Posts Tagged ‘short story collection’

If you’ve been with me a while, you remember a few years ago I read this awesome horror manga called Uzumaki by Junji Ito (and if you don’t or weren’t around then, here’s the link) Since then I managed to get my hands on the movie adaptation of Uzumaki (you can read that review here), read plenty more of his works (his stories can be hit or miss, but generally I like them), and watched a couple episodes of an anime adaptation of his various short stories (which, by the way, sucked. I didn’t even bother to review it, it was sooo bad). And most recently, Ito’s adaptation of Mary Shelley’s Frankenstein was released in the United States, along with eight previously untranslated short stories, six of which are interconnected. All in one big volume.

How could I not read and review that?

Obviously Frankenstein is based on Mary Shelley’s 1818 novel, the tale of one scientist’s journey to create a living being through science and the disastrous series of events that follows, along with elements from some of the movie adaptations out there.* And honestly, Ito’s art is perfect for this story. I’ve heard he spends upwards of ten hours on illustrating a single page or frame, using ink and shadow, as well as his disinterest in making his art pretty or visually appealing in the normal sense of the phrase. I mean, look at the reveal of the Monster.

Um, yikes!

Seriously, this guy has to do more Gothic horror. His style is a natural for it. And it’s a natural fit here, really allowing you to feel the horror that early audiences felt of the original novel, especially in bringing the monster to life. There’s also some decent changes from the original text in order to make the story more compelling for the style of manga, such as when it comes to the creation of the Monster’s Bride.

Still, there are some things that could’ve been improved. A couple of Ito’s changes do make the story a bit slower near the end, and the translated text might be a little too close to the actual novel for a modern audience (if I wanted old-timey speak like that, I’d read Lovecraft). And honestly, I would’ve liked to see Ito take more liberties with the story, make it his own. His stories can be really unnerving, and I’d love to see him bring more of his style to the Frankenstein story.

The short stories added to bulk up the book (because of course they are) are decent, for the most part. Six of them follow Toru Oshikiri, a teenager living in a giant mansion by himself who starts to have a strange series of experiences, gradually leading to him making a shocking discovery about his home. Some of these stories work really well, but sometimes the build-up in them seems to lead to a letdown.

The real problems though are the unconnected stories. They don’t really add anything, and one of them is definitely from the bottom of Ito’s portfolio.

By itself, I give Ito’s adaptation of Frankenstein a 4 out of 5. If you want a really creepy visual adaptation of the original Frankenstein story, this is definitely worth a read. With the addition of the other stories, I’d give it a 3.5. Not what I’d recommend for anyone coming to Ito’s work for the first time (for that, I’d point to Uzumaki or his collection Shiver, which came out in December 2017), but for anyone familiar with his work already, this collection is probably worth checking out.

Speaking of which, Ito’s got another collection, Smashed, coming out in April. I might have to check that one out and give that a review as well. Hopefully his stories Hellstar Remina and The Bully are included. I hear those are reeeeally freaky.

That’s all for now, my Followers of Fear. If I don’t post anything within the next couple of days, then I’d like to wish you a Merry Christmas, Happy Holidays, and Happy New Year. May Cthulhu bless us, every one (because of course I would go there). Until next time, pleasant nightmares!

*Highly recommend the 1994 adaptation with Kenneth Branagh. It’s not just the most faithful adaptation of the original novel, it’s got the best “bringing-the-monster-to-life” scene I’ve ever seen.

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Hey, Followers of Fear! Long time no see! I’ve been busy trying to get a short story done before November 1st. And tonight, I managed to do it. Car Chasers is a short story that centers around a Fast & Furious-esque race held in a forest where ghosts chase the racers. Yeah, it’s a pretty out there concept, isn’t it? And I think it might make a great movie, even without Vin Diesel in a starring role.

I liked writing this story for a number of reasons. Along with a fun concept, it focused on a particular incident with these races, told through the point of view of an unreliable narrator. Normally, the unreliable narrators I encounter in fiction are jackasses (the main characters of Gone Girl and Patrick Bateman from American Psycho, for example), but the narrator in this story is actually telling it trying to put a good spin on a friend of his, which is different from my normal experience. I also put a few people I know in the story in varying capacities (you’re welcome, Pat Bertram and Melissa Mendel), and named the bad guy of this story after a certain person I dislike a lot right now. Yeah, I’m sadistic that way. It’s fun.

So when can you read this story? Well, it’s a first draft, and it’s going to need a lot of work. For one thing, there are some places in the story that could be fixed or trimmed down. As the story is a bit over ten-thousand words, and therefore technically a novelette, I might want to really trim it down if I want to get it into a magazine. If that doesn’t happen, I can see this in my upcoming collection of short stories, Teenage Wasteland. The characters are at the right age, so it’s a good choice for the collection.

In the meantime though, November is just around the corner. And for novelists, that means one thing: National Novel Writing Month. I’ve got the final Reborn City novel to write, and after that, I’m devoting all my time to getting that novel and Teenage Wasteland out as soon as possible.

Well, that’s all for now, my Followers of Fear. I’ll see you guys with a couple of posts on November 1st, when I’ll be doing another “First Day, First Paragraph” Tag, and talking about Reborn City and the final novel, Full Circle. Have a happy Halloween, guys. See you soon!

As many of you know, I’m cutting the number of blog posts I do every month down to two (unless I have something special to talk about, in which case we may get one or two more here), so I can use what little time I have to actually get some fiction writing done. And I thought, what better way to start this than to list all the things I’m doing?

Well, actually there are probably a lot better things I could talk about, but all writers are at least slightly narcissistic. Why else do we insist that people should read the fiction we write?

In any case, let’s start talking about me and the things going on in my life right now. This is Updates on What I’m Doing.

I’m now fully employed.

Let me guess, you thought I’d be talking books first, didn’t you? Nope, I’m doing this, because it’s so important, and the main reason I’m doing this cutback.

So, as many of you know, I started an internship here in Columbus, working in an Equal Employment Opportunity office, like I did last summer in Germany (ah, Deutschland! How I miss you so every day!). In an EEO office, we handle everything from promoting diversity and tolerance to getting employees accommodations for disabilities and handling mediation when someone is discriminated against. Within our office, everyone is expected to be able to work the full variety of these tasks, with perhaps some specialization in certain areas for some employees.

Personally, I love the job. The work is good work, the people are nice and laugh at most of my jokes, and the pay allows me to live on my own, which is a godsend (seriously, I love my family, but at this point in my life it’s better for me to be on my own and independent). And as of last Monday, I’m no longer an intern, but a full employee. Yeah, they decided to keep me! I’m so very grateful, and I’m looking forward to working in such a great office for ages to come, getting experience and getting settled into this weird thing called adulthood.

I’m also grateful for a morning cup of tea that’s s good as Starbucks but five times cheaper. Gotta love that.

The one thing I would complain about is that I don’t have as much time to write as I used to. Not surprising, I was unemployed prior to this, and that meant a slightly freer schedule. But the silver lining is, I actually can write knowing I have an income. So maybe I’ll write more slowly, but at least I won’t be doing the whole starving artist routine (seriously overrated).

Which brings me to my next point:

Reestablishing a writing routine

I used to say that I had no writing process, that I just wrote where I could and when I could. Turns out, that’s not really the case. I actually had a pretty established routine during the job search: after a full day of job-searching, I’d stop around five o’clock, have dinner, and write the evening away, watching TV and getting words in during the commercial break. I actually got through two drafts of Video Rage this way.

Well, I moved. And I don’t have a TV, so I stream mostly. And I have an earlier bedtime, which means less time to write. So there goes that routine out the window.

And since then, I’ve been trying to reestablish a routine, though I haven’t had as much success as I would like. I think I just sat down in front of the computer and hoped that something magical would happen. Obviously, magic didn’t occur, despite my prayers to all gods and demons within the vicinity. However, my friend Pat Bertram gave me an idea that’s been helpful: she recently joined a writer’s group where people try to write 250 words a day. Now, I can’t do it every day, but I try to do it as often as possible, and so far it seems to be working. Is it the writing routine I would like? No, but it’s baby steps, and that’s a good enough start if you ask me. Perhaps later on I’ll get to the point where I can write like I used to, even without a TV.

We’ll just have to wait and see, won’t we?

The Reborn City series

As many of you know, I have a final book planned for this series, which I intend to call Full Circle.  Well, as November is National Novel Writing Month and I wanted to do FC for that month (even though I doubt I’ll even get near ten thousand words), I’m doing some preliminary work on the novel this month. I’ve written a bit of the outline, I’ve come up with a list of names and traits for the group of villains, as well as a travel route for the main characters to take, and I’m working on a family tree for a certain character.

The one thing I’m worried about is the number of plot lines I’ve got going in this final novel. Some of these plot lines were set up in the first book, like some things Rip saw in his soul sage hallucinations, so I need to resolve them in the final novel or attentive readers will get angry and point out stuff about them on the Internet. When I put them in the first and second books, I thought they were great and it would be no problem to wrap them up in the final book. Now that I’m actually there, though…well, I have to wrap them all up. And I’m worried that people will find them letdowns or extraneous.

Oh well. I dug myself into this whole. I can dig myself out again. I must’ve thought those plot lines belonged the whole time I was writing/editing/publishing the first two books, so I’ll work them into the third book and see what happens. Who knows? Some people may not like them, but others might, and it’ll be true to my vision, which is what writing is all about, right?

Rose

So if I’m working on FC right now, does that mean I finished the latest draft of Rose? Well, no I haven’t. The thing is, this draft is proving much more difficult than the first two. I changed an important aspect of the story early in the draft, which ended up changing the entire story at a fundamental level, and I’m kept busy just trying to get the story to match that change. Not to mention that I’m adding a lot of material every time I sit in front of the computer to work on it, and that slows me down a bit too. Add in all the other stuff you do while editing–rephrasing sentences, taking out unneeded material, etc–and I took three months to get to Chapter Six.

Yeah, I’m not happy about that. So I’m taking a break to work on other stuff and maybe get my mind into a better place so that when I return to Rose, I can give it the right sort of treatment. I don’t know when this will be, as FC will be given priority so I can get it out and finish the RC series once and for all, and perhaps after FC I’d like to work on stories other than Rose.

But hey, sometimes that’s how writers work. At times we’re able to work on a story, at other times we aren’t. And sometimes those gaps between periods of work on a manuscript can be very long. Stephen King tried to write Under the Dome twice in the 70’s and 80’s before getting it out in 2009. I’m not saying something similar will happen with Rose, but it might be quite the gap before I get to work on the third draft again.

Other Projects

This post is getting rather long, so I’ll just give a quick update on everything else that I’m working on:

  • Teenage Wasteland: I think after FC, this might also get a higher priority than other books. As a collection of short stories, it should take less time and effort than one big novel, so I’ll be working on this in-between drafts of FC most likely, or whenever I need a break and want to clear my mind. I’ve got about seven or eight stories already prepped for that book, and I’d like somewhere between thirteen and twenty-two in that collection, so I think I can get it done sooner rather than later. If so, I’ll make sure to let you guys know.
  • Laura Horn: Like Rose, LH had a major aspect of it changed in a previous draft. Unlike Rose, it didn’t give me this much grief. So I think I could get Laura Horn done very quickly as well, perhaps as soon as FC and TW are done.
  • A replacement for #FirstLineFriday: got something in the works, and it could be ready by October. That’s all I’m saying right now.
  • 5K Likes: We are so close, I can almost smell it! Make it happen, folks! Make it happen!

 

And that’s basically it at the moment. And I think after I finish with the Reborn City series and all this other stuff, I’ll try to limit the number of projects I have going on to two at a time. Because this is ridiculous.

Expect a blog post from me later this month, my Followers of Fear. I’ve got something planned I’ve been looking forward to talking about for a while. Until next time!

anxiety

What is the trouble with psychological horror? Actually, there’s not much trouble to it. It’s just very hard to do well.

What do I mean by this? Well, let’s look at the definition of psychological horror: “a subgenre of horror fiction, film, and video games (as a narrative) which relies on the characters’ fears and emotional instability to build tension”, according to Wikipedia (I know you’re not supposed to rely on that site for information, but I couldn’t find a better website for a definition). It’s a sub-genre that, rather than relying on a traditional monster that’s out front and center for all to see, the monster is restricted to quick glimpses and shadows. If there’s a monster at all: sometimes the true villain is a character’s own brain, their fear, distrust, paranoia, suspicion, isolation.

I’ve used psychological horror before, particularly in the stories in my collection The Quiet Game (which if you haven’t read, I wish you would) and in the short story “Buried Alive”, which was published in the Strange Portals anthology last year (again, I wish you would read it). And I’ve come to the decision that while it isn’t as difficult as physics or writing comedy, it is walking a very fine line. Almost like a tightrope. And if you fall off, you can wind up veering either into the realm of the comedic with how obvious that it’s all in the character’s head, or it’s just so confusing that you find yourself losing patience with the story.

Let me give some examples (and it’s my blog, so you have to let me give some examples): have you read “Buried Alive”? I’ll keep the spoilers to a minimum for those who haven’t, but like I said above, I use quite a lot of psychological horror in that story, and for the most part, I think that I use it well (so do most of the readers I hear from on this one). For the rest, though…it’s pretty obvious that the circumstances of the main character are taking a toll on her mental state. I don’t think it gets to the point of comedic, but it is obvious, and the point of psychological horror is to make you guess whether it’s all in their heads or if it’s real or…who knows?

Perfect Blue. Trippy, has its moments, but also has its problems.

On the opposite end of the spectrum, there’s the anime film Perfect Blue, based on a novel that I wish was available here in the States. The film is about a singer-turned-actress who starts to confuse reality and fiction when her first acting job takes a turn for the traumatic. It’s a good story, but it’s not a perfect story. There’s a good section of the movie where they spend time trying to confuse both the protagonist and the viewer, and it gets a little difficult to not only what’s going on, it gets difficult to pay attention or be patient with the movie. While I admire the visuals of the movie, and I get what they were going for by showing what the protagonist is going through mentally, and I recommend checking it out if you’re interested, psychological horror shouldn’t get so strange or trippy that the reader gets frustrated with or loses interest in the story.

A great example of a psychological horror story though, manages to toe the line very easily and keeps you guessing as to what’s real or what’s mental delusion. A good contemporary example of this is The Babadook. If you read my review of that movie last year, you’ll remember that I noted that the movie kept you guessing as to whether the film’s protagonists were dealing with an actual monster or a shared psychosis, and I eventually settled on a bit of both because…I’m mostly human, and humans need to categorize things to make sense of the world. And I still say that I don’t know for sure which it is, and that’s one mark of the film’s greatness. You’re never quite sure what’s real and what’s in the heads of the characters, it stays interesting throughout, and it never gets to the point of ridiculous or obvious. All told, it’s great psychological horror.

This movie will surely get you on so many different levels. I’m getting chills just thinking of it.

So how do you psychological horror well? How do you toe that line?

Well, I’m definitely no expert on the subject. I usually deal in traditional horror, the monster is out front and is usually either some twisted form of human or a creature not easily defined by our standards. I dabble in psychological horror, usually making it part of a bigger story. But I can try, and I think–beyond reading/viewing as much psychological horror as possible, both good and bad, and practicing like you want to get to Carnegie Hall, of course–I’d suggest trying to write a story where you’re not sure what’s really happening. Create a scenario where strange things start happening to your character or characters, and you can’t tell what’s real or what’s just in the minds of your characters. Keep it interesting, don’t get too ridiculous or obvious, and just see where the story goes. If you can do that but still be unsure for most of the story of what’s real or not, then it’s likely your reader will be the same and want to know more.

Another marker of psychological horror is that there’s usually a twist somewhere along the way, and if it’s good it’ll change how you view the entire story (a great example is the Korean film A Tale of Two Sisters and its American remake The Uninvited). Characters are also often driven or plagued by powerful internal battles: am I doing the right thing? Is this right or wrong? Are they really out to get me? It doesn’t have to be full-blown persecution belief or fear of some unknown. It can be something as simple as a growing suspicion that something’s off or that our desires are actually evil. Again, A Tale of Two Sisters is a great example of the former.

Not a fan of the movie, but even I admit it shows Jack’s breakdown very well.

And finally, psychological horror is often not the main focus of a story, but part of a bigger story. Take a look at The Shining by Stephen King. Obviously that hotel is actually haunted, and the kid and the cook are both psychic. But a good deal of the story deals with Jack Torrance trying to sort out what’s going on for himself. Is he just dealing with a powerful desire to get wasted again? Is he going insane? Is the hotel playing tricks on his mind? There are scenes where you really can’t tell, and that’s part of the terror. Part, but not the whole thing. After all, there’s all the stuff the hotel is doing to them, right?

Unless Jack, Danny, and the cook are all sharing some sort of shared delusion, or folie a trois, in which case…wow. New conspiracy theory right there.

In any case, it’s something to experiment with yourself. And for me to experiment with more often. Just try and see what happens…or does it happen? You’ll never know until you try.

How do you feel about psychological horror? Do you have any good examples in film or literature you’d recomend? What are some tips for effectively writing in the subgenre?

Well, I’ve returned from Germany, my Followers of Fear. All in three pieces (don’t ask about the other two, you won’t like the answer). It’s good to be home, to say the least. A little weird after so long, but still very good. I enjoyed seeing my parents and my sister waiting for me at the airport and teaching them naughty German swear words (and my parents are rabbis, by the way. Scandalous!).

Of course, now that I’m back that doesn’t mean I can just slack off and do whatever I want. I’ve got a number of things on my to-do list today, and while I’m working to get those done, I’m taking a moment to talk about writing. Specifically, what are three qualities that writers need to actually write and get work done?

And I mean besides the actual imagination to come up with a story and the ability to transfer that story from the mind to the printed page. Not only does that go without saying, but a lot of people have very active imaginations and can write well enough that if they tried they could come up with a very good first draft. So why don’t they? What keeps people from actually acting out that writing dream?

I’ve been thinking about this a lot since yesterday, when I spoke with someone on the final leg of my journey home who had tried writing but found himself unable to do it. I found myself wondering why that is, and I think part of why some people can write and some find themselves struggling to do so may stem from three needed qualities or skill sets: confidence, focus, and perseverance.

Now by confidence I don’t mean confidence that your story is going to succeed and will make tons of money. I mean confidence that you can actually get it done, that you can write out an entire story from start to end. Never mind whether it’s any good, first drafts are notoriously terrible because that’s how they’re supposed to be. You have to have the confidence that you can get that first draft done, and then maybe we can talk about the next draft and everything else that comes from that.

Think about it: even if you prefer to only work on short stories, that fitting an entire story in a space between a thousand and ten-thousand words. Even to me, that’s a little daunting, and I’ve become much better at writing short stories over the years (though I could always be better). Imagine how it might feel for someone who wants to write a novel but then finds out that a novel is at least sixty-thousand words! You can’t just say to yourself, “I’ll try and see where it gets me” when it comes to this sort of task. You have to have some confidence in yourself and that you can get all those words out on the page.

Otherwise you may falter around three-thousand words when you realize that getting a story out is not as easy as you think and may not be able to continue from there.

Another thing writers need to get work done is focus. You have to be able to focus on a project and get the work done. The person I spoke to yesterday on my flight told me this was his problem: he tried writing a story, but in the midst of writing that story he would come up with another story and then want to work on that, and his first story would languish. Then he’d have an idea for a third story and want to work on that, and then he’d have two stories being put on the shelf for later. So the cycle went and he had projects that just never got done.

Even if you juggle multiple projects at once, like I do (three novels at various stages of the editing process, one collection of short stories on the way, working to find a narrator for an audio book, etc), you have to be able to sit down and focus on one project for an extended period of time. Maybe even months or years. And other projects may demand to be written (believe me, I’ve got lists of story ideas, and some are pretty vocal in my head about wanting to be written), but you have to get some out of the way first before you can focus on others. Better to have just a few projects at most to work on and several ideas waiting to be turned into stories than a lot of projects just lying about not even a quarter of the way finished because they all demand to be written.

And this brings us to our final quality: perseverance. It’s an understatement at the very least to say that life is not easy. Take my life, for instance: I’m trying to ensure I have a job so I don’t become a bum in my dad’s guestroom, I have bills to pay, tasks on my to-do list to do, etc. So many demands that it’s hard to find time to write or edit. And when it comes to doing either, especially at the beginning of a project, I may sometimes have trouble getting the work done. All those words can make it hard to getting it all done.

Without these qualities, writing can feel like a Sisyphean feat.

To write, you have to accept that you have to work through all those difficulties before you can get through all those stories, and then do it. It’s never easy, and life will find ways to get in the way. Even when it does, you have to be willing to get through what life throws at you and then sit down and get through all the writing and editing and everything else you have to do. If not, then those stories you feel so passionate about will languish for so long you may never pick them up.

It’s these three qualities–confidence, focus, and perseverance–that make the difference between those who want to write and those who actually go out and do it. Each of us struggles with them at times–focus in the short term can be troubling for me–but in the end I think those who can command these qualities are the ones who can at least get the stories written out and polish them enough for publication.

But what do you think? Have I got the right of it? Did I miss something? Did any of these speak to you? Let’s discuss.

In the meantime, I have to focus on the other things on my to-do list like visiting the dry-cleaner’s the barber shop, and persevere through cold and possible rains at the same time. Still I’m confident I can do it, so I’m not too worried.

Still, wish me luck. I might need it later.

You’re probably wondering what the title of this post means. Well, it’s the title of my latest short story, so you can stop wondering “Did this guy start doing some sort of study or documentary or something and not share it with us? That’s very unlike him.”

Anyway, “A Project in Western Ideals” is a short story I just finished at 9,123 words and follows a girl who is being slowly turned into a human Barbie doll by a woman who is more than she seems. The story’s title comes from a phrase that appears a lot in the story, and I felt that it fit the story so well, that I should use it for the title, especially since I didn’t like any of the titles I’d used before, like “Perfection” or “My Perfect Body”.

The story was inspired by a woman in Russia named Angelica Kenova, who is a human Barbie. I first heard about her prior to leaving the States for Germany, when I read an article about her. According to the article, her parents control almost every aspect of her life: they buy her clothes (most of which are kind of sexy and form-fitting); they control her diet and how much she exercises; they even accompany her on dates! And while the article didn’t give any hints about how Ms. Kenova felt personally about this lifestyle (for all I know she likes being her parents’ toy), I did get the impression her parents were the driving force behind how she became this:

 

Yeah, that’s an actual person, not a doll. I even have trouble telling the difference sometimes. And hearing about her story, I started wondering what sort of parents would help and encourage or possibly even force their daughter to go down this route despite the numerous health issues that doing so can cause. This led to “A Project in Western Ideals”, which explores a young woman going through this sort of transformation, and not through her own choice.

As far as my fiction goes, it’s not as dark anything I normally write (I let my protagonist share her deepest thoughts with the audience and she is pretty funny without intending to be), but it does deal with the health problems of trying to look like Barbie and how it’s ultimately creating a fake version of yourself (read this article to get an idea of how bad it is for you if you’re curious). I also think the main character is a lot of fun and I enjoyed writing her.

However, I do think that the climax and ending could use some work. As they stand now, they feel clunky to me and don’t match up to the beginning of the story. The beginning could have some stuff cut out from it too, and I’d like to explore the antagonist a bit more as well, get a bit more of the crazy that makes her do this to my protagonist.

Well, we’ll see what happens when I get to the second draft. And by the time I do, I’ll probably have had some ideas on how to better this story. And I definitely want to make this one better, because with a bit of work, I think it could be one of the highlights of Teenage Wasteland (speaking of which, I’ve got seven stories so far set for that collection at various stages of readiness for publication, including this one. With time, I think I could get a few more in and truly make it an extraordinary read).

In the meantime though, I said this was going to be the last short story I’d write before starting work on Laura Horn again. However since I’m about ten days from leaving Germany and heading back to Columbus, I think I’ll hold off on starting any big projects until I’m back in the States, writing or editing. Instead, I’ll edit a few short stories (none that need to be rewritten, that’s basically starting from the beginning again) and get to work on LH once I’m home and settled back in.

Well, Yom Kippur, the Jewish Day of Atonement is in a few hours. I’m going to have the biggest meal I can in anticipation of the fast nd see you again before What’s Write For Me tomorrow afternoon (or tomorrow night if you’re me). You all have a wonderful day, my Followers of Fear. I know I am.

I’ve just finished a new story, “Stuck in the Horror House” (not to be confused with a previous short story of mine, “Hunt in the Slaughterhouse”). I’ve been working on this story for weeks, and at one point I had to go back and start rewriting it because I was dissatisfied with the way the story was progressing. But now I’m glad that the first draft is finished. And it’s a long first draft too, 12,607 words, making it a novelette. Boy, when I have a story to tell I just don’t care about word count these days, do I?

“Stuck in the Horror House” is a story inspired by an episode of Ghost Adventures. In one episode, the GA Crew investigates a factory that has been converted into a haunted attraction, and one of the hauntings there was purported to be an actual demon, summoned by an actor there dressing up as Satan and reading verses out of an actual Satanic Bible and attacking said actor whenever he had the chance. That story stuck around with me, and so I ended up adapting it into a story. In this case though, I made the story about a bunch of teenagers who sneak into a haunted attraction during the off-season and one of them does a summoning ritual on a lark, which leads to all sorts of trouble. The protagonist of the story is telling his story to a psychiatrist, leading to questions about whether or not he’s imagined everything or if there’s truly a demon afoot.

Now, as far as first drafts go…I’ve had better ones. Even in the writing I could see places where this story can be improved in future drafts. But, like Ernest Hemingway said, most first drafts are shit. A lot of writing is revision, and that’s when the story really starts to shine and entrance. The first draft is laying down the bare bones so that they can form something extraordinary later on.

In the meantime though, I’m excited for where this story could go in future drafts. I definitely feel like with subsequent drafts it could make for a very terrifying story. Maybe it’ll even go into Teenage Wasteland, seeing as most of the main characters are 18 or 19 years old. We’ll see what happens.

In the meantime, I’m taking a break to watch a scary movie I recently found online. I might even write a review of it later. I also would like to write a blog post or two for my other blog, From the Voice of Common Sense, and I think I’ll take the time to write an article for Self-Published Authors Helping Other Authors before starting another story and then working on editing Laura Horn.

Yeah, I’m busy. And that’s not even including work or searching for whatever comes after my internship is over. And the way I work, I doubt I’ll ever slow down. Until next time, my Followers of Fear. Have a great rest of your weekend!