Posts Tagged ‘short story collection’

You know, I’m honestly surprised that, in nearly eleven years of blogging, I’ve never once talked about this subject. Well, no time like the present, right?

“Show, don’t tell” is a common phrase taught by creative writing classes and preached by writers of all stripes. Yet actually figuring out what each one is, how to tell them apart (unfortunate pun intended), and then avoid doing one versus the other is really difficult to do. Especially in your own writing.

Or should I say, in my own writing? Yeah, during editing of Queen Alice, the second story in Hannah and Other Stories, one of the notes that kept popping up was, “This is telling. Show it to us!” And while I managed to get something that would satisfy the editors down on paper, it still left me wondering how I was supposed to do this for future stories. Especially for those in Hannah.

Well, I did what I always do when I’m stumped: I do research. And while I’m still not sure I have the method down, I think I gleaned a few gems that should help.

First off, based on what I’ve found, you don’t just give up telling entirely. You actually do need to tell some things. Telling is good for things like quickly moving through parts of the story that aren’t integral and don’t need a lot of description. A better way to phrase this rule would be, “Show more, tell only as necessary.”

Next, what are showing and telling? Well, “telling” is a lot like summarizing. It’s quickly laying down the bare plot events in quick succession. There’s not a lot of description, but it’s enough to tell you what’s going on. Another way to look at it might be as thinking of the way fairy tales are told. Fairy tales don’t have a lot of details. Instead, they just tell us what happens. For example:

Drosselmeyer gave Clara a gift. She unwrapped and opened it. Inside was a nutcracker. She picked it up and instantly fell in love. “It’s the most incredible toy ever!” she said.

Yes, that’s Nutcracker, though not the original 1816 short story. But it illustrates the point, so who cares?

As for showing, it’s more detailed. Well, that’s oversimplifying it. Showing can be thought of as painting a picture that engages most or all of the senses, as well as what’s the character’s thinking. From what I can tell, the idea is to give the reader enough detail so that they not only see what’s happening and feel like they’re there, but maybe even feel the emotions or sensations the characters are experiencing. Here’s what I think might be a good example:

Hank’s muscle fibers snapped and tore apart like Twizzler Pull-n-Peels, before retying themselves into new braids. His abdomen heaved and roiled as, underneath the skin, organs shifted, burst like rotten fruit, and formed into new shapes. He could hear his bones cracking as they changed positions, stretched and folded in on themselves. And all over his body, his nerves screamed as his body shrunk in some places, elongated in others, and created new structures alien to his form. His mouth swung open, and what might have been a scream vibrated out of his throat. To his ears, it sounded like a train whistle, and he thought he saw whisps of steam rising into the air from his lips.

That was from no particular story. I just tried to paint a picture. And even writing this, I’m not sure I was successful. On the one hand, I want you to feel Hank’s pain. But on the other, I’m aware that I have only so much space, so I need to get through it one way or another. Balancing here is a difficult feat.

Maybe that’s another thing about showing vs. telling: with short stories and novelettes, you’re more tempted to tell rather than show. After all, with a novel, you have plenty of space to go into full detail with a single moment. To show, in other words. But in a shorter work, you need to economize your words, so you can only show when it really matters. Otherwise, you tell people what happens and give them enough to go on without using too much space.

Hoping I get better at showing vs. telling before this comes out.

In any case, it seems there’s still a lot for me to learn when it comes to knowing when to show and when to tell. Hopefully, with more practice, I’ll get better at distinguishing those moments and then how to show effectively. Perhaps with the next, and longest, story in Hannah, ‘The Autopsy Kid and Doctor Sarah,” I’ll get in plenty of practice.

What tips do you have for showing vs. telling? Leave them down in the comments below.

Please leave them in the comments down below. The more help I have with this, the better Hannah and other future stories will turn out.

Well, that’s all for now, my Followers of Fear. I’ll keep you updated on Hannah and any of my other projects. Until next time, good night and pleasant nightmares.

So, I was hoping to have some big news on at least one project by now, but…well, you know what they say. Man plans, God laughs. Or maybe it’s Rami plans, the entities foolish enough to be my enemies get in my way. I don’t know.

Anyway, I thought I would just do an update on the many projects I’m working on, as I don’t know when I’ll have any big news on any one of them. And at the very least, it’ll let you know where I’m at with things and with life in general.

Hannah and Other Stories

As many of you know, I have a collection of seven original short stories being released by BSC Publishing Group. And as I mentioned in my post on mental health during the publishing process, BSC is sending stories one at a time with editing notes so I don’t feel overwhelmed with the amount of work I have. Understandable, considering that at least two of those stories are actually novellas.

Anyway, right now I’m just waiting on the next story with edits, which will hopefully come soon. Once it does, I’ll start work on it immediately so I can get back to waiting for the next story again. I’ll keep you posted.

The Pure World Comes

My Victorian Gothic horror novel and love letter to Victorian England, The Pure World Comes follows Shirley Dobbins, a maid living in Victorian England who goes to work for a mad scientist after the deaths of her employers. It was published last year on an app, but now it’s going to be published as an ebook and paperback so that more people can access and read it. At the moment, I’m just waiting on the new cover. Once I have that, I’ll be able to start on the process that will eventually end in putting it online, selecting a release date, and making it available for preorder. Hopefully we can start on all that by the end of the month.

As for an audio version…well, that will depend on a few things, including how well the book does in paperback and ebook. If it does happen, I’ll be over the moon. If it doesn’t, it’s sad but hey, sometimes those are the breaks.

That Which Cannot Be Undone

As many of you know, some of my fellow Ohio horror authors and I formed a small press with the goal of releasing an anthology of Ohio-based horror stories, That Which Cannot Be Undone. At the time of writing this, we have most of the stories from the contributors and the editor is going over them with a fine-toothed comb. My friends and I are also regularly meeting and making sure we stay on time for our October release while also producing one hell of an anthology. We can’t wait for you to read what we’ve created.

Other Novels

Crawler: I know some of you were really excited when I said I was going to write a mummy novel. Those same people were saddened when I put plans to write that on hold due to Hannah being accepted and wanting to focus more on that. That being said, I think I might be able to start working on it later this year. Still a lot of things up in the air, but if nothing else gets in the way, I could start on it before autumn. If I do, I’ll let you know.

Toyland: Still plan to get this bizarre Gothic ghost story published. I’ll probably give it another round of editing before I submit it anywhere, though. It’s a complex story with lots of moving parts, so I want to make sure everything holds up before I let anyone else read it.

River of Wrath: unfortunately, I think I need to put this in the proverbial trunk. I’m saddened, since I still like this story and I had a hell of a time writing it (and for those of you who know what it’s about, pun totally intended). But I’ve had a lot of time to think regarding this novel as I’ve sent it from place to place to place, and I’ve come to realize that, as much as I love the novel, it does not reflect my best work and I don’t think, even if I made changes, it would be that much better. Hell, it might not even be the original novel I set out to write when all is said and done. (Again, pun totally intended.)

So, it hurts, but in the trunk it goes. At least the lessons it gave me will always be with me. And I now know more about Dante’s Inferno than I ever thought possible. Never a bad thing.

Shorter Works

Over the past several months, I’ve been writing a bunch of shorter works. Right now, I’m up to one novella, four novelettes, and three short stories. And yesterday, I started what will probably be a second novella. I like to think they’re all spectacular, though some of them definitely need more work. Anyway, once I’m done with this current project, I’ll spend time polishing them and trying to find homes for these stories before I do anything else that’s new (and that includes Crawler). Hope you get to read them soon!

Anything Else?

Well, there is, but not anything worth writing a paragraph about. At least, not yet. Hopefully I can tell you all about some of the things developing in my life in the near future.

Anyway, that’s all for now. I’m going to bed. In the meantime, thanks for your continued support of my writing career (and for even reading my books every now and then). Until next time, good night and pleasant nightmares.

As many of you know, I’m a big fan of manga author Junji Ito. While sometimes his stories can be hit-or-miss with me, there’s no denying the man has a distinctive style that aims to bring out the full horror of whatever story he’s drawing. And his latest release in North America is Deserter, a collection of some of his early works dating back all the way to the late 80’s. You can bet I was curious. What was Junji Ito, the author and illustrator behind such terrifying stories as Uzumaki and Remina like during his early days? I was determined to find out.

Now, as I said, this is a collection of the author’s early works, and with just one exception, the stories are presented in the order they were chronologically published in. And that really gives you a clue on Ito’s evolution as an artist and storyteller. For example, the artwork is a lot rougher and feels more rushed in the earlier stories in the collection. You can see more of a reliance on thicker brushes and the characters are a bit more sketch-like. Ito’s famous for purportedly spending up to ten hours a day on a page with pen and paper, making his artwork as dark as possible. If I had to guess, this would be from the days he couldn’t afford to do that, or wasn’t yet at that stage, and that explains the roughness we see.

The stories in the earlier sections are also pretty rough around the edges. The first, “Bio House,” feels shocking for shock’s sake and has a rather slap-dash kind of plot, while “Where the Sandman Lives” makes little sense. Others, such as “Face Thief” and “The Devil’s Logic” have good concepts behind them but the payoff is either a rushed conclusion or a story that feels like its potential wasn’t fully reached.

It’s not that they’re bad, they were good enough to be published. They just remind me of some of my earliest horror writings, when I was realizing you needed more than a monster to tell a horror story but I didn’t yet have the tools to write a truly scary story. That’s how those stories feel to me.

However, once you get to the last five stories, you can see Ito really gaining experience and the stories improving in quality. “A Father’s Love” still is a little rough in the art department at times, but it has a compelling stories and characters you really feel for (ooh, I shipped those two young kids!). “Village of the Siren” is a bit long-winded, but it has a really cool idea and the artwork to match. “Bullied,” which is a famous story of Ito’s that I’ve been waiting to get to America, is a terrifying story of karma and psychological trauma built around childhood guilt. And the titular story, “Deserter,” is a meditation that asks, “Who is really doing the haunting? Who is really trapped in a haunted house?” I was in awe of that one.

Overall, I’m conflicted on what score to give the collection. On quality alone, I’d give it a 3.3 out of 5. However, the value of the book and how it shows Ito’s evolution is a 4 out of 5. I’ll meet it halfway and award Deserter by Junji Ito a 3.6. If you’re new to Junji Ito, I wouldn’t advise checking this one out till you’ve read some more of his work, particularly Uzumaki or Remina. However, if you’re already familiar and want to consume more of his work, I would totally recommend it just to see how the author evolved and to read those last five stories.

That’s all for now, my Followers of Fear. Life is crazier than the Joker right now, but I’m hoping have some good news in the near future. Either that or you’ll hear about my attempts to open the gates of Hell just so I can get some peace and relaxation.

Until next time, my Followers of Fear, good night and pleasant nightmares.

You’re probably reading this title and wondering what’s going on in my life that would make me write a blog post with such a title. Well, I’m not planning on going to an ashram in India or a monastery in Tibet to find enlightenment, if that’s what you’re wondering. So not the right time for it.

No, the reason why is, between my limited time and all that’s going on, I have to refigure where my priorities lie.

For one thing, there’s Cracked Skull Press and That Which Cannot Be Undone. The campaign is in its latter half, so I need to spend a lot more time focusing on making sure that it’s a success. It’ll involve a lot of man hours, networking and other tasks. So I’ll have to set aside more time to working on that and not to writing. I’ll need to if we’re to make the remaining amount of funding in our budget.

Speaking of which, if you would like to help us create a kickass horror anthology, or you’re just curious, you can find more about the anthology, the campaign, and the rewards here: https://www.kickstarter.com/projects/crackedskullproject1/that-which-cannot-be-undone-an-ohio-horror-anthology. We’ve been working hard on making sure we have an awesome anthology with talented horror authors and we can’t wait to share it with you. Thanks in advance for your support. We appreciate it.

If you would like to check out the campaign and help me and my friends put out a great anthology with our stories inside, click the link above.

Even after the campaign is done, I have two books to release this year. I’ll be putting out a paperback and ebook of The Pure World Comes (plus an audio book if fate is kind), my Victorian Gothic horror novel. That probably won’t take too much time, as all I need is provide a good cover and ensure it’s formatted right. However, Hannah and Other Stories will need A LOT of editing done. Those seven stories will each require their fair share of attention, and it wouldn’t surprise me if some, like “The Autopsy Boy and Doctor Sarah” or “What Errour Awoke,” may need significant portions rewritten.

Add in all that, plus one story that’s currently being edited for a different anthology and other stories that might be accepted into other anthologies and magazines, the probability of a third draft of Toyland (or is it the fourth?), conventions and book expos, and a whole lot of other stuff that will or could crop up, and I will have to put a hold on the writing for a while.

It’s a shame. I was really enjoying working on this story where I got to terrorize neo-Nazis. And I had a great idea for a story based around Cinderella I was looking forward to writing. And this will probably push my mummy novel Crawler even further back.

But as things stand, my life won’t handle anymore projects. Still, if any of these stories find a home, it’ll be worth the pause. Because as long as I’m able to keep sharing my twisted, terrifying stories with you all, that’s all that matters.

My works can be found in many great booksellers. Check them out and let me know what you think.

And if you want to help things along, you can always check out my works that are already published and leave reviews online. Those help me immensely by letting me know people are reading my stories and are also letting other people know if my stories are worth their time. You can find my stories on Amazon, Barnes & Noble, and from other great booksellers. Just search Rami Ungar and see what comes up!

Well, that’s all for now, my Followers of Fear. I look forward to updating you with the latest on all the projects I’m part of or will be hopefully be part of soon. Until next time, good night, pleasant nightmares, and Happy New Year.

Oh, and before I forget, I was recently featured again in the Columbus Jewish News and interviewed on the website Bookishly Jewish. And my fellow writers at Cracked Skull Press were on the podcast Necrocasticon recently too. Please check them out if you get the chance. Thanks!

With the year winding down, I thought I would let you know that I’m scheduled for a couple of events in 2022. Not many, but one is next month, so I figured I might put out a notice in early December. Sorry if you consider this spam in your reader or your email inbox.

First, I’ll be attending the Hidden Marietta Paranormal Expo in Marietta, OH on January 29th, 2022. This is a cool convention for those who enjoy the spooky and the dark, in a city that is known to have quite a few haunted locations (I’m thinking of taking a vacation there for my birthday next year). In fact, the expo will be held at the Lafayette Hotel, which is said to be haunted to the gills! You can find more information on Hidden Marietta’s website here.

And guess who’s going back to prison (so to speak)? That’s right, I’m going back to the Ohio State Reformatory for ParaPsyCon 2022. This year it’ll be on May 21st – May 22nd, 2022 and again it’ll be at one of the most haunted, if not the most haunted, prisons in America, the Ohio State Reformatory in Mansfield, OH. I had a really good experience last year, and I’ve learned from my fellow vendors, as well as my own mistakes, for ways to ensure that I have an even greater experience as a vendor. You can find out more about ParaPsyCon by checking out the website here.

Anyway, thought I’d mention it in case anyone is able to make it, especially the Hidden Marietta Paranormal Expo. I plan to bug you all less this year about my public appearances so you don’t get sick of me mentioning them. Except for news about new conventions and whatnot, I’ll probably only mention them right before they happen.

Anyway, I hope I’ll get to see you at one of these events and maybe read your Tarot and/or give you a signed copy of one of my books.

(And if you can’t, or if you’re looking for some scary reading for you or for friends and family this holiday season, I’ll include links for my stories below. Yes, I’m doing another book ad, but I only do this occasionally, like how I plan to do event notices.)

That’s all for now, my Followers of Fear. I’ll talk to you again very soon. Until next time, good night, Happy Hanukkah, and pleasant nightmares.

Oh, and if you’re wondering about That Which Cannot Be Done, I’ll update you on that in a future post. Probably the next one. Believe me, I have news. But like I said, trying to limit how much I advertise this sort of stuff.

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Rose: Amazon US, Amazon UK, Amazon Canada, Audible, B&N

The Jewish Book of Horror: Amazon, B&N

Dark Nature: Amazon

Nightmare Collective Part 2: Amazon

Into the Deep: Amazon

Well, I’m back from my vacation. I enjoyed making memories in St. Louis, the city I was born in but did not remember; I learned I am not a Las Vegas person, but that the Mob Museum is really cool, as is Zak Bagans’s Haunted Museum (more on that later); and I absolutely fell in love with New Orleans, especially the French Quarter.

Now that I’m back, though, I’ve got work to do. And I don’t just mean my day job (though that will be taking up a good chunk of my time). I’m ready to get back to writing and finding homes for my stories. Here’s what’s on the docket:

The Pure World Comes and Hannah

I’m hard at work on getting a paperback, ebook and even an audio book of The Pure World Comes out next year. The goal date is the first Tuesday of September, September 6. Why that date? It’ll be a little over a year since The Pure World Comes was released on the Readict app, and right as the Halloween season gets into full swing. And a lot of books, including successful ones, release on Tuesdays, so might as well.

Anyway, I’ve gone through the manuscript for TPWC again and cleaned up some of the errors I missed for the Readict version (don’t tell VitaleTek). I’ve looked into some platforms that will get a paperback and ebook onto sites like Amazon and Barnes & Noble, and one that does audio books as well. And I’m talking with some audio book narrators. With any luck, I’ll definitely have the paperback and ebook out on September 6 and the audio book out not too long after, if not on the day of.

As for Hannah, the new collection of short stories that was accepted for publication while I was traveling, I cannot wait to send copies to people I know named Hannah and make them think the titular story is based on them (believe me, it’s not). Also, I was just emailing with the publisher, BSC Publishing Group, today. We’ll soon be starting work on the stories, just as soon as an editor is settled on. Once that’s done, I imagine we’ll go through each story, editing until it’s as close to perfect as possible. Then we’ll discuss a final order for the collection, and then let it out into the world.

Anyway, I’ll keep you posted on this. The hope is to get Hannah out at some point in 2022, so I imagine things will be hectic moving forward. Still, if people enjoy the book when it comes out, than it’ll be worth it.

And that brings me to my next point…

Crawler

I know I was going to start work on this novel right after I got back from my vacation. And you know, I still want to. However, Hannah is going to take up A LOT of time. In fact, it might take up as much time as a novel might. With all that in mind, it would be a bad idea to work on a new book while editing another. I would keep bouncing back between one and the other, and I would get super-annoyed by how little progress I’m making on Crawler because I have to keep putting it down and work on Hannah.

So, for now, Crawler will have to wait.

Yeah, I know. I was excited for it as well. I even made some edits to the outline the other day and thought it would be a kick to work on. But that’s too much of a balancing act when I’m still working a day job.

Still, I want to work on new stories. I don’t want to just be editing, especially in-between the stories that need working on. Luckily, I have a million ideas for short stories, including about ten that I came up with during my vacation. Not only that, but I’ve had some success lately writing and finding homes for shorter works, and they’re easier to put down if something comes up.

So, when not working on stories in Hannah, I’ll be working on new short stories and novelettes, and hopefully finding homes for them after they’re edited. Not sure which one I’ll work on first, but I’m currently leaning towards one that incorporates elements of Masque of the Red Death by Edgar Allan Poe (and no, it’s not a pandemic story. I did that already this year). It should be fun to work on.

And eventually, I will get to writing Crawler. It’s just a matter of the right time.

Other Projects

Of course, I also have stories to edit for other publications. “The Hanukkah Massacre,” co-written by Richard Gerlach, will be published in Dead of Winter early next year, and we’ll have to edits for that. Not only that, but I have another project I’ve been working on that I may actually be able to talk about very soon.

So yeah, as it turns out, I’m going to keep being busy this year. Probably into the beginning of next year. Still, it’s better than not having anything to work on. And hopefully all this leads to more people reading my work and letting their friends know to read my work.

One last thing before I sign off, though:

Zak Bagans’s Haunted Museum

If you didn’t already know, Zak Bagans from the TV show Ghost Adventures has a museum in Vegas filled to the brim with haunted artifacts he’s collected over the years from ghost hunting, as well as items donated to the museum. This includes haunted dolls, actual skulls and skeletons, shrunken heads, serial killer murderabilia, and more stuff than I can name! I was there on October 30th, Devil’s Night, for a tour, and then a few hours later I went back for some late-night ghost hunting, what they call a flashlight tour.

And I experienced stuff on both tours.

Highlights include:

  • In the room with Ed Gein’s cauldron and shovel (inspiration for Norman Bates and Psycho, if you don’t know. Look him up), I smelled the smell of cooking meat. Apparently I’m not the only one who smells that in that room, either. Considering he made clothes out of body parts, God only knows what he did with that cauldron!
  • There’s a room with a guitar that might be possessed. It was found on the body of a teenager who died while playing the guitar. I felt so uncomfortable in that room. Nothing really happened in there, and it didn’t have mood music like the basement did (Satanic rituals supposedly took place down there), but it freaked me out anyway. I did not like that room.
  • The Dybbuk Box (inspiration for my story “Samson Weiss’s Curse” and the movie The Possession) had a few things happen. Using a device called a spirit box (it scans through radio frequencies quickly and any voices that come through over multiple sweeps might be a ghost or other spirit), I heard a voice come through saying “dybbuk” multiple times. And at one point, when I asked if anyone was in the room with me, I heard a woman’s voice whisper, “Yes.”
  • In another room containing the remains of a demonically possessed house Zak owned in Indiana before having it torn down, I got some voices through the spirit box. At one point, I asked if anyone wanted to talk to me, a voice responded immediately: “No.”
    Yeah, I thought that was cheeky, too. But that’s not all. Another device called a MEL-meter went off at one point in that room (it measures electromagnetic changes in the air around it) and later, a woman’s voice hissed through the spirit box, “Raaaah!” And I knew it was trying to say my name!
  • Finally, in one room containing a painting taken from Adolf Hitler’s vacation home, Bergdorf, I got voices coming through the spirit box. Apparently, there’s an evil energy attached to the painting and it affects anyone who touches it. I asked if anything evil was attached to it, and a voice came through saying, “Evil.” I then asked if it might be Hitler’s spirit, and I got a “Yes.”
    Not sure if that was actually Hitler’s spirit, as the painting wasn’t near Hitler when he committed suicide. It may have just been an evil energy/spirit messing with me (or nothing at all, if I’m being skeptical). But it made me smile to know that this Jew was standing in front of a painting belonging to Hitler and maybe his ghost and letting him know how bad he failed. I almost went “Neener, neener, neener” to the painting, but provoking the spirits wasn’t allowed.

Oh, and guess who was there? Right before we went into the house to explore for ghosts, we watched a safety information video. Then we split up into two groups. And as my group went around the corner to the building’s back entrance, guess who passed us by and wished us luck? Zak Bagans! I turned to the girl in front of me and whispered, “That was him!” She replied, “I know!”

And yes, he’s as tall as he looks on TV. In fact, I think he’s about a head taller than me. I just find that an interesting detail.


Well, that’s all for now, my Followers of Fear. I have work in the morning, so I’m going to get to bed. I look forward to letting you know what’s going to happen next (whatever that is). Until next time, good night and pleasant nightmares!

Hi Followers of Fear! I’m writing from lovely, enchanting Las Vegas! Actually, it’s more elaborate, gaudily opulent and sensory overload-inducing Las Vegas. It’s both, really. And extremely expensive. Whatever, I’m going to enjoy myself here! But first, I have an exciting announcement. One worth getting on the blog and writing up a blog post early for!

As many of you are aware, I’ve been working on getting another collection of original short stories out. I even did a ton of editing over the summer to make it happen. Well, I’m happy to say, all that work paid off! Yesterday at 3:15 PM in St. Louis, I signed a contract with BSC Publishing Group to publish a new collection of short stories, “Hannah and Other Stories.” So, without further ado, here’s a temporary cover that I created until we get something a bit more professional.

Not bad, right? This is actually a hint as to the subject matter of the titular short story. No, not toilet humor or toilet horror, I put all that into The Pure World Comes. In fact, the short story Hannah was inspired by a famous legend from Japan. If you can guess what it is without Google, congratulations! We can be friends.

Also, the titular character in the titular short story is not named after any of the people named Hannah I know. And believe me, there are a few. It’s a popular name in the Jewish religion.

You hear that, Hannah P. whom I went to high school with and sometimes saw at Ohio State? This has nothing to do with you! Though I may send you a copy when it’s out as a cheeky present.

Anyway, where was I? Oh right. Well, in addition to “Hannah,” there are six other stories in the collection: “Queen Alice,” about a mythical Internet boogeyman. Or boogeywoman, to be precise; “The Autopsy Kid and Doctor Sarah,” about a budding serial killer; “Fuselli’s Horses,” about a rather interesting breed of horse; “The Red Bursts,” about a town whose residents become reluctant witnesses to something terrifying; “What Errour Awoke,” about how one innocent reading during an English literature course leads to a terrifying situation during the COVID-19 pandemic (already putting it into my fiction, don’t you know); and “Poor, Unfortunate Souls,” about a party underneath the streets of Paris which takes a turn for the awful.

I look forward to hearing what you all think of the stories. There’s likely going to be a lot of editing over the next year or so, but I have confidence we could see this book out some time in 2022. What this means for the paperback/ebook release of The Pure World Comes, or writing my mummy story Crawler, I can’t say at this point. But all I can say is, I think the next 365 days will be quite eventful.

My view from my hotel in Las Vegas. I can’t wait to have fun in this city.

And in the meantime, if you’re looking for good stories to read, I have plenty available now while you wait. I hope you’ll check them out while I work on Hannah and releasing The Pure World Comes in paperback and ebook. Not only will find them entertaining and possibly terrifying, but it’ll help me out while I’m writing and editing. Also, if you do end up reading one of my stories, let me know what you think. Email me, or leave a review online somewhere. It’ll let me know what you think and help other readers decide whether or not to check out my work. I’ll leavve the links below.

That’s all for now, my Followers of Fear. I’ve got to film a YouTube video and then grab dinner before having a proper celebration in my hotel room tonight. Until next time, good night, pleasant nightmares, and prepare for Halloween in three days! If you don’t, I will obliterate you from the face of the Earth! Mwa ha ha ha!!!

The Pure World Comes: Readict app (free with ads)

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

Mother of the King: Amazon US, Amazon UK, Amazon Canada

I’ve been working on editing a collection of original short stories for the past month and a half. I was shopping this collection around, but after getting a few rejections, I thought I’d spend some time on the collection and see if I could edit the stories and make them better.

Since July, I’ve been going over each story, taking out the weak ones or the ones that will need more than a single draft to be polished up and making the rest presentable for submission. And as of today, after rewriting the final third of the final story, I’m done with the collection!

Honestly, I’m glad I decided to take another look at some of these stories. It had been a while since I looked at some of them, so I noticed problems that I hadn’t noticed before. One story needed a lot more added to the ending before I could call it finished. Another needed an entire section taken out for being extraneous. One story needed to be removed because it needs a lot more work before I can consider putting it out for publication. And one was just terrible, so I trashed it (sometimes it happens).

But overall, I’m satisfied with the work I did on this collection. And as I sip a beer and write this post, I think I’m ready to send this collection out again. Whether or not it’ll find a publisher, I’m not sure, but I think it’ll be a lot more successful in that department than I was before. And if I still have trouble, I have enough confidence in these stories that I think I could self-publish it without any issues.

Or without too many issues, at least.

Anyway, besides submitting this collection, I’ll be putting the final touches on a few other projects before sending them out. After that, I have two stories I’ll need to edit before I can submit them anywhere. And after that…I don’t know. I definitely want to work on some more shorter works, but I’m also warming up to the idea of starting work on another novel. Maybe this November or December (though not as a NaNoWriMo project). We’ll see what happens.

Anyway, that’s all for now, my Followers of Fear. I’ve got a collection to start shopping around. Until next time, good night, pleasant nightmares and WATCH OUT FOR THE AX MURDERER!!!

What would happen if I featured my faith more in my stories? Photo by cottonbro on Pexels.com

I’ve been thinking a lot lately on Jews in the media I consume.

As you probably know, in addition to being an eldritch abomination from another universe in human form, I’m Jewish (we need faith too, you know). I’m not super-religious, but I follow many rituals and feel close to my heritage and my definition of God. But except for a couple of stories, my religion doesn’t really show in my writing. Or at least, characters who share my faith don’t show up in my stories a lot.

There could be a lot of reasons for that. Part of it could be that horror, the genre I’m drawn to and find most exciting, doesn’t necessarily need religion. Horror may draw on religious beliefs a lot, but that doesn’t mean the stories are religious. Religious elements are just tools for telling a good horror story. Also, Judaism itself isn’t really a scary religion. We don’t have a Devil or Hell, and demons and evil spirits are still subservient to God’s Will and Plan. Beyond golems and dybbuks, the biggest sources of horror for us is our history of being oppressed. And finally, I may have never felt a real need to emphasize the beliefs of my characters. It just doesn’t matter that much. Unless I need to state it, their religion is, “Whatever.”

But lately, I’ve been thinking a bit about that. It started with an essay on Variety about Jews in Hollywood and how we’re represented that brought up some good points. I’ll let you read the article yourself, but it made me aware that I don’t see many members of my faith in the media I consume. And that includes in horror. Yeah, there are some: Stan Uris in IT; Yakov Ronen in The Vigil (one of the best horror films I’ve seen yet this year); Tzadok in The Possession (played by musician Matisyahu, believe it or not); and then some.

But still, it’s a small number. And in an age with resurgent anti-Semitism, I feel like that’s something that needs to change.

Besides, I want to challenge myself. What kind of stories can I tell with a Jewish character as a lead? And not just any kind of Jew, but an amalgamation of the Jews I’ve known throughout my life, from secular to religious and old to young, from all walks of life and all types of spirituality? What if I decided, for a few stories, not to make their religions “whatever?”

Well, I actually already know the answer to that. As you probably are aware, my short story “The Divorce from God” is to appear in The Jewish Book of Horror this holiday season, and a short story in this collection I’m working on has two Jewish men as the leads. And I like to think both stories are good (I only have confirmation of one).

But what if I expand that? What if I tell more tales–not all of them, but some of them–with my fellow members of the Tribe? What if their faith is both an aspect of themselves, though not the only one, and a source of strength? What if the lead is that amalgamation I mentioned?

Well, perhaps I’ll find out sooner rather than later. I’ve mentioned it before, but I’m thinking of working on another novel after I’ve finished editing this collection and a couple more stories. And while I don’t think it’s necessary for the lead, I can also see them being Jewish. It could actually fit them very well.

We’ll see what the future holds.

I look forward to the stories I write in this vein.

You know, it’s funny. At one point when I was young, a grown up tried telling me I should write less horror and more of what I know. Which at the time was mainly going to a Jewish day school, having rabbis for parents and being annoyed by my sisters. I absolutely refused, telling this well-meaning grown up “that would be boring.” I think they were worried I was going to turn out to be some psychopath who murdered people in basements and then wrote about it (we horror lovers and creators are so misunderstood!). Still, I wasn’t going to write something I wasn’t attracted to or found boring. Stories are an escape from reality, not a regurgitation!

Now I want to incorporate what I know into a horror story. I guess it’s true what they say, when people “write what they know,” they’re writing it in a completely different way than expected. I wonder that well-meaning adult would make of this now? Hopefully they’d be intrigued enough to read it (and realize I grew up much more well-adjusted than they anticipated).

Anyway, it’s late and this post has gotten insanely long. I’m going to sign off and say Shabbat Shalom, an early Happy New Year (Rosh Hashanah starts Monday evening, it’s our New Year), pleasant nightmares, and a good night. See you next time, my Followers of Fear!

I’ve mentioned in previous posts that I’ve been shopping around a collection of original short stories and not been having much success. After the last rejection, I decided that I might as well take another look and do another round of editing, in case that had anything to do with it. There are nine stories in the collection, and I thought I’d give at least four or five a good run through. Now though, I’m planning on giving all but two (those that have been edited to death already) another pass.

I didn’t think what I would find would be so bad. Most of these stories were written in the past five or six years, so they should be fine. Right? Right?!

*Sigh*

I looked at the first story. I was horrified that it wasn’t as I remembered it. There were several mistakes that I needed to fix. Not just grammar/spelling/punctuation. but just plot issues that I should’ve fixed or excised in earlier drafts. And if the other stories are like this, I’m not surprised I kept getting rejected!

Well, can’t change the past. I’m taking another look at these stories now, that’s what’s important. I’m already over halfway through the first story, and it’s shown remarkable improvement. If I see similar improvement in the other stories, then…well, I can’t really say what’ll happen then, let alone if the collection will be published.

I even asked my Tarot cards if the collection would find a publisher after all the edits. When I pulled the future card, I got The Moon, which represents uncertainty. Which says it all, really. The writing and publishing game is full of uncertainty. You never know if you’ll find a home for your story when you send it out. Let alone collections!

Still, we play the game, because we love what we do. And I’ll continue working on these stories in the hope that I can improve them enough that someone will want to publish them in a collection.

Or, if things are going well for me, I have the cash to spend, and I think they’re edited enough, I could self-publish. It’d be quite a bit of work all on my own, for certain, but it would likely be worth it. I hope.

Anyway, that’s all for now, my Followers of Fear. I’m going to try to finish up one story tonight, then perform a surgery on a ghost, then start editing the next story. Until next time, good night and pleasant nightmares!


One more reminder: in honor of my ten-year blogging anniversary on Monday, I’m having an Ask Me Anything, or AMA, to celebrate. All readers are encouraged to participate, and one lucky person will receive a prize! Just send an email to ramiungar@ramiungarthewriter.com before tomorrow night, July 28th, 2021 at 11:59 PM EST. I look forward to reading your questions!

And no, I won’t be sending the winner a dragon bat. Not even a baby one. I’m sorry, but the adults are ferocious, the babies need too much care to be separated from their parent, and the laws regarding transporting them are too much a pain in the ass to deal with. Sorry, but thems the breaks.