Posts Tagged ‘novella’

So, I was hoping to have some big news on at least one project by now, but…well, you know what they say. Man plans, God laughs. Or maybe it’s Rami plans, the entities foolish enough to be my enemies get in my way. I don’t know.

Anyway, I thought I would just do an update on the many projects I’m working on, as I don’t know when I’ll have any big news on any one of them. And at the very least, it’ll let you know where I’m at with things and with life in general.

Hannah and Other Stories

As many of you know, I have a collection of seven original short stories being released by BSC Publishing Group. And as I mentioned in my post on mental health during the publishing process, BSC is sending stories one at a time with editing notes so I don’t feel overwhelmed with the amount of work I have. Understandable, considering that at least two of those stories are actually novellas.

Anyway, right now I’m just waiting on the next story with edits, which will hopefully come soon. Once it does, I’ll start work on it immediately so I can get back to waiting for the next story again. I’ll keep you posted.

The Pure World Comes

My Victorian Gothic horror novel and love letter to Victorian England, The Pure World Comes follows Shirley Dobbins, a maid living in Victorian England who goes to work for a mad scientist after the deaths of her employers. It was published last year on an app, but now it’s going to be published as an ebook and paperback so that more people can access and read it. At the moment, I’m just waiting on the new cover. Once I have that, I’ll be able to start on the process that will eventually end in putting it online, selecting a release date, and making it available for preorder. Hopefully we can start on all that by the end of the month.

As for an audio version…well, that will depend on a few things, including how well the book does in paperback and ebook. If it does happen, I’ll be over the moon. If it doesn’t, it’s sad but hey, sometimes those are the breaks.

That Which Cannot Be Undone

As many of you know, some of my fellow Ohio horror authors and I formed a small press with the goal of releasing an anthology of Ohio-based horror stories, That Which Cannot Be Undone. At the time of writing this, we have most of the stories from the contributors and the editor is going over them with a fine-toothed comb. My friends and I are also regularly meeting and making sure we stay on time for our October release while also producing one hell of an anthology. We can’t wait for you to read what we’ve created.

Other Novels

Crawler: I know some of you were really excited when I said I was going to write a mummy novel. Those same people were saddened when I put plans to write that on hold due to Hannah being accepted and wanting to focus more on that. That being said, I think I might be able to start working on it later this year. Still a lot of things up in the air, but if nothing else gets in the way, I could start on it before autumn. If I do, I’ll let you know.

Toyland: Still plan to get this bizarre Gothic ghost story published. I’ll probably give it another round of editing before I submit it anywhere, though. It’s a complex story with lots of moving parts, so I want to make sure everything holds up before I let anyone else read it.

River of Wrath: unfortunately, I think I need to put this in the proverbial trunk. I’m saddened, since I still like this story and I had a hell of a time writing it (and for those of you who know what it’s about, pun totally intended). But I’ve had a lot of time to think regarding this novel as I’ve sent it from place to place to place, and I’ve come to realize that, as much as I love the novel, it does not reflect my best work and I don’t think, even if I made changes, it would be that much better. Hell, it might not even be the original novel I set out to write when all is said and done. (Again, pun totally intended.)

So, it hurts, but in the trunk it goes. At least the lessons it gave me will always be with me. And I now know more about Dante’s Inferno than I ever thought possible. Never a bad thing.

Shorter Works

Over the past several months, I’ve been writing a bunch of shorter works. Right now, I’m up to one novella, four novelettes, and three short stories. And yesterday, I started what will probably be a second novella. I like to think they’re all spectacular, though some of them definitely need more work. Anyway, once I’m done with this current project, I’ll spend time polishing them and trying to find homes for these stories before I do anything else that’s new (and that includes Crawler). Hope you get to read them soon!

Anything Else?

Well, there is, but not anything worth writing a paragraph about. At least, not yet. Hopefully I can tell you all about some of the things developing in my life in the near future.

Anyway, that’s all for now. I’m going to bed. In the meantime, thanks for your continued support of my writing career (and for even reading my books every now and then). Until next time, good night and pleasant nightmares.

I would say pop some champagne, but I decided to abstain from alcohol this month. It’s healthy to do every now and then. I think I’ll stick to tea instead.

Okay, enough weird asides. As of this evening, I’ve finished a novella I started working on back in December, making this my first completed story of the year. The story is called “They Sleep Within the Rock,” it’s exactly one-hundred pages and is about twenty-six thousand, four hundred words. Which is just a bit shorter than I thought it would be.

As for the plot, the story is about a group of white supremacists that try to establish a “whites-only enclave” in the American West, only to find out that the land they’re on has a history to it, and may be cursed. The story was inspired by a news article I read about white supremacists trying to buy up land and housing in rural areas to establish their own mini ethnostates. Yes, that’s something they’re trying to do, and I hope they’re never successful at it.

Anyway, I read that article and thought, “I can write a story about that. There are so many ways to make a story about people trying to establish a place like this scary.” It took some brainstorming, but I managed to come up with something that I liked and, over three months, I got it written out. And I found it quite therapeutic, as well. There’s been such a rise in anti-Semitism in the US and worldwide lately, and the horrors reigned on my people, such as last month’s synagogue hostage situation in Texas, have been rising as well. It was nice to be able to visit some horror back.

That being said, I don’t know if the story is any good. It was therapeutic and I enjoyed writing it, but that’s no mark of a good story. Plus, I’m sure there are plenty of things that could use improvement in the story. Perhaps there’s even a need to rewrite certain parts.

Well, I’ll try to edit it later this year if I can. I say “later this year” and “if I can” because I’ll soon be editing the stories for my upcoming collection Hannah and Other Stories, so that’s obviously going to take up some time. And after so much editing, I may just want to write rather than edit another novella. But hey, at least whenever I do return to it, I’ll be able to see it with fresh eyes. That’ll be helpful, for sure.

So, what’s next? I think I’ll take the weekend to relax and refuel my creativity. I have an important blog post I want to put out before Valentine’s Day, so that’ll take priority. And I want to edit that superhero horror story I wrote last year and see if I can find a home for it. And after that…well, we’ll see what’s going on then.

But for now, though, I think I’ll hit the hay. Good night, my Followers of Fear. I hope wherever you are, the winter storm isn’t causing you too much trouble, and that you have pleasant nightmares.

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I think I’ve mentioned how busy I am lately. But things have kind of calmed down a bit, so unless I hear back from a beta reader, figure out how best to edit this story I’m working on, or am lucky enough to get a story accepted somewhere, I know what I’m working on next.

You may recall back in the spring, I started writing what I thought would be a novella, but ended up being a full blown novel. This novel, The Pure World Comes, follows a maid in the Victorian era who goes to work at the manor of a mysterious nobleman, only to find mysterious and terrifying events occurring there. I haven’t touched it since then, but I haven’t stopped thinking about it and how to improve it. And now feels like a good time to get to work on a second draft.

As such, I’ve been prepping to journey back to Queen Victoria’s reign. I’ve been listening to audio books and watching movies and TV shows in that era to get that flowery, polite way of speaking down. I’ve been learning new bits of information, such as etiquette and dating advice (yes, the Victorians had dating advice). And I’ve been reviewing what I already know. After all, this isn’t just Gothic horror (or is it Gothic horror/gaslamp fantasy?) I’m working on. This is historical fiction! And historical fiction requires a lot of work to make the reader feel they’re in that bygone era.

All that being said, I have a few goals with this draft. Obviously, I’ll be looking to clean it up, fix any plot holes I notice, and cut out anything extraneous. However, I have a few other goals. This includes:

Victorian fashion. It was a special kind of extravagant.
  • Improve the dialogue. I feel like when I wrote the first draft, I made my characters speak like modern-day Americans. This draft, I’m going to go through the whole book and make sure they sound like Victorians! Eloquence and flowery language, fewer contractions, a focus on politeness and how to address different classes. Not sure I’m going to mad on the expressiveness like characters in Dracula did (oh my God, even when people were dying, they had to be so wordy and full of praise for people they admire!), though. That might be too silly and melodramatic.
  • Explain the era better. One of the problems I have as a writer is that I forget that not every reader knows the same things as me. So, while I know a lot about Victorian England and can put an odd detail peculiar to the era in, knowing exactly what that means, the average reader won’t. It’s my job as the author to explain the minutiae to the reader, be it the ritual of mourning (click here for more on that), how much a pain in the ass cleaning was, or how ice cream was made back in the day (they used to use cucumbers!).
  • The little details need to be inserted. By this, I want to include more things special to the Victorian era. You write about the 1980s, you include Walkmans and big hair and the latest pop songs. You write about the 1950s, you include Cold War concerns, soda shops in pharmacies, televisions and record players, and early rockers. You write about the Victorian era, you mention steam engines, Mudie’s Lending Library, penny dreadfuls, and so much more. I want to include more of those details in the story, so that others familiar with the era can say, “Aha! That makes it feel authentic.” And trust me, there are a lot of details like that to include.

So, that’s what I’m up to lately. Or what I’m about to get up to, most likely starting this week. With any luck, I can make a damn good draft and get this story one step closer to publication. And believe me, I aim to get this story published, one way or the other. After all, this story includes both my love of the Victorian era and my theory of who Jack the Ripper is! You know I gotta get that out there!

That’s all for now, my Followers of Fear. I’m off to dream dark dreams. Possibly taking place at balls with huge dresses and polite conversation. Still dark dreams, though. Until next time, pleasant nightmares!

Cover of the first Hellraiser film.

If you’re not familiar with the Hellraiser series, let me start with a bit of background. Based on the novella The Hellbound Heart by Clive Barker,* the films follow a magical puzzle box which, when solved, open a gateway to a hell dimension inhabited by creatures known as Cenobites. Anyone who comes into contact with the Cenobites is then pulled into their world, where the boundaries between pain and pleasure are explored until they all blend into suffering. All the films in the series follow people who come into contact with the puzzle box, with the fourth film exploring the puzzle box’s creation and history, though only the first four were released theatrically.

I saw the first three films years and years ago, but was recently spurred by a colleague rewatching some of the films to revisit them and finally watch the fourth one. And I have some thoughts on the series.

For one thing, I get the appeal of the series, which first released in the 1980s during the height of the slasher boom. However, unlike other slashers of the time, which focused either on silent killers like Jason or Michael Myers, or funny, over-the-top characters like Freddy Kreuger, the Hellraiser films were outliers. The monsters of those films weren’t silent stalkers or wise-cracking undead. They were more like scientists of sensuality and suffering rather than killers. Death was just sometimes part of their work (at least for the first couple of films). In fact, in the first few films, the lead Cenobite Pinhead, nearly always played by Doug Bradley, is articulate, intelligent, and dispassionate except when speaking of his work.

In addition, the first two films don’t follow a regular slasher structure. Instead, the focus shifts around to various characters and their motivations, making the films feel almost like novels in how their stories are told. And the first two films also have a surreal aspect to them, especially the second one, which adds to the feeling of horror and unreality that the films are going for.

And finally, the films weren’t focused on gory deaths. They focused instead on desire, on what made people do horrible things in exchange for their wants and needs, even if those wants and needs included horrific sadomasochistic experiments. If that sometimes led to death, then so be it.

Pinhead, leader of the Cenobites and the most prominent character in the series.

Given all that, I can see why the films were popular and have stuck around. That being said, I can see how the series fell in quality as early as the third film. While that one was good, it structured its story in the vein of a more traditional, good-vs-evil supernatural slasher. It also eschewed the more weird aspects and added in some campier aspects with some of the new Cenobites. And then the fourth film, while giving a history to the puzzle box and an “ending” for the series, sacrifices quality and scares in the process.

It’s really no wonder the series went to direct-to-video from there on out, or why the subsequent films have tried for a more psychological approach rather than an out-and-out gory supernatural style.**

Despite all that, the first two films, while they have their issues, are still masterpieces and the third film is worth a watch (though I would stop after that). And, like all good slashers, the very concept is powerful enough to make you want to see more. to explore more from the safety of your living room. It’s why the series has endured, and why a reboot and a TV series are both in development (though we may not see anything new for a long, long time).

And if I’m being honest, I wouldn’t mind a reboot. This series has gone through so many ups and downs, a fresh take done with love for the original concept might just be what the series needs. And if one does get made, I hope antagonist Julia would be given a bigger role. She was such a powerful character in the first two films that at one point, it was considered giving her the role of main antagonist over Pinhead, and I think the character’s exploration of her own darkness and sexual desires would go over well with modern audiences.

And if you’re interested in checking out the Hellraiser films after this post, here’s where I’d rate them on a scale of 1 to 5:

Any other Julia fans out there?

  • Hellraiser – 4.3
  • Hellbound: Hellraiser II – 4.5
  • Hellraiser III: Hell on Earth – 3.9
  • Hellraiser: Bloodline – 2.6

But tell me, what are your thoughts on the Hellraiser franchise and my observations? Do you support a remake? And is there anyone else here who thinks Julia is much more terrifying than Pinhead? Let’s discuss.

That’s all for now, my Followers of Fear. I’ll likely have a new review out soon, so keep an eye out for that. And until next time, stay safe and pleasant nightmares.

*Which I really need to get around to reading one of these days.

**Or so I’ve read. I have not seen anything past #4 yet, and I’m not sure I want to.

Some of you may remember I reviewed the novel Perfect Blue: Complete Metamorphosis, the inspiration for the anime horror film I’m a huge fan of. Turns out the novel had something of a sequel, an anthology of tales by the same author, Yoshikazu Takeuchi, about idols being stalked by obsessive fans. I’ve been meaning to read it forever, but only just got my paws on a copy recently. Hoping it would compare well to the original novel, I read it in about a night.

Um…I’ve read better.

The anthology has three stories inside, a short story called “Wake Me From This Dream;” a novella called “Cry Your Tears;” and a novelette called “Even When I Embrace You.” Yeah, they all sound creepy just from the titles. However, the quality ranges from story to story.

“Wake Me From This Dream” follows one fan’s strange experience when he actually gets to be with his idol (after a fashion). It’s kind of creepy in how it approaches its premise, as well as hard to look away until the end. The story actually reminds me of Stephen King’s quote about short stories, about it being a kiss in the dark from a stranger. It’s especially true of this story, though the author seems to confuse social anxiety and laziness in a less-than-helpful way.

“Cry Your Tears,” the longest story, is a standard celebrity stalker story. Guy is obsessed, in love with his favorite singer; his idol is creeped out by his intrusion into her life; a bloody climax ensues. Meanwhile, our heroine whines about how hard her life is. Like I said, it’s standard and doesn’t really do anything to pull itself away from the other standard stalker stories.

“Even When I Embrace You” is probably the weirdest story: a new idol singer who isn’t even sure being an idol is what she wants to be as an entertainer is pursued by a guy in a bunny costume. The premise is interesting, I’ll give it that, and it’s nice to see a heroine who’s a bit more rounded and doesn’t mind fighting back when she has to. However, the supernatural element to the story isn’t well thought out, and the bunny costume just sounds like another impractical movie killer costume.

On the whole, Perfect Blue: Awaken From a Dream is probably best left to the die-hard fans of the original novel and/or the movie. On a scale of 1 to 5, I’m giving it a 2.3. Outside of that first story, the rest feels run of the mill and uninspired, though they are well-written.

Yeah, not the best book. But I did get an idea for a novel from something the author said in the afterword, so that’s a plus.

Until next time, my Followers of Fear, stay safe, pleasant nightmares, and STOP TRYING TO FIND OUT WHERE I LIVE! I mean come on, do you know how dangerous that is? You might as well walk into the tiger enclosure at the zoo (and you’d probably have a better chance of survival while there).

Since it was announced that King was releasing another collection of four novellas last year, I’ve been looking forward to reading it. The shutdowns due to COVID-19 delayed me getting my copy from the library by about two months (thanks, coronavirus!), but as soon as I had it, I settled down to read it and see how it stacked up against collections like Four Past Midnight and Different Seasons.

It took me maybe two weeks to read the book. What did I think?

Oh God, I was disappointed. I’m a huge King fan, but–oh God. This is definitely not one of Stephen King’s strongest collections of novellas. Out of the four stories in the collection, I disliked or was indifferent to three of them:

The first story, “Mr. Harrigan’s Phone,” follows a young boy whose relationship with a rich, elderly bachelor takes on a supernatural twist. And while it goes for a creepy coming-of-age story vibe with comments on technology addiction and how business takes place online, it feels like just your average coming-of-age story that tries to be creepy a few times. And not very well. If perhaps the story had dropped some of the literary focus and instead tried to focus on the protagonist through more supernatural terror, I might have enjoyed it a bit more.

The second story, “The Life of Chuck,” is actually three stories in one, all focusing on a man named Chuck Krantz at various stages of his life. And I didn’t see the point of all three stories being included together as one story. The three parts don’t really link up that well except for the titular character, and each has a different focus: the first is an interesting take on the verse from the Talmud “He who saves a life, saves a world entire;” the second is about an impromptu flash mob in Boston; and the third is a spooky ghost story set during Chuck’s childhood. I think if the three parts were released in separate collections, they honestly would have been stronger, especially the first and third. As they are though, I was just left annoyed and confused.

The final story, “The Rat,” is a semi-interesting story about an author trying to finish a novel in a remote cabin during a storm that takes a dark fantasy turn during the last third. And the way it takes that turn is so silly, I’m wondering if King meant for that to be a comedy/horror piece and I missed it. As it is, it’s not going to leave anyone with nightmares anytime soon.

The one story I actually liked is the third, “If It Bleeds,” starring Holly Gibney from the Bill Hodges trilogy (which I haven’t read) and The Outsider (read my review here). In this story, private eye and cinephile Holly Gibney realizes a monster like the one from The Outsider is causing death and misery after a school is bombed. It’s got a great mystery at the center, a thrilling climax, and some nice character development on the part of Holly (who, might I add, is on the spectrum with me. Positive representation!). It’s not exactly top-notch King, but it’s still very good, and I’d check out an adaptation if one were made and it was on a channel/streaming service I have access to (*hint hint wink wink*).

All in all though, If It Bleeds by Stephen King is not going to keep anyone up at night. On a scale of 1 to 5, I’m giving the collection a 2.3, and that’s mostly for the titular story. Major King fans are going to read this one, but I wouldn’t recommend it to anyone who’s either a casual fan, a new King reader, or just looking for a scary collection of stories.

For that, I recommend his collection Four Past Midnight.*

That’s all for now, my Followers of Fear. I’m disappointed that this book didn’t resonate with me, but I already have my next read, Home Before Dark by Riley Sager, waiting for me to start. Hopefully that’ll scratch my horror literature itch, especially if I finish it before it has to go back to the library. Until next time, pleasant nightmares!

*And would someone please make a movie based on the third story in that collection, The Library Policeman? PLEASE?!!! I would help make it and make it the best it can be if someone did.

Well, I didn’t think I could do it. But I did. At almost exactly 10:45 PM on May 31st, 2020, I finished the latest novel from my twisted imagination, The Pure World Comes.

If you aren’t aware, The Pure World Comes is a story I started writing back in April. It’s a culmination of all my love of and research into the Victorian era. The story takes place in 1894 and follows a maid who goes to work at the estate of a mad scientist. It’s part historical fiction, part Gothic horror, and part gaslamp fantasy (a subgenre I need to write an article about one of these days), with some slight elements of science fiction. All in one crazy story.

And with this story, I’ve actually broken a few personal records. First off, with Toyland back in March, this makes two novels finished in a single year. That has never happened before. Not to mention I wrote this novel in less than two months, another record. And today, I finished the novel by somehow getting forty-five hundred or so words down in one day. Yeah, forty-five hundred words. And none of these records I expected to beat until I beat them.

Am I bragging? Sorry about that. I just thought I’d mention them.

Anyway, onto the page and word counts. In terms of Microsoft Word pages, 8.5 inches by 11, with double-spaced, 12-point Times New Roman font, the novel is 214 pages. And, in terms of words, the novel is 59,333 words. Yeah, I know I used to say novels are sixty-thousand words or higher, but it’s recently come to my attention that most publishers and contests put the cutoff from novella to novel at around forty thousand words. Therefore, I’m caving into peer pressure just this once and will designate this a novel.

So, what’s next? Well, normally I would celebrate the completion of a novel with a huge party. Mead, pizza, heavy sugars, a movie or several episodes of TV. But it’s late, and tomorrow I have a busy morning, so I’ll delay the partying till tomorrow. After that, I might take some time to recharge creatively before I attempt so much as another short story.

In the meantime, I’ve already sent the first draft of The Pure World Comes to someone who has agreed to take a look at the first draft and give me feedback. With any luck, they’ll give me some advice which will allow me to eventually get this story published.

So glad to finally finish this story, a distillation of my love of Victorian England.

I sense there are great things on the horizon.

That’s all for now, my Followers of Fear. Remember, there’s still plenty of time to send in a question for my YouTube Q&A for the first publishing anniversary of my novel Rose. Just email a question with your name and where you’re from to ramiungar@ramiungarhtewriter.com by June 17th at noon, and your question will show up in the video. And if you’re from the US or UK, you may win a download code for the audio book for Rose.

And of course, if you want to read Rose but don’t want to go through Amazon or Audible, I’m selling signed copies directly to readers. Send an email to me, and we’ll discuss the details.

Until next time, my Followers of Fear, stay safe and have some pleasant nightmares.

London Bridge and Parliament in the 1890s, right around the time this story is taking place.

Evening! Or is it morning? I’m not sure, it’s a late-night writing binge and time becomes meaningless after one of those. Anyway, as you can tell from the title of this post, I’m halfway through this super-important story set in my beloved Victorian England that I’ve been hinting and mentioning for God knows how long. And now I’m halfway through the damn thing, I think it’s time I talked a bit about it.

So, first let me tell you what this story is called. After a lot of deliberation and one or two placeholder titles, I’m calling this story The Pure World Comes. The story follows a young maid named Shirley Dobbins who goes to work for a mad scientist, and what occurs while in his employ.

In terms of genre, I think it’s a mix of Gothic horror and gaslamp fantasy (a subgenre I might need to write an article about another day). But it’s so much more than that, at least to me. It’s also a distillation of everything I’ve learned over the years about the reign and age of Queen Victoria, and I think it shows in the text.

It’s also an excuse for me to reveal the identity of the man I believe was Jack the Ripper. Yeah, that’s right, I have a person in mind whom I believe was Jack the Ripper, and I found a way to make it part of the story without shoehorning it in! Who is it, you ask? Well, you’ll have to hope the story gets published so you can find out.

And now, onto the page and word count (because of course I’m including that. You guys know me, after all). In terms of 8.5×11 pages, with 12-point Times New Roman font and double-spacing, The Pure World Comes is about 128 pages at this point. And in terms of word count, it’s 36,376 words. Yeah. You know how I consider novels as stories at sixty-thousand words or higher? I have a feeling this will be a novel by the time I’m done instead of a novella. Pulling another River of Wrath here, I guess (and yes, I will edit that soon).

Whatever it ends up being at the end, I’ll hopefully have it done by the close of May. Mid-June at latest. In the meantime though, I’m heading to bed. It’s late (or is it early?), and I need my ugly sleep if I’m going to get anything accomplished tomorrow.

And in the meantime, expect something big Thursday morning, my Followers of Fear. I have something special planned, something I think you’ll be excited for. Keep an eye out and stay tuned.

Also, signed copies of my novel Rose are still available! Send an email to ramiungar@ramiungarthewriter.com to inquire about placing an order.

Anyway, that’s all for now. Goodnight, and until next time, pleasant nightmares!

This story is set in the Cthulhu Mythos (and may or may not involve the big tentacled guy. I aim to keep you guessing).

Well, this has been a productive day. Today I finished a new story!

“What Errour Awoke” is a story set in the Cthulhu Mythos.* The story follows Taylor Molton-Reed, a graduate student at my alma mater, Ohio State. One day, while teaching a class on the famous British poem The Faerie Queene, the description of one of the monsters in the poem awakens repressed memories in one of his students of a certain Great Old One (I’ll let you guess which one until you actually read the story). The student later relates to Taylor what he remembered, beginning a chain of events involving this particular eldritch monster and its plans for the people of this world.

This story was actually inspired by my own studies in college. I read the Faerie Queene‘s first book in one of my British literature courses, and remembered one of the monsters in it quite particularly. Years later, after I’d gotten deep into Lovecraft’s canon and became familiar with many of the entities in the story, I found myself thinking back on that monster and thinking to myself, “Hey, wait a minute! That sounds a lot like such-and-such entity!” Thus the idea for this story was birthed.

I had a lot of fun writing this story. For one thing, it’s set right in the Cthulhu Mythos, and there’s a certain thrill for me when it comes to writing stories set in that world (possibly because I’m an entity right out of that world?). For another, the majority of it takes place during our current pandemic. so it was cathartic to write about. I’ve compared the coronavirus to a Lovecraftian entity in the past, so writing about it in a Cthulhu Mythos story felt especially apropos. And finally, I had a lot of fun applying something other than the writing courses from my English major to a story, and modeling certain parts of the story after the first book of Faerie Queene.

In fact, I liked this story so much, I decided to put this into that collection of short stories I’ve been working on and switch out one of the weaker stories in it. That’s how much I loved it, and how confident I am readers will enjoy it.

Now, for the stats on the story. “What Errour Awoke” totaled out to 63 pages and 17,880 words, the last 13 pages and 3,880 words written over the course of this afternoon and evening (yeah, I went on one hell of a writing binge). This puts it at a novelette, so I’m two for two on getting at least one short(er) story done per month for the rest of 2020. Hopefully I can keep that up with the next story, which I’ll likely finish in May.

Speaking of which, what’s next? Well, I’ll be reaching out to some writers I know who may be able to give me some valuable feedback on how to edit “What Errour Awoke.” And while they’re doing that, I’ll be starting work on the last story for that collection, a novelette or novella set in my beloved Victorian England. Believe me, it’s going to be a strange one. A wonderfully strange one.

That’s all for now, my Followers of Fear. There’s a late Shabbat dinner and an Avengers movie calling my name. Until next time, Shabbat Shalom, stay safe, be healthy, and pleasant nightmares.

*Which means, if my parents ever read this story, they’re not going to get any of the references and think I made up more than I did for this story.

You know, I feel like I should’ve written a post like this a while ago. Like, at least a month ago. Oh well, better late than never. I’ve been thinking for a while of what I want to do in terms of writing for 2020. Which is unusual, because while I’m a huge plotter for my stories, I don’t usually plan out goals for an entire year. But I feel like, with a book published and a short story included in an anthology last year, I feel like I should try some new strategies to keep the momentum going. So without further ado, let’s talk my writing goals of 2020.

Finish Toyland

Of course, this was on here. Luckily, I’m already on my way there: as of a few days ago, I’m only six chapters away from finishing Toyland, the Gothic horror novel I’ve been working on since November. Depending on how things play out this year, I’ll probably edit it at some point. After that, perhaps I’ll find a publisher for it. Fingers crossed it goes well (and that a novel approaching ninety thousand words doesn’t intimidate anyone).

Complete the short story collection

Before November and NaNoWriMo, I was putting together a collection of short stories. As of now, there are twelve stories in the as-yet unnamed collection. Being a horror writer though, I want thirteen stories. Good thing I’m already making strides on that goal: I’ve been doing a lot of research for a story I want to write after Toyland‘s done. I think it’ll be somewhere between the length of a novelette and a novella, or ten thousand to sixty thousand words. Hopefully writing it goes well, once I hammer out the plot details.

After that, I’ll hopefully be able to find a publisher who can help me get the stories in tip-top shape. Or maybe I’ll self-publish again. We’ll see how things develop.

Write at least ten short(er) stories

Including the last story for the collection, I want to write at minimum ten stories shorter than a novel. Preferably, they’ll all be short stories, but I know that a few of them will be novelette or novella length (depends on the story, obviously). I would also like to edit most of them within a year, and get at least three or four published in some form or another. Getting a short story in The Binge-Watching Cure II last year was an amazing experience, so I want to see if I can do it again.

And of course, it’s always a good idea to polish your short fiction-writing skills.

Maybe start a new novel

I’ve known for a while what novel I’d like to write after Toyland. However, I think I’ll wait a good while until I write it. Novels are a huge commitment of time and energy, so I want to make sure I’m ready before I try my hand at a new one (and maybe get one or two others edited and/or published).

Grow my audience

I’ve been lucky to grow an audience over 8.5 years of blogging, Facebooking, tweeting, Instagramming, and occasional YouTube videos. But I’m always hoping to grow my audience just a bit more. And while I don’t have any particular numbers I want to reach, I want to draw more people in and maybe get them hooked on my particular brand of weirdness. Especially my fiction.

 

Well, those are my writing goals. Here’s to them going well in the 11.5 months we have left of 2020. I hope you’ll continue to support me during that time, and maybe even read/review my published work if you can.

Until next time, Followers of Fear, pleasant nightmares and WHO LET THE MONSTER KNOWN AS THE DEAD MAN’S STRUGGLE INTO MY BUILDING?! Now I have to either kill it or seal it away. Either way, the cleanup’s going to be exhausting.

What are your writing goals for 2020? Have you made any progress with them so far?