and trying to see what plot points he could hit.

Though I do appreciate that it made fun of that idiot YouTuber who actually posted footage of a dead body on his channel by having another YouTuber experience something sanity ending.

The final story, Slumber, wasn’t half-bad. A guy believes that he’s been going out and killing people after he goes to sleep. It’s a decent psychological thriller with a nice twist. Plus, the art is especially gruesome.

All in all, this is one of Ito-sensei’s lesser collections, though there is material to enjoy. On a scale of 1 to 5, I’m going to give The Liminal Zone a 2.5 out of 5. If there was more or better material inside, the grade would have been better, but it is what it is. Read for Madonna and Slumber, but skip over the other two.

That’s all for now, my Followers of Fear. I’ll have some more posts out next week, believe me. So until next time, good night and pleasant nightmares!

Greta follows Chloe Grace Moretz as Frankie, a young woman living in New York who finds a handbag on the subway on the way home from work. She brings the bag to its owner, Greta Hadig (Isabelle Huppert), a French widow living alone. The two women strike up an unlikely friendship and find comfort in each other’s company. That is, until Frankie finds out Greta is hiding some terrible secrets, and her relationship with the older woman takes a very dark turn.

The best part of this film is its lead actresses. I’ve always loved Chloe Grace Moretz. She’s a great actress who truly embodies whatever role she inhabits, be it a vigilante or Carrie White in the better movie adaptation of Stephen King’s Carrie (don’t @ me, Sissy Spacek/Piper Laurie fans). Greta is no exception, with Moretz really coming across as this young woman who’s kind and a little vulnerable, but also at the same time has a bit of fight in her. And Isabelle Huppert’s Greta is plenty creepy. She’s no Annie Wilkes, but she can go from sweet and grandmotherly to cruel and sociopathic at the flip of a switch. it’s a great change.

And Maika Monroe from It Follows has a supporting role in the film! Good to see her again, I haven’t seen her in anything since that film (probably my fault more than hers). She’s great as the best friend who’s seems shallow on the surface but has a deeper, badass side to her.

However, the film isn’t exactly a thrilling psychological slow burn. We’ve seen this sort of story before, and that makes it predictable. By the last third or so, I could predict what was going to happen minutes before it occurred. And while there are some tense moments, they’re too few and far-between to create a gripping atmosphere. Couple that with an unnecessary and boring dream sequence, and the film’s quality really goes down.

On the whole, I’m giving Greta a 2.8 on a scale of 1 to 5. The talent is there, and God do they try to make it work, but an obvious plot and lack of actual terror make this a forgettable entry into the thriller genre. Which is a shame, as the director was the guy who gave us Interview with the Vampire in 1994 and as I said, Moretz is the superior Carrie in the superior adaptation. But hey, every now and then you strike out, am I right?