Posts Tagged ‘Dracula Untold’

Okay, I’m not ready to start work on a new novel. I’m ready to start researching and outlining a novel. As well as working on some new short stories, novelettes and novellas now that I’ve finished editing a bunch of stories. But that’s not going to make a catchy title, will it?

Anyway, I’ve been itching to write another novel for a while now. But I had three novels I was either editing or trying to find a publisher for, so I held off. But The Pure World Comes is published (and hopefully will be in paperback and ebook next year), River of Wrath is being shopped around (I hope to have news on that someday soon), and Toyland will likely get another draft in the near future. So, I think I can do another novel now.

And I know what novel I’m going to work on. But first, let me tell you a short story:

Back in 2017, my sister took me to see a movie for my birthday. Which movie, you might ask? Why, it was the latest Mummy reboot! The one Universal desperately hoped would launch their own horror-themed cinematic universe after 2014’s Dracula Untold was, while a moderate success, not as big as they wanted. Ironically, The Mummy ended up being terrible and failing at the box office, killing the Dark Universe franchise before it could get off the ground.

While I appreciated my sister going to the movies with me, I couldn’t help but think of ways that the film could have been better. And eventually, all that thinking led to this idea of a story. A novel. One that I thought would be a lot of fun to write.

This is the novel I’m going to write. A mummy story I’m going to call Crawler. And that’s all I’m going to say about the story now. But let me just say, after growing and mutating in my brain for four years, it’s looking to be one hell of a scary story.

I probably won’t start writing it until after my vacation (more on that in another post). However, I will be working on an outline, and I already bought the one reference book I’ll need for research (the rest I can probably get from a Google search). And prior to my vacation, I’ll be working on some shorter stuff that I’ve been dying to work on lately. Hopefully one or two of them will not only be scary, but worth reading.

Who doesn’t love a mummy story?

But yeah, this is happening. And I really hope I can eventually share it with you. I’ll let you know how it goes. And in the meantime, if you’re looking for something to read for the Halloween season, or if you’d like to support me, I’ll include links to my published works below. There’s plenty of scary stories there, so check them out. And if you read them, let me know what you think. Your reviews can help not just me, but all sorts of readers.

Now if you need me, I’m going to start work on an outline and character sheet before I go to bed. Until next time, good night and pleasant nightmares!

The Pure World Comes: Readict app (free with ads)

The Dark Sire Issue 8: Amazon

Into the Deep: Paperback, Ebook

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

Mother of the King: Amazon US, Amazon UK, Amazon Canada

Before I start, I just want to make sure everyone is aware that I’m not actually showing you how to curse someone. I do know how to do that, but I don’t want to share the method lest someone use it on me. That would suck. No, I’m talking about creating a curse for a story, one that would terrify all who read your work.

The thing about curses is that they are relentless and awful. A curse doesn’t discriminate based on how nice you are, how much money you make, what religion you belong to, or any other factor. No, once a curse locks onto you, it’s like you have a target on your back that you can’t get off, and you won’t get that target off until the curse has run its course (usually this means death). That’s what makes them so scary.

So how do you create a curse? First you need to decide on this:

Person, place, and/or thing. A curse is usually associated with a specific object, location, or person, though sometimes a curse can be associated with more than one of these (such as with an entire family, multiple houses, or a person who lived in a house). In the movie The Conjuring and its spinoff/prequel Annabelle (which I just saw recently), a curse was placed on the doll, allowing a demon to possess it and make havoc for anyone who came into contact with the doll. That’s an example of a cursed object. The house in The Grudge is an example of a cursed location, as well as an example of a cursed person (Kayako, the woman who lived in the house, is the one who carries out the curse). Another example of a cursed person is simply someone who has a curse placed upon them, making interaction with others difficult, if not impossible. Boy, would that suck!

This brings me to my next point, though:

The well is essential to Samara’s curse and origin story.

The origin story. Every curse has its story of how it came to be, and often that the basis of how the curse can be warded off (more on that later). Generally this involves some horrific event happening, causing the curse to manifest or be cast. For example, in the Buffy universe Angel’s curse was caused when he killed the beloved child of a tribe of gypsies, who restored his soul to him through magic. Another example is when Samara/Sadako from the Ring movies was trapped in the well and died, her soul was filled with rage and she infected a blank video cassette. And in The Nightmare on Elm Street franchise, Freddy’s curse came into being when he was killed in a fire by the parents of the children he’d killed/molested (depending on if you’re going with the original movie series or the remake).

 

The trigger. For a curse to take hold of a target, something specific has to happen. For instance, in the popular Bloody Mary legend (which I’ve tested numerous times, by the way), you have to say Bloody Mary three times in the mirror in order to summon her. In the Stephen King story Bag of Bones, the curse was triggered when a child descended from one of any of the families involved in a gruesome murder, whose name usually began with a K, got to a certain age (in the TV miniseries, this was simplified to just the daughters). And in the popular story The Monkey’s Paw, one had to make a wish on the titular paw in order to start the curse. Which leads to the fun part:

How the curse manifests. A curse manifests after the trigger has been…well, triggered. In Harry Potter and the Half-Blood Prince (yes, I’m pulling Harry Potter out), Katie Bell was put in unimaginable pain when she touched the cursed necklace. Touching the necklace was the trigger, and the pain was the manifestation. Another form of manifestation would be the Tecumseh curse, which was that any President elected in a year divisible by twenty would die in office (though Ronald Reagan and President Bush managed to get away). The election year is the trigger, while the death of the President is the manifestation.

How to ward it off. This is optional for literary curses, but it’s something you want to consider in creating a curse. In Jewish folklore, the demon Lilith tries to take the souls of newborns or eat them. However, if one has a mezuzah, a marker on one’s doorpost  that has the name of three angels on it, Lilith cannot enter the home and attempt to take the child. The angels whose names are on the mezuzah were the same angels who tried to get Lilith to return to Adam when she was still his wife. When she refused, they cursed her to become a demon and made it that she could not enter a home with their names on it (that’s how the origin story relates to warding off the curse).

The hamsa, a symbol prevalent in Judaism and Islam, is also good at warding off evil. It’s no good at warding off taxes though.

In another example, there’s a curse among some actors about saying the name Macbeth in a theater which leads to bad luck. Depending on who you ask, there are different methods to dispelling the curse, a popular one being to leave the theater, walk around the building three times, spit over one’s left shoulder, say an obscenity, and then wait to be invited back into the theater.

Containing/canceling the curse. This is also optional in writing fiction, but it should be considered. Two things one should consider when figuring out how to cancel or seal a curse is that it should be difficult, and that it doesn’t necessarily have to do with the origin story. In the movie The Unborn, the dybbuk couldn’t be stopped until it was exorcised. A similar thing happened in the third movie in the American Grudge movies, in which case an exorcism that sealed Kayako into a little girl was needed before she could be stopped. In Japanese onryo legends, the spirit needs to have whatever is disturbing it resolved or it will continue to seek revenge.And in Bag of Bones, Sarah Tidwell did not end her curse until her bones were dissolved with lye, thereby releasing her from Earth.

That’s how you create a curse. As for creating a terrifying story involving that curse…well, that’s up to you. I’m not going to give you directions on that. Not in this post, anyway.

Oh, and one more thing: I saw Dracula Untold and Annabelle at the movies today with a friend. Both were excellent, getting 4.5 out of 5 from me. But something in the latter film really stuck with me: near the end, the priest character says that evil can only be contained, it’s not created or destroyed (or something like that). I think that when you’re writing a scary story, especially one involving curses, that’s some pretty good stuff to keep in mind. True evil is not something you can easily be rid of. At least, not in my experience.

What advice do you have for creating curses?

Have you written anything with curses recently?

Are there any stories of curses that are your favorite or that I didn’t include? Tell me a bit about them.