Posts Tagged ‘theater’

Can People Not Behave at the Theater Anymore?

Posted: January 11, 2026 in Living and Life, Reflections
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I don’t usually do this. I usually try to keep my focus on this blog towards writing, horror, and my career. But as many of you know, occasionally things build up and at some point I need to vent. This is one of those posts. So strap in for another PSA bordering on a rant.

And this time we’re talking about: do people think the theater is their living room?

I go to the theater a lot. Not just the movie theater, but ballets and touring Broadway shows, too. And it just amazes me how few people know how to behave in such a setting! They seem to think that because they paid money to see this, they can act like they’re at home and use their voice at full volume or check their phone.

Yesterday, my mom and I went to go see Back to the Future‘s musical adaptation while it was here in Columbus (yes, there’s a musical adaptation of Back to the Future, and we enjoyed it). And the woman sitting next to me kept having conversations with whom I assume to be her adult daughter during the show. About the actors, their thoughts at the moment, about whatever. And they would do it at a volume you would reserve for your own home.

They would stop talking for a little while and I would be able to calm down enough, but I very nearly did snap and ask them to stop talking. The only reason I didn’t was because we were near the end of the show when I reached my breaking point, so I didn’t see the benefit of doing so.

No talking during the show, please! This isn’t your living room, after all! Photo by Rainaly Gonzalez on Pexels.com

Sadly, this hasn’t been a one-time thing. When I’ve gone to the theater, I’ve been seated near people who seem to think a conversation during the movie or performance in a normal tone of voice was perfectly fine. You know, instead of not talking and, if you have to talk, only doing it in a whisper, which you’re supposed to do!

Add in the people who get out their phones to text or check Instagram during a show, or who bring their small children to the show and are totally surprised when the kids can’t handle it (and I’ve written about that before, you can check here if you want to read that post), and you can see why I need to post about this!

In fact, I have posted about this! Last night, I posted about this on my social media, and the month before I posted about bringing small children to shows they’re not prepared for.* Both posts have blown up, and many people have replied talking about their own experiences with theatergoers who had no idea on how to behave in the theater. And some of these experiences have even gone viral: just recently, a man lost his temper at a bunch of women in front of him who were singing along during a performance of Mamma Mia, which lead to the women getting kicked out (you can see a news report about it here).

And who could forget Lauren Boebert getting kicked out of Beetlejuice because she was vaping and getting handsy with her boyfriend during the show? (Honestly, how did that woman become a congresswoman? She’s seven years older than me, but acts like a drunk 17-year-old on the best of days!)

So what’s causing this? I don’t know. It could be any number of things, or it could be that people just never were taught theater etiquette. Whatever the reason, here’s a quick reminder of theater rules for those who need it:

  • When the lights go down, kindly shut up. It’s that simple. Remember, everyone here paid a lot for these tickets, just like you did. And everybody paid to watch and listen to the actors, not to you. So, when the theater’s dark, if you have to talk, do it sparingly and in a whisper, if at all. Otherwise, reserve your voice for the appropriate moments of cheering and laughing.
  • Put your phones on silent or vibrate, and only check them during intermission. Yes, we see you checking your texts and Instagram. Yes, your screen is distracting. And yes, it is going to happen to you if you leave your ringer on, so better just be safe than sorry. Also, save the photographs and the videography for the bows or for special moments when it’s allowed. Seriously, the companies don’t put out that message for their health. Flashes are distracting, and recordings actually cut into show profits.
  • Know your kid before taking them. I know we all want our kids to have special experiences, but making sure they can handle the theater is important. Just because they can handle a half hour TV show or a movie at home doesn’t mean they’re ready for the movie theater. And just because they can handle a movie theater doesn’t mean they’re ready for live performance. Even if you think they are, talk to them about theater etiquette before taking them, and take them out of the theater if they can’t handle it. Especially if the show you want to take them to doesn’t have special performances for school groups or families that are designed with antsy kids in mind (yes, those exist. See if anyone local to you does them).
    And if your kid isn’t ready, hire a babysitter! Trust me, with the price you’re paying for some of these shows, you can afford it. And if you can’t stand to be separated from your child, then don’t go! Parenthood is about sacrifice. Perhaps a night out at the theater will have to be a sacrifice.
  • Finally, do some research before you go! Movies have ratings, and theaters and plays often have age recommendations and content warnings on their websites. But it seems some people still pay for tickets and are surprised when they come and find out the show is a bit spicier than they thought. This is especially true with live theater: people seem to think that Broadway hasn’t evolved since Sound of Music, and are shocked when they get to the theater and find it full of swearing and sex jokes (Book of Mormon, Beetlejuice), lots of suggestive content (Moulin Rouge), and/or serial murder (Sweeney Todd). And just imagine how awkward it is for the parents who bring their kids to these shows!
    So please, do your research before you go! Make sure the show is right for you and yours before purchasing tickets. Otherwise, you’ll take your eight year old to Heathers the Musical and you’ll both be traumatized by the bullying, murders disguised as suicides, and characters attempting suicide!
Just because a show doesn’t come with a rating doesn’t mean it’s appropriate for all ages.

And if someone nearby won’t behave, grab an usher. That’s what they’re there for! They can speak to the offenders and, if nothing gets fixed, have security escort them out. It’s that simple.

Look, I know there are a lot bigger problems I could be ranting about. Believe me, I pay attention to the news. But I go to movies and the theater for the experience and for self-care purposes. And it’s very hard to enjoy myself and heal when I have to deal with other people who can’t practice common courtesy for others. So please, the next time you’re at the movies or a live performance, think about all the other people in the audience with you. If you do, you may find that you can still have fun at the theater without disturbing other patrons.

Thank you.

*I went to see SIX the Musical last month, and someone brought their four year old to the show. The kid started screaming bloody murder about two-thirds of the way through and had to be taken out. Saw that kid before and after the show, and I could tell there was no way they were ready for the theater. Though what their parents were thinking, bringing their kid to a show which includes dick jokes and a song about how one of Henry VIII’s wives was groomed and raped her whole life, I have no idea.

Looking Back at 2023, Looking Forward to 2024

Posted: December 1, 2023 in Living and Life, Reflections
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Photo by Minhazur Rahman and downloaded from Vecteezy.

I do this post every year, and you guys seem to like it, so I’m doing it again. Let’s talk about 2023 and what we hope will happen in 2024.

I think everyone will agree with me that 2023 was a mixed bag. Not the rollercoaster out of hell that 2022 was, but definitely a mixed bag. Among the good things that happened, the pandemic was declared mostly over and we are getting back to some degree of normal now; my home state of Ohio voted to enshrine reproductive rights in our state constitution and legalized marijuana, which was a big deal; the Hollywood writers and actors strike were successful, allowing both groups to earn more money for their work and putting protections in against AI; an AI Safety Summit was held to discuss how nations should approach AI as it develops; Doctor Who returned with a bang (check it out, it’s awesome); and more.

Unfortunately, a lot of bad stuff happened this year as well. There was a massive train derailment in Ohio earlier this year that released a lot of chemicals into the area, and who knows how long that will take to clear up; the war between Russia and Ukraine continues, and Hamas terrorists attacked Israel, leading to a war that’s still ongoing today; anti-Semitism has risen in record numbers around the world, leaving many of my people feeling scared and alone; multiple mass shootings occurred throughout the year, leaving many dead who shouldn’t have died; the prices of gas and food have risen like crazy, which has made affording necessities more difficult than it already was; and more.

Like I said, mixed bag.

And on a personal level, 2023 was a mixed bag as well. On the down side, work was hellish this year, with multiple problems cropping up throughout the year that required my coworkers and I to work long hours and try to find ways to deal with it. We’re still working through problems, some old and some newer. Some of us, myself included, even have to go into the office three days a week before the rest of the workforce just to keep up. Oh yeah, we’re going from one just one day a week in the office to three in the new year. Another downside.

Also, I got in an accident and had to replace my car (that was awful); I had to find a new insurance company after the accident (that was annoying); my friends and I had to close Cracked Skull Press, which sucked; I underperformed at a lot of events I usually do well at; my anxiety and a bit of depression went to work on me, thanks to the Israel-Hamas conflict and the resulting anti-Semitism; and quite a few other things happened that really brought down my enjoyment.

Getting this out earlier this year was definitely a highlight of 2023.

Still, there were some good things. On the writing front, I was able to release Hannah and Other Stories, and while the reviews have been coming slower than I would like, they’ve all been very positive, and even in major publications; I also released “The Wild Hunt” in the Happy Hellidays anthology, which people have been LOVING; I got to go to StokerCon, which was a dream come true and a ton of fun; despite not doing as well at certain events as usual, I’ve been doing really well financially on the writing front, thanks in part to a grant and certain events; and I wrote what I think is some really good work, and I’m still writing some of that work.

(Some other stuff happened on this front too, but I can’t get into them until certain things are made official.)

Outside of writing, I turned thirty, and celebrated it with a blast, as well as found being thirty wasn’t as awful as I’d worried; I got to see some amazing Broadway shows and got addicted to their soundtracks (if you ever have the chance, go see SIX and Beetlejuice live); I got my full-back tattoo, which I’ve been working on since last year, finished; I had some big firsts in my condo, including my first Passover seder and first overnight guest; I made it quite far through the Face of Horror contest, and got plenty of side benefits from it as well; and a bunch of other stuff happened.

So yeah, mixed bag. But at least I can end the year saying that there was more good than bad, at least on a personal level.

So, what’s next for 2024? Well, I hope I can write, edit, and publish more stories, including finishing my mummy novel Crawler; I’d like to take a long, two-week vacation at some point and just spend it between totally lazy and writing my brains out; I look forward to traveling to some of my favorite haunted locations and maybe catching some weird shit on camera (more on that later); I hope to do more renovations to my condo as I build up my savings towards them; and perhaps, if God is kind, I can get that much closer to writing full time.

I also hope on the world stage things calm down and we can go through a year without losing any respect for humanity as a whole. But with two wars and an upcoming presidential election, I’ll call this hope a long shot.

Anyway, I hope that this post didn’t bum you out. Perhaps it gave you something to think about, or made you grateful for your 2023. Or even hopeful for 2024. I’m certainly trying to be hopeful, despite all the shit that goes on daily.

And with about 30 days left of 2023, I hope we all have a decent end to the year and enter the new year on a strong note.

How was your 2023, Followers of Fear? Anything good happen that you want to share? What about your hopes and plans for 2024? Let’s discuss.

A New Article on Ginger Nuts of Horror

Posted: May 24, 2021 in Journalism, Reflections, Scary Stuff
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I know you all are desperate to hear about ParaPsyCon went after this past weekend. And believe me, I want nothing more than to tell you about it. However, getting that post out is going to take time. Especially when you have a day job and need to sleep.

But I didn’t want you to think I had fallen off the face of the Earth or anything, so I thought I’d let you know about a piece of good news. I recently wrote and had another article accepted by Ginger Nuts of Horror, the same website that published my article on that the spider scene in 1958’s The Fly. This article, however, is quite different. This article is about THE THEATER!!!

“When The Theaters Reopen, They Should Do More Horror Stories,” is about how Broadway and the West End, as well as local and regional theaters, should consider putting on more horror-themed productions. Why? Because theater is going to be very popular once the pandemic is over (let’s face it, we love the experience), both theater and horror are escapes for their respective audiences, and after the horrors we’ve experienced during this pandemic, we could use a double escape.

Of course, I go into more detail as to why we should have more horror productions and even give some suggestions as to stories that I feel would make great stageplays or musicals. Obviously, I avoided my own work,* as well as the classics and Stephen King (he’s had more than a few stageplays based on his work). What works did I suggest? You’ll have to read the article yourself to find out.

And then, if you can and willing, I hope you’ll help me make this pitch a reality. I would love to see some more horror stories on stage. Whether it would be a Broadway show or something more local.

Speaking of which, you can read the article by clicking this link. I hope you like it and let me know what you think. Also, what are some works you think would make some great stageplays? Other than mine, of course.**

Also, a big thanks to Ginger Nuts of Horror for publishing another article by me. I’m happy you like what I have to say and feel it’s worth sharing. Hopefully, I can send you something else in the near future. Especially with at least one story coming out this year (fingers crossed for another one at some point or another).

That’s all for now, my Followers of Fear. I am tired, so I’m going to go to bed. Hopefully tomorrow I can at least start on my recap of ParaPsyCon. Until then, good night and pleasant nightmares.

*Though I would be flattered if someone wanted to adapt my work for the stage.

**I mean, you could mention my work if you wanted. Just remember, flattery won’t get you anywhere with me.

Why Every Horror Fan Should Know about the Grand Guignol Theater

Posted: October 16, 2019 in Scary Stuff
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A poster from a play from the Grand Guignol.

*Trigger warning: this post goes into a lot of dark and uncomfortable topics. If talk of gore, murder, sexual assault and similar subjects upset you, stop reading now. You’ve been warned.

Have you ever seen any version of Sweeney Todd? Whether you saw a stage production or watched the movie, Sweeney Todd is somewhat of an outlier among famous Broadway musicals. It’s dark, bloody, and deals with subject matter other plays don’t, such as rape and cannibalism. It’s basically a slasher story with singing.

Now, if you’re like me (and I assume most of you are, if you’re reading this blog), you not only wish there were more plays like Sweeney Todd, but that some of these plays went further in terms of gore and terror. Well, recently I found out that there was a theater dedicated to plays just like that. And it ran for nearly seventy years.

The Grand Guignol Theater was a theater set up in an old Paris chapel in 1897. To summarize its history, the theater at first performed naturalistic plays centered around prostitutes, street thieves and alcoholics. A typical evening at the Grand Guignol would feature five or six short plays, alternating between cynical slice-of-life comedies, horror shows, and more traditional comedies. However, after a change of ownership, the theater began to focus more on horror.

And as time went on, the theater became famous for it. In fact, the Grand Guignol performed over twelve-hundred plays in the course of its existence, focusing on subjects such as insanity, strangulation, rape, leprosy, hypnosis, eye gouging, stabbing, rabies, and so much more. One actress, Paula Maxa, estimated she’d been “murdered” at least ten thousand times in sixty different ways, among other things. To enhance the terror, the theater staff developed a number of techniques to make the horror onstage seem as real as possible, and actors acted as if everything onstage was actually happening.

It wasn’t uncommon for audience members to puke or faint during performances.

This was all to the delight of Andre de Lorde, one of the Guignol’s writers, who judged his plays based on how many people fainted during a show. Along with psychologist and friend Alfred Binet, he wrote over a hundred plays, all particularly gruesome.

And audiences kept coming back. Like many modern horror fans, they were seeking a thrill. And the Grand Guignol provided. At its peak, celebrities and even royalty visited for shows.

So why did it close? Well, there are a number of theories. By the 1930s, the theater had shifted away from gory shockers to psychological dramas, and attendance began to dip. The rise of movies and TV shows, some of the former being quite gory or sensational themselves, may have also played a part. Theater management even believed revelations about the Holocaust may have played a role, saying “We could never equal Buchenwald.”

Whatever the case, the Grand Guignol closed in 1962. Today it’s a theater space for a deaf acting troupe.

But while the theater closed, its legacy still exists. Many small theaters and troupes around the world have been formed to preserve the Guignol’s legacy and produce their own Guignol-style plays. The Guignol’s also made its way into popular culture, and has been referenced in music, movies, books and more.

Still, wouldn’t it be amazing if the Grand Guignol was truly revjved? If one of the groups inspired by it managed to achieve the same popularity and staying power as the original theater?

Perhaps someday it will come back. And then perhaps Mr. Sweeney Todd won’t be so lonely anymore.