“This book is perfect for your conservative relatives. Especially at Thanksgiving.” This is the description I got of Wake Up and Open Your Eyes by Clay McLeod Chapman, a satirical horror novel about a demonic apocalypse. With a description like that, I was intrigued. And this past Thanksgiving, I started the audio book.
To which I say, “Woo-boy? What did I get myself into?”
Wake Up and Open Your Eyes starts with Noah Fairchild, who goes from his home in Brooklyn to check on his estranged parents after his mother leaves a strange, conspiracy-filled message in his voicemail and then doesn’t pick up. When he gets down there, he finds his parents seemingly brainwashed into dementia by their conservative news shows. However, it’s actually the beginning of the apocalypse. And the demons are possessing people through their devices. And what they choose to consume through their devices.
As I said, this is a satirical horror novel, so there are plenty of funny moments that made me laugh out loud. One of the main sources of possession is a parody of Fox News, and it’s so thinly disguised, you can tell immediately which anchor is getting made fun of. In the final third of the novel, the story is actually narrated by a fictional version of a real life news anchor, only he’s a hallucination living in a character’s head to help them process these events!* And even in the apocalypse, people are posting videos to YouTube, Instagram, and TikTok, as if they need to share their most intimate moments to make them real.
However, this is a horror novel, and it gets horrifying! The demon-possessed do some seriously fucked up shit when they take over people, and a lot of it is described in excruciating detail. The amount of body horror and gross out elements even borders on extreme horror, so it can be uncomfortable at times (I just barely tolerated it).
Still, it is hard to put down. While at first I could only listen to it in small doses, over time I got so hooked, I listened whenever I could. And the ending, while some may hate it, is definitely quite fitting for such a bleak horror novel.
On a scale of 1 to 5, I’m giving Wake Up and Open Your Eyes by Clay McLeod Chapman a 4.5. It’s bleak, horrifying, and pokes plenty of fun at a nation/world/species that is willing to give up its thinking faculties and let a talking head on a screen do the thinking for you (not just conservatives; liberals and everyone else, too). If you have a strong stomach and are at all interested, give it a read. You may never be able to look at cable news, wellness gurus, or even “Baby Shark” the same ever again, but it might just be worth it.
*And can I say, I find it so bold to put real, living figures in your stories, using their real names? I’ve read a few stories like this, such as Shoeless Joe featuring JD Salinger, or a story by Jonathan Maberry where Kevin Hart and Kelly Clarkson, among others, make an appearance. And ever time, I marvel. I know it’s kind of allowed if they’re a public figure and it’s either parody or their fictional selves are acting in a way that would correlate with their real selves. But still, it’s not something I would consider doing (especially when I put real figures in my stories as a form of punishment for real life bad acts). I would be too worried about getting sued!
Alma Katsu’s become one of those authors for me that, when I hear they have something new coming out, I immediately want to scoop up a copy and read it. And when I heard that, for the first time, she was releasing a horror novel set in our modern era, I was intrigued. When Fiend finally came out, I immediately went to the library to grab my copy (support your local libraries, kids!) and started reading as soon as I could.
That was about a week ago. I finished the book today. And now, I’m reporting my thoughts.
Set in our modern times and with some flashbacks to the past (which, based on the characters’ ages and context clues, I assume is somewhere between 2004-2015), Fiend follows the Berishas, a powerful family hailing from Albania that rules over a wide business empire. Specifically, it follows the youngest generation of the Berishas: Dardan, an anxious young man being groomed to run the family empire; Maris, who rebels against her father’s patriarchal views and wants to rule while also wanting to please him; and Nora, a wildcard who’s more than she seems. They are well aware that their family, ruled over by the tyrannical Zef, is rumored to be aided by a demon that keeps them rich and untouchable. But after a particular incident, the dominoes start falling. Dominoes that will change the family, and possibly bring down the dynasty, forever.
So, while this book has been marketed or compared to “Succession with a demon” (not sure how accurate that is, having never seen Succession, though I know the basic pitch), I would compare it more with 2015’s The Witch. The focus is on these characters, showing an intimate portrait of a family that is breaking down due to isolation, clashing egos, and external pressures closing in. The demon itself, like the witch in the movie, is just one of the catalysts that hastens the breakdown of the family.
And the way Fiend is written, it is hard to put down or look away. I was breezing through each chapter, just wanting to find out what happened next and how each of these fascinating, unhappy, often terrible people would hurt each other next. We spend the most time with Maris, and you can see Alma Katsu having a ball writing her and showing her trying to achieve what she thinks she wants. After her, we spend the most time with Dardan, who is desperately struggling under the weight of his destiny but too scared to find a way out of it.
My two criticisms are this: one, I would have liked to have spent more time with Nora. As I said, she’s a wildcard who’s more than she seems, and I would’ve liked to get further below the surface than what we got with her. I get why she’s the sibling we spend the least amount of time with, but I still wanted to know her. And two, I honestly wanted to see more interactions with Olga, the Berisha matriarch. She’s mentioned more often than seen, and I think it would have been fascinating to see how she’s weathered being part of this screwy family for most of her adult life.
But beyond that, Fiend is an excellent family drama/horror story. On a scale of 1 to 5, I’m giving it a 4.5. An enthralling deep dive into the world of corporate intrigue and what can occur from generations of abuse and trauma (plus a little demonic magic). If this sounds like it might be up your alley, grab a copy and get ready for one hell of a ride.
No, you didn’t read that wrong. That’s not a misspelling on my part of “Halloween.” That is the name of the novel, and since I heard of it, I’ve wanted to read it. I mean, with a name like that, how could I not? And with the audio book just getting released recently, I decided to give it a listen and see if this would become a new classic for spooky season.
Taking place during the Halloween immediately following the September 11 attacks, several strange things are happening in the small town of Crook’s Corner, Massachusetts. A famous scream queen is kidnapped in town while filming a new horror film. A science teacher is putting together a machine that causes those near it to see strange shapes. A Goth teenager and her little sister use the latter’s psychic abilities to play pranks on their grandmother. All this and more herald the coming of something evil: a cosmic being who wishes to become a god over all humanity. And this Halloween, they may get their chance.
This book was so hard to put down (or should I say put on pause?). The first chapter, where the scream queen is kidnapped, is shocking enough, but then the novel jumps back several hours, showing what the main characters–a group of high schoolers filming a horror movie for a class–are up to. And with those opening chapters, you get several different plot threads and you wonder how they’re all going to wrap up into one neat little package.
Which, much to my delight, they did come together nicely, leading to a harrowing story with a strong atmosphere of dread and tension. In fact, that’s probably the book’s biggest strength: the atmosphere. Once the horror part really gets going in Helloween, it’s just nonstop threat to the characters. Even in the pauses to the horror, there’s so much tension, it’s hard to relax. Add in some of the events in the latter half of the book, and you start to wonder if the characters can even triumph over the great evil.
And that’s the book’s second biggest strength: it’s characters, particularly the antagonist Geth. Geth is an ancient entity who schemes to become a god, and when it–or they, I should say–gets the ball rolling on their plans, you better believe that shit will hit the fan! And the way Geth is written, this alien being who thinks differently than us but plans to become a god over us, just makes them fascinating to follow. Even as you fear their victory due to their overwhelming power and disregard for both human life and human autonomy.
The other characters are great, too. Ralston manages to make almost all of the supporting characters– from kooky science teacher Ernie Combs and the Catholic priest to would have been right at home during the Crusades, to scream queen Darla Knight and the annoying kid who annoys almost all the other characters–feel real and fleshed out. And yes, there are a lot of them, but at no point did I ever feel like I was overwhelmed with the number of characters I encountered in the book.
Of course, our six main characters were no exception. At first glance, they do feel like your typical high school stereotypes: Cody the jock; Britney the popular girl; Jay the computer geek; Walden the film buff; Cassandra the Goth and her sweet little sister Taylor. But early on, we see that they all have deep dimensions to them, and that only grows as we get deeper into the story. Before I knew it, I couldn’t help but root for and love these characters dearly.
All in all, Helloween by Duncan Ralston is scary AF and sure to become a Halloween classic in time. On a scale of 1 to 5, I’m awarding it a 4.8. Consider picking up a copy and adding it to your reading list this spooky season. If you’re a horror fan, you won’t regret it.
Having read The Good House before, I knew I was in for a good time (see my review here). But I was not prepared for Tananarive Due’s latest novel. After starting it, I learned the book was based not only on the Dozier School for Boys, a reform school in Florida where numerous atrocities were committed against the kids there, but on a relative she had who died at the school. And even after learning that, I still wasn’t prepared for what was to come.
Set in Florida in 1950, The Reformatory follows twelve-year-old Robert Stevens (named after her relative) and his older sister, Gloria. After kicking a white boy who makes advances on Gloria, young Robert finds himself sent to the Gracetown School for Boys, a reform school where the boys are under threat by both the spirits haunting the campus after years of mysterious deaths, and the Warden Haddock, a terrifying personage with a sadistic streak. When Haddock learns Robert can see the ghosts on campus, he forces the kid to help him catch the spirits. Meanwhile, Gloria attempts to find a way to free her brother from the horrible reformatory, setting them both on a path that will change them forever.
Man, this book was a rough read! Due does not skimp on the human horror the characters face, whether that be the horrible things Robert faces at the reformatory at the hands of the adults and the other kids, or the racism Gloria faces trying to get her brother out of that place (not to mention the utterly disgusting advances Lyle McCormick makes on Gloria in the novel), it feels all too real. Not to mention kind of timely!
Speaking of feeling real, the worldbuilding is amazing! Gracetown, the location of the reformatory and most of the other events of the book, as well as the people in the book, feel extremely real. I noticed that with The Good House, but Due is great with character development, and setting can be as much a character as the characters! I also loved how Gracetown apparently has this reputation as a place where children are able to interact with spirits and lose the ability as they grow older. That’s a pretty cool idea, and Due uses it to flesh out the spirit world of Gracetown and the reformatory so well.
I think the one thing I didn’t like was that I feel we only scratched the surface of the Gracetown School for Boys. I know that might sound masochistic, considering what we saw was pretty horrific, but we only saw a fraction of the school grounds, of life at the school, and the sordid history there. And as much as that would’ve scarred my psyche, I would’ve like to see all that explored more.
Maybe an anthology based around the Gracetown School for Boys? They’re doing one for The Stand, after all. I can dream.
All in all, though, The Reformatory by Tananarive Due is a soul-shaking journey of abuse, racism, and the darkness of humankind that, at times, I had to take a break from, I was that shook. On a scale of 1 to 5, I give it a 4.5 out of 5. I feel like I get why this book was talked about so much when it came out last year, and I wish I’d read it sooner. And if you haven’t read it yet, you should go and read it, too.
The photo I took the day I got my copy from the library. Can you tell I was excited?
We’re only five weeks into 2025, but I may have already found my favorite new book of the year. In fact, at times I got so deep into this book, I had dreams about it! You don’t know how special a treat that was for me.
Set in 1970, Witchcraft for Wayward Girls follows four girls sent to Wellwood House, a home for unwed mothers in Florida: Fern, a young high schooler who wants her old life back; Rose, a rebellious hippie with a bit of a mean streak and a bit of a nice streak; Zinnia, a young musician who plans to marry her baby’s father; and Holly, whose youth and silence hides a dark and terrible secret. Hidden away from the world like shameful secrets and repeatedly told that they are at fault for their condition and that the only good thing they can do now is give up their babies for adoption to a loving couple, the girls seek any way to take back a little control over their lives and bodies. When a mysterious librarian hands them a book that’s full of actual magic, they think they’ve found their solution. But when it comes to magic, everything comes at a price. And the price they have to pay may be bigger than any of them can pay.
So, if it wasn’t clear from the first paragraph, I freaking loved this book! For one thing, the horror is palpable from the first couple of chapters. Not from the witches, but from the people. Through Fern’s eyes, we see how everyone blames her, including herself, for getting pregnant outside of marriage, even though it takes two to tango. From what I’ve been told, that really was the attitude towards unwed mothers back then, and Hendrix does a great job bringing it to life throughout the story, as well as the callous cruelty the girls face as unwed mothers, even after they’ve given birth.
I also really liked the witches of the story. They’re not exactly old school wicked witches, but they’re not entirely good witches or granola-crunching Wiccans, either. They’re their own thing, a group of women with access to power and who are trying to ensure the continuation of their way of life and their freedom, and they’re willing to get their hands dirty to do so.
To list out all the colorful characters would keep us here too long, but some of my favorites included hippie Rose, who grew on me as the story went on and whose experiences midway through the book broke my heart; Hagar, the cantankerous cook at the Wellwood House, who does try to help the girls, if rather reluctantly; Zinnia, who has more sense than most of the other characters in the book; and Fern, who really does learn something from her experience.
All these elements come together into a fantastic story where I struggled to guess what would happen next and was surprised more than a few times by certain developments. It really was amazing.
Hendrix admits in the acknowledgments that he’s probably the last person to be writing a book where nearly every character is pregnant, but given how phenomenal of a job he did, I think we can forgive him. I can’t think of a single flaw in this story, it was just that good. On a scale of 1 to 5, I’m giving Witchcraft for Wayward Girls by Grady Hendrix a full 5. Grab a copy, put on an appropriately witchy playlist (I hope “Abracadabra” by Lady Gaga is on that playlist), and settle down for a read.
As many of you know, Kill Creek by Scott Thomas has become one of my favorite novels, if not my favorite (you can read my review from 2018 here). So, when I heard Thomas was releasing a collection of four novellas, I had to get my hands on it. And while it took me longer than I wanted to get through it (I picked it up in September and only just finished it), I’m glad I got to read it.
Taking place in a fictional version of Kansas that’s part of the same universe as Kill Creek (and possibly his other novel Violet, I’m not sure), each novella follows a native who gets pulled into horrors beyond their control. Three of these stories connect to the very land and the entities, natural or supernatural or preternatural, that inhabit and make up Kansas, all of these stories deal with dark histories and hidden truths, and each story connects in some way to the authors who were the stars of Kill Creek,* enhancing the reading experience.
The first novella, The Door in the Field, follows a young construction worker with anger issues who joins his boss for a drink after an incident, and ends up spending a night in terror. This story does move a bit slow at times, but it’s a thrilling tale full of blood, violence, and cosmic horror that pays off well at the end with the reveals and the main character’s growth. My one major criticism is that the novella is kind of a story within a story, and the framing device doesn’t really add much to the story. It doesn’t take anything away, but it doesn’t add much, either.
The second novella, Wear Your Secret Like a Stone, follows a troubled young woman who, after her pick of book for the Halloween display at her job is taken down by a customer complaint, goes on a mission to get her favorite book back. Only along the way, she learns some frightening local history which is more alive than she thought. I think this might have been my favorite novella of the bunch. It’s atmospheric, the protagonist is likeable, and the ending is a dark fantasy twist that will bring you chills.
The third novella, The Boy in the Woods, is about a young boy who, on the last night at camp, finds himself in the middle of a slasher story with a rage zombie twist. It’s a wild ride of a story with a sympathetic protagonist and a the way the slasher/rage zombie aspect are approached gives both tropes new life that I wasn’t expecting. If Wear Your Secret was my favorite, then The Boy in the Woods is a close second.
The final novella, One Half of a Child’s Face, is about a mother who is able to see into her ex’s apartment building al a Rear Window. There, she frets about not having her daughter living with her full-time and gets a vicarious thrill at watching the residents live their lives…until a strange painting in an empty apartment seems to throw an evil influence over the building’s residents. Of the four novellas, I would consider this the weakest. It takes a long time to build to anything and there are quite a few plot threads left hanging at the end. However, the last fifty pages are so were hard to put down and I enjoyed reading them.
All in all, Midwestern Gothic by Scott Thomas is a worthwhile collection of novellas. On a scale of 1 to 5, I would rate it a 3.9. Pick up a copy, settle down in your favorite chair, and prepare to be transported to a different sort of Kansas.
*If you haven’t read Kill Creek, don’t worry. You can still read the collection just fine. Kind of like how you can watch The Big Bang Theory and still laugh at all the jokes while not necessarily getting every sci-fi or comic book reference the characters make. Still, I highly recommend Kill Creek, so if you’re curious, read that one, too.
I love horror and I love ballet. I often combine the two in my work. And when I find another author who has combined the two forms of storytelling, I want to read it. And if it’s good? I’m especially glad to read it. Jamison Shea’s novel I Feed Her to the Beast and the Beast is Me is one of those books I’m especially glad to have read.
Taking place at the Paris Ballet and its attached academy, I Feed Her to the Beast follows Laure Mesny, a dance student in Paris who is the most talented in her class, but has had to deal with privilege and racism in the academy and the company every day. When a fellow ballerina she admires leads her into the tunnels of the catacombs, she is introduced to an ancient godlike entity that offers her a deal: her blood in exchange for the power she has always craved. Laure takes it, and it leads her on a path that could end in her stardom, or her destruction.
Where do I start?
Well, let’s talk about the horror. While there is some eldritch occult horror here, the real horror is with the human characters. Not just what the characters are willing to do for their goals, but what they’re willing to do to each other out of spite. Laure’s fellow dancers, often white and privileged, treat her horribly and tell her, behind her back and to her face, that she doesn’t belong and will never be good enough, even though she is amazing. More than a few bring up that she’s black and from a poor background and, in their view, wouldn’t be a good fit for the company. When Laure finally gets some power, it’s kind of scary how quickly she not only gets used to it, but how much she enjoys using it, including to do violence!
Not to say there isn’t some more traditional horror. The gods living beneath Paris are quite cool, as is the destruction they wrought, and there’s a murder mystery throughout the story which resolves in a way that surprised even me and which felt quite satisfying.
I also liked how most of the characters felt real. They’re all extremely complicated, especially Laure. She’s had it rough, coming from a broken family and dealing with racism and poverty, and often being told to be better and be perfect despite doing everything she should. And despite all that, she still wants to belong and feel loved by her coworkers, which honestly feels very human to me. I also empathized with her struggle to try to balance her dreams and her relationships. She’s not all good, and she’s very flawed, but it’s hard not to root for her, even at her worst. And we see her at her worst a lot.
I think the one flaw is that some of the supporting characters could have used some more development, especially Keturah. She sort of becomes a sister figure to Laure halfway through the novel, but I never really felt like we got a chance to see past her surface. Maybe in the sequel. (Yes, there’s a sequel, and I’ll check it out as soon as I can.) And, at times, the story did drag a little.
All told, I award I Feed Her to the Beast and the Beast is Me by Jamison Shea a 4.5 out of 5. This is a riveting slow-burn novel that delights in being bad and in delving into the darkest parts of humanity. Get yourself a copy, put on Stravinsky’s The Rite of Spring, and prepare to be transported. Believe me, it’s worth the read.
As we’ve entered September, horror fans have started celebrating spooky season. Because as we all know, spooky season starts as soon as the stores start putting up stock, and a few stores already have. And since we’re all thinking about what movies to watch, I’m putting out another list of films you can consider for this year.
I’ve tried to come up with a good mix of well-known and lesser-known films, as well as a good mix of older and newer films. So, hopefully there’s something here that will appeal to every horror fan out there. Enjoy, and let me know if you’re familiar with any of these films or if there are any I should check out myself. The more films we share, the better!
YellowBrickRoad (2010) In 1940, a small New Hampshire town up and walked north along an unmarked trail into the unexplored woods. Half were found dead, and the other half were never found. In modern day, a film crew tries to figure out the mystery of the disappeared townsfolk, including following the townspeople on the route they went. A route with a stone marker bearing the legend “YELLOWBRICKROAD.”
This move is an unsung gem. It’s a surreal and psychological piece of rural horror that takes the isolation and interpersonal conflicts of The Blair Witch Project and ups the ante by 100%. It’s not going to be everyone’s cup of tea, but it is certainly going to be an interesting watch, no matter what.
Antrum (2018) A film-within-a-film, Antrum is a documentary about…Antrum, a supposedly cursed film said to be the deadliest film in history. The documentary crew manage to get a rare copy of the film, and, for the first time, show it to the public. What proceeds is a horrifying trip through hell which will leave you wondering if you’ll survive to see the morning.
I love horror mockumentaries, and this one is one of the best I’ve seen. It starts out as a documentary, showcasing the history of the film, before showing us the actual film. And it all feels damn realistic, to the point you could almost believe there’s a cursed film called Antrum and you’re really watching it. In fact, my sister and I saw it together and wondered if we would survive after watching it! As you can see, we did, but it still made us believe a little.
Peeping Tom (1960) This proto-slasher follows a shy young man who works as a cameraman and spends his free time killing women while recording their deaths. It’s a slow-burn psychological horror that really lets you get to know its main character. I’m honestly surprised it hasn’t been remade, because we’re so obsessed with recording everything. Anyway, I would totally check this out if you’re interested. It’s not as bloody and horrifying as other horror films, but it is fascinating and at times quite tense.
The Dark and the Wicked (2020) A pair of siblings return to the family farm when it appears their father is on death’s door. However, events unfold that show that something sinister at the farm. And it’s after the family. It’s a very dark and nihilistic film, and while some will be annoyed by certain aspects of the film, such as how the characters react to the supernatural presence, it is still a very chilling film. If you’re looking for something very morbid and grim, this film is for you.
The Void (2016) After finding an injured man on the side of the road, a sheriff’s deputy and several other townsfolk find themselves under siege at the local hospital, menaced not just by a mysterious cult, but by monsters hidden within the hospital hallways. For those who love cosmic horror, this is one of the best I’ve seen in years. The special effects and creature designs bring to mind both The Thing and Color Out of Space, and the story is a terrifying thrill ride. It’s a movie that gets better with every viewing, and I highly recommend it if you want to scare yourself silly this Halloween.
Late Night with the Devil (2023) In the 1970s, a struggling late night show host brings the lone survivor of a Satanic cult and the therapist working with her onto the show for a Halloween special. As you can imagine, shit eventually hits the fan. When this film got its limited theatrical run earlier this year, people were raving about it and even called it the best horror film of 2024. While I wouldn’t call it that, I would say it’s quite scary and a well-done film. I’m actually planning on watching it again myself as soon as my copy comes in from the library.
(I should warn you, though, a couple of images from the film utilize AI. It’s only three, but I know a lot of people feel strongly about AI, so I figured you should know.)
When Evil Lurks (2023) In a world where demons physically manifest like diseases and can infect everyone around the possessed, a pair of brothers try to protect their families when an infected individual goes missing and the disease starts to spread around the tiny village.
Some have called this the best horror film of 2023, and I can see why it was called that. Besides having a neat twist on the concept of demonic possession, this Argentinian horror film has plenty of tension and scary moments that keep you on the edge of your seat. Give it a watch and see for yourself.
Stopmotion (2023) A stopmotion animation artist is assisting her demanding mother in completing her last film. When the latter becomes gravely ill, the artist tries to make her own film, only to find herself spiraling into Hell.
I’m not normally a fan of horror stories where the whole premise is “the horror is the main character’s spiral into mental illness.” However, this film is quite captivating in how it melds stopmotion animation and real life storytelling to give us a frightening film with some seriously disturbing imagery. Warning you now: have a strong stomach before you go in to watch this one.
Night of the Demon (1957) A psychologist comes to England for a convention, only to learn that one of his esteemed colleagues has died and a so-called magician and cult leader is claiming his magic is responsible. Along with the deceased professor’s niece, the psychologist investigates the magician and his cult, and along the way learns that there may be more to the magician’s claims of magical power than just trickery and suggestible followers.
While it’s an older film, it’s quite influential in showing the demon multiple times throughout the film (quite unusual for the time), and many horror fans and creators, including Stephen King, have cited it as an influence. Just don’t watch its shortened American version, Curse of the Demon, because the original is the one to watch.
Land of the Dead (2005) Set in the same universe as Night of the Living Dead and Dawn of the Dead, Land of the Dead takes place decades after the undead have taken over the world. Pittsburgh has become a last bastion for humanity, with the wealthy living in a magnificent luxury skyscraper and the poor living in slums. However, when one zombie, nicknamed Big Daddy, begins leading his kind to the city after a supply raid ruins his territory, it sets off a chain of events that will forever change the city.
Fun fact: this was the first time in the film series the word “zombie” was actually used for the zombies! Up until now, the terms used were “ghouls” or “undead.” Besides that, the film’s quite thrilling, with plenty of horror and action to satisfy fans. Give it a watch, especially if you’ve seen the first two films in the series (I would skip Day of the Dead, the third film).
Other fun fact: I’ve met Eugene Clark, the actor who played Big Daddy, and he was very nice. He even let me take a photo with him, which you can find on my Instagram.
In the Mouth of Madness (1994) An insurance investigator goes to a small town to try and locate a horror author whose work is considered so terrifying, people have actually gone crazy from reading it. What happens there, however, will not only change him forever, but the world as well.
The last film in John Carpenter’s Apocalypse trilogy (the first two being The Thing and my own favorite, Prince of Darkness), this film has grown quite the cult following due to its meta-narrative and exploration of cosmic horror. It’s not perfect, but it’s a fun and at times quite scary movie with lots of great imagery and cool ideas involving what it’s like to live in a fiction story. By the end, you’ll want to read Sutter Cane’s work as well. No matter what it does to your sanity.
The Empty Man (2020) In the 1990s in the nation of Bhutan, a group of American tourists discover a cave, which leads to terrifying events on a mountaintop. Twenty-three years later, a former police officer is asked by a friend to find her missing daughter, and finds himself wrapped in a cult with ties to the tourists in Bhutan.
This movie is almost hypnotic in how it draws you in, and it is both terrifying and…dare I say this? It’s satisfying. It’s that good, and I’m honestly sad that it’s rarely available on any streaming service I actually have access to (and never on DVD or Blu-Ray). Anyway, it’s a great horror film, so check it out if you trust my word.
Pontypool (2008) In a small Canadian town, a radio host and his team are working in the middle of a blizzard when they get reports of riots and horrifying deaths happening elsewhere in town. As time goes on, a strange sort of apocalypse starts to occur in the town. An apocalypse based around language.
I first saw this in college and loved it. I saw it again recently, and, while there are some aspects about the ending I dislike/don’t buy, it still holds up very well. It’s a very tense and freaky film with a great concept at its heart, so if you’re looking for a fun twist on the zombie apocalypse, I highly recommend this one.
And those are my recommendations, my Followers of Fear. But tell me, Followers of Fear, have you seen any of these films? What did you think? And what are you watching this season? Anything you would add to this list? Let’s discuss.
Until next time, my Followers of Fear, good night, pleasant nightmares, and only 52 days till Halloween! Get the Headless Horseman’s horse ready for him at once!
So, I just heard that Fangoria Entertainment is going to make a whole bunch of movies based on Junji Ito’s work. They mainly will adapt stories from his collection Smashed, but I hope Remina or Madonna get adaptations as well, as they are great stories (see my reviews for Remina and The Liminal Zone, respectively). In the meantime, a new collection of Junji Ito stories got translated, so I’m here to review it.
As I say, Junji Ito can be hit or miss with me, but this one was entertaining enough.
My favorite story was probably “Town of No Roads,” which follows a teen girl who goes to live with her aunt after her parents and brothers react the wrong way to a stalker breaking into her room. As if that’s not stressful enough, her aunt’s home has been swallowed up by a giant structure where nobody has any privacy. It’s weird, but you really start to empathize with the main character and the themes of the necessity for privacy really do resonate.
Other stories really struck a chord with me, which was nice. “”The Ward” is a creepy body horror story about several women in a hospital ward who start acting funny, while “Blessing” is a tragic love story with a great twist in the end. “Mold” just grossed me out (as a homeowner, I felt the main character’s pain, especially when it comes to cleaning one’s home). And “Descent” was a weird but engrossing story with a great hook and a mysterious resolution.
Of the rest, they were mostly decent. The titular story, “Alley,” has a great idea, but I feel like there’s too much exposition, which is followed by an ending that could have been a few pages longer. “The Inn” has a great idea and some terrifying art, though the ending kind of puttered out on me, and “Smoker’s Club” has a great idea about tobacco and smoking that would put anyone off cigarettes, though it also could have used more pages for its story. And “Memory” has a great story, though not enough scary art for me (it still would make a great movie).
The only bad story was “Ice Cream Bus,” which other than a reminder about why stranger danger exists, wasn’t much better than its animated Netflix adaptation.
Overall, I think I would give Alley by Junji Ito a 3.8 out of 5. There’s some decent horror in there, so if you’re looking to get into his work, this might be a good choice for your second or third read of his (I recommend picking between Remina, Uzumaki and Tombs for your first and second reads).
That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!
So yeah, it’s another anniversary! And this one’s very special. It’s the fifth anniversary of my novel Rose!
For those of you who don’t know, Rose was my first novel with a publisher and is my most popular book to date. The story follows a young woman who gets turned into a plant/human hybrid, which starts her on a desperate quest for survival. I first had the idea for the story in the middle of a science fiction literature class in college (yes, my school offered that course). I later wrote the story as my college thesis, and then edited it on and off through the years.
In 2018, I was introduced to the editor of Castrum Press through a friend, who agreed to publish Rose. Fifteen months and several drafts later, Rose was released and has been getting enthusiastic readers ever since. I even got some of my Followers of Fear to send me photos of them with the book for a special video I made. Check it out!
Not bad, huh? It’s been a while since I’ve edited anything like this, so I’m proud of the work I did. And thanks to everyone who contributed a photo and their thoughts about the book to the video. You don’t know how much that means to me.
And really, it means so much to me that so many people have been reading and enjoying Rose. Through the pandemic, and elections, and everything else we’ve dealt with over the past five years, Rose has continued to find readers who have taken the time to tell me how much they love the book. And with so many other great books out there for people to read, I find that frankly amazing.
Be sure to check out Rose this week! It’ll be a frightfully good time.
Anyway, if you’re at all interested in checking out Rose, guess what? In honor of the five-year anniversary, Rose is on sale from today through June 27th! So, whether you prefer paperbacks, ebooks, or audio books, you can grab a copy at a great price till next Thursday!
And if you like what you read, please leave a review. Positive or negative, I love reader feedback, and it not only helps me, but other readers in the long run.
Anyway, that’s all for now, my Followers of Fear. I hope you enjoy reading what will hopefully become your new favorite fantasy-horror novel. Until next time, good night and pleasant nightmares.
Rami Ungar The Writer 