Posts Tagged ‘slasher’

So the other night on Twitter, I see Richard Chizmar (you know, that author/publisher I interviewed a while back?) tweet about this movie, The House of the Devil, saying he had to stop watching it thirty minutes in and could only finish it by the light of day. Obviously, I’m intrigued, so I went and reserved a copy from the library. And I finished it in one sitting after dark, so I think I can brag about that? Wait, I live in an apartment with noises, and part of the reason Mr. Chizmar couldn’t finish it was because he was watching the film in a dark, quiet house. Obviously, there’s a difference.

Anyway, on with the review!

Set in the 1980s and “based on true events,” The House of the Devil follows Samantha, a college student struggling to make ends meet. In desperation, she answers a babysitting ad she finds on campus and takes it. However, things get weird when she gets to the house. And once she’s alone with her charge, she learns that there’s more afoot than meets the eye.

Ladies and gentlemen, I may have a new favorite horror film!

So first off, this really does feel like a horror film from the late 70s/early 80s. In addition to the normal signs of a 1980s-set story (teased hair, Walkmans, and music from the best era for music ever, etc.), the movie was filmed with 16mm film, giving it that slightly filtered quality we know and feel so nostalgic about. Add in some yellow credits and some pauses during opening credits, and I could almost believe this film was made over thirty years ago rather than just eleven years ago.

I also love how this film builds tension. I know I use the term “slow burn” quite a bit, but it fits here. Director Ti West takes his time laying the groundwork and establishing our main character Samantha (wonderfully played by Jocelin Donahue, who embodies natural 80s beauty as much as Natalia Dyer in Stranger Things). Once we get to the house, things switch to showing Samantha’s increasing unease and paranoia. The camera work in these scenes is great, showing the heroine exploring the house multiple times, as if she’s not sure she’s really alone, while at the same time the camera films things in a voyeuristic way, like we’re the ones stalking Samantha, allowing us to share in her unease.

And that final third! Whoo-boy, things go zero-to-sixty real quick, and it is scary and thrilling to watch. I also like seeing how Samantha strikes a great balance between terrified final girl and willing to fight back. Usually in these films it’s either they’re screaming their heads off or they’re angry vengeance personified, so it’s a nice change to see a compromise.

As far as problems go, this film might be a bit too slow and quiet at times for some viewers. If you prefer your horror film have faster paces or not so many quiet points where characters just talk, this may not be the film for you. Also, there are some flashing imagery at the beginning of the final third that might trigger people with photosensitivity. It’s not as bad as IT: Chapter Two was, but it’s still something to keep in mind.

All in all, The House of the Devil is a wonderful homage to the slasher and suspense-horror films of the 70s and 80s. On a scale of 1 to 5, I’m giving it a 4.8. Settle into the couch, order a pizza and prepare for one of the best horror films you haven’t heard of. You won’t regret it.

Unless you have nightmares. In which case you may regret it.

A poster from a play from the Grand Guignol.

*Trigger warning: this post goes into a lot of dark and uncomfortable topics. If talk of gore, murder, sexual assault and similar subjects upset you, stop reading now. You’ve been warned.

Have you ever seen any version of Sweeney Todd? Whether you saw a stage production or watched the movie, Sweeney Todd is somewhat of an outlier among famous Broadway musicals. It’s dark, bloody, and deals with subject matter other plays don’t, such as rape and cannibalism. It’s basically a slasher story with singing.

Now, if you’re like me (and I assume most of you are, if you’re reading this blog), you not only wish there were more plays like Sweeney Todd, but that some of these plays went further in terms of gore and terror. Well, recently I found out that there was a theater dedicated to plays just like that. And it ran for nearly seventy years.

The Grand Guignol Theater was a theater set up in an old Paris chapel in 1897. To summarize its history, the theater at first performed naturalistic plays centered around prostitutes, street thieves and alcoholics. A typical evening at the Grand Guignol would feature five or six short plays, alternating between cynical slice-of-life comedies, horror shows, and more traditional comedies. However, after a change of ownership, the theater began to focus more on horror.

And as time went on, the theater became famous for it. In fact, the Grand Guignol performed over twelve-hundred plays in the course of its existence, focusing on subjects such as insanity, strangulation, rape, leprosy, hypnosis, eye gouging, stabbing, rabies, and so much more. One actress, Paula Maxa, estimated she’d been “murdered” at least ten thousand times in sixty different ways, among other things. To enhance the terror, the theater staff developed a number of techniques to make the horror onstage seem as real as possible, and actors acted as if everything onstage was actually happening.

It wasn’t uncommon for audience members to puke or faint during performances.

This was all to the delight of Andre de Lorde, one of the Guignol’s writers, who judged his plays based on how many people fainted during a show. Along with psychologist and friend Alfred Binet, he wrote over a hundred plays, all particularly gruesome.

And audiences kept coming back. Like many modern horror fans, they were seeking a thrill. And the Grand Guignol provided. At its peak, celebrities and even royalty visited for shows.

So why did it close? Well, there are a number of theories. By the 1930s, the theater had shifted away from gory shockers to psychological dramas, and attendance began to dip. The rise of movies and TV shows, some of the former being quite gory or sensational themselves, may have also played a part. Theater management even believed revelations about the Holocaust may have played a role, saying “We could never equal Buchenwald.”

Whatever the case, the Grand Guignol closed in 1962. Today it’s a theater space for a deaf acting troupe.

But while the theater closed, its legacy still exists. Many small theaters and troupes around the world have been formed to preserve the Guignol’s legacy and produce their own Guignol-style plays. The Guignol’s also made its way into popular culture, and has been referenced in music, movies, books and more.

Still, wouldn’t it be amazing if the Grand Guignol was truly revjved? If one of the groups inspired by it managed to achieve the same popularity and staying power as the original theater?

Perhaps someday it will come back. And then perhaps Mr. Sweeney Todd won’t be so lonely anymore.

As many of you know and as the below video demonstrates, I’m a huge Friday the 13th fan.

Yes, that was me with my Jason Voorhees hockey mask. Shouldn’t surprise any of you that I have that.

And as many of you know, I HATE the remake that came out nine years ago. Seriously, what was that film? It was like the director and writer started making a porno because they hadn’t gotten any action lately, added a bunch of swearing and dirty humor to hide it as a raunchy comedy, and then added Jason just because they couldn’t get studio support for the comedy. But what do you expect, when Michael Bay is producing?

Obviously, I would like for a better Friday the 13th film to come out. So I was intrigued when a friend told me about Never Hike Alone, a Friday the 13th fan film that has gotten some good press. And with the day off from work (we’re observing Veteran’s Day today), I decided to watch it and see if it was as good as said.*

Holy shit, why haven’t I heard of this before? That was great!

Never Hike Alone follows Kyle McCloud, a vlogger who records his hikes on his GoPro and then uploads it to YouTube. He goes hiking in the Catskills and comes across Camp Crystal Lake, abandoned and dilapidated due to years of neglect. Exploring the ruins of the camp, Kyle expects only to find some pieces of history that have expanded into a famous ghost story. What he ends up finding is that some legends are very grounded in reality. Especially when they involve Camp Crystal Lake.

First off, I love how much this looks like a professional production from a major studio. From the camera work to the buildings around Camp Crystal Lake, it’s so well done. I also thought the storytelling in this film was par excellence. Using a minimalist approach to focus exclusively on Kyle’s experience, it creates this suspenseful cat-and-mouse mood. For the first half of the film, you’re on the edge of your seat, expecting Jason to appear in frame at any moment. When he finally does make a move, the film smoothly transitions to this thrill-fest as Kyle tries to survive Jason. And while there is plenty of violence, it’s never overly sensational or stupid, but just enough to give the necessary scare. There’s also only a little swearing, and absolutely no sexual or drug content, which I was thankful for.

I guess Womp Stomp Films, the studio who produced Never Hike Alone, also took one look at how those elements were misused in the remake, and decided to go the opposite route. Good call.

The only major issue I have was that the last scene, which goes on about seven minutes, could’ve been cut a bit shorter. I mean yeah, there’s a cool little cameo at the end, but other than that I would’ve preferred five minutes of it be cut so that it didn’t drag.

Other than that though, Never Hike Alone is a great tribute to the Friday the 13th franchise and a possible view as to where the series could go in the future. On a scale of 1 to 5, I’m giving it a well-deserved 4.5. Atmospheric and suspenseful, you’ll find this satisfies you until we get an actual good film from the franchise, should that ever happen.**

If you’re still unsure, take a look at the trailer below before going to check out the full film on YouTube. Trust me, it’s an hour well-spent.

That’s all for now, my Followers of Fear. I’m not sure when I’ll be posting again, but until I do, I wish you all some wonderfully pleasant nightmares.

*I would’ve waited till the next Friday the 13th, but that’s not till September next year, so I’ll have to settle for Monday the 12th.

**And if that ever does happen, with or without Lebron James, I hope they take example from this film on how to make a good Friday the 13th film. And maybe let me help write the new one. I’ve a few ideas on how to bring back my boy Jason, and none of them involves bringing him to Manhattan.

Halloween (2018) poster

This past weekend, the new Halloween movie was released and eager horror fans, including myself, flocked to theaters to see it (see my review of the film here). At the time I’m writing this, the film has made over 103 million bucks, nearly seven times it’s original budget. This definitely counts as a financial success for the film and its producers, and it’s all but certain at this point that a sequel will be greenlit. This has many horror fans speculating on a particular question: is the slasher genre coming back, bigger and badder than ever?

Now in case you stumbled on this post by accident and have no idea what a slasher is, let me explain: slasher, also occasionally known as splatterpunk, is a sub-genre of horror that focuses on violent deaths and gore, as well as the prospect of those occurring, as the source of its terror and tension. Slashers were really big in the 1980s, but declined as the many sequels kept going for more ridiculous kills and even more ridiculous plots. There were some brief flare-ups of good slashers in the late 90s and early 2000s, with films like Scream, Urban Legend and Wes Craven’s New Nightmare and remakes of franchises like 2003’s Texas Chainsaw Massacre and Rob Zombie’s Halloween, but for the most part it didn’t stick. Recently, slashers have done well in television format with shows like Slasher and Scream (yes, based on the film I mentioned a sentence ago), but Halloween‘s the first in years that’s managed to satisfy this many fans, critics, and bank accounts.

Hollywood can be a very reactive sort of place: anything that’s proven to be even slightly successful will be copied over and over again by movie studios until long after audiences have lost interest. So with Halloween doing so well and sequels definitely being discussed in boardrooms, can we expect more slasher reboots and remakes on the horizon? Which ones? And is this the first of a slasher renaissance similar to their first wave of popularity in the 1980s?

Well, there are actually a few slasher movies being developed right now based on the older franchises. Child’s Play, which first introduced the character of living doll Chucky, is getting both a reboot and a TV series, and A Nightmare on Elm Street has had a new remake in development for a while now. But with the success of Halloween, there’s a chance the studios producing them will give them more attention and funding than they might’ve had without Halloween.

Please bring back Friday the 13th! Jason and I both want to see a comeback for the franchise!

And I don’t think it’s too far-fetched to say other series will be getting new films. There has been talk for years of rebooting Friday the 13th with my boy Jason Voorhees. Recently a court case regarding the original film was resolved, and basketball player-turned-actor and producer Lebron James, who is as big of a fan of the franchise as I am, has come forward saying he would like to help produce the film. And while Lebron’s still new to Hollywood, I would welcome his involvement in a new Friday the 13th film. Sometimes it takes the perspective of a fan, especially one who has more power than expressing outrage through a keyboard, to truly give a character or franchise new life.*

And after the crappy 2009 remake, almost anything would be welcome. Seriously, what was with that film? It felt like the filmmakers were making porn, then making a raunchy comedy, and then remembered to put Jason in it! By the time the final third rolled around, I was bored! I’m seriously considering destroying a copy of the film on DVD when its tenth anniversary rolls around, it’s that bad!

But not just Friday the 13th: there’s room for other franchises to get new films. I think a Hellraiser reboot would be great, as the series has devolved into cheap, direct-to-DVD sequels. A proper remake would give the series’ concept the fresh rebirth it needs. Of course, I’d love to see some new Freddy Kreuger, as there’s still so much to do with that character. And I think given our current social/political climate, a director like Jordan Peele could do something great with the character of Candyman.

But there should also be original works, not just remakes and reboots. As you’re reading this, there are plenty of filmmakers out there with fresh ideas for the slasher genre that should be given a chance. Perhaps with the success of Halloween, studios will be willing to give them a chance. Heck, maybe Jason Blum and Blumhouse, one of the companies that produced Halloween, can use this to recruit some female directors to develop some new projects.**

Perhaps we can see all these dudes, and then some, get new films.

And as for if this is the beginning of a slasher renaissance, we’ll just have to wait and see. One film doesn’t indicate a genre’s comeback. Sometimes several films don’t mean a particular genre or sub-genre is going to be the next big thing (*cough* YA dystopia and fantasy films *cough*). It’ll take several successful films, both originals as well as remakes and reboots, before we can really say if the slasher genre is back with a vengeance.

Still, I’m hopeful. I didn’t think until the trailer that anyone could bring Halloween back. Perhaps with the right writers and directors, we could see the return of the genre. We’ll just have to wait and see.

Until then though, we’ll just have to content ourselves with Halloween, the old classics, and this awesome little video (sorry, couldn’t help but post it. Enjoy).

*And if you do end up producing a new Friday the 13th film Mr. James, can I help? I love Jason too, and I’d love to see him given a film worthy of his franchise. Perhaps I can help write the script? I have ideas.

**Sorry Mr. Blum. I love your work, and I even sent a resume to your company after I graduated, but you really put your foot in your mouth with that “lack of female directors” comment. I mean really? One article found 30 female directors who can do horror! Perhaps Halloween‘s success means a chance to start fixing that fiasco and bringing them on board.

A couple of years ago, I binge-watched the first (and at the time, the only) season of a Canadian horror TV show called Slasher. The show billed itself as an anthology horror series geared more towards slasher fans, so basically American Horror Story with a lot more blood and gore. I reviewed it after I finished it (which you can read here). If you don’t have the time to read it though, let me summarize my thoughts: I thought the first season was intriguing with a great mystery and practical effects, but was horribly hampered by a seriously derivative story and a wooden lead. Also, the killer’s outfit was the definition of impractical.

Based on that, I figured that if the show was to get a second season, the people behind it would have to do a loooot of work to make sure the show didn’t get slashed off the schedule. And with no news of a second season a year later, I guessed the show was done for.

That is, until I saw an ad for it on my Netflix. Yeah, apparently Netflix picked up the show as one of their Originals, and decided to give it a second season (love it when they do that for shows that deserve another season. #LuciferOnNetflix). I decided to give it a watch, and see if they fixed the problems from season one.

Holy shit, did they improve!

Subtitled Guilty Party, season 2 follows five former camp counselors–Peter, Andi, Dawn, Noah and Susan–who accidentally murder a fellow counselor after confronting her for being a total psychopath and then bury the body. Five years later in the midst of winter, they return to the camp grounds, which have since become a small New Age commune, to destroy the counselor’s body when they hear a new resort will be built nearby, possibly leading to the body being discovered. Unfortunately once they get there, they inevitably get stranded there, and a killer starts picking them one by one. But who is this killer? With everyone there having secrets, they’ll have to be careful who to trust, or everyone may end up dead.

So as I said, this show did improve with the second season. For one thing, while the story does take influence and even has callbacks to previous famous horror and slasher stories, especially the Friday the 13th franchise, it’s nowhere near as derivative as the first season was. It works with an extremely tense story that keeps you on the edge of your seat for the whole eight episodes. You never know where the next twist or death will come from, and when they do hand one to you, it just makes you ask the same questions over and over again. And even when you think you know, there’s still a twist ahead to get you. It is a thrill ride, to say the least.

I also have to give props to the actors, they did a very good job. I sympathized with a lot of them, even as I learned just how deep some of their sins (there’s this one character who I felt was a lot like me. I was really disturbed by how deep his darkness went). And even those I didn’t sympathize with, I could not distinguish between the characters and the actors. That’s how good they were.

And ooh boy, was this thing scary! I mentioned how tense it was, but some of what happens to the characters who get caught by the killer* or who finds themselves in a similar jam. They do not skimp on the physical or psychological torment, and it will affect anyone watching it (I still flinch when I think of one particular scene).

All that said, the season did have one problem: there were a couple of characters who showed up for just a single episode, and very out of the blue, too. I feel like if you’d written those characters out of those episodes, there would still be ways to tell this story without sacrificing tension, pacing or anything else.

But all in all, Slasher season two is a monumental improvement over the first season. Intense, twisty and full of memorable characters. On a scale of 1 to 5, I’m giving the second season a 4.8. I cannot wait for the upcoming third season (yes, that’s happening. I wonder what they’ll do for it). Pack some winter clothes, give it a try, and see for yourself.

Who knows? You may even survive the encounter.

*Who I’m pleased to say is appropriately dressed for the work and the weather. No impractical costumes this time! Though if they did wear a hockey mask, this would be a much better Friday the 13th film than Michael Bay’s shit remake. That’s right, I found another way to diss that trash movie! Your film sucks, Bay! It sucks!

If you’ve been with me for a while now, you know I’m interested in and an admirer of creepypasta, urban legends and scary stories born and spread on the Internet that seem to have some sort of plausibility of truth to them, even if you can’t prove it. Recently I heard about a TV series called Channel Zero that, like American Horror Story and Slasher before it, told a different horror story every season, though in this case the stories were based on creepypasta. I decided to take a look, and found out my local library had all three seasons on DVD. I reserved the first season, subtitled Candle Cove, and picked it up yesterday.

Guess who spent most of his Saturday binge-watching it on his TV and laptop? This guy. And as this is me we’re talking about, of course I’m reviewing it.

Based on the Candle Cove creepypasta by Kris Straub (unknown if he’s related to horror author and friend of Stephen King Peter Straub), Channel Zero: Candle Cove follows Mike Painter, a child psychiatrist who returns to his childhood home of Iron Hill, Ohio (go Ohio!) after leaving twenty-eight years previously, when five children were horribly murdered and the killer was never caught. One of the children was Mike’s twin brother Eddie. Now back to put old demons to rest, Mike reconnects with old friends and finds out that several children in town have been watching Candle Cove, a mysterious TV series that originally aired during the two months the murders occurred. Its return to TV doesn’t just coincide with Mike’s return, but with a series of events that threatens to rock Iron Hill, Mike, and his family to their very cores.

I was very impressed with Channel Zero‘s first season. First off, there’s the story. Candle Cove tells a slow-burn story centered around its unfolding mystery. It’s very hard to look away as you watch the characters try to figure out the mystery of the Candle Cove TV show and how it may have affected events past and present. It’s also extremely twisty, making you question everything and wonder how it’s all connected. Trust me, you won’t see the finale until it happens, and it’ll leave you speechless.

I also sympathized with a lot of the characters. They each had their own demons to deal with, and as events start getting crazier and crazier, you can almost find yourself understanding why they do what they do. Doesn’t mean you’ll always approve or root for them, but you’ll understand.

Special mention goes to Fiona Shaw (the actress who played Aunt Petunia in the Harry Potter movies) who played Marla Painter, Mike’s mother. That character goes through so much, but is probably the strongest character on the show, and Ms. Shaw carries it with every scene. Loved seeing her on screen every time she showed up.

Hello, I’m the Tooth Child. I’ll be in your nightmares tonight.

And oh my God, the visuals on this show! From the clips of Candle Cove, to the figures of the Tooth Child and the Skin-Taker, to even some of the dream sequences, there is so much terrifying imagery! Season One definitely took care to make sure every creepy scene was as disturbing as possible. If any of my works ever get adapted, I hope just as much care is put into the visuals and scares.

If there are any flaws with season one, at times the story tends to focus more on the slow-burn story than on actually making viewers crap their pants. That’s not a bad thing, but for some horror fans who prefer outright scares, the slow-burn quality may be a bit off-putting. But at the moment, that’s the only issue I can point out with this show. And it’s not even my issue!

On a scale of 1 to 5, I’m giving Channel Zero: Candle Cove full marks with a 5 out of 5! Great storytelling with a well thought-out mystery and excellent visuals, it feels like something Stephen King might produce from his own twisted imagination. Tune in, and let yourself be hypnotized.

That’s all for now, my Followers of Fear. With September here, there’s a lot of great horror stories on the horizon to read/watch and review. And believe me, I’ll be sharing my thoughts on most of them. Whether you want me to or not.

Until next time, pleasant nightmares!

I’ve been keen to read this novel since Stephen King tweeted about it months ago, saying this novel, which apparently is the first work of an already-established author published under a pen name, was the first great thriller of 2017.* By the time it came out on July 11th, I was one of the first people to get a copy at the library. And while I don’t always agree with King on what makes a good story (see my review for A Head Full of Ghosts by Paul Tremblay), I have to say, he was right that this is a great thriller novel, possibly the first great one of 2017 (I haven’t read most of the others that came out this year, so who am I to judge?).

Final Girls follows Quincy Carpenter, the lone survivor of the Pine Cottage Massacre, in which a man she only refers to as Him killed all her friends while on a camping trip and she was the only survivor. This has made Quincy part of an exclusive club known as the Final Girls, women who have survived horror-movie style massacres and, like the girls in those movies, are the only ones to survive. The other two are Lisa Milner, the survivor of a sorority house murder spree in Indiana, and Samantha Boyd, who escaped and killed a killer known as the Sack Man at a motel in Florida. Quincy, who has no memory of the events at Pine Cottage, wants nothing but to keep up her baking blog, maybe marry her defense attorney boyfriend someday, and have some definition of normal.

That is, until Lisa Milner dies under mysterious circumstances in Indiana, and Samantha Boyd shows up at Quincy’s apartment in New York to talk. Suddenly Quincy’s life is thrown into a maelstrom as Sam’s presence threatens not just to unearth the memories from that fateful night, but change her world forever.

Immediately, you feel like this is two stories in one, a standard slasher and a mystery/thriller. On the slasher hand, you get to read Quincy’s recollections of Pine Cottage, which are told in third-person POV and past tense. And on the other hand, you get the events of Quincy’s current life, which are told in first-person POV and present tense, which is a mystery/thriller mixed with the story of two completely opposite people trying to bond over an incredible and dark situation. And both stories are peppered with references to horror movies, especially the best of the slasher genre. There are some obvious ones: Quincy’s last name is a reference to director John Carpenter of the Halloween series, while Lisa Milner’s massacre is an obvious reference to Black Christmas. But there are other, subtler references.  The mystery elements definitely remind me of the Scream movies and the TV series, which utilize mystery to offset themselves from tried-and-done-to-death slasher stories, as well as elements that make me think of Urban Legend. And that’s just the tip of the iceberg, there are probably references I don’t recognize from movies/comics/shows/books I haven’t seen or read yet.

I also really enjoyed the characters. Quincy felt incredibly real to me: rather than being a character who’s always good and delicate or always damaged and dealing with her issues, she’s actually a pretty good balance of both. She’s clearly made some progress in trying to move on and have a new normal, but she also has issues that she doesn’t want to address, even takes some joy in, and those occasionally threaten the balance she’s trying to maintain in her life. It’s very refreshing to see such a realistic character like that. I also found Samantha Boyd (or Sam, as she prefers), to be very real. She’s a girl whose life is one defined by horrors, and who’s trying, in her own way, to reach out to the one person left in the world who knows what it’s like to have felt horrors like hers. The way she does it isn’t exactly smooth, but it does feel like someone with her background might use to reach out and find some mutual catharsis.

But the best part of the story is definitely how twisty it is. Even when we go back to Quincy’s past, it is anything but a standard slasher, going in directions you don’t see coming. Just today, while reading the last 70 or so pages, I kept marveling at surprise after surprise after surprise. And that’s pretty much how it is for most of the book, especially in the latter half of it. I think even some veteran mystery/thriller fans will find themselves surprised at the twists in store here in Final Girls.

If there’s one thing that might have been a drawback for this novel, I felt that the moments that Quincy and Sam were trying to bond were a little slow at times, but that may be nitpicking on my part. They were still well-written parts, and they showed both how much these girls wanted to be friends and how much they rubbed against each other as people.

On a scale of 1 to 5, I’m giving Final Girls a well-earned 4.6. From one page to the next, you never know what to expect, and it will only leave you wanting more. Go ahead, pick it up, and find you have a hard time putting it down.

* This tweet and hints about the author’s identity make me think it might be Stephen King’s son Joe Hill doing his own Richard Bachman turn, but that’s just my guess.

Cover of Snake by Rami Ungar

As I mentioned before, today is my twenty-third birthday. Wow, twenty-three. Technically, I’m still pretty young, but I feel old. I’m already paying bills and rent on my own apartment and starting a job. Ah, adulting. How you make me feel older than I am.

And as I mentioned in my last post, it’s also been two years since I published Snake, my second novel. This book, which was inspired by movies like Taken and eighties slasher films, as well as all the suspense novels I read in my first year or two of college, is the story of a serial killer who goes after members of a powerful New York mafia family, and the reasons why he does this.

It’s definitely one of my more “what the fuck?”-worthy stories, as well as one of the ones I had the most fun writing. At the time I wrote it, I just wanted to create a very thrilling, violent story involving a serial killer whom people would find themselves cheering for (like I said, “what the fuck?”-worthy). I did a lot of research into serial killers and psychopaths, even consulting with a forensic psychiatrist who helped me figure out what an actual criminal profiler would say about the crimes, as well as a lot of rewrites and reworking of the plot. The end result was one hell of a bloody, exciting thriller-horror novel.

True, there are some things I would’ve changed in the final product if I could go back (technically I could, but I don’t do rewrites after publication unless absolutely necessary), but yeah, it’s a good novel. And that’s not just my own ego telling me that. Here are some reviews, a few of which are by friends and other authors [WARNING! Some of these reviews do contain spoilers. Please be advised]:

Well, I took yet another vacation where I made my family “just wait until I finish this chapter.” This page-turning read was another great effort by Rami. He is not afraid to take risks in plot twists and turns, character development and he takes the reader on quite the journey in this book. So looking forward to his next creation!

–Michele K

This book is another awesome creation by Rami. This book is scary and brings the reader to the depths of how evil the human character can be and how anyone can be driven to commit acts of torture. The author does a wonderful job of developing the plot and characters and there are certainly twists and turns. I highly recommend reading this book if you love a good frightening thrill.

–ENJ

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

–Angela Misri, author of No Matter How Improbable

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

–Ruth Ann Nordin, author of The Mistaken Mail Order Bride

I guess people really like it. Which is good, because I have plans to someday write a sequel. I just have too much right now to devote time to one. Though considering the experience I had with the first book, I’d probably have a blast getting the second one written and going back down that creepy-as-hell rabbit hole.

So if you would like to read Snake and see if it’s as good and as scary as these lovely reviewers have made it out to be, I’ll include the links below. And if you do decide to read the book, please let me know what you think. Positive or negative, I love feedback from readers (and it makes me a better writer to boot).

That’s all for now. I’m off to have birthday celebrations with my family. I’ll see you around, my Followers of Fear. Have a great weekend.

Snake: AmazonCreatespace, Barnes & Noble,iBooksSmashwords, and Kobo

I found this on Netflix, and after I saw it got good reviews online, I decided to check it out. And I think I got what I asked for with a series called Slasher.

Now, a little background. Slasher is a Canadian-American TV series partially inspired by American Horror Story (and believe me, it shows), as well as Agatha Christie novels and classic slasher movies. The production company’s plan with this show is to do it anthology style with a new story every year, possibly with a similar cast each season (see? The AHS influence shows). The first season’s story follows Sarah Bennett (Kate McGrath), as she and her husband Dylan (Brandon Jay McLaren) move into the house where her parents were brutally murdered by a man dressed like a medieval executioner back in 1988. In traditional slasher fashion, someone copying the original killer’s MO starts killing people, and Sarah finds herself forced to work with the original killer (Patrick Garrow) to figure out who the new killer is.

So how does it stack up?

Well, the first season does have a bunch of problems. The biggest problem is that it’s really derivative. Like I said, you can see the inspiration from AHS. In fact, it feels like an AHS knockoff, and not exactly a stellar one. The killer is also very derivative, his whole MO a ripoff of the movie Se7en with every victim being killed because they committed one of the Seven Deadly Sins. And the killer’s design? It actually reminds me of the protagonist of my novel Snake. I’m actually wondering if that’s not a coincidence! There’s also a character that I’m told is similar to one iconic character from Twin Peaks, an incompetent police department out of just about every film ever, and a few other things I can’t mention without spoiling the story.

Did anyone ever tell you that you look like a character I created this one time?

Another problem is the protagonist, and the actress who plays her. Kate McGrath’s acting in this series is wooden and emotionless, to the point where I want to pull out my phone and find something a bit more animated. Not to mention McGrath’s Irish accent breaks through her attempts at whatever the Canadian equivalent of the General American accent is. As for her character, I find it hard to sympathize or connect with her. I get that her parents were brutally murdered, and that she’s got more than a few reasons to investigate these murders, but other than that there’s not much to her character besides her ability to make and act on connections the police can’t. She feels more like a construct or an idea of what the final girl in slasher stories can be than a real person.

So with all that, is there anything positive about Slasher? Actually, quite a bit.

For one thing, it’s interesting. Fault it for how derivative it is and for the wooden lead, but the show’s writers know how to set up an interesting story. Every character has secrets, and it’s fun to watch those secrets get opened up and divulged to the other characters and the audience. You’re also kept guessing on who the killer is until the final reveal, and there are a bunch of other twists that keep the story feeling fresh and exciting. And there are scenes that are both heartwarming and heart-wrenching. There was one scene in the seventh episode that particularly got to me, and the way it was done was just so artful and well-done. So despite it’s derivative nature, it’s good to see that they can keep an audience interested in the story. Especially an audience that goes through a lot of trash trying to find gold and therefore knows all the cliches.

And while the lead isn’t that great, some of the other characters are just a lot of fun. Dylan Bennett has an interesting character arc in relation to his job as a journalist, the events unfolding around him, and their effects on his marriage. And Christopher Jacot as gay real estate agent Robin is always a blast to have on screen. I think I fell a little in love with his character. Patick Garrow’s incarcerated killer Tom Winston is surprisingly likable and sympathetic. And Dean McDermott as Police Chief Iain Vaughn is also a nasty character I love to hate, and the twist his character takes in the show is thrilling, to say the least.

And this is just a small thing that I really liked, but there’s an interracial couple in this story that’s actually somewhat functional and doesn’t make race the focus of their drama. Whenever I see interracial relationships on American television, it’s always portrayed as something filled with drama, and the race thing comes up in a big way at least once. There’s none of that here. Even better, it’s a black man and a white woman. I’ve seen the reverse a couple of times on TV, but this might be the first time I’ve seen it in any medium. Props to the show for portraying diverse backgrounds and experiences and not making it a huge deal. That’s still something others are having trouble with, as the fact that I’m pointing it out makes evident.

So what’s my final verdict of Slasher? Well, I think a 3.0 out of 5 seems right. Yes, it’s not the best horror show out there, nor is it the best attempt to turn a slasher into a TV series (*cough* Scream was awesome, and I’m so excited for season 2 *cough*), but it keeps your attention and has more than a few things going for it. Assuming there’s a second season (no word at this time if there will be one), there’s a good chance that the people behind the show will learn from the problems of the first season and fix them for the next one.

Oh, and for those of you who’ve seen AHS: Hotel, you may notice more than a few similarities between this show and that season, enough to make you wonder if there was plagiarism involved. Turns out, both shows’ stories were conceived and filmed around the same time. It’s just that one aired after the other. It’s a weird coincidence, but a totally innocent one.

Now before I start this review, I need to do a little background: Five Nights at Freddy’s is a video game series created by game designer Scott Cawthon that follows a security guard trying to survive a week at a haunted pizzeria filled with killer animatronics (yes, that’s what it’s about; read here for a fuller explanation on the game and its popularity). The game has proven extremely popular, spawning three sequels, an upcoming RPG game, a movie that I’m excited about, and was a large part of YouTube’s annual Rewind video this year.

The game’s popularity is due in part to simple gameplay paired with a surprisingly challenging game, terrifying visuals and sounds combining to create a tense atmosphere, and a lore that tons of people have been trying to make sense of and put in a timeline since probably the very first game (seriously, search “FNAF theories” on Google. I’ll wait). And these people were excited to hear that Cawthon had teamed up with a writer to produce a novel based on the games, hoping that it would lead to an explanation.

Unfortunately for them, that’s not the case. While the book is kind of canon according to the creator, it’s kind of like an alternate universe’s version of the story of the games, a retelling of the story in the form of the novel with most of the elements of the games.  It doesn’t actually explain the lore of the games.

That being said, I decided to check the book out anyway. I like the series, I wanted to know if this could be a clue to what the movie could be about, and I like a good scary story. With that in mind, I downloaded it onto my Kindle, and read it all in three days.

So with that background out of the way, what did I think of Five Nights at Freddy’s: The Silver Eyes? Well, I thought it was an average horror story at best. Not too say that it was totally bad, it had some things about it that I liked. I just felt that it didn’t have as much effort put into it as could’ve been put in.

So what’s the book about? FNAF: The Silver Eyes follows Charlie, a young woman who’s father was the owner of the original Freddy Fazbear’s Pizzeria, and who’s returning to her hometown with her childhood friends to confront their pasts with the restaurant. Along the way they find the restaurant, and go in, leading to all sorts of chaos as they awaken the evil sleeping within.

I did like how the author sets up scenes, and the characters other than Charlie have enough personality to them to work for a slasher-style novel. The flashbacks are handled pretty well, and there are ideas here in the story that I liked. The climax is exciting enough, and despite what some theorists and even Cawthon the creator says, I felt like the book answered a lot of questions that I had about the games’ lore and mythology. Those are positive things, in my book (pun totally not intended).

I expected more from a story based around these characters.

However, there was a lot that I didn’t like. For one thing, I don’t get why the teens kept going back to the restaurant. I mean, they went enough that everyone could see it and relive their childhood memories, but why did they go back after that? I didn’t really get it. Not to mention that a lot of elements from the games weren’t present in the book: the animatronics don’t really come to life until much later in the story, which I found weird considering that they’re active from Night 1 in each game, and that the Puppet character from the second game, which a lot of fans of the games love, was noticeably absent from the story. And even if I wasn’t familiar with the games and didn’t have theories about it, the way the story’s told makes certain things obvious (from the moment we meet one character, we just know he’s a bad guy), which took some excitement and scares out of the story. Plus the conclusion felt sort of half-done, like they’d left something out in the final draft. That definitely brought down my enjoyment of the story a little.

There was also some sloppy editing in the story that, as a novelist, I disliked. Indentations at the beginning of paragraphs or even for entire paragraphs vary from paragraph to paragraph, certain scenes or settings aren’t written very well, and at times I found myself aghast at certain things the story left out: for example, at one point a character says he can see the moon, but another character next to him can’t. Why? Is there something in the way? Is it a height issue? It’s never explained. And not too long afterwards, one character hears a music box and tells the others to be quiet. One character says he then hears it too, but we don’t get clued into if the other characters hear it too. Now those are small details, but they are important for good storytelling, and I could not believe those parts weren’t cleaned up during editing.

All in all, I’m giving Five Nights at Freddy’s: The Silver Eyes a 2.6 out of 5. I feel like if maybe Scott Cawthon and Kira Breed-Wrisley, the author he worked with, had maybe spent more time on the story, maybe called in an editor and some beta readers for feedback, the story could’ve been a great horror novel as well as an explanation of the events of the games. As it is, it’s good for demystifying the lore, but if you want more than that you probably won’t get it.

I just hope this isn’t the basis of the movie’s script, because then the movie’s going to suck.