Posts Tagged ‘Gothic fiction’

 

I made a little design for this year. It’s how you can tell I’m serious.

Recently I announced the subject of my next novel/my NaNoWriMo project, Toyland. And with November 1st fast approaching, I thought I’d go into the novel a bit more before I start posting once a week about my progress. Plus, I’ve had two reviews in the past week and possibly two tomorrow, depending on how close to my territory Joker lands. Gotta break things up with some variety or I just don’t feel right.

First, let’s go a bit more into what Toyland is actually about. As I said before, Toyland is a Gothic horror novel taking place in a boarding school in southern Ohio. The protagonist’s name is Mason Prather, a teenager who enjoys anime, wants to be a lawyer someday, and is the stepson of the boarding school’s headmistress. However, the autumn semester of his sophomore year proves challenging in many ways, and not just academically. Odd occurrences keep popping up at school, and people are either getting hurt or in danger of getting hurt. All this seems to emanate from a strange girl with dark hair seen around campus by Mason and his friends, as well as from a children’s book Mason finds in the school library.

I’ll give you three guesses what the name of that book is, and the first two don’t count.

Next, let’s talk about researching this novel, because that was a lot of fun. Looking back, I’m not sue when I first settled on doing this book, let alone for NaNoWriMo (curse you, slippery memory!), but I’ve definitely been becoming more familiar with Gothic fiction and its trappings for at least a year. Some of you may remember my post from last summer on what Gothic fiction is, and I’ve continued reading Gothic stories since then, including The Haunting of Hill House by Shirley Jackson, Hell House by Richard Matheson, and rereading The Shining by Stephen King this past winter.

Yeah, lots of fun research that felt more like play at times. But once I decided to work on Toyland next, I started taking in a different kind of media: anime. To be specific, I watched the anime Puella Magi Madoka Magica, Princess Tutu, and Ringing Bell (I also tried to get Made in Abyss, but it’s not streaming anywhere, and I didn’t want to shell out for the Blu-Ray). There are two reasons why I chose to watch these anime as research, but I can only go into one without giving away spoilers. Now these anime, especially the first two, are known for their dark and surreal imagery (especially Madoka). Imagery that’s supposed to be pleasant to the eye but instead comes off as dark, strange and surreal are going to be big parts of Toyland, so I felt watching these shows would be good research.

That, and you can’t go wrong with watching these anime. They’re popular and have even won awards.

They’ll probably show up in an anime recommendation post at some point.

And now that I’ve watched all those series, as well as researched different styles of architecture for the school (I’m going with Queen Anne revival) and have watched a film I will never watch again or let my kids watch, I think I’m ready for November.

Well, almost ready. The other night after reviewing the outline and posting on Facebook and Twitter that I hadn’t “found any plot holes,” I may have found a plot hole. And I’m not sure how to fix it. I hate plot holes in my stories. I spend hours making sure my stories don’t have any (or many). So I’m at the drawing board, looking for fixes or work-arounds. Hopefully before November, something pops up.

Well, if you need me, I’ll be sleeping off my exhaustion from the past few days. Until next time, Followers of Fear, pleasant nightmares.

Advertisements

I did say I would announce this when we got a bit closer to November. And my intuition, which is right about eighty percent of the time when it comes to this sort of thing, says now is the time to make the announcement.

As many of you know, I’ve been planning to take part in National Novel Writing Month for the first time since college, or about seven years. For those of you who are unaware, National Novel Writing Month, or NaNoWriMo, is a yearly challenge where authors try to write a novel of fifty-thousand words or more, just under seventeen-hundred words a day. This challenge is usually held in November, though sometimes authors will attempt to do it in another month when it’s more convenient for them (in which case, it’s known as Camp NaNoWriMo). I’ve been wanting to take a crack at it again for years, but college got busy, and things never quite added up in the years 2015-2018 for me to do it.

But since last November, just a few days after finishing a novel called River of Wrath at three in the morning on October 30th, I’ve been considering it. I even picked a novel out to write about. Since around early summer, I’ve been doing light research for this story. And in a little over a month, I’l be taking a bit of time off from work so I can devote as much time as possible to writing (and maybe de-stressing a bit while I’m at home). So without further ado, let me announce my next novel, a story I like to call Toyland.

Don’t let the name fool you, Toyland isn’t whimsical or cute at all. It’s a Gothic horror novel following students at a boarding school in southern Ohio. They start noticing some weird going-ons during their fall semester. A girl with dark hair, as well as strange creatures, are seen around the school. Several odd injuries, some close to fatal, fall upon students and even faculty. There even seems to be a world within the school, one in which the laws of reality have no say whatsoever. All of it seems to trace back to a children’s book discovered in the school’s library. A children’s book called Toyland.

How’s that for a setup? Granted, there’s a good chance it’ll veer away from Gothic fiction and straight into weird territory (trust me, I outlined the whole thing back at the beginning of the summer and have done subsequent drafts since). But I tend to enjoy writing stories that stray into weird territory, so it works for me.

Anyway, I’ve just about finished up the research for the book. I’ve even watched the 1961 Disney film Babes in Toyland just so I could make a comparison between that film and the kid’s book in the story.* All that’s left is to write it. And while I doubt I’ll get anywhere near the fifty-thousand word mark (I’m many things, but not a miracle worker), I do think when the first draft done, it’ll at least be a decent first draft. Maybe something worth publishing one day.

Well, that’s all for now, my Followers of Fear. There’s a bed calling me in the next room, and I so desperately want to sink into it for a few hours. Until next time, pleasant nightmares!

Are you participating in NaNoWriMo this year? Why or why not? Whatever you’re doing, what sort of story are you writing?

*By the way, that was my first time watching that film, and I didn’t like it at all. Yeah, the setting looked spectacular and the villains and side characters were enjoyable, but the plot was really unfocused and the main characters were really boring. Hell, you can see the boredom on Annette Funicello’s face as she plays the female lead! She’s like “Oh my God, someone get me out of here so I can go make beach party movies. Anything would be better than this shiny lack-of-substance.”

Also, one or two of the songs feel kind of sexist nearly fifty years after the movie’s release. Especially the one where Annette complains about being unable to do her finances. Yeah, there’s a song like that. It’s kind of cringey.

And no, I won’t watch any of the other movie or television adaptations of the Babes in Toyland operetta. I won’t even watch the operetta! I suffered enough watching the most famous adaptation, thank you very much!

In the past couple of years, Riley Sager has made a bit of a name for himself among horror-thriller writers. Final Girls was a great debut novel with a new twist on an old trope, and his second book The Last Time I Lied gave new life to the sleep away camp horror story by making a twisty thriller out of it. So I had high hopes for his third book, Lock Every Door, which just came out.

And you know what? It has all the hallmarks I’ve come to expect from a Riley Sager novel. A young woman with a past negatively affecting her present as the lead? Check. A situation out of an old horror movie just ripe for a new spin? Check. Lots of flashbacks? Check. A whole ton of twists to keep you guessing? Check.

You know what else? Dude still knows how to write a good horror-thriller.

Lock Every Door follows Jules Larsen, a young woman recently laid off from her job and out of a bad relationship. Life’s been hard for her: her sister went missing, her parents are dead and she’s got nowhere to go. So when she’s offered a job as an apartment sitter at the Bartholomew, an upscale Manhattan apartment building for the rich and famous that also happens to be the setting for Jules’s favorite novel, she jumps on it. But once she moves in, she finds a disturbing side to the Bartholomew. Another apartment sitter goes missing in the middle of the night, and Jules suspects someone at the building is responsible. As she investigates, she uncovers a web of intrigue and murder that may claim another life very soon. Her own.

Mood-wise, Lock Every Door is semi-Gothic: it takes place in a fancy apartment building with gargoyles and a dark and sordid history. There’s not enough emphasis on the building itself as a character to really make it a Gothic novel, but there’s enough there to give it a feel of that genre, and that works in the book’s favor. It gives horror fans some expectations, but at the same time leaves room to defy them in a spectacular manner.

I also liked Jules as a character: she’s damaged and somewhat pragmatic, but she’s fiercely loyal to those she cares about and that’s what drives her throughout the story. She’s the kind of person you’d want as a friend through thick and thin, as well as the sort of character I like to write into my own stories.

On top of that, the story is quick-paced and full of the usual twists. I spent a good chunk of my reading wondering, “Where’s this going to go? Where are you taking us?” And just when you think you have it figured out, the carpet is pulled out from right under your feet. I had to struggle to put the book down sometimes, which could be an issue as I mainly read it on my lunch break.

If there’s one issue I had with Lock Every Door, I felt like characters other than Jules felt underdeveloped to me. You could feel them wanting to be more, but they weren’t really allowed to be, and this made them a bit easier to predict as to what their final fates would be (usually I’m not good at guessing these sorts of things in these types of books. Not so with Lock Every Door. I was making early predictions that turned out to be right each and every time).

But on the whole, Lock Every Door is a fast, engrossing, and chilling read that will have you thinking one thing and then totally throw you for a loop. On a scale of 1 to 5, I give the book a 4.7. Check in and hope you’ll come out unscathed.

Makes me wonder what Mr. Sager will be doing for his next book. What horror trope will he flip on its head for a new thriller novel? I hope it’s not a school. I’ve got plans for November, after all…

Well first off, I did order a hard copy of The Complete Works of HP Lovecraft. That should arrive by Thursday. In the meantime, now that I’ve finished reading his entire body of work,* I thought I’d take a moment to list my favorite stories of his work. Why? Because A) I want to, and B) despite the overuse of 18th century language and enough racism to make me want to punch the guy, there are some good stories here worth reading. And if anyone ever wanted to try HP Lovecraft but didn’t know where to start, and if they trust my reviews at all, I think this would be helpful.

So starting from Number 8 and working our way up, let’s go over my Top 8 HP Lovecraft Stories.

#8: The Lurking Fear

You ever go hiking or driving through a mountain range at night and expect something like Jason Voorhees to pop out? I have, and it’s enough to make you really question your decision to ever set foot in those areas. Such is the force behind The Lurking Fear, about a reporter who goes into the Catskill mountains to investigate reports of monster attacks on local villages, and comes across something much more sinister. It’s a story that takes advantage of its setting and using a monster unseen to create the sense of horror. And while the twist might be slightly predictable, it still does add to the sense of horror you feel reading it. Fans of the movie The Descent should especially like this one.

 

#7: Pickman’s Model

Art can both exhilarate and terrify, move people to tears and to action. And in some cases, it can even haunt us forever. Pickman’s Model follows an artist who becomes friends with the titular Richard Upton Pickman, an artist whose work tends to lean more towards the horrific, and how that art seems to have an effect on both the men and their environment. This is a scary story with a fun twist at the end that shows just how the world and art can play with each other and change each other in unexpected ways.

Also, I think if anyone wanted to update the setting to a high school art club and Pickman as an angsty teen, it would make a great student film. Someone please make that happen!

 

#6: Cool Air

Written during Lovecraft’s brief stay in New York City and considered by some to be one of his best stories from that period, Cool Air tells the literally chilling tale of a young man who becomes friends with a doctor living in the apartment above him who always keeps his apartment cold. The twist at the end of this story is also kind of predictable, but it’s got a great atmosphere and is engaging from beginning to end. Plus it’s one of the few times Lovecraft depicts non-white people in a positive light, which makes it worthy of a read in and of itself. Remember to read with a warm blanket handy.

The Colour out of Space

#5: The Colour out of Space

One of Lovecraft’s most memorable and beloved stories, this story about a crashed meteor and the strange colorful substance inside it that affects a farming family that can’t leave their old homestead has terrified generations of readers. It’s especially memorable for the unsettling atmosphere it creates and for being a great early example of the sub-genre of science-horror. I’d consider it perfect reading for Halloween and you’re in the mood for something creeping, agoraphobia-inducing, and just slightly weird.

 

#4: The Temple

This early Lovecraft story isn’t as well-known as some of his other works, but it’s a favorite of mine. When a WWI German submarine sinks a British sub, they start experiencing strange phenomena that slowly drives the crew members to the brink of sanity, as well as a place only seen in nightmares. Claustrophobic and full of just enough strange elements to make you feel very creeped out by the inexplicable nature of it all, it tends to stick in your mind once you read it. I hope someday there’s a big budget adaptation of the story, or even a small budget that maximizes atmosphere without excessive CGI. That would be the shit!

Or maybe it would just be shit, but I can dream, can’t I?

 

#3: The Call of Cthulhu

I bet many of you were wondering where this one would be on the list. The most famous of his stories and the one where the entity Lovecraft’s mythos is named after, it follows a professor who becomes aware of a dangerous, worldwide cult while going through his late uncle’s effects. Weaving its story slowly to make you really consider that this cult and its horrible god may not only be dangerous but very real, it’s endured for a reason. I would recommend this one to anyone looking to get the essence of Lovecraft in one story, as well as to check out the silent film adaptation from 2005, modeled to look out it came out around the same time as the story was published (though much better than your average silent film).

And remember, Ph’nglui mglaw’nafh Cthulhu R’lyeh wgah-nagl fhtagn.

Spelled that correctly the first time around! Yeah baby!

Shunned House

#2: Shunned House

This Gothic horror story follows two professors who investigate a house where every previous occupant has come to an unfortunate end and discover a terrible entity within. While not as well known as his more cosmic-horror works, this story absolutely entranced and terrified me while on a car ride home from Detroit in the summer of 2016. Blending a setting whose rot you can practically smell with a welcome twist on an old monster (let’s just say, no sparkling here), Shunned House used to be my favorite story prior to the #1 choice, and I would recommend it to any horror fan out there.

Also, I have an idea for a ballet based on this story. Yes, you’ve read that right, a ballet. And I would help in any way I can to bring that to life. BalletMet (or any other ballet company) email me. Let’s talk and make it happen.

 

#1: The Shadow over Innsmouth

I only read this story last week, but it immediately became my favorite of his work. A young man makes a side trip to a small fishing village in New England, and discovers that the strange townsfolk all share a terrible secret. Gothic, unnerving and with more action than your average Lovecraft story, it’s a great story about how the desire for prosperity can lead to damning consequences for both you and your descendants. If you want Lovecraft at his best, this is the story I’d recommend above all others. Definitely check it out.

 

That’s my top 8 Lovecraft stories. And while, as I’ve said before, his works don’t really age that well, there’s plenty to pick up from these stories for even causal horror fans. And if you do, I hope you–holy crap, a portal from another world just opened up in my apartment. Excuse me while I go greet an entity from another universe and keep it from either eating all of humanity or impregnating everyone in my apartment building, I’m not sure which (I’m a little rusty on this universe’s language).

Until next time my Followers of Fear, pleasant nightmares!

Have you read any of these stories? What did you think? What others would you put on this list?

*Well, the official canon, anyway. Lovecraft also did a lot of ghost-writing and collaborations that aren’t normally included in collections of his work. Considering Through the Gates of the Silver Key is one of them, I can see why.

 

There’s a certain era of British history that writers write about maybe more than the medieval era. This era witnessed unprecedented growth and change for the British empire, as well as many of the greatest contributions to literature in the past three hundred years. Not to mention a whole lot of material for bodice rippers and horror stories.

I’m talking about the Victorian era. Named, rather obviously, after Queen Victoria, who sat on the British throne from June 1837 until January 1901. This has long been an era of interest to authors of a number of different genres, as well as among the general populace. Every year, hundreds of works of fiction come out set in that era: novels and short stories, movies, TV shows, comic books. We also have at least a couple of new books on any given topic of the era, and there are Victorian enthusiasts all over the world who research that age like crazy and even like to dress up as Victorians.

But what is it about the Victorian era that entrances people? Why do so many authors visit this age to write?* Well, I have a few guesses as to why that is:

  • The romance and glitz of the era. I think this is our first association with the Victorian age. I don’t know where or when this association popped up, but it’s the main reason. More than any other reason, there’s a romanticism to that age. Perhaps it might have something to do with the number of famous novels that came out during that era. A number of them have romance as an important plot or subplot. And as many of these books have endured the test of time, they’ve colored our associations of that age.
    Which brings me to the next point:

  • The literature. While I’m not the biggest fan of the Victorians’ writing style (racism aside, if he weren’t a halfway decent writer, I’d give up on Lovecraft for taking too much after them), it’s undeniable that many of the authors from that age left quite a mark on our modern literature. We still read Charles Dickens in classrooms across the world, and there are countless adaptations of A Christmas Carol out there. The Bronte sisters have all created works that have been held up as timeless romances for generations of readers. And as my good friend Angela Misri will tell you, no character has become more synonymous with the word “detective” than Sherlock Holmes. Truly the literature of the age has had an effect on our view of it.
  • An era of widespread change. Victorian Britain went through an amazing number of changes during Victoria’s reign. The most obvious, of course, was this was the age of the Industrial Revolution. Factories and manufacturing became the hub of the economy, and millions moved to the cities to find work. This change also contributed to a number of new work practices, as well as contributing to the overcrowding of cities and the widening gap between the rich and the poor that we still see today. This was also when Britain spread its empire across the world and into new territories, including parts of Africa and the Indian subcontinent.
    But there were other changes. For example, who was allowed to vote was widened, women gained many more rights, and education became available to the lower classes. And that’s just scratching the surface of the number of changes that occurred while Victoria was on the throne.

And of course, Jack the Ripper’s the perfect embodiment of the age’s dark side.

  • Victorian Britain had a dark and dirty underbelly. While most of us associate the era with glitz and romance, there’s a darker side to Queen Victoria’s age. Poverty was widespread, and many people struggled to make ends meet. Women often had to turn to prostitution just to get a bite to eat or a place to sleep for the night. Many turned to alcohol or opium to numb their troubles. This was the background that allowed Jack the Ripper to hunt down those prostitutes.
    On top of that, medicine, cosmetics, and foods were more likely to kill out of you than help you. Opium or arsenic in your gout cure, lead in your foundation, poor refrigeration and rat droppings in your meat. Hell, your clothes could choke you to death and the dyes could stain your skin for months. People bathed only once a week, and the rest of the time they used heavy perfumes to mask the smell. And if you lived in London, you could expect mud and shit to line the roads rather than bricks!
    And God help you if you had a mental illness. Or a woman who wanted anything more than being a dutiful wife and mother. You could get locked up and have cold water dumped on your head from great heights while doctors came up with all sorts of crazy reasons for why you were mad. Common reasons include not being religious enough, having faulty menstruation, or masturbating.
    Yeah, you laugh, but imagine having to live through it. Pretty nasty, right? It was even worse if you were Irish. The Irish potato famine was going on around this time, and let me tell you, the folks in Parliament could’ve done a lot more to help out with that.
  • It lends itself to many genres. This is probably the biggest reason of all: it’s adaptable to many stories. Historical fiction, obviously, but you’ll find the Victorians appearing in many different kinds of stories. Romances are often set in that world, but also science fiction (steampunk especially), horror stories (Gothic and ghost stories especially, and some cosmic horror too), fantasies (especially ones with fairies or little girls falling down rabbit holes) and of course, mysteries and thrillers.

All these and more are why the Victorians enjoy such staying power in our media. It’s a perfect storm of factors for making a time period not only endure in literature, but give it a special cast that makes it interesting to the writer and average person alike.

I actually first fell in love with the Victorians while in college. I read a manga set in Victorian England, and while it was heavy on the romance and glitz, it got me interested. I’ve kept reading since then, and found out quite a bit more. And seeing as during my research, I’ve come up with more than a few ideas for stories, all that research will definitely come in handy.

If you would like to dive into the Victorian world and learn a bit about it, here are my recommendations:

If you want a good intro to Victorian England, this might be a good gateway drug for it.

  • Emma by Kaoru Mori. In no way related to the novel by Jane Austen, this historical romance manga was my first real introduction to the Victorian period. Beautiful art and a simple yet engaging story.
  • Victorian Britain from The Great Courses. Narrated by Professor Allitt of Emory University, this series of lectures is a great overview of the period for the average visitor.
  • The Complete Jack the Ripper by Donald Rumbelow. You want to know the most about the most notorious serial killer in history and cut through all the rumor and bullshit? This is the book for you.
  • How to Be a Victorian by Ruth Goodman. You want to know what the average life of a Victorian was like? From rich to poor, this is the book for you.
  • Victoria: A Life by A.N. Wilson. A friend from college sent this to me as a birthday present. It’s a rather eye-opening look at Queen Victoria’s life and reign.
  • Unmentionable by Therese O’Neill. Want to know all about Victorian bathroom habits, and the stuff they don’t talk about in the bodice rippers or polite society? You will laugh yourself silly with this one. Trust me, I just finished it yesterday, I would know.

Well, I’ve about talked your ear off on this age. But can you see why? It’s a fascinating era, and it’s one that’s going to continue to show up in fiction for years to come (especially if I can write a good story or two in it). And it’s amazing how just one woman’s reign, the first in centuries in her country that nearly never happened (seriously, read how she became heir to the throne. It’s insane!), has endured as much as it had. Whether romantic and shiny or dark and seedy, there’s a story in this era just for you.

Do you enjoy or write about Victorian England? Why? Why do you think it’s so popular?

What media do you recommend for anyone wanting to learn about the era?

*I’m not suggesting, by the by, that this age is visited more than any other. One needs only look at the breadth of literature to see that storytellers are drawing from all of known history and even from dark prehistory to tell stories. I just chose Victoria’s reign because that one has special importance to me, as you can tell.

You know, sometimes you come across movies in the weirdest ways. Sometimes they’re just on while flipping channels, or someone makes a reference to it and you want to know the interest. I heard about Down a Dark Hall because I heard AnnaSophia Robb (aka the kid from Because of Winn-Dixie) was in it. I remember she used to slay in anything I saw her in (especially The Reaping, another horror film she was in), and the fact that this was a horror film got me interested. I asked my local library to order it, they said yes, and I picked it up this weekend, not sure what I was going to get but looking forward to finding out.

This turned out to be a decent example of modern Gothic horror.

Based on the Gothic YA novel by Lois Duncan, Down a Dark Hall follows Kit, a troubled teenager whose mother sends her to an elite academy with the hopes of straightening her out. There with only four other similarly-troubled girls, Kit finds that the school’s very unique and focused program starts to have results. Weird results. Results that devolve into obsession, addiction, neurosis and trauma. On top of that, Kit has been seeing things in the hallways and in the dark. Faces, people, movement. All this collides to lead Kit to a terrifying realization about the school, and what its staff is doing to the students.

For starters, the actors in this film all do a very good job in their roles. AnnaSophia Robb as Kit slays again, inhabiting this very angry girl who slowly finds herself actually liking the school and then distrusting it as things get weird like a second skin or as if she’s done this a hundred times before. The same goes for Victoria Moroles as Veronica, who hides her own tragedies in a badass attitude. And Uma Thurman does a great job as the aristocratic and charismatic Madame Duret.

The film’s story is also very compelling. It checks all four of the boxes I mention in my article on Gothic fiction, all in a very pretty set, and you definitely find yourself caught up in the mystery of the story. Some of the most disturbing moments of the film are when you see these girls falling under the spell of the school, becoming obsessed with math or music or painting or whatever and how badly it affects them. And the special effects aren’t half bad either, more subtle than garish or distracting.

However, the film isn’t without its issues. I never felt very scared, and there wasn’t much of an atmosphere or sense of threat. Outside of the moments of obsession, that is. In addition, a few things in the film felt a little extraneous. There was a certain bald-headed and scarred ghost that really didn’t serve any purpose beyond a few extra scares, and the romantic tension between Kit and her music teacher was inserted, but nothing was really done with it. Seriously, the question of how to portray those relationships in fiction aside, either use it or cut it out and just show them as close student and teacher!

Finally, I also thought that the ending was wrapped up in too sweet a bow and maybe a few minutes too long. In some ways, it felt a little too hopeful compared to the rest of the film, which jars the viewer and takes away from the experience.

Still, Down a Dark Hall was a good Gothic horror film. On a scale of 1 to 5, I’m giving it a 3.8. It’s no Kill Creek (which I highly recommend by the way, check out my review as to why), but if you turn off the lights in your living room and put this on the Blu-Ray player, you probably won’t regret it. Check it out and see for yourself.

Saturday night usually means popcorn and a movie for me. This evening I decided to check out the new Netflix movie Malevolent. I figured it would be a good way to round out a day busy with cleaning, grocery shopping, home decor projects, and sacrificing teenagers* to an ancient deity so I could set in motion a series of terrifying events unlike the world has ever seen before this October.

Malevolent is set in 1986 Scotland and follows Angela, a university student who, along with her brother, fakes being a medium in order to make money for her brother’s debts. When they get called to an old manor that was the sight of several grisly murders however, they start finding that the afterlife they’d conned people over is very much alive, and can be very…well, malevolent.

This film’s got a decent, if rather overcrowded, first half. It sets up Angela’s worries about her life and her mental health, due to her mother committing suicide. It shows her brother Jackson as an opportunistic asshole who’s willing to take advantage of anyone just to pay off his loan sharks. And it sets up a decent Gothic location for the main action of the film. There’s also some good jump scares and a creepy atmosphere at times during this half. The best part is probably during the initial walkthrough of the house, when Angela is starting to realize this house may really be haunted. It’s visually powerful and puts you on edge.

However, the second half has a lot of problems. For one thing, it feels pretty rushed. Usually there’s a slow build up to the climax, but in this film it just goes from zero to sixty, and not in a good way. If they maybe added twenty minutes to half an hour more, I wouldn’t feel so whiplashed. Also, the tone during the second half is a little inconsistent. Like it can’t decide if it wants to be a Gothic ghost story or a thriller story about serial killers. Along with a twist introduced in the last twenty minutes that seems more shoved in than clever, it just takes me really out of the film.

Also, why was this film set in the 1980s? I know that’s like the popular trend these days, to put your story in the 1980s, but there’s no reason at all to do it in this film like in Stranger Things or another 80s-set show or movie. You could do this in the present, and you’d get the same effect. In fact, I think it might be better if it were set in the present. It would feel less gimmicky if they used GoPros instead of big, bulky video cameras.

Overall, Malevolent can’t capitalize on the interesting setup it promises. On a scale of 1 to 5, I’m going to give this film a 2.5. Frankly Followers of Fear, there are better Netflix horror films to peruse. I suggest you go and find some if you want some pleasant nightmares.

*Don’t worry, the teenagers were unharmed. The sacrifices were symbolic. The deity, however, was very much real. I’ve got a bandage on my left thumb as proof.