Posts Tagged ‘body horror’

I saw the trailer for this new Netflix film several weeks ago, and got intrigued. A British horror film taking part in Edwardian England and involving an isolated cult? Where do I sign up? So last night I made some popcorn and logged in to check it out.

Holy shit, I think we have a winner here!

Apostle follows Thomas Richardson, the prodigal son of a wealthy family with a past who comes home when he finds out that his sister has been kidnapped for ransom by a cult living on an isolated island off the coast of Wales. He goes undercover and joins the cult to save his sister, but finds that things on the island are not all that seem. Thus begins a twisted descent into insanity, religious zeal, and blood that will leave no one untouched.

This movie is wonderfully fucked-up. It starts out slow with very few hints of anything off, but over time throws in hints of how messed up things are, mainly strange actions on the part of the characters. As the film goes on, these hints become more obvious and horrific, involving blood, strange sights, and much worse. It creates this very unnerving atmosphere al a The Shining, only by the final third the film can sustain the intensity and somehow keep building on it. Just when you think that this film can’t get any more horrifying, it throws something new–a revelation about the characters, body horror, etc–to throw you for a loop. There were more than a few times I felt myself gripping my computer with white knuckles because of what I was seeing on screen.

The acting is great. I forgot that I was watching people in roles and thought they were the people they were playing for most of the film. And I especially liked how the film mainly relied on practical effects and only used CGI for minor touches. I prefer practical effects to CGI in most instances, and it’s good to see the director, Gareth Evans, seems to share my preferences. And a good thing too, as all the practical effects give this film’s body horror elements a realism that makes it especially disturbing and which would’ve lost their power if CGI or some other trick had been used.

If this film does have an issue, the plot does seem to meander at times. There are numerous subplots that are woven into the film, and while the majority of them do get resolved, a few don’t (what about that oath? Why wasn’t that picked up?). That might work better in a novel, where we can see the characters’ thoughts and that sort of thing can be explained, but in a film it’s a problem. So some people might find the story slow or boring because of the way the plot is set up.

All in all though, Apostle is a terrifying and powerful film and possibly a new classic of the genre that will stay with viewers long after they’ve logged off Netflix. On a scale of 1 to 5, I’m giving Apostle a 4.6.  If you’re brave enough, go check it out and begin your spiral into a world of trauma and terror that is rarely put to film.

Also, I wish the director Gareth Evans, who only has one other horror credit on his director’s belt, comes back to the genre soon. If Apostle is anything to judge by, I look forward to seeing what else he can contribute.

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A good number of you probably remember that late last year, I did a series of posts where I reevaluated scary movies I’d previously seen and disliked called the Rewatch Series. The first of those movies was the psychological horror anime movie Perfect Blue, released in 1997. I found that my previous dislike for the film had been based on my not understanding it, and that with a few more years and a better understanding, I found it to be a really good movie.

I’d also known for a long time that the movie was based on a novel, but it wasn’t translated into English and therefore I had no hope of reading it. That is, until I found out a few months ago that Seven Seas Entertainment had licensed and translated the novel for the English-language market. Naturally, I got excited and tried to get my hands on it. And after about four months, I finally did get a copy and sit down to read it.

Boy, that’s different than the movie in more ways than one. But of course, this won’t be a book-vs.-movie comparison (at least not entirely). It’s a review, so let’s get to reviewing.

Perfect Blue: Complete Metamorphosis follows two very different people: Mima Kirigoe, a Japanese pop idol who is trying to leave behind her image as an “innocent” starlet and take on a more mature image; and the other is someone simply identified as “the man,” a man who is obsessed with Mima and her “innocent” image and resolves to keep her innocent by any means necessary. When their paths intersect, their lives will be changed forever.

So right away, I should point out that the movie took a lot of liberties with the original story. Whereas the movie was a deeply psychological story about a young woman struggling with her identity, how people saw her, and how she saw herself after a career change, the novel itself is a very basic stalker story, like what you might find in an episode of Criminal Minds.* The story is mainly told from the viewpoints of Mima, who in this version is okay and even yearns for the changes to her image so she can progress in her idol career, and “the man,” whose sanity erodes the further Mima seems to get away from her innocent image and whose plans get more drastic. There are times when the story is told from the POV of other characters, but they’re always related in some way to the lives of Mima and “the man.”

What I do like about the novel is that “the man,” who in the movie is called “Mr. Me-Mania,” is given more complexity and we see more things from his perspective, why Mima’s innocence is so important for him and some of his ideas about the world. Not only that, but in the movie Mr. Me-Mania is, while intimidating, mostly a passive character, not taking any sort of action beyond stalking until late in the film. But from the beginning of the novel, “the man” is completely active and menacing, committing a horrific crime within the first few pages of the novel. It’s very effective for setting our perceptions of “the man,” and sets things up for the more disturbing actions he takes later in the story.

Speaking of which, there are some really disturbing scenes in the novel, especially as you go later in, that utilize body horror. Now, normally I’m not that big a fan of body horror (I associate it too much with torture porn, which I’m not the biggest fan of), but here it’s done very well, especially when “the man” starts practicing for his plan to “save” Mima. This is followed by a very scary climax, which utilizes tension, body horror, and good old-fashioned chase to effectively keep the reader drawn in and wanting to find out what happens next.

While not the same as the film, the novel is still good on its own merits.

However, the novel isn’t perfect. As I said, the story is a very basic stalker tale. The novel doesn’t go as deeply as it could into who Mima is as a person, and I would’ve liked to go deeper into that, as well as into other aspects of the story (but then again, Takeuchi did say in an afterword that he was simply writing a story around the conflict between an idol’s desire to grow and a fan’s desire to hold onto the image he fell in love with. On that alone, he certainly succeeded). That, and I felt that the novel ended a little too abruptly, without really showing the aftermath of the story’s main events.

Still, t is a decent, if very simple, story of psychotic cat and mouse. And while I like the movie better, I have to say I’m glad I picked up the original novel. On a scale of 1 to 5, I’m giving Perfect Blue: Complete Metamorphosis a 3.8. A gripping story of obsession with plenty of tension and well-written body horror. Take a look and let the story get under your skin (whether you want it to or not).

*In case you’re curious about the author’s feelings about the changes made to the story for the movie version, there’s an afterword at the end of the book written just after the film came out where he seems not only okay with the changes, but also was enthusiastic about the movie itself. Always nice when an author is okay with the changes made from book to film.