Posts Tagged ‘Tamika Thompson’

Review: “The Curse of Hester Gardens” by Tamika Thompson

Posted: June 1, 2026 in Novel, Review, Scary Stuff
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I first met Tamika Thompson last year on the Diversity in Horror panel at StokerCon. Later, I read a short story by her that I really enjoyed, and she told me her debut novel was coming out soon that explored similar themes as her short story. I was immediately intrigued and, as soon as I could, I made a reservation at the library. The book arrived at the same time as Japanese Gothic (see my review for that book here), and as soon as I finished that one, I got into The Curse of Hester Gardens.

I have to say, it’s nice when you get two excellent novels in a row.

Set in a public housing complex with a history of crime and violence, The Curse of Hester Gardens follows Nona McKinley, a woman who has been raising her sons on her own since her drug dealer husband was sent to prison. Sadly, her oldest son Kendall was murdered, money is always tight, and her younger son Lance is getting mixed into a bad crowd. Her only salvation is that her middle son Marcus is off to an Ivy League college in the fall.

Except…something terrifying is happening in Hester Gardens. Things are always weird there, as numerous spirits are said to haunt the place. But now, something new is making itself known. Nona is encountering what might be an angry spirit appearing in her home, Marcus is acting very much unlike himself, and the fragile life she’s constructed for her family seems to be crashing down around her. All of it may trace to a secret she’s been keeping. A secret covered in blood. And the residents of Hester Gardens may pay the price with Nona.

From the prologue, I was hooked. The story is written with a powerful realism, mixing in the real life tragedies of gun violence, urban decay and neglect, overincarceration, and others with the fictional narrative to add believability. Plus, the descriptions allowed me to really see and feel like I was in Hester Gardens (not a fun place to imagine yourself in, let me tell you). I could almost smell the garbage that is hardly ever picked up!

I also empathized with main character Nona. She’s had a really rough time and is trying her best, so it’s not hard to root for her. She’s also very human and makes mistakes, some of which are understandable given her situation, and that helped me like her more. The other characters whose POVs we look through also were written so that, even if we only spent maybe a chapter or two with them, they felt like well-rounded characters.

And the scares? Top notch! The concept of the curse and the spirits in Hester Gardens made for a freaky audience, and the human factor added to those scares as well. Plus, there were some scenes with the entities that had me gripping my book so tightly. (That hole-in-the-bathroom scene!)

Finally, the story kept me guessing throughout. I had trouble guessing where the story would go, especially in the last hundred pages or so. I read quite a few moments with wide eyes because I could not believe where the story had gone!

So yeah, I’m hard-pressed to pick out anything I didn’t like. On a scale of 1 to 5, I would give The Curse of Hester Gardens a 4.8 out of 5. Powerfully written, with strong emotions and realism. If this is Tamika Thompson’s first novel, I can’t wait to see what she does with her second.

In the meantime, grab a copy of The Curse of Hester Gardens and read it today. Trust me, you’ll be glad you did.

Representation in Horror: A Start to a Very Long Conversation

Posted: July 2, 2025 in Reflections, Scary Stuff, Writing
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From left to right: Rob Costello, Gaby Triana, Tamika Thompson, me, Aaron Dries, Rae Knowles, and Logan Johnson.

I’ve been wanting to write this post ever since I got back from StokerCon, but life has been very, very busy. But hey, better late than never, am I right?

So, as you probably recall, at StokerCon I was on the panel Representation in Horror, where we explored the topic of including marginalized voices in our community, as well as writing characters from those communities. I was very excited about the topic; not just because it’s one that’s near and dear to my heart, but because it was my very first time sitting on a StokerCon panel. You know, one that wasn’t pre-recorded.

And I figured I would be bringing something to the panel. I’m Jewish, bisexual, and have some disabilities, including being on the spectrum, after all. With the amount of time I spent just thinking about the things I would say in response to the questions, I thought I could help my fellow panelists blow some minds and get our audience (which nearly filled the room) thinking.

I did not expect to have my mind blown as well. But there were several moments just like that.

Just for a couple of examples, I remember Rob Costello mentioning that fat people were the only group that it was still cool to beat up on and how he was sick of it, and while the audience responded positively to that (apparently they noticed that, too), I was like, “Whoa! How have I never noticed that?” And Tamika Thompson mentioned how much Stephen King uses the trope of the Magical Negro, and I was like “Huh, she’s right. Dick Halloran, Mother Abigail, that dude from The Green Mile. He does use that trope a lot.”

And I’ve been thinking about that panel and all we discussed since then, as well as all the things we didn’t have time to discuss. For example, we didn’t have a chance to discuss various communities and their inclusion in the community or in our literature, such as Muslims, Native Americans, or the Roma community (seriously, even when it’s not overtly negative, I can’t think of a portrayal of the Romani that doesn’t lean on stereotypes). And I forgot to mention how not-helpful the portrayal of mentally disabled people as being magic because of their disability is (examples: Dudditts from Dreamcatcher by Stephen King, the autistic kid from 2018’s The Predator).

I think we could all use further conversation in this topic. Photo by nappy on Pexels.com

And it’s made me realize something: the discussion needs to continue. Because this sort of subject, the kind of stuff certain people call “woke,” requires constant learning and further conversation. That way, we can continue to think about what sort of stories we are creating and foster better understanding between people.

So, don’t be surprised if I have a few more blog posts like this one in the near future, ones where I discuss portrayal in horror and problematic stereotypes and whatnot. I may even reach out to some of my fellow panelists to help with that (I managed to find most of them on social media). But hey, if they feel the same way as me, they might want to continue the conversation as well.

And who knows? We might see Representation in Horror become a regular topic at StokerCon. And I don’t think anyone could see that as a bad thing.