So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.
And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”
I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.
I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.
Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.
Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.
That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?
But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.
Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.
Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.
What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.
Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.
*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.
I would like to thank my friend Kat Impossible for tagging me for this (especially since I was in the mood to blog something other than an “Agoraphobia” update, just didn’t know what). Go check out her answers on her blog.
Now, I don’t know how much I’ve talked about my alcohol preferences on this blog (though I’m sure it’s come up once or twice). But while I do like beer, I also enjoy wine every now and then (in fact, Brothers Drake honey wine, better known as mead, is what I use to celebrate finishing novels or getting them published). I’m especially fond of sweet wines, like Moscato, Japanese plum wine, or the abovementioned mead. That’s why I’m kind of excited to do this tag, even if it involves wines I don’t normally drink. So, without further ado, let’s begin.
BOX WINE–a book that people will judge you for liking but you like it anyway!
I can think of only one book that could possibly fit this category, and believe it or not, it’s a Stephen King novella! The Library Policeman, which you can find in his collection Four Past Midnight. The story involves a real estate agent who runs afoul of a creature masquerading as a librarian and which intends to use the agent for its own nefarious purposes. While it’s good and extremely unnerving, there’s a pretty graphic scene in the story that’s essential to the story, and it’s one of the first things people think of when they think of the novella.
It’s also why people might judge you if you say you like the story, or if you want to see an adaptation of The Library Policeman. Which, honestly, given the subject matter, would be a hard sell. Still, if you either approached the problematic scene in the right way or rewrote it in a way that preserves the impact…anyway, that’s my choice. Don’t judge me too harshly now!
ORGANIC WINE–a book that doesn’t have any added crap in it and is just written perfectly.
I was going to put one novel here, but I’m saving it for later, so I’ll put this one here. The Girl Next Door by Jack Ketchum.*shiver!* That book is famous for how traumatizing it is. And considering that the events it’s based on aren’t too different from what’s in the book, that somehow makes it even more terrifying. But that kind of lends itself to winning this category, as none of what’s depicted in the novel is technically gratuitous or unnecessary. It’s just a reflection of real events.
Not only that, but if Ketchum wasn’t such a talented writer, he couldn’t write the novel the way it is and make it so terrifying. In another person’s hands, they may have added all sorts of melodrama or other unnecessary elements. But in his hands, and with his willingness to push boundaries, it’s a masterpiece!
That being said, anyone going in for the first time should prepare for a ton of anxiety and maybe some nausea. You’ve been warned.
Accurate representation of many first-time readers of The Girl Next Door.
GLUEHWEIN–a spicy, wintry read.
Never heard of that wine. Also, what do you mean “spicy?” Like, sex scenes? Whatever, I’m going with The Shuddering by Ania Ahlborn. It takes place in winter, in ski country, and there are a lot of romantic subplots in the story, so I think that works. Plus, it’s scary. For those unfamiliar, it’s kind of a cross between a creature feature and a good, old-fashioned splatterpunk slasher story. I enjoyed it immensely. Why haven’t they made a movie out of it yet? Keep the monsters in the shadows but keep the focus on the survival instinct and it’ll be great!
SAUVIGNON BLANC–a really sharp and aggressive read that you couldn’t put down!
I actually had to look back through my reviews to find a book that works for this one. In the end, I found one that fits “sharp and aggressive,” and that’s The Five by Hallie Rubenhold. This book takes a look at the Canonical Five, the five confirmed victims of the serial killer known as Jack the Ripper, and uses historical records and an understanding of Victorian social mores and beliefs to reexamine their lives. Doing so, the author Ms. Rubenhold strips away every belief we’ve had on the victims, and therefore the Ripper, till we’re forced to look at the case in an entirely new light.
This book was an eye-opener for me, and I found the author’s argument highly convincing. In fact, I even referred back to The Five while writing The Pure World Comes, where the Ripper is an important aspect of the story. And if you read the book, you’ll understand why I place The Five in this category.
PINOT NOIR–a book you didn’t expect much from but ended up getting blown away.
It’s easier to pick a movie than to pick a book for this one. Still, if I go back far enough, there’s one book that I can think of. The Amulet of Samarkand, the first book in The Bartimaeus Trilogy by Jonathan Stroud. I was a huge Potterhead when I was younger, so my mom suggested it to me while we were shopping in a Barnes & Noble one day. At first, I was dismissive, but eventually I was convinced to try it out. And then I read it.
Hoo-boy. The lead characters are awesome and easy to relate to, Bartimaeus himself is hysterical, and the world building was quite an eye opener after reading nothing but Harry Potter for ages. Add in some political intrigue, a plot with twists and turns, and excellent writing, and I was hooked. I was really sad when the series ended, because it was just so good (there was a prequel, but without certain characters, it just wasn’t the same).
Still mad that they haven’t made a movie franchise or TV series off of these books. Supposedly, a movie adaptation is in the works, but until I see some actual progress, I’m not getting too excited.
CHARDONNAY–a good summer read that was super zesty.
What does that even mean, super zesty? Does the story have to have melted cheese with a sharp taste on it or something?
Oh well, I’m going with Battle Royale by Koushun Takami. I mainly associate it with summer reading, and while not covered in cheese, it’s an exciting thrill ride that really engrosses you as you get into the story. So, I guess that makes it super zesty. In any case, this book was the first book in the battle royale genre (which is why it gets away with using the name) and does it better than anything since, especially Hunger Games.
ROSE–a book that has a little bit of everything in it.
Why, that’s easy. It’s my novel Rose! Just kidding. I’m not that kind of guy.
No, I’m going with the Kieli novels by Yukako Kabei. The series follows an orphan girl who can see ghosts and other spiritual beings. Who befriends/falls in love with an undead soldier with an attitude problem. They travel the world together, which has a dystopian, steampunk aesthetic. Most of the planet is also ruled by a tyrannical church. And the planet is an exoplanet that was colonized by spacefaring humans centuries prior to the book’s storyline. And on this planet, they deal with monsters, ghosts, dangerous church figures, criminals, and so much more. All the while trying to wrestle with their feelings for each other.
See, it has a little of everything in it! And I’m honestly sad not more people have read the books, even among fans of Japanese light novels (novels with the occasional illustration thrown in). If, however, the above description sounds interesting to you, I suggest reading it. I loved it in my teens and early college years, and I’m sure you would too.
By “full-bodied,” do you mean doorstopper thick? If so, I’m going with Needful Things by Stephen King. Not only does it have one of King’s best antagonists, but it makes fun of and delves deeply into human materialism and greed. How much will you go to keep something you desperately want? To own something, or to be right, or to get answers and/or revenge? While a lot of what occurs in the book seems silly, it also feels like some of this stuff could really happen.
I especially love the audio book, which King narrates himself. He has a much better speaking voice than I do, and he gives each of the characters a distinctive voice. You have to listen to it to believe it.
Also, it’s a damn shame that the only adaptation of this book was a movie, and a really bad one at that. I think a comic book adaptation would work very well. Not only could the artists actually depict some of the darker, weirder, or smuttier stuff without constraint like in a movie, it would just be fun to read and see how they depict some scenes or situations (*cough* two middle-aged ladies who think they’re having sexual affairs with Elvis Presley *cough*).
MERLOT–a smooth, easy read with a soft finish.
Ooh, tough choice. I guess I’ll go with Remina by Junji Ito. For those unaware, it’s a manga about a mysterious planet that appears in the night sky and is named after its discoverer’s daughter. As the planet starts approaching Earth, however, other planets start to disappear, leading to trouble for both its discoverer, and young Remina as well.
I love this book. It’s a great story that you can finish in just one sitting, but it has quite the impact that leaves you satisfied. The last few pages especially leave you with this strong feeling that there is no other way the author could have finished the manga without sacrificing the quality. Yeah, some elements are a little hard to believe, but who cares? It’s still an excellent science-horror story that shows how humans react in the face of annihilation, and how attributing blame to the wrong person can ruin lives.
Still waiting for a movie based on this. The fact that nobody has yet bewilders me. Get on that, Hollywood!
That’s an easy one, it’s Kill Creek by Scott Thomas. Still my favorite novel these days. Four famous horror writers go to a reputedly haunted house for a publicity event, but end up awakening something powerful and dark. Something that takes control of their lives and twists them for its own use. And if they’re not careful, they will die because of it.
This novel was a revelation for me. It basically lists the qualities of Gothic novels in the early chapters and then uses those qualities to great effect. Plus, the characters all feel like real people and you really come to love them, especially the four writers (TC Moore, you are the bomb!).Hell, it’s so good I bought my own copy after listening to the audio book fifty thousand times, and I sent a copy to a friend who did me a big favor recently as a thank you.
If you’re a horror fan but haven’t read this one yet, at the very least put it on your TBR list. Trust me, you won’t regret it.
Those are picks. What did you think? Have you read any of them? Are there any you want to read? What would you pick? Let’s discuss in the comments below.
And if you like this tag and think you’d like to try it, THEN CONSIDER YOURSELF TAGGED!!! I hope you enjoy doing the tag and maybe you’ll link back to me so I can see your answers.
That’s all for now, my Followers of Fear. I hope to be back for another post very soon. Until next time, I’m off to enjoy a beer (I’m saving the wine for Passover, because that’s really the only alcohol you can drink during that holiday) and do a late-night writing session. Pleasant nightmares and watch out for “Agoraphobia” coming out in just over nine days (links below!).
It’s been a while since I’ve done any sort of tag, so I saw this on my friend Kat Impossible’s blog and I was like, “Sounds like fun.” And while I’m not sure I believe in “perfection,” I tried to come up with stories that come close to that in my personal opinion. Most of these titles are from the horror genre, but I do add some from other genres and even a few other mediums (I can be a rule breaker when I want to be). With that in mind, let us begin the Perfect Book Tag.
THE PERFECT GENRE
(pick a book that perfectly represents the genre)
I had a hard time choosing on this, between what could be considered a quintessential horror novel, and what could be the most terrifying novel (AKA the “perfect” horror novel). In the end, I wanted to include the quintessential novel elsewhere, and I hate repeating myself, so I decided on the most terrifying novel I’ve ever read, The Girl Next Door by Jack Ketchum. Honestly, this novel’s show of brutality, the ease in which regular people can be persuaded to commit acts of evil and the graphic descriptions of torture and cruelty were enough to make me put the book down at times just so I could process what I was reading and get control of my dread. If you want perfect horror, this might be close enough.
Just don’t blame me if this gives you an upset stomach or nightmares. Trust me, it’s a tough one to get through.
THE PERFECT SETTING
(pick a book that takes place in a perfect place)
Again, I’m not sure if there’s anything considered “perfect” in entertainment, let alone a perfect setting. However, as far as I’m concerned, this might come damn close. The Doctor Who universe has every sort of setting imaginable. From futuristic cityscapes, to the distant past, and even our own modern times, you can find aliens, historical personages, gods and demons, magic (sort of) and science, friends and enemies, and even new universes or pocket universes! It’s an endlessly adaptable setting, and that’s why it’s my choice for perfect setting.
Also, I know it’s a TV show and the books are expanded universe and semi-canonical at best, but like I said, I like to break the rules.
THE PERFECT MAIN CHARACTER
(pick the perfect main character)
For this one, I didn’t pick perfect as in “they’re the best at everything and never have to improve. The story is just a way for the reader to fawn over how amazing the characters are.” Those are known as Mary Sues and Gary Sues, and most writers learn to stop creating them when trying to write compelling stories. Instead, I picked examples of characters I like to work with the most: women/girls who don’t start out as protagonist material, but as time goes on they grow into their heroine roles. Sailor Moon and Buffy are two great examples of those characters, as well as the reason I love that character type.
Neither Buffy Summers nor Sailor Moon started out as heroes who were thrilled with their roles. They just wanted to be normal girls, not burdened down with these destinies to save humanity from evil. But over time, as they get stronger and build their support networks, they become stronger, able to defy evil and inspire everyone around them and everyone watching them, regardless of age or gender. It’s part of the reason why these characters have endured over thirty years after their debuts, and part of the reason why I am who I am today.
THE PERFECT BEST FRIEND
(loyal and supportive, pick a character that you think is the best friend ever)
This one was easy. She’s smart, kind, brave, and is willing to point out when you’re wrong or doing something stupid. And she’s willing to stand up for the oppressed when no one else will, including many of the oppressed. She can be a bit stubborn, and at times she loses sight of reality when it comes to studies or other things she deems important. But honestly, Hermione Granger would make a great best bud.
THE PERFECT LOVE INTEREST
(pick a character you think would be an amazing romantic partner)
Let me level with you all. I may be bisexual, but I’m aromantic, so I don’t really feel romantic attraction to anyone. Sexual, definitely, but I have trouble imagining myself wanting to be tied to someone like a partner or lover. And since I don’t feel like telling the world about a character I may find sexy, I’ll just leave this one blank. Sorry if you really wanted to know what my type was or wanted to set me up with someone you know. You can’t change someone’s nature that easily.
THE PERFECT VILLAIN
(pick a character with the most sinister mind)
Remember that quintessential horror novel I mentioned as a contender for Perfect Genre? Yeah, IT was the runner-up. But in terms of villains, Pennywise is the ultimate, hence why he’s here. Honestly, he’s a perfect mix of both the human villain and the supernatural. He understands human fears and motivations, is a master manipulator and knows just how to get under our skin and either terrify us into a stupor or make us his pawn. At the same time, he’s this giant cosmic entity from beyond the universe, a thing we can only grasp as orange lights known as The Deadlights. His motivations aren’t born from hatred or greed or any human desire, but from the need to feed and eventually the need to procreate. It’s just another show of his Otherworldly nature.
And let’s face it, he’s devious! It takes a special sort of evil to enjoy being an evil clown 24/7, and Pennywise does it better than the Joker. Yeah, you read that right. What are you going to do about it?
THE PERFECT FAMILY
(pick the perfect bookish family)
Well, they’re not from any books, at least not originally, but the Addams Family would be my perfect fictional family. You can guess why.
THE PERFECT ANIMAL OR PET
(pick a pet or fantastic animal you need to see on a book)
Although I’m against the breeding of white tigers (they’re a genetic abnormality and breeding them leaves the tigers with all sorts of genetic problems), White Blaze from the anime Ronin Warriors is a creature I always wanted. He’s a tiger and deadly towards his enemies, but he’s smart, kind and good with people. You could honestly have him babysit your kids, he’s that good. And in a fight against evil, you couldn’t ask for a better animal partner.
In fact, White Blaze might be part of the reason why tigers are my favorite animal. And it’s not hard to see why.
THE PERFECT PLOT TWIST
(pick a book with the best plot twist)
I won’t say what it was. But it left me reeling. Took me half the next chapter to realize the author was serious and wasn’t pulling my leg. Still the hardest a twist in a novel has ever hit me.
THE PERFECT TROPE
(pick that trope you would add to your own book without thinking)
Let’s face it, I love a cosmic horror twist. The idea of an entity that defies human conception, to the point it can drive us mad, excites me as a horror writer to no end.
THE PERFECT COVER
(pick a cover you would want on your own book)
I want a cover similar to this on one of my books someday. Either that, or something that disturbs just to look at it.
THE PERFECT ENDING
(pick a book that has the perfect ending)
My favorite endings in horror have the horror continuing on long after the heroes appear to have won. So if I have to pick one that’s a good example, I think I’ll go with Needful Things by Stephen King. Great book with an enigmatic and terrifying antagonist. If you haven’t read it yet and you have a stomach for horror, you might want to change that sooner rather than later.
I TAG THEE:
Priscilla Bettis
Iseult Murphy
Joleene Naylor
Ruth Ann Nordin
Matt Williams
YOU!!! (If you want to)
That’s all for now, my Followers of Fear. Tomorrow, I finally start that essay, and then I start on a new short story. But in the meantime, what did you think of my choices? Any of them resonate with you? Let’s talk in the comments.
Thomas’s previous work, Kill Creek, is an excellent piece of modern Gothic fiction and is currently my favorite novel (read my review here). When I heard Mr. Thomas had another book, Violet, on its way out, I immediately requested my library buy copies, and then got on the reserve list. Due to my crazy life, it took me two check-outs to finish the book, but I finally did so this evening. And now, it is my solemn duty and great pleasure to do a review. Let’s get to it.
Violet follows Kris Barlow, a veterinarian and mother of a young girl. After the death of Kris’s husband scars her daughter Sadie, she decides to pack the family up and retreat to her childhood lake house in the heartland of Kansas in an effort to heal. The same lake house, by the way, where Kris’s own mother died years ago. However, in-between the home improvement projects on the long-neglected home and Kris’s own fears, something in that house awakens. And it has a special interest in Kris and Sadie, one stemming all the way back to Kris’s buried childhood.
While I didn’t react as enthusiastically to Violet as I did to Kill Creek, I did find it a great slow-burn horror story.
Thomas does a great job job taking his time so we can get to know our main character Kris. By the time I was halfway through the book, she felt like a real person to me. Especially in terms of her anxieties; while what she’s worried about is different from my own anxieties, the emotion behind them felt like my own anxiety when its ugly head rears. That’s not easy to do.
You also get to know the town of Pacington, kind of like you get to know the town of Derry in IT. The atmosphere and melancholy of the town, as well as its citizens, all of it becomes very real to the reader.
All this with the same sort of storytelling Thomas displayed with Kill Creek, allowing the story with its secrets and intrigue and twists to fully take form over the course of 400-plus pages. For about two hundred pages, I was sure I knew what the big reveal was. Turns out, I was very wrong, and I was so glad for it.
That being said, there was one aspect of the novel I didn’t care for. While the slow-burn aspect worked for the most part, allowing for the reader to become embroiled in the town, in Kris’s life, and in the strange events occurring, at times it did drag a bit. I found myself thinking at times, “Come on! Something extremely creepy, please happen!” That may just be my quirk, though. Anyone who’s read my work may have noticed I like to get to the horror and the strange going-ons sooner rather than later. So maybe it was just a little too slow at times for me and me alone.
All in all, Violet is a great follow-up to Kill Creek that takes its time and helps immerse you in the story. On a scale of 1 to 5, I give the novel an even 4. Check it out and settle in. You’re in for a ride.
Hill House is a great example of Gothic fiction and a Gothic location.
You’ve probably heard someone describe a work of fiction as being “a very Gothic work,” or describing a place they visited as “having a Gothic feel” (which now that I think about it, could be said of The Lizzie Borden Bed & Breakfast). But what actually is “Gothic horror” or “Gothic fiction?” And why does it still appeal to us after more than two-hundred and fifty years?
Surprisingly, Gothic fiction has very little to do with Gothic architecture or with Goth fashion and music (for more on that relationship, check out this brief YouTube video). And while most of the genre do take place in haunted houses, not all haunted house stories are Gothic, or vice versa. As this very helpful Tor.com article points out, “Some genres build the house. Others come along and decorate it. Gothic horror is a very decorative genre.”
So what is Gothic fiction? Well, to be honest, it’s a genre that arose out of another genre that was a response to a popular movement. In the 18th century, the Enlightenment movement emphasized discarding superstition in favor of science and reason. Some artists didn’t care for this philosophy and turned to Romanticism, which emphasized emotion and the self, as well as a veneration of the past, nature, and in some cases the supernatural. Gothic arose out of Romanticism, with artists and authors combining elements of the latter with horror, death and the supernatural, starting with The Castle of Otranto in 1764 by Horace Walpole, and followed by the works of Poe, Mary Shelley, Byron, and many others.
To put it simply, Gothic fiction could be considered the love-child of 18th and 19th century Romance stories and horror stories.
But that’s how Gothic fiction came to be. How do we identify it? Well, the horror novel Kill Creek by Scott Thomas (which I highly recommend), itself a Gothic novel, gives a great run-down of some of the common elements of the genre (I hope Mr. Thomas doesn’t mind me using them):
Emanation from a single location. The source of the evil is often a single location, usually a house. A great example of this is The Overlook Hotel from The Shining. It is the book’s main location, and it is the source of the evil in the story.
A sense of forbidden history. There’s a dark history associated with the location or something related to it. Again, a great example is The Overlook, which has been the setting for murders, suicides, and all sorts of horrid deaths and events, all of which have been swept under the rug for the sake of the hotel’s reputation, and later gets drudged up by Jack (and the hotel).
An atmosphere of decay or ruin. Things are rotting or falling apart, or seems to be anyway. It’s in the very air, almost. And it doesn’t have to be physical; it can be mental too. Just look at Jack’s mental state as The Shining progresses, if you need an example.
Corruption of the innocent. This one speaks for itself. The evil wants to destroy good and innocence and replace it with evil. Dracula, a great example of Gothic fiction, has the titular character turning good and innocent people into bloodsucking vampires. This is corruption of the innocent in its best example, and why vampire fiction is often grouped with Gothic fiction (did you expect another Shining reference?).
Dracula is another great example of Gothic literature, even if it’s not confined to a single location.
But those features aren’t universal among Gothic stories. They’re common features, but not there in every one (Dracula doesn’t just kill in one single place, after all). So what else makes a Gothic story? Well, there’s something I’ve noticed about Gothic stories: along with the atmosphere of decay, there’s also a veneration towards the darkness and to beauty. Remember, Gothic fiction rose from Romanticism, which venerates nature, emotion and beauty. So while we’re feeling an atmosphere of terror, there’s also this sense that the author has a respect and love of the darker elements along with the Romantic ones.
Of course, this is just scratching the surface of what constitutes Gothic, and I could go on for days on the subject if you let me. The best summary I can do for this post is to say that Gothic fiction are horror stories with a particular group of tropes, a veneration of darkness and horror, and Romantic appreciation for aesthetic and the fantastic world. And even that feels incomplete.
So what appeals to us about Gothic fiction, and has allowed it to survive and evolve whereas other niche genres like Westerns went out of style in less than sixty years? Well, there’s no easy answer there either. The Tor article says that the rules and expectations of the genre can be learned and make it appealing to readers. I’ve heard some people say good Gothic horror has an atmosphere unlike other genres, and that keeps them coming back. My opinion is that, in addition to those theories, Gothic can evolve because its main tropes are relevant no matter what age we’re in, especially the houses. But on a deeper level than that, most Gothic literature takes the childhood idea of home, a big place we feel safe in, and turns it inside out into a giant house of fear that is still somewhat beautiful and appealing. That is a strange inversion that can be attractive to readers, and may explain why we keep writing and reading Gothic stories over two-hundred and fifty years after Walpole started the genre.
However you define Gothic fiction or whatever its appeal is, there’s no doubt that it is a popular and influential genre that we’ve all experienced at lest once in our lives and remember. And perhaps by understanding it better, we can keep Gothic horror going for many more years to come. And I certainly wouldn’t mind that.
What elements of Gothic fiction did I miss here? What about it appeals to you?
What Gothic stories would you recommend for anyone interested in the genre?
I discovered this novel, which came out on Halloween last year, on Audible as an audio book while looking for my next listen/read. It sounded interesting, and nothing else I was finding in the catalog was really grabbing my attention, so I decided to listen to it. I’m really happy I made the decision to do so: this is probably one of the best scary stories and one of the best novels I’ve come across in a while.
Kill Creek follows four famous horror novelists: Sam McGarver, a writer with a past who’s struggling to start his fifth book; TC Moore, an abrasive novelist who likes to explore the blurring of pain and pleasure in her stories; Daniel Slaughter, a religious man who writes Christian horror fiction aimed at teens; and Sebastian Cole, a veteran horror writer who’s considered the King of Modern Horror. They’re invited to Kill Creek, a house in the middle of rural Kansas that’s considered one of the most haunted houses in America, for a Halloween publicity event. This results in the awakening of a powerful entity, one with plans for the authors. Plans that will not only jeopardize their sanity, but their very lives.
I loved this story. For one thing, the book’s language. Thomas doesn’t spend time floating around with flowery language or writing confusing passages. Every word is there because it’s meant to be, which keeps the reader (or listener) invested in the story. I never once felt lost, wondering what the heck just happened or thinking that this or that word or paragraph was unnecessary. And that also helps create the unsettling atmosphere: when they’re at the house, you feel like you’re there with the characters, and you’re feeling every uneasy feeling they’re feeling. For horror fanatics, that’s a great feeling.
I also like how the story is unpredictable. Plenty of times I was sure that I knew where the story was going to go, only to be proven wrong a chapter later. And I’m the guy who prides himself on being able to predict where movies are going to go couldn’t predict each twist or the change of direction the story goes, so that says something about how well-written and unique this story is. The story itself is even a cool and clever twist on the haunted house trope!
But my favorite part was the main characters. They all felt like real people, and we’re given enough time with each of them to reveal their hidden depths. My favorite character of the bunch was TC Moore. My God, was she entertaining! I always looked forward to the narration switching to her perspective, when she would swear like a sailor and just eviscerate anyone who rubbed her the wrong way (which was everyone). I doubt I’d get along with her if she was a real person, but as a character, you just have to love her (kind of like Sheldon Cooper, but even harder to get along with).
And by the way, I count the house as a character. And it is a freaky character, let’s leave it at that.
On the whole, I only had two real problem with the story: one was there’s a minor character who appeared in the story for maybe two or three pages. Honestly, you could’ve kept them entirely off-stage, mentioned only in flashbacks or in exposition, and I would’ve been fine. They really didn’t add anything when they were in the story. The second is that there’s a scene in the first half of the book that I felt was kind of gratuitous and unnecessary. It could have been left out and the novel would’ve been fine.
Other than that, I absolutely loved the story, and I’m glad I took a chance on it.
Kill Creek by Scott Thomas is a wonderful example of modern Gothic horror. On a scale of 1 to 5, I’m giving it a 4.5. A great debut novel from an author I hope to read more from in the future. Check it out and get lost in the madness.
And if you get it in audio book, you’re in for a treat. Bernard Setaro Clark is a great narrator who gives each character their own particular sound and whose voice goes great with the book’s language.
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Rami Ungar The Writer 