Posts Tagged ‘Stephen King’

So yesterday I’m having a conversation with the receptionist at my doctor’s office while I wait for my appointment, and we get onto the subject of the stories I’m working on (because if you know me, after a while that WILL come up). I tell her about my WIP Rose, and what that’s about, as well as some of the themes in the story. When she hears that it deals with some pretty heavy themes like abuse, her response was, “Wow, I didn’t know horror could be so deep.”

And that’s a common response from non-fans, not just of horror but of speculative fiction in general. People who are on the outside of this genre tend to look in and see only a stereotypical surface: swords and wizards and weird humanoid species who make weird oaths with the names of oddly named gods for fantasy; funny costumes, silly effects, and incomprehensible in-universe technical jargon for sci-fi; and of course, people screaming and dying in gross ways for horror. And to be fair, a lot of these stereotypes do have examples in the genres that are just that, especially the slasher genre for horror. Whether they emerged as a result of the stereotypes or they were the influence that created the stereotypes, I’m not sure.

But, as any fan can attest to, any one of these genres can delve deep into very complex ideas and themes. And that includes horror, which is what I’ll be focusing on in this post (sorry sci-fi and fantasy. I love you, but you’re not my normal bailiwick). In fact, horror does this quite a bit, it’s just usually more subtext than overt. The reason behind this, obviously, is because horror’s main purpose is to scare, so having exploration of ideas take the forefront of the story over the actual scares and plot actually takes away from the latter, which causes the story as a whole to suffer. In novels, you can sometimes devote a few paragraphs or even a couple pages to that, but it still cannot be the main component of the story.

And because it’s often more subtext, the heavy bits are often overlooked by non-fans and even some fans, who are more likely to focus on how scary/creepy/unnerving the story was. This happens especially in movies and TV shows, which as visual mediums are very good at conveying the scare with their subtext.

A text full of great subtext.

However, even if it’s not obvious, the heavy themes and ideas are still present in the story if you look for them. A good example would be Dracula by Bram Stoker: on the surface, you have a Gothic vampire story. But go a little deeper, you see a commentary and criticism on Victorian ideas and fears. Dracula himself can be seen as a sort of twisted Jesus Christ, offering immortality through the drinking of his blood and the taking of the blood of others; the vampires themselves can be interpreted as corrupting sexuality turning good people, particularly women, into carnal monsters; and the vampires coming to England as a nod to English xenophobia, with Dracula and his kind, who speak and act strangely and must sleep in the soil of their native lands, representing the influx of foreigners to England during the later Victorian era and how they may not be suited to English society, according to some Victorians.

A story that’s more than just scares.

And this can be found throughout horror stories, particularly in novels where there is room to explore these heavy themes. A lot of times, you can see these themes embodied in some way in the supernatural forces that may threaten the character(s). Stephen King does this very well in many of his stories: while explicitly stated that the events of The Shining are supernatural in origin, on another level it’s a great story of a family breaking down due to stress, isolation, alcoholism, and old tensions arising, with the hotel simply being a stage for things to play out rather than a true supernatural entity. Likewise, It is a story about a supernatural force, but that same force is also a representation of childhood fears, what we fear in the dark as well as fear of growing up. And that’s just the tip of the iceberg of this great novel.

You also see this in movies, with a great example being The Babadook. While the titular monster could be real, it could also be a form of shared delusion between a mother and her son, trying to work through their individual and collective issues. There are a number of articles that look at the film from a psychological perspective, and the arguments they make put the story in a whole new light from first viewing. The Babadook is a story laced with deeper meaning, if you just look beyond the surface.

So as we can see, horror is more than just people screaming and dying in gruesome ways. Like any story, it can have a deeper meaning, going into the psychology of characters, the beliefs of society, philosophies on life, death, love and so much more. You just have to pull back a veil and take a closer look, and you’ll see what’s always been there.

I’m going to start this post by stating for the record that I have not read any of the Dark Tower books, or the audiobooks, or the graphic novels. I’m coming at this as an outside fan, someone who likes Stephen King a lot but has yet to try his fantasy series because, as even King puts it, it’s an acquired taste.* I also realize that this is a movie, so they’re going to have to make many adjustments between getting the story from the page to the screen. I’m okay with that, because I’m pretty sure a straight adaptation would be longer than Titanic (and that’s three hours long!). And I somehow managed to keep away from reviews from other sources, so I went into the theater with a clear mind in order to judge this film on my own terms.

That being said, I liked this film.

The Dark Tower follows Jake Chambers, a teenager from New York who is having dreams about this strange world, a man dressed in black who is trying to destroy a gigantic tower, and a man called the gunslinger who hunts him. While the rest of his family and even some of his friends think he’s crazy, Jake manages to find a gateway to the mythical Mid-World, and becomes an important piece in the battle between Roland the gunslinger and Walter O’Dim the Man in Black, as well as an important piece in the battle to keep all of reality from becoming destroyed.

So like I said, this film worked for me. The visuals were very beautiful, giving us this huge world with strange features and breathtaking views. The actors were all great, especially the main three, Idris Elba as Roland, Matthew McConaughey as Walter, and Tom Taylor as Jake Chambers. My favorite was McConaughey, his take on Walter was terrifying. You could sense the psychopathy in this character, the indifference to death and love of destruction. It’s really creepy. Elba was also commanding as Roland, making you feel this intensity, and Taylor as Jake was a believable character who finds himself in this strange world and is trying to make the best of it.

*shudder* Scary dude.

Also, shout out to Fran Kranz as a bad guy. Did not know he was in the film, so it was so cool to see the guy who played Topher in Dollhouse there.

I also thought the fight scenes were choreographed very well. They didn’t look silly or hard to make out, and the camera work wasn’t shaky or anything. And for a series well-known for being complicated and bizarre, I actually felt like it was easy to follow. Sure, some things didn’t make sense or weren’t explained, but I was able to follow it for the most part.

That being said, there were two things that I didn’t like: one was there was this minor character called Timmy, who is supposed to be a friend of Jake’s, and he’s in the film for maybe three minutes and really doesn’t serve a purpose. If you took him out of the story, the film wouldn’t be missing anything. I also thought that the story was kind of by-the-numbers. There wasn’t any sort of point where I was surprised by what happened, or the filmmakers threw me for a loop. Was I thrilled? Yes. Did I was like, “Oh hey, I didn’t see that coming”? No.

But all in all, I think this is the best adaptation of The Dark Tower series we’re going to get without being overly complicated or bogged down in details. I know it’s not going to please everyone, especially hardcore fans, but it was a good film for me, and I would be interested to see a sequel and/or the television series in development based on the movie.

On a scale of 1 to 5, I’m giving The Dark Tower a 4.4 out of 5. Go see it, and find yourself reciting the Gunslinger’s Creed for the rest of the day.

*And if the books anything like their probable inspiration, HP Lovecraft’s Dream Cycle, particularly The Dream-Quest of Unknown Kadath, I’m willing to wait.

Happy Birthday to the blog,
Happy Birthday to the blog.
Happy Birthday to Rami Ungar the Writer,
Happy Birthday to the blog.

Six years.

I’m supposed to say that it went by super-fast, but it feels like it actually has been six years (though the past eight months or so have gone by in a flash). I think it’s how much my life has changed that really sells me on the fact that six years have gone by. When I first started out on this blog, it was at a library computer station. I was eighteen years old, had yet to start college, and I was sure this blog would bring me lots of readers for my first published book when that finally happened. My only regular readers back then were my parents, and I think they read mostly to be supportive (and to make sure I didn’t post anything on my blog that would get me in trouble later in life).

Today I’m twenty-four, I’m working in a good job and living in my own apartment. I’ve got four books out, and while I’m still not a world-famous writer, I’m taking steps so that someday I can be a full-time writer. Maybe. My readers come from all over the United States, as well as from Canada, Europe, and farther away. They’re writers and readers and horror fans and just people who, for one reason or another, like what I have to say on this or that subject. We have conversations in the comments, and some of these people become good friends with me. Once or twice, we even meet in real life (or make plans to but can’t due to issues of customs).

And you know what? This all happened because of you. Yes you, whoever you are, reading this blog post. Yes, I supply the content, but every time someone has tuned in and read a post, offered a like or their thoughts, and when they decide to follow me so as to get future posts, they keep me writing and interacting with this community.So thanks, my Followers of Fear. I really appreciate you being here for me, through thick and thin, highs and lows, reviews and political rants (dammit, admitting the United States isn’t perfect is not un-patriotic! It’s a desire to make this nation better). I hope you’ll stay with me for all that comes in the next year, whatever that happens to be.

Speaking of which, what do I want from the next year? Blogging and writing-wise, anyway.

Well, I would like to reach a thousand followers, and that might actually happen this year. I’m within a hundred followers of that, so I think it could happen. I’d also like to write some more good posts and have good discussions with the many friends and acquaintances I’ve met through this platform. I’d also like to get a few more stories written, edited, and published. I especially hope I’ll finish Rose and maybe get it represented by an agent. Will that happen? Well, if people’s reactions to the story’s idea and my college advisers’ feedback is any indication, that could very well happen. Hard work and a bit of luck can do wonders, after all.

Well, that’s all for now. There’s a Stephen King movie coming out this weekend, so expect a review very soon, my Followers of Fear. And until then, pleasant nightmares!

I’ve been keen to read this novel since Stephen King tweeted about it months ago, saying this novel, which apparently is the first work of an already-established author published under a pen name, was the first great thriller of 2017.* By the time it came out on July 11th, I was one of the first people to get a copy at the library. And while I don’t always agree with King on what makes a good story (see my review for A Head Full of Ghosts by Paul Tremblay), I have to say, he was right that this is a great thriller novel, possibly the first great one of 2017 (I haven’t read most of the others that came out this year, so who am I to judge?).

Final Girls follows Quincy Carpenter, the lone survivor of the Pine Cottage Massacre, in which a man she only refers to as Him killed all her friends while on a camping trip and she was the only survivor. This has made Quincy part of an exclusive club known as the Final Girls, women who have survived horror-movie style massacres and, like the girls in those movies, are the only ones to survive. The other two are Lisa Milner, the survivor of a sorority house murder spree in Indiana, and Samantha Boyd, who escaped and killed a killer known as the Sack Man at a motel in Florida. Quincy, who has no memory of the events at Pine Cottage, wants nothing but to keep up her baking blog, maybe marry her defense attorney boyfriend someday, and have some definition of normal.

That is, until Lisa Milner dies under mysterious circumstances in Indiana, and Samantha Boyd shows up at Quincy’s apartment in New York to talk. Suddenly Quincy’s life is thrown into a maelstrom as Sam’s presence threatens not just to unearth the memories from that fateful night, but change her world forever.

Immediately, you feel like this is two stories in one, a standard slasher and a mystery/thriller. On the slasher hand, you get to read Quincy’s recollections of Pine Cottage, which are told in third-person POV and past tense. And on the other hand, you get the events of Quincy’s current life, which are told in first-person POV and present tense, which is a mystery/thriller mixed with the story of two completely opposite people trying to bond over an incredible and dark situation. And both stories are peppered with references to horror movies, especially the best of the slasher genre. There are some obvious ones: Quincy’s last name is a reference to director John Carpenter of the Halloween series, while Lisa Milner’s massacre is an obvious reference to Black Christmas. But there are other, subtler references.  The mystery elements definitely remind me of the Scream movies and the TV series, which utilize mystery to offset themselves from tried-and-done-to-death slasher stories, as well as elements that make me think of Urban Legend. And that’s just the tip of the iceberg, there are probably references I don’t recognize from movies/comics/shows/books I haven’t seen or read yet.

I also really enjoyed the characters. Quincy felt incredibly real to me: rather than being a character who’s always good and delicate or always damaged and dealing with her issues, she’s actually a pretty good balance of both. She’s clearly made some progress in trying to move on and have a new normal, but she also has issues that she doesn’t want to address, even takes some joy in, and those occasionally threaten the balance she’s trying to maintain in her life. It’s very refreshing to see such a realistic character like that. I also found Samantha Boyd (or Sam, as she prefers), to be very real. She’s a girl whose life is one defined by horrors, and who’s trying, in her own way, to reach out to the one person left in the world who knows what it’s like to have felt horrors like hers. The way she does it isn’t exactly smooth, but it does feel like someone with her background might use to reach out and find some mutual catharsis.

But the best part of the story is definitely how twisty it is. Even when we go back to Quincy’s past, it is anything but a standard slasher, going in directions you don’t see coming. Just today, while reading the last 70 or so pages, I kept marveling at surprise after surprise after surprise. And that’s pretty much how it is for most of the book, especially in the latter half of it. I think even some veteran mystery/thriller fans will find themselves surprised at the twists in store here in Final Girls.

If there’s one thing that might have been a drawback for this novel, I felt that the moments that Quincy and Sam were trying to bond were a little slow at times, but that may be nitpicking on my part. They were still well-written parts, and they showed both how much these girls wanted to be friends and how much they rubbed against each other as people.

On a scale of 1 to 5, I’m giving Final Girls a well-earned 4.6. From one page to the next, you never know what to expect, and it will only leave you wanting more. Go ahead, pick it up, and find you have a hard time putting it down.

* This tweet and hints about the author’s identity make me think it might be Stephen King’s son Joe Hill doing his own Richard Bachman turn, but that’s just my guess.

Since we’re still over a month out until the new adaptation of It and the new season of American Horror Story (which apparently will be featuring clowns in its Cult-themed season this year) hit screens, I thought I’d take the time to watch and review a movie I’ve been wanting to see for a while: Eli Roth’s Clown.

This movie actually has something of an interesting history: back in 2010, director Jon Watts and writer Christopher D. Ford uploaded a trailer to YouTube saying that Eli Roth was producing the film, even though he wasn’t involved with the film (I assume this was meant as a joke). Roth was impressed by the concept of the film and their ballsiness, so he offered to help them produce an actual film. However, when this film came out, it did poorly at the box office. Since then, I’ve heard both good things and bad things, making me curious as to its true worth. And when it popped up on my Netflix feed, I knew I had to watch it and see for myself what this film was made of.

Clown follows the McCoy family, real estate agent Kent, wife Meg and son Jack. When the party clown they ordered for Jack’s birthday is double-booked and can’t make it, Kent finds an old clown costume in one of his vacant houses and dresses up as a clown himself. However, he finds himself unable to take off the costume afterwards. In fact, it’s starting to become attached to him, literally. As Kent’s body and mind starts to go through unimaginable changes, Meg must find a way to save her husband from becoming a legendary demon with a hunger for children.

This film was awesome in so many ways.

First off, the costume and Kent’s evolution into the demon. The make-up and costume here is phenomenal, slowly showing Kent turning into this terrifying monster that puts Twisty and Bill Skarsgaard’s version of Pennywise to shame in how scary his look is. The transformation is gradual, but with every change, you see not just how creepy the clown demon is, but also the battle for Kent’s mind playing in his head. From an extra line, a darker color, a colored contact lens, everything in this costume is used to maximum effect.

I also liked how the story at first seems formulaic, but actually takes some routes that keep you guessing about what will happen next and actually surprising you at times. The story also takes some risks in terms of body horror and at some of the stuff that it’s willing to show us, which is a welcome change. It actually makes for a much more terrifying experience. It’s almost like the filmmakers were saying, “We know it’s a movie, but we know real life isn’t nice. Therefore, we’re going to introduce a terrifying concept into the real world and see that concept play out with real world results.”

One interesting thing I noticed was the characters, and how they were written. They’re not that deep or well rounded-out, but the story and the direction allows the characters to feel real. Rather than using dialogue and exposition to explain character traits or relationships between characters, the actors show the audience those aspects. Just from Meg’s interactions with her father and the things he does, you get the sort of feelings he has for his son-in-law. From seeing Herbert Karlsson’s actions during the film, you get an interesting twist on the expert-on-a-monster trope in horror films that doesn’t need to be told to the audience. It’s just there for us to absorb! It’s a brilliant decision to approach characterization like this on the part of the filmmakers, and I kind of wish we’d see that in more horror films.

Not even the scariest image.

The only problems I really had with this film is that it may have dragged at points, and that there’s this one short scene involving Meg and a patient from her dental clinic that I just found slightly contrived. Actually, very contrived, even if it did show how Kent’s transformation is kind of transforming his wife Meg into someone else.

Like I said, this film was awesome. So why didn’t it do well? If I had to guess, I’d say bad marketing. I heard about this film the first time in college with a trailer. I thought it looked cool and I would like to see it when it came out. But that was the last I heard of it, and it dropped off my radar. Occasionally over the next three or four years, I heard whispers, but I somehow got to thinking that Clown was either being delayed or only available outside of the United States. So when it showed up on Netflix, I was honestly very surprised. I was like, “Wait, that’s out now?”

Too many good films are under-advertised.

Well, with any luck this review might get a few more people interested. On a scale of 1 to 5, I give Clown a 4.8 out of 5. It’s creepy, it’s a fun concept, and it’ll leave an impression on you. Sadly, it didn’t get the advertising it deserved, but I can see this becoming a cult hit and a Halloween favorite ten or twenty years down the line. Definitely sit down and watch the film, and prepare for some clown-filled nightmares.

I actually almost missed this milestone. I was going to bed Saturday evening, and I was like, “Wait a minute, that’s Monday! Note to self: write a blog post in the morning after cleaning the bathroom.” And now that the bathroom is squeaky clean (as well as the kitchen, which also needed a touch up), I’m taking the time to talk about this milestone and ask myself, “Has it really been four years? Blimey, it feels longer.”

So if you don’t know what the hell I’m talking about, here goes: about five years ago, during my sophomore year of college, I started putting together a collection of short stories. I was still editing Reborn City at the time, and I wanted to have something to work on while the editing process of that took its time, as well as something to release and test the waters of self-publishing. A short story collection felt like a good idea. So I wrote five scary stories in about a couple of months, edited them and had other writers/horror fans look at them, and designed a cover. On July 17th, 2013, I published The Quiet Game: Five Tales to Chill Your Bones on Amazon and Smashwords, later putting them on Barnes & Noble, iBooks, and Kobo.

The five stories in the book are: Addict, about a man dealing with trying to kick his sex addiction; I’m Going to be the Next James Bond, about a bunch of kids who go to an abandoned hospital to hunt for ghosts; In the Lady Ogre’s Den, about an autistic child’s stay in a hospital; The Quiet Game, about a Catholic school that finds itself cut off from the world and deaf all of a sudden; and Samson Weiss’s Curse, about a senator being stalked by a spirit known as a dybbuk.

This has been by far my most commercially successful book, not only because it’s been out the longest, but because it’s a very quick read, and costs less than my other books do, e-book and paperback. People who might not necessarily want a long read see this little collection of short stories, and that it’s received positive reviews, and they’re like, “Okay, let’s check it out.” For the most part, people love it. So for someone still growing an audience, that’s a pretty good achievement.

Speaking of reviews, this is also my most reviewed work. I think that the reasons for that are the same ones for why this has been my most commercial work to date. And as I said previously, it’s had some pretty good reviews, with a score of 4.1 on Amazon based on 14 reviews. Here’s what people have been saying about the book:

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

–Jeff D.

This is not my genre, but since I know the author [:-)], I read the stories. Each one was very unique and created its own atmosphere and mood. My favorite story was the Quiet Game but I found the ending a little confusing since I didn’t really know the literary reference at the end; what I loved was the world created in the story and the message it conveyed. I look forward to the author’s improving his craft, and I will certainly read more.

–Gefilte63

Imagine if you will a young Stephen King penning dark scenarios inspired by his youth, and what you get is this anthology. Through this collection of short stories, Rami Ungar brings us into the world of dark urges, childhood traumas, ghosts, phantoms, and dark psychological thrillers. An inspired creation, and definitely a good intro to this indie author’s world!

–Matt Williams, author of “The Cronian Incident”

I especially like that last one calling me a young Stephen King. Always love being compared to him.

If any of this makes you want to read The Quiet Game or check out more reviews, I’ll include the links for the book below. An if you do end up reading the book, please make sure to leave a review. Positive or negative, I love feedback, and it helps me out in the long run.

That’s all for now, my Followers of Fear. I may have a new review out tonight, so keep an eye out for that. Until then, have a good one.

The Quiet Game: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo

I wanted to get at least one more blog post out before I go off to Boston (spoiler alert: the trip is imminent), and because I didn’t have time to watch and review a movie I’ve been wanting to see for a while, I thought I’d do another post about romance in fiction. Why? Because my last post on the subject did very well, well enough that a writing blog associated with Columbia College in Chicago listed that post in a Valentine’s Day-themed article last year (that’s staying power!), and because I’ve had some thoughts since then about the subject. And those thoughts revolve around this simple idea: for a romance story to be truly successful and compelling, there has to be a conflict of some sort. Let me explain:

A couple of months back, I tried watching this anime I discovered on Hulu. The idea for the series sounded interesting, it was a fantasy series with a big romance element, and it was loosely based on a popular fairy tale. I decided to try it (I’d found anime and manga I loved on less than that), and settled down to watch a few episodes. It had a good first episode…but then the problems set in. One of the major ones was that after the first episode, when it’s pretty obvious that the two leads are attracted to each other, there’s nothing really to make the romance aspect exciting. They just settle into this rhythm that says, “Oh yeah, eventually they’ll get together.” Nothing that came up really served as a threat to their relationship, and because the story’s main focus was the romance aspect, I kind of lost interest.

Thus this post. Every good fiction story has some sort of conflict, something for the protagonist(s) to overcome and aid them while they grow as people. These conflicts can be outer and/or inner conflicts. In Harry Potter, it’s Harry’s battle to stop Lord Voldemort and protect his friends. In Stephen King’s It, there’s a shapeshifting evil clown and the desire to hang onto childhood wonder while also accepting the inevitability of growing up. In When Marnie was There, it’s Anna accepting that she’s the one isolating herself, and that if she only comes out to people, they will accept her. In romance, it’s often the main couple realizing and struggling with their feelings for one another while something tries to keep them apart.

Every good story has a good central conflict.

I’ve read a few romance-heavy novels (not many, but some), as well as watched a few TV shows and taken in several anime and manga with strong romance storylines. What always makes them good or memorable to me is the journey for these characters to fall in love with each other and get together, and all that can potentially tear them apart. Without them, like in the anime mentioned above, the story quickly becomes boring. In The Mammoth Hunters by Jean Auel, the two main characters start out in a relationship, but they nearly lose it when a new suitor tries to sweep the female of the pair off her feet (the outer conflict), as well as the couple’s vastly different cultures/childhoods and their communication issues (the inner conflict). Part of what made that novel so exciting was watching those issues affect their relationship, feeling the mistrust, heartbreak, and anger this couple went through. It was thrilling, because you really felt for these characters and wanted to see them together in the end. And getting to that end and overcoming their issues in the process was what made the novel as a whole good.

Arata the Legend: great example of how a story can have a compelling romance without that being the main subject of the story.

But this post so far focuses on stories that are mainly romantic. What about stories where romance is secondary? Same concept applies. You see this a lot in manga and anime. Take Arata the Legend by Yuu Watase (highly recommend, by the way), for example. The story revolves around a teenager named Arata who ends up in an alternate universe, where he becomes a messiah figure in the process. Arata ends up traveling around the universe with a band of magical warriors to gather magic items and save both worlds, while also dealing with his own fears and insecurities. These are the main outer and inner conflicts of the story. However, a sub-conflict in the story revolves around a love triangle between Arata and two girls who travel with him, a warrior girl and a healer. Both are attracted to Arata, Arata’s attracted to one of them, and because of various misunderstandings and past experiences, they’re unable to be honest with one another with their feelings, genuinely thinking that one might be better with the other or that one doesn’t like the other. This subplot is a major ongoing part of the story, and one of the reasons I always look forward to new volumes coming out (waiting on #25 since August last year).

As you can see, a story with a romance but no challenge to that romance is more often than not less exciting than a romance with challenges to it. The exceptions, in my experience at least, would be stories where the romance is a minor element in comparison to other issues in the story (the anime Code Geass definitely comes to mind in that aspect. Also highly recommend that one), but if that’s the case, then the romance probably isn’t a big part of why you’re into this story, right?

But when a story’s romance is a major aspect of why people would want to check the story out, having a conflict would definitely make it a more interesting aspect of the story. Otherwise, all you’ve got is an anime where you’re just watching and waiting for these two obviously-attracted-to-each-other people to take that first step and kiss each other and that’s about it.