Posts Tagged ‘Rose’

I’m happy to announce that I’ve just finished the first chapter of Rose, the novel I’m writing for my thesis. I started it yesterday after I’d finished my homework, and worked on it on and off throughout the day. I was really surprised by how quickly I got through it, but I think I can attribute that to this new diet I’ve put myself on. I think cutting out all the diet sodas and junk I’ve been eating has not only helped me lose a couple pounds, but maybe also sharpened my focus and creativity. Or perhaps something’s in alignment and this will pass when we move into Virgo next Tuesday.

Anyway, Chapter One was quite a bit of work. It’s always hardest for me starting a new project, especially with that first page. You want to start off with the right hook that’ll keep a reader’s interest and encourage them to keep going. It actually took me a few attempts to get going with this and find what felt right. But after I found an opening sentence that worked for me and after I managed to get a page typed, it sort of rolled on from there, and I had relatively little trouble writing out the rest. Which leads me to this morning, where I’m announcing for all the world to see and hear that I’ve finished the first chapter of the book.

My first impressions of this chapter is that it’s rather wordy (and phrase-y, too. I use plenty of fun phrases, like “the stars beneath her”). In fact, it’s 4,240 words over 15 pages. Not bad for a first chapter at all, and it wouldn’t surprise me if subsequent chapters were of a similar length.  The first chapter is also pretty uneventful until the last couple of pages, but it allows me to introduce Rose to readers and interest people in her before I actually start eh main events of the story and put her through so much horror that you can’t help but want to hope that she’ll make it out okay.

In the meantime, I’ll hopefully start on Chapter Two later this week and see how that goes. I’m meeting with a professor from the Japanese department on Tuesday to get some phrase translation, so that should be helpful (if I didn’t mention it earlier, Rose’s stalker is Japanese). And unless something comes up in the next couple of weeks worthy of an update or mention of Rose, I probably won’t do another update post until I’m at least seven chapters into it, about a fourth of the way through the book.

On an unrelated note, this morning I had a new idea for a short story and added it to my list, making for a new total of 300 short story ideas (and only nine of them written. God help me get through them all!). And tonight I might be able to do some more editing on Video Rage, so hopefully nothing will come up to prevent that from happening.

That’s all for now. I’ve got a meditation class to get ready for, so I’ll sign off now. Have a good day, my Followers of Fear, and wish me luck.

As of last night, I’m a little more than halfway through editing Video Rage, the sequel to my first novel Reborn City. It’s been a long and slow process, not helped by work, preparing for the new semester, and the general craziness of life itself. Still, I am making progress. And I have become a bit more cognizant of the fact that I like to make issues that are important to me part of the stories that I write.

I’ve mentioned this before, but RC and its sequel VR have a lot of themes in them that reflect societal problems we face today, including Islamophobia, racism, and drug addiction, among a few others. I thought that these were the only book I’ve written where these issues have become so embedded within the story’s narrative, but then I realized that wasn’t the case. Snake, my other novel, explores the trade in human beings and in flesh, albeit slightly less prominent due to the focus on a certain serial killer.  And Laura Horn, the novel I finished last month, stars a main character who suffers from the trauma of sexual assault. Even Rose, the novel I’ll be writing for my thesis, has a lot of themes reflecting issues that I find important, including gender dynamics and women being viewed solely for their biology, domestic abuse in relationships, and even gun violence*.

*Speaking of which, I have a post about that. Remind me to write about it later this week.

I think I write in all these themes into my stories for a number of reasons. One is because a lot of what I write is taken from today’s world. You look around you, and you’ll see the world plagued by many issues that are not easy to solve and nowhere close to being solved. Often I will write a story and the problem can either be inserted into the story or it just evolves its way in, showing up throughout the story. Another reason is that, as an author, I have the potential to influence plenty of people through the words I write and the stories I tell. If I can do some good through that, then why shouldn’t I? Third, sometimes you feel so upset about the problems yourself you can only vent about them through words on paper, which is something I sometimes do. And fourth, because I can.

In any case, I look upon this habit of mine as beneficial. Like I said, inserting issues such as racism, gun violence, LGBT rights or whatever into my stories has the potential to perhaps do some good in the world and allow for discussion that sometimes is stifled out of fear or because of strong emotions (or because being politically correct can make you feel like you’re walking on eggshells). And besides, I think it makes the plots of my stories much better. Rose originally didn’t have the gun violence aspect to it, but when I realized that it could make things in the story more interesting and allow me to flesh out the main character more, I decided to go with it, and with fantastic results too.

And if the reviews I’ve gotten on my books are any indication, people like my books better because I add in these issues.

Do you insert issues important to you in your stories? What issues and how do you put them in? What have the reactions been like?

Well, its a week before classes start, and I turned in the first round of tuition fees when I go off to work today. So it’s time for me to do what I do before the start of every semester: let everyone know, whether they care or not, what my semester is shaping up to be like and what I’ll be doing this term. And this is a special update, because it’s my last year at Ohio State. Meaning this is my last autumn semester. And one of the last times I’ll be able to look forward to a new term and new classes and new experiences…

Please excuse me while I go pretend to cry.

…….

Okay, I’m back. Still here? Excellent! Well, as usual I’m going into the semester with hopes that I can get A’s in all my classes (though my past track records suggest that I’ll probably get at least one or two B’s). I’m taking a total of seventeen credit hours this semester, far more than I’ve ever. Fifteen of those are divided among five three-hour classes, while the other two are for my thesis work (more on that down below). This semester, I’m taking two classes for my English major, two for my History major, and one course to fill out all my general requirements. For English, I’m taking an advanced creating writing workshop and a special course on Shakespeare. Regarding the workshop, I wanted to take one more before I graduated, having taken two during my sophomore year. I’m not too keen on the fact that we’ll be focusing mostly on literary fiction, but hey, I’m adaptable, I’m sure I can write something that’ll pass as literary and get me good grades. As for the Shakespeare class, it looks like we’ll be focusing more on the comedies, such as Taming of the Shrew and The Merchant of Venice. I’ve got a complete collected works of William Shakespeare’s, so I hope that’ll be allowed for class. If not, I won’t mind having to buy copies of the plays, though I do wish we could explore some of the tragedies, like Titus Andronicus. When I saw that in London, I absolutely loved it (though that shouldn’t surprise anyone who knows me and knows the play’s subject matter).

For History, I’m taking a class that goes over the history of war, from early Mesopotamia to today’s wars and a class that looks at the early history of East Asia. Both should provide an interesting look into both subjects, and the former class should be interesting for me as a guy who’s done plenty of study on WWII.

Movie time.

And as for the one general requirements course, it’s an interesting one. It’s a Biology class, the last class I have to take for my science requirements and my general requirements. However, this one seeks to explore the subject of biology and anatomy through film. Yeah, I have no idea what that means either. But I’m just going to go with it. Besides, it sounds very, very interesting and it means watching films two nights a week, so who’s to complain?

And as for my thesis, it’s going to be a tough but fun project. As I’ve said before, I’m working on a novel called Rose, about a woman who dies on the night of her engagement party and is resurrected by her stalker. However the magic that brings her back changes her biology and makes her totally dependent on her stalker for survival, even as she tries to escape from him, and from whatever evil the magic let into the house. I’m hoping it’ll shape up to be an awesome horror novel with plenty of room for introspection and character development.

Well, that’s all for now. I’m tired and heading to bed. You all have a good night, my Followers of Fear. Pleasant nightmares, one and all!

What an eerie path to take.

Every author has a different metaphor for what it’s like writing a novel or creating a story or even outlining a story. Stephen King said in his memoir On Writing that he approaches writing like an archaeologist uncovers an artifact, finding the top of it sticking out of the dirt and then carefully chipping and dusting away to uncover the rest of it. I guess that means His Royal Creepiness likes to come up with the story as he writes it and doesn’t plan too far ahead, but whether or not he does, he’s almost always brilliant with it.

Another author, I forget who but I’m pretty sure they were Freshly Pressed for writing an article on this, once compared writing to putting together a sandwich. You have a bunch of different ingredients, and it’s up to you as the chef of this particular sandwich to make it into a delicious meal that people will want to savor and discuss for hours to come. Like I said, I can’t remember who this author was, so I can’t tell you whether or not they were brilliant at it, but they certainly can create a compelling metaphor.

And there are plenty of other metaphors that one author could apply to the writing of a novel: mixing an interesting cocktail; building a house; decorating a room; putting together a collage; building a Rube Goldberg device (I love those things!) and then some, on and on, etc. Each author probably has their own metaphor that relates to their own process.

How some people see writing a novel: building one of these.

I thought about this a lot while I was writing the outline for my thesis Rose, especially since during the early stages of writing the outline I had a lot of trouble figuring out where to go with the story after the first chapter or two. And after a lot of thought, a bi of frustration, and finally typing out a sixteen-page outline complete with short character bios, I finally figured it out. To me, writing is like sending my characters down a path in a heavily wooded forest, and letting them find the way to the end.

I think this has a lot to do with the many philosophers, musicians, and others who have said “Life is a road/path/journey”. For me, I’m seeing the path my characters are traveling on as they move through the story, meeting each obstacle, struggling against their own darkness and striving to be better people. And sometimes, this metaphor takes on a much more…I guess literal tone. For example, those of you who’ve read my novel Snake know it takes place in and around New York City (for those of you who haven’t, now you know). In a strange way, I see the path the Snake takes, not just the one in the woods but how he travels from location to location and scene to scene. I see what he does to get from Point A and Victim 1 to Point B and Victim 2, and from there to Point C and Victim 3 and so on and so forth, whether he’s driving a stolen car or walking through a dark neighborhood or using a disguise to figure out what his next move will be. (Right now, someone is reading this post and hears this description of Snake and is either deciding the book’s not for them or they’re strangely intrigued and want to find out more. I hope it’s the latter).

This “path” metaphor gets even more literal in some of my other works. In Video Rage, the sequel to Reborn City which I’ve begun editing, most of the novel is spent on the open road, so those characters of mine aren’t just on a path with many twists and turns in a metaphorical sense. They’re really on that road!

Which to take to get a better story?

Whether in a metaphorical or a literal sense though, writing like my characters are on a road or a path helps me visualize where my characters and the story are going and where I ulitmately want them to go. During the writing of the outline for Rose, there were several paths that the story could have gone on, and in the early parts I couldn’t figure out where to go. Some of those paths I tried, and I ended up not liking the direction the story would’ve gone down if I went down those paths. Thankfully I ended up taking the right path around the third or fourth attempt, and things got a lot easier from there on out. I’m looking forward to seeing what people think of the path I took with this story, and the others I’ve written.

What do you think of this metaphor for writing?

What metaphor do you like to use? What are some others that you’ve heard that you agree with?

Or at least the first draft is. There’s always a chance that my adviser will make me rewrite certain parts of it, but I hope to keep it like it is.

Anyway, late last night I went about finishing the outline, and somehow I managed to do it before it was too far past midnight. This outline gave me more problems than outlines usually do, because up until I started writing the outline I had only a few scenes planned out, so I had to come up with the rest as I was writing. Once or twice I had to actually go back and erase what I’d written before because I didn’t like which direction the story was going. Around the third attempt though I managed to get this story going in the right direction and from there it was just a matter of figuring out where I wanted to go, what would be the logical step to get there, and what sort of events could happen without stretching the limit of credulity.

In the end, I think this story will turn out very well. It’s about twenty-eight chapters, and will probably be around the normal length for one of my books, between eighty-five thousand and one-hundred thousand words. I often wrote the outline looking for plot holes and trying to find good ways to plug them up (I hope I succeeded). And I hope I create an interesting and somewhat scary story about a woman who dies but is resurrected by her stalker through magic and finds herself trapped in his house with not only him, but very malevolent supernatural forces. Thank goodness I have an adviser who will be helping me out with that part. He’s a published writer himself, so odds are he’ll have a few lessons to help me.

And while I’m waiting for my research books to arrive in the mail and for the new semester to start (three weeks from today, by the way), I think I’ll edit Video Rage. God knows it’s about time, and I have time to do it now before things get really crazy! In fact, I’ll start it today! But first I need to run an errand, then I need to vacuum the apartment, then I need to run the dishwasher, then I need to have lunch before I go to work, then I have work, and later tonight I’m supposed to be at a friend’s birthday party…life’s crazy sometimes.

Anyway, that’s all for now. I’ll keep you updated on Rose, Video Rage, and other projects as time goes on and I have news to give. Have a great day, my Followers of Fear.

Part of my research for my thesis/new novel Rose was that I had to look into the life of a sociology grad student, because my protagonist Rose Taggert is one. Well, was one. I mentioned when I first announced what I was working on that Rose died and was resurrected by her stalker, didn’t I?

Anyway, since my knowledge of sociology was limited to the introductory course I took last year, I decided to contact the sociology department at Ohio State to see if they could maybe help me. After first heading to their main office, and then getting redirected to their undergraduate advising office, I talked over email with one of the advisers, who then told me to email their graduate adviser Kelly Hopkins (boy, was that a little roundabout). After a couple of emails to determine when was a good time to meet, we finally agreed to meet at nine this morning, and I made the trip onto campus. Once back in the same office I started in, I was taken to Ms. Hopkins room (no idea if she’s married, so I’ll just go with “Ms.” for now), where she was all too happy to give me an explanation of what the sociology grad program was like after I explained to her about my protagonist Rose.

We spoke for a little under a half hour, Ms. Hopkins doing most of the talking while I asked a question here and there. Turns out that sociology grads at Ohio State spend their first two years earning their Masters degrees, after which they take very intense candidacy exams to enter the PhD program. At that point they start taking specialized courses for PhD students, as well as taking specialized courses for their area of specialization and working on their dissertation. The grad students spend a lot of time together in classes and in their offices together, usually becoming lifelong friends by the time they graduate. They also develop close relationship with their faculty advisers, and many of them have the chance to teach during their tenure as grads.

Based on this information, I was able to get a clearer picture of who Rose will be and what her grad life was like prior to the events of the novel. She’s probably in her third year of grad school, so she’s about six months into the PhD program. She is specializing in criminology and community studies, particularly studies involving gun violence, and was probably either a GTA working underneath a professor in an introductory course or already a PhD student teaching a class of her own when she met the student who would become her stalker, depending on how long ago I end up wanting them to meet and the latter becoming fixated on her.

I’m glad I was able to meet with Ms. Hopkins and speak with her today. I know Rose’s life as a grad student isn’t the most important part of the novel, but it’s one I wanted to seem authentic to readers. Besides, it’d be a little bit embarrassing if a sociologist or sociology student read Rose when it came out and was like, “What the heck sort of program is this girl in?” Always glad to have the details right.

I also learned something interesting from Ms. Hopkins: when I told her that my work was heavily influenced by Stephen King, she mentioned that she had a friend who was a make-up artist for horror movies and had worked on a few Stephen King adaptations of King’s work, including The Shining, and knew King personally. Apparently King’s a very nice, sweet guy in person (doesn’t surprise me; we horror authors usually are, though at one point I thought I needed to be a little bit creepier in order to be a better author). I ended up handing Ms. Hopkins two of my business cards so that she could pass them onto her friend (and maybe even King. Do I dare dream of it?). Hopefully at least one of them will go online and check out my work.

Well, that’s all for now. I’m going to do some more work on my thesis outline later today. At this point I think I might be done by the end of the week, with about thirty or so chapters. I’m still not sure where eactly this novel is going, but so far I like what I’ve come up with and I think my adviser might as well. I’ll keep you guys updated.

Have a great day, everyone!

Every now and then I look to do a post musing on the mechanics or subtleties of writing fiction, and today is one of those days. And as you can tell from the title of this post, I want to talk about unreliable narrators, those strange voices in the books we read (and occasionally in the films and TV shows we watch) whom we can’t always trust.

According to that awesome source of usually-factual info that is Wikipedia, an unreliable narrator is a narrator, usually in some medium of fiction or another, whose veracity has been called into question. Usually this happens very early in the story, where the narrator may make a plainly false or delusional claim, or it may happen elsewhere in the story, perhaps near the end where a twist in the story turns everything we thought we knew upside down or slowly through hints that are given to us in the narration. Stories with unreliable narrators can feature a single narrator, or multiple narrators giving their own versions of events, or even a supporting or side character who tells a story in such a way that we question whether or not they’]re being entirely truthful about what happened.

A great example of an unreliable narrator is Patrick Bateman from the novel American Psycho. As a man suffering from psychoses and the occasional hallucinations, Bateman makes a great unreliable narrator. Other examples include Nell from Wuthering Heights, most of the characters from the Japanese movie Rashomon, and Ted Mosby from How I Met Your Mother (according to show creator Craig Thomas, anyway). Oh, and any story that has children narrating it could possibly have unreliable narrators, because kids sometimes remember things incorrectly.

(If you want to think about it though, every one is an unreliable narrator, because no matter how they see events, they are biased, they may mis-remember details, and they may cover things up in order to make themselves look good or to hide their own guilt. But let’s not get too philosophical about this. Otherwise we’ll be here all evening)

One of the characters in my thesis project, the antagonist, is an unreliable narrator. Because of his mental problems and his infatuation with protagonist Rose, he sees things through a very certain light, so when he tells a story it is often through that lens, which probably won’t reflect reality too well. As I’ve never written a story from the point of view of an unreliable narrator, so exploring the device through this character should be interesting. (Or have I used unreliable narrators before? Technically, any time I tell a story from the protagonist’s first-person point of view, it could be construed as unreliable, but i’m not sure if it counts. Oh darn it! Now I’m an unreliable narrator of my own writing career!)

But why are unreliable narrators used so much? And why do they appeal to readers and writers alike? It’s a very difficult question, and I’m not sure I have an answer. Perhaps for writers, it’s the chance to tell a warped version of events. When we tell a story, especially through the lens of an omniscient or almost-omniscient third-person narrator, it’s almost expected that the story being told is what actually happens, one-hundred-and-ten percent factual. Even when the story is limited to the viewpoint of a single character, that third-person narrator’s portrayal of events is assumed to be accurate. Heck, even when we read a novel told in the first-person, we tend to see the depiction of what happens as true. Especially if we like the character.

An unreliable narrator allows the writer to break from that, to tell a story that might not be accurate, and that the reader and maybe even the writer will have to guess how true the story is or how much we can trust the narrator to tell the truth. In fact, maybe that’s what the reader gets from these sort of storytellers: they have to figure out how trustworthy the storyteller is, or where the line between truth and the storyteller’s own delusions or beliefs is laid down. It’s like solving a mystery or a puzzle, in a way, and the only way to really solve it is to read on until you finish the story. And even then, you might not be able to tell how reliable the narrator is (which is why there are e-forums to discuss these issues).

In any case, I’m going to enjoy exploring the antagonist’s own unreliable stories and seeing how much we can or should believe him. It’ll make for an interesting discussion point when talking about my thesis with my adviser during the next semester.

What do you think of unreliable narrators?

Have you ever used them in your own writing? How did it go?

This morning I started work on my next book, which will double as my thesis for my senior year. Well, that’s not quite accurate. Truth be told, I came up with the idea for my thesis back in autumn last year, and then while searching for a thesis adviser, I fleshed it out a bit more, deciding what would happen in this or that scene or whether I wanted this or that event to happen at the beginning or ending of the story. And after I found my adviser, I had to make some decisions so I could know what books I would order for research and therefore why I was applying for a small grant to afford said books. And after I got said grant and returned from Europe, I worked hard on Laura Horn so I could get that done before I began work on my thesis.

Well, this morning I began in earnest to start researching and outlining my thesis. I stopped by the English Department to make sure everything was in order for the following year, stopped by another department so I could possibly do some more research for my main character, and then started on the first draft of the outline, of which I’ve made a little bit of progress on.

Now, some of you might be asking yourselves, “Is he going to tell us what his thesis is about?” Actually, I’ve decided to be cruel and not tell you at all. You’ll have to wait until the book comes out.

Just kidding! No, my book is called Rose, and follows the story of a grad student named Rose Taggert. On the night of Rose’s engagement party, she gets killed in a hit-and-run. This leads one of her students, who has an obsessive infatuation with Rose, to kidnap her body from the morgue and resurrect her using nature-based magic. The way he resurrects her though leaves Rose dependent on him for her survival, which causes the young man to believe they are in a relationship. With Rose trying to find a way out of her situation, she is set against impossible odds, and may not be able to overcome them.

How’s that for a setup?

Rose is the first full supernatural horror novel I’ve written in a while. Reborn City and Video Rage were sci-fi stories, while Snake and Laura Horn were thrillers, the former having some obvious horror undertones. I’m looking forward to diving into some full on horror. I know how the novel begins and I know where it’s going to end, and I know some of the things that’ll happen in this story, I just have to flesh out the rest. The thing about some horror stories, this one among them, the main character or characters have to face seemingly insurmountable obstacles in order to escape the evil plaguing them. Sometimes they do it successfully, other times they don’t. The thing is, you’ve got to make it about the protagonist dealing with the great evil at each and every turn and looking for ways to fight back against it. And sometimes fighting back will do more harm than good, leading the reader to wonder how they will continue on with the odds against them and read on.

So believe me when I say, I will be looking for some great ways to make Rose’s life difficult. Or second life, I guess. Either way, it’ll be very exciting for the reader (I hope).

I’ll be doing periodic updates on the progress of Rose, with the ultimate goal being finishing the first draft before the school year is up and I graduate (oh my God, I can’t believe how close it is! It’s sneaking up on me). Tonight, I hope to resume my work on the outline and get that done by the end of the week. First though, I’ve got some other things to take care of, including another blog post to write up. As usual, my life won’t slow down any time soon.

Wish me luck, my Followers of Fear!