Archive for the ‘Review’ Category

As soon as I heard about this film, I knew I had to check it out, even if I was in Germany. Why? Because  the companies distributing it, Nerdist Industries, has for a long time been providing me and millions of other nerds with the latest in everything geeky and cool (which at this point are basically the same thing), all while being freaking hilarious at it. If the folks at Nerdist thought highly enough of the film to distribute it, I wanted to check it out.

The Hive follows Adam Goldstein (played by Gabriel Basso), a young man who wakes up covered in blood and sores and with no memory of who he is or what happened to him (sounds like my morning this past Thursday). Using clues around him, Adam starts to remember not only who he is, but the events that caused a very powerful and dangerous virus to spread around a summer camp and beyond and what happened to his friends (played by Jacob Zachar, Kathryn Prescott, and Gabrielle Walsh).

The first thing I have to say about The Hive is that it feels like the most recent Evil Dead film, if that film had been made to be serious rather than humorous, the villains less supernatural but much more threatening, and with a heavier psychological aspect. And I feel that works in the film’s favor. It’s very creepy and definitely a psychological mind-bendy, with plenty of mystery to keep you interested in the slower parts of the movie. The effects are done with minimal CGI (which I love), and a lot of time is spent on getting to know these characters so that they’re a bit more than just cut-out characters there to fulfill a role. Plus the actors manage to make you forget that they’re acting and believe in them in their roles, which is definitely a plus.

What I didn’t like about the film was that there’s more blood and gore than I feel there need be, as well as way too much sexual stuff and swearing, which I feel take away from the film and almost give it a comedic feel at times. For example, there’s one moment where Adam realizes something he did that he shouldn’t have done with one of his friends, and that could’ve been a very powerful moment…if not for the fact that it’s ruined by Adam freaking out about something he experienced in that flashback. Talk about a mood killer! And what was with that shower shot? What did that add, exactly?

But overall, it’s a pretty good psychological-horror apocalypse film. It keeps your attention, the mystery of the film is very well set up, and you want to root for the characters while you watch it. And it even has pretty good commentary on our social media addictions, which I enjoyed seeing. Overall, I’d give The Hive a 3.5 out of 5. It’s not my favorite kind of horror film, but it’s definitely worth a watch if you’re looking for something to creep you out and screw with your mind a bit. And I’d definitely like to see more from the production company behind the movie, Midnight Road Entertainment, which is still relatively new and has plenty of room to expand their repertoire. Heck, if they ever wanted to adapt one of my stories for the screen, I’d definitely be interested if they could bring the same passion and quality to an adaptation as they did to The Hive.*

Oh, before I forget, currently The Hive is only available from iTunes as far as I know. Might be available from other places, I’m not sure, but it’s definitely available from iTunes. And if you want to check it out, I think it’d be a good investment of your time and cash, and maybe a great start to your Halloween season.

*Oh, wouldn’t that be nice if it were to actually happen!

For a while now I’ve been reading The Complete Collection of HP Lovecraft on my Kindle. I figured it was about time, seeing as I haven’t been very exposed to his work up until this point, and the man has been a huge influence on greats like Stephen King, Allan Moore, Guillermo del Toro, and quite a few more. And since I am always looking to learn from other authors, I figured I should spend ten dollars of Amazon gift cards and see what happens.

Well, you get what you asked for. I didn’t realize that when I bought the collection, that it was 1112 pages! The length in itself is not such a problem, I’ve read books that long before. The thing is, Lovecraft…well, he’s hard to get through sometimes, and for a number of reasons. For one thing, there’s his style, which goes a little something like this:

And as I treaded up the stairs, filled with an anguish that panged the organs within my bosom to no end, I found my wife waiting for me in her chambers, her frown prominently featured upon her face. And I knew that my life had been transferred into a situation seriously detrimental and quite hazardous to my health, for that face on my wife at this hour could only mean that she had discovered my liaisons with Ellen the hotel maid from down in the village. I had endeavored to keep our trysts unknown from all but the walls of Ellen’s room, however it seemed that I was not secretive enough, as evidenced by the porcelain my wife volleyed at my head.

Okay, that’s a bit of a parody, but you get my point. Who talks like this?

Also, some of his early fiction isn’t that good. “Memory” is just a weird little flash fiction piece about a ruined city and a conversation between two beings about the city; “The Street” is about the houses on the titular street killing Communists after the street goes from a nice neighborhood to a slum; “Polaris” and “The White Ship” are obviously both dreams taken too literally, and “The Tree” is just not scary.

Also I noticed that so far, very few women appear in the stories. Several characters are mentioned as having wives, but so far the only woman who has any actual significance is the titular character of “Sweet Ermengarde”, and that’s a story parodying popular romantic melodramas of the day! But given that Lovecraft had a strained relationship with his mother, a turbulent one with his wife, and was dominated by his aunts in the later parts of his life, maybe that has something to do with it.

Lovecraft makes you wonder if maybe this guy is coming for you.

However, while I have my problems with Lovecraft’s early work, I have to admit that some of his stories do hit the mark, and even are a little scary. “The Tomb” is definitely somewhat chilling, as is “Dagon” and “The Picture in the House” (the former bears resemblance to Cthullu stories, while the latter has implications of murder and cannibalism). And I actually very much enjoyed “The Temple”, which was very strange and creepy.

I can’t say about the rest of his work, but for the early stuff I think what makes the successes so great is that they leave impressions on you. They make you think to yourself, “Imagine if that actually happened. That would be kind of creepy…” And then you take a look around yourself to make sure that a slippery slimy creature or some guy with wicked magic or something isn’t near you. Lovecraft is very good at leaving those sort of feelings with you. He makes you wonder, makes you think that there’s something just beyond the corners of our eyes or in the darkest parts of our world that we don’t understand, can’t understand, and that any interaction with that something or somethings would be very dangerous for us.

So there is definitely a reason why HP Lovecraft has stuck around and become well-known as a writer of weird and terrifying fiction. And as I progress from his early work to the stuff that he’s more famous for, like “Call of Cthullu” or “The Colour out of Space” or “History of the Necronomicon”, I’m sure I’ll find more reasons to like this guy (hence the reason this post is titled Part 1).

In the meantime though, I think I’ll take a break from his stuff. Like I said, he’s great when he’s good and I’m already learning a lot from him and seeing some of his influence on my work already, but he’s dense and hard to get through, and after so much of prose like my parody paragraph, I need a break if I’m going to continue someday. Besides, I finished on “The Nameless City”, which has that famous quote in it. You know the one:

That is not dead which can eternal lie,
And with strange aeons even death may die.

I can’t think of a better stopping point than on a creepy story that has that weird couplet in it. Can you?

Continuing the trend of Asian horror films I’ve been binging on lately, our latest entry is The Cat, which is cute and scary because it involves kitties!

The Cat follows So-yeon, a young woman working at a pet store whose claustrophobia is so severe her apartment doesn’t even have doors inside it. One day after finishing a grooming session with a rich client’s cat, she starts to see apparitions of a little girl with cat-like eyes (sounds like my girlfriend in 10-15 years). That same day the client ends up dying mysteriously in the elevator, her cat seemingly unharmed. Asked by a friend of hers on the police force to watch over the cat until the investigation is over and the client’s husband decides he wants the cat back, So-yeon is sent on a terrifying journey to find out the origin of the cat she has as well as the little girl before the latter does her in too.

Now, this film is pretty paint-by-the-numbers in terms of story and characters: you see a lot of the normal clichés (the love interest, the friend who’s a bit shallow, the tragic backstory of the ghost, the almost too-good ending, etc.). However, the filmmakers do have a pretty good sense of building tension and keeping the story going without us becoming bored by the structured plot. Plus a lot of scenes with the cats are kind of scary to watch, especially when it involves a cat being mishandled, abused, killed, or dead.* And there’s a very powerful theme running throughout the film about helping those who are helpless, which is represented by a number of characters as well as cats, and it’s hard not to empathize with that.

Overall, I give The Cat a 3.5 out of 5. In a way, it’s similar to Jurassic World: not the best movie of its kind, but it does well on its own and it’ll do the job if you’re looking for that kind of movie.

You know I think I might take a break from all these Asian horror films soon. Don’t get me wrong, for the most part I’m coming across pretty good ones. It’s just that I don’t want to watch them to the point where I’m absolutely sick of them. That nearly happened to me with Stephen King in high school: I read way too many of his books in a short period of time and had to take a break from him lest I stopped liking his work. Now King’s an occasional enjoyment, and perhaps these sort of films should be as well.

Though if anyone finds videos of the films A Tale of Two Sisters, Hanako, or even the French horror film Livide with English subtitles, let me know. I’m dying to see them.

*Don’t worry though, the filmmakers assures the audience at the end that no cats were harmed in the making of this film. As far as we know anyway.

It’s been one week since what could very well be the series finale as well as the third season finale of Hannibal, based on Hannibal Lecter and other characters created by Thomas Harris, premiered. NBC has declined to keep the show going, and while the show’s producers Bryan Fuller and Martha De Laurentiis, as well as series star Mads Mikkelsen and the many, many fans of the show (“Fannibals” or “Lecterites”, if you will), would love to see the show go on in some form, there is a chance that the show will have to hang up the carving knife and that everyone associated with it will have to move onto new projects.

Personally, I hope that the show is still able to go on, maybe as a feature film as Fuller has hinted at, or maybe moves to Starz or Amazon (though if it’s the former and not the latter I may have to wait till the show is on DVD or Netflix, depending on my financial situation). Also, I think it’s a good investment to keep the show going. Yeah, Hannibal has always been ratings-challenged, which is why NBC cancelled it in the first place. However, they knew a show focusing on a serial killer was a risk to begin with, and they still went with it for three years, as did huge legions of fans.

Why? Well obviously Hannibal Lecter is a famous character who was already well-known because of Harris’ novels, the movie Manhunter, and the three Anthony Hopkins films. But that only drew people to the show in the first place. The reason they stayed is because the show’s creators managed to take the concept of a serial killer show, and elevate it to art. Fuller and his team could’ve simply created a simple procedural show with serial killers like The Following with a famous literary and film character in the mix. Instead they built on that premise and made most of the sets exquisite to the eye, turned ordinary conversations into psychologically and philosophically engaging character explorations that could evolve into verbal tennis matches sometimes, and gave every shot a purpose in how it was filmed.

Add into all that the brilliant characters: Hugh Dancy as the socially-troubled empath profiler Will Graham, Lawrence Fishburne as the ends-justify-the-means, will-do-anything-to-catch-the-killers FBI director Jack Crawford, and of course the quiet gentleman devil with a love of grilling up those who are rude or offensive, Hannibal Lecter himself. Every character brings something to the table, making you want to watch them interact with each other right up until the very (sometimes bloody) end. And of course, the brilliant writing. Even at the show’s less exciting moments, the writers till were able to make you want to keep watching, to find out what happens next. From the growing relationship between Will and Hannibal in the first season, to the terrifying flash-forward at the beginning of the second season, and Will’s struggle to truly rid himself of Hannibal in the third season, it just kept you watching.

Hannibal is art. Creepy, bloody, psychologically strange and terrifying art, but it is art nonetheless, and that’s something you don’t usually see with television shows. I honestly can’t say if Hannibal will go on in some form or another (I’m not psychic), but if it doesn’t, at least we know that it had an ending that tied up most of the loose ends of the story, and the ones left behind we can easily guess at. And with streaming and DVD releases, fans could still watch it and relive the beautiful psychological horror that the show was.

Still, I hope for more. The show was awesome, and Fuller had a vision to continue the show, even if he couldn’t get the characters from Silence of the Lambs (I would’ve loved to see how they changed up Clarice Starling and Buffalo Bill, seeing as I found one annoying and the other slightly comical). If allowed to continue, we could see some award-worthy horror on our screens someday.

So while we wait and squirm and wonder at the show’s fate, I’ll continue to hope. Because if the story of the strange relationship between a man and a monster in a man’s skin can intrigue me and so many other people, then surely it can attract a TV executive or two. And the story that ended too soon won’t end at all.

Oh and NBC, why do you keep doing this to me?! First Dracula, then Hannibal? Stop cancelling these creepy genre shows I really like!

You know, my experience with Asian horror films has been rather hit-and-miss, and even some of the hits have had their share of problems. This one however, at least in my humble opinion, is a hit with very few problems, if any. And considering that I found this film by accident, with no idea what it was about or what most of the critics thought, I’m really glad I decided to watch it.

Someone Behind You (also known by its North American title, Voices) follows a South Korean girl by the name of Ga-in, a happy and pretty girl on her school’s fencing team whose life suddenly takes a turn for the worse when her aunt is brutally murdered in an act of rage on her wedding day. Whispers go around that Ga-in’s family may be under a curse, and when Ga-in is attacked herself, she has to unravel where the curse comes from if she wants to survive.

From the very beginning, this movie has you terrified and on your toes. The filmmakers create a great atmosphere using lighting, music, and scares to really immerse you in the film, and the actors are great. When they are sad or angry or murderous, you feel the emotion behind it. And the story itself, with its many twists and turns, will keep you guessing about what will happen and about the nature of the curse (is it caused by rage? Jealousy? General resentment over something? Is there even a curse at all, or is it just a metaphor for letting your emotions get the better of you?) right up until the final scene.

My one criticism is that Ga-in comes to trust Seok-min, a mysterious transfer student who in horror terms is “the creepy outsider character” and seems to know something about the curse’s nature, a little too quickly. Why doesn’t she question him about his knowledge more? Why is she so willing to take him up on his advice? Makes no sense to me.

Overall though, this is a creepy film, and I’m very glad I stumbled upon it. You’ll get scared, you’ll be trying to guess what’ll happen right up until the very end, and when the final secret is unveiled, it’ll blow you away. On a scale of 1 to 5, I give Someone Behind You a 4.5 out of 5. I hope I find more Asian horror films like this one, because nothing lifts my mood like a good scary story.

Now if you don’t mind, I have to go hide. I think that curse is after me now! AAAAAAAH!

2015: 10-6
2014: 10-6, 5-1
2013: 10-6, 5-1

Well, it’s time for the Top 5 Villains of 2015. These are the baddest of the bad, the freakiest of the freaky, the ones you have to watch out for. Are you ready to take on this list? Then let’s dive in!

A reminder that these villains are fictional and none of them were created by me. Otherwise it’s me taking a swing at politicians I don’t like or plugging me own books.

5. Mary Wells/The Weeping Lady (Sleepy Hollow)

People had some differing opinions on Season 2 of Sleepy Hollow, but honestly I think we can all agree this is one of its best episodes, and one of its most memorable villains. Mary Wells was Ichabod Crane’s fiancee, their marriage arranged for them as children. However while Mary was infatuated and obsessed with Ichabod, the latter only felt brotherly feelings for her. When she died in an accident involving Ichabod’s future wife Katrina, she became a ghost forever weeping for her lost love. When she is raised by Henry, the Horseman of War, to cause chaos, she goes after every woman close to Ichabod, including Katrina and Lieutenant Abby Mills. When she reveals Katrina’s role in her death, it is the wedge that begins the end of the Cranes’ marriage. Sad and spooky, we love this woman, feel for her and can’t get her out of our heads. Her spot on the Top 5 is well-deserved.

4. Annabelle (Annabelle)

I love creepy dolls, but even I would hesitate to have this one in my house. Originally from The Conjuring and based on a real haunted doll, Annabelle was popular enough to get her own prequel movie exploring how she was a woman in a satanic cult who died and possessed a rare collectible doll along with her demon master. The result was that she got the chance to cause chaos for a young family, with the intent to take an innocent soul and send it to Hell. And she nearly succeeds too. Creepy to look at and dangerous to have in your house, Annabelle will inhabit your nightmares for years, which is why she’s Number 4 on this list.

Oh, fun fact: the real Annabelle doll is actually a large Raggedy Ann doll. However the makers of Raggedy Ann (or whoever owns the copyright these days) would never consent to have one of their dolls portrayed in a horror movie like that, so the filmmakers designed a creepy looking doll for the part. And that doll has been creeping us out ever since. Yikes!

3. Ultron (Avengers: Age of Ultron)

Actually more like Couple Days of Ultron, but that’s another story. No matter how long he was around though, Ultron is still a terrifying force to be reckoned with. He seems genial and funny at times, but his humor and reasoning, along with his fascination for religious philosophy, are only a cover for his true sinister nature and his plan to cause an extinction event that will wipe out humanity and allow his clones to take over the Earth. With a silky smooth voice provided by James Spader, you won’t want to be anywhere near him when he starts singing classic Disney songs. Definitely deserving of the Number 3 spot.

2. Isaac Heller/The Author (Once Upon a Time)

Now, if you watch the show you may not think he’s much of a villain. But in actuality he’s definitely real villain material. A wannabe F. Scott Fitzgerald who is chosen to become the chronicler of great adventures through out the many different worlds, he abuses his power and starts directing events, earning himself the punishment of being sealed in his own book. When he escapes, he uses his weak attitude and his power to weasel his way out of any situation, not caring who gets hurt or what has to happen in order for him to receive his fifteen minutes of fame. And the crazy thing is, he still considers himself one of the good guys! Yeah, he does. Even when he traps the residents of Storybrooke in a fiction novel and tries to kill the one guy who escaped, he still thinks he’s a good guy. This sleazy character will justify his actions no matter what, and his spot at Number 2 is perfect for him.

1. Meredith Walker/The Benefactor (Teen Wolf)

Sometimes the greatest villain is someone who is sweet and innocent, but has been influenced by the wrong people. Meredith Walker is a banshee, one who predicts death. Years ago she overheard the thoughts of Peter Hale, one of the show’s recurring villains, where he had an insane plan to kill off the weaker members of Beacon Hills’ supernatural community and remake it in his own image. Meredith, who is already a little unhinged but normally very nice, carries out his plan, paying assassins and hunters to go after the supernatural community. Even worse is she doesn’t think this is wrong, she just thinks she’s doing what she’s supposed to do because Peter implanted the idea in her brain. Only when she realized that she’s caused the deaths of many innocent people and that Peter was more unhinged than her does she regret her actions. Kind and afflicted, Meredith’s turn as a villain was terrifying and stunning and I’m seriously hoping she has a role in Season 5. Bravo Meredith, you’ve earned the top spot.

What are your thoughts on my Top 5 villains this year? Do you agree or disagree? Let me know in the comments below. Tune in next summer for 2016’s Top 10 villains. By then we might have a few new entries or maybe some old ones will resurface. One can only hope.

Until next time, my Followers of Fear!

2014: 10-6, 5-1
2013: 10-6, 5-1

It’s that time of year again! When I list the top villains who have scared and/or impressed me over the past year. And this time around we’ve got some pretty interesting and unexpected entries on this list. So let’s dive into the first half of the list and see who was the baddest of bad guys this year! Remember, these villains must be fictional and they can’t be any of mine (otherwise it’d just be me plugging my books, and this isn’t where I want to do that).

Honorable mention goes to Dandy Mott from American Horror Story: Freak Show. That guy was a psychotic man-child with a love for attention and a greater love of killing. I’m looking forward to what his actor will be up to next season.

10. The Mummy/The Boneless (Doctor Who)

Yes we have a tie for entry #10! And both from the same show, well done. Appearing in the episodes Mummy on the Orient Express and Flatline, these creatures are scary and mysterious and their spots are well deserved. First, let’s start with The Mummy: an ancient warrior from a long-ago war, the Mummy has since become a legend, a moving skeleton wrapped in bandages who can only be seen by those it targets. They then have 66 seconds to live, during which the Mummy will get them. And kill them. It is a very creepy creature, and the Doctor was only just able to stop it, making Mummy on the Orient Express my favorite episode of that season.

The Boneless, as the Doctor names the species, is a 2-D alien species from another dimension who invade our world with the intention of taking over and becoming three-dimensional as well. The moment they or their energies touches anything, it’s as good as two-dimensional and (if it’s living) it’s dead. Heck, the Doctor nearly dies facing them, which goes to show how much of a force they are to be reckoned with. These unfathomable monsters are simply amazing and terrifying to watch, which is why they go alongside the Mummy to earn the Number 10 spot.

9. Missy/The Mistress (Doctor Who)

Another DW villain, and definitely one of the most lovably bad! If you’re unfamiliar with the show, Missy is the female version of the Master, one of the Doctor’s oldest and greatest enemies (yeah, characters on this show can change their genders). Watching from the shadows, she only reveals herself at the end with a plan to convert the world’s dead into Cybermen and then give the Army to the Doctor. Why? Because she wants to see if she can make him as bad as her! I know, crazy right? But that’s Missy’s charm: she’s playfully mad and wants nothing more than to rope her best friend into some crazy fun scheme, and will do anything bad to get her way. Plus she has an awesome theme song, which makes her spot at Number 9 well deserved.

Okay, I said something nice Missy, please don’t kill me, okay?!

8. Kim Jung-Un (The Interview)

I know, I said fictional villains, but this is a fictional version of the character, so I think I can make an exception. Plus he’s just so funny! In this controversial and provocative movie, Kim Jung-un at firsts comes off as a shy and sweet guy who had a lot of responsibility thrust upon him at a young age and occasionally just wants to rock out to some Katy Perry in a Russian tank. However as you get to know him, you realize that he’s about as nice as sulfuric acid, and that he’s actually quite the sociopathic tyrant. Seeing him go from a crying wreck to having a tantrum to trying to murder the world and then get blown up is well worth watching, and secures his place at Number 8 on the list. So North Korea, please don’t hack me, okay? There are some things the world is not ready to learn about me!

7. The Babadook (The Babadook)

If it’s in a word it’s in a look, you can’t get rid of the Babadook. Thus starts the picture book out of Hell, as depicted in this creepy Australian indie. The Babadook is a terrifying reimagining of the boogeyman, a creature that wears a top hat and sticks to the shadow, stalking its victims until it drives them mad and kills them dead. When it sets its eyes on struggling single mom Amelia and her behaviorally-challenged son Samuel, you’ll experience ninety-four minutes of pure terror! And the freakiest part of it is, you can’t tell if the Babadook is a real monster or if it’s all in the heads of the characters! Even all this time later I still can’t tell! Yikes!

6. The Creature (It Follows)

The writer/director of this creepy gem said he based the story on nightmares he had as a child. Indeed, the Creature is nightmarish. Only seen by those affected by the curse and able to take any form, the Creature delivers a promise: that no matter how long it takes, no matter how far you go, it’ll follow you. It will find you. And it will kill you, one way or another. And this promise is delivered to everyone affected by the curse, going from the latest victim and heading down the line to the beginning of the curse. We don’t know why, but to say the least, the how of it is enough to make us all stay away from one night stands forever.

 

Like the list? Have any thoughts? Let me know in the comments! And join me for the Top 5 later on, when we’ll see who 2015’s Baddest of the Bad are! Until next time!

My crazy, busy life finally gave me time to read the continuation of Anne Rice’s Vampire Chronicles, so I downloaded it to my Kindle at the first opportunity and started reading. And it was awesome, and shows that even over a decade later and after a fad of sparkly vamps that many wish had never surfaced, Anne Rice and her vampire characters, particularly that rascal Lestat, can still tell a mesmerizing and heart-pounding story.

In Prince Lestat, the vampires have proliferated all over the world and the vampire world is in chaos. There is a need for the Children of Darkness to come together, and Lestat’s name has been floated as someone who could lead the change. Of course, the Brat Prince, between wandering in isolation and trying to figure out his iPhone, would rather not have that sort of responsibility thrust upon him. That is, until a horrific tragedy, worse than when Akasha rose from her sleep, strikes the global vampire community, and Lestat may be the one to put an end to this cataclysm, whether he wants to or not.

The book starts out with a quick guide to the world of the Vampire Chronicles (perfect if you’re like me and you haven’t read the books in a number of years) before sliding into the story. And at once, you are transported by Anne Rice’s storytelling, which is poetic, prosaic, melodic, sometimes erotic, and a few other -ics all at the same time. It’s wonderful seeing all these characters again and how they’ve changed over the years, and meeting a few new ones who impress themselves upon your hearts almost immediately.

The plot is also fun, exciting and mysterious, with each twist and revelation making you pause to take it in. And it’s interesting to read how the vampires have adjusted to the Internet Age. Some have adjusted quite well: Benji Mahmoud from The Vampire Armand has his own Internet radio show, which has become like a staple of vampire culture in this day and age. Others, like Lestat…well, you saw my summary above.

It’s also interesting to see some of the evolutions taking place in Rice’s style. In previous reviews of her books, I’ve mentioned how she’s incorporated science into her books where before she’s preferred to use magic and the supernatural. In Prince Lestat, she brings science into the story through two new characters who act as vampire doctors and scientists with the goal of studying vampires. You read that right, she has vampire scientists! Not what I expected either, considering how many vampires have been or are musicians or patricians or artists or whatnot. They and their work are a fun twist in the whole saga that lead to some interesting plot points, as well as making the reader rethink the whole series through their perspective.

There’s much more I could say about the book, but I’ll wrap up by saying that if Anne Rice is looking to write a whole new series of vampire books, she’s done a great job launching it with Prince Lestat. As magical as any of the other books, with enough characters to make you think you’re having a reunion with old friends and a plot that not only is intriguing and holds up on its own but with an ending that sets up for future books, which from what I hear we can look forward to.

On a scale of 1 to 5, I’m giving Prince Lestat a perfect score of 5. It’s a moving cannonball back into an intriguing universe, and I cannot wait to find out what happens in Blood Paradise when it comes out.

And I wouldn’t mind another werewolf novel. And I would really like to know what happens next to Toby O’Dare, so when can we expect the next book in the Songs of the Seraphim series? Just asking.

It wasn’t a dud! It wasn’t a dud! IT WASN’T A DUD!!!

Sorry, had to get that off my chest. I’ve seen so many bad horror films lately, it felt necessary to shout praise of a good one. And I’m not surprised that this one is so good. Leigh Whannell, James Wan, Jason Blum, and Oren Peli all worked together on this film. These guys are known for great, scary films, so when they come together you know you’ve got something worth getting excited for.

The third chapter in the Insidious saga takes place a few years before the events of the first two films. Quinn Brenner, played by Stephanie Scott, believes she’s being contacted by her dead mother, and encourages this contact. This tragically leads to a car accident that breaks both Quinn’s legs and puts her at the mercy of the spirit after her, The Man Who Can’t Breathe. At the same time, Elise Rainier, the medium from the first two movies, reappears to try and help Quinn, while facing her own darkness and a loss that has made her afraid to do what she does best.

There’s a lot to be said on this film, so I’ll try and keep it to the things I think everyone should know before going to see this one. First, the actors all handle their roles very well. Scott, along with Dermot Mulroney and Tate Berney as her harried father and annoying preteen brother, have great chemistry as a family crippled by a devastating loss and pulled together again by the dark events surrounding them. Best of all though is Lin Shaye as Elise, whose personal journey to recover her confidence is extraordinary and heart-wrenching. I almost cheered in the theater when she had finally regained her former airy manner from the first two films. Plus it’s fun to see her first interactions with Specs and Tucker and how they formed the team we met in the first film.

And speaking of the first film, there’s a notable change between Insidious 3 and its predecessors. In the first two films, they built a mythology based around astral projections and the realms of the dead (aka the Further), but Chapter 3 seems to eschew that mythology for the most part in favor of creating a good old-fashioned ghost story, and a great one too. The suspense is powerful, the atmosphere tense and the creepiness of the whole movie, coupled with the amazing visuals and sets, the jump-scares and the screeching violins in the background music, will keep you on the edge of your seat throughout the movie.

Creepiest of all, of course, is the villain, The Man Who Can’t Breathe. Honestly, even when you see him fully in the light near the end of the movie, he’s still one of the freakiest looking villains I’ve seen in recent memory. What makes him even scarier than his appearance is that you’re not sure exactly why he’s menacing this girl or where he came from. There’s mention of him living in Quinn’s building long ago, and something about “pets” is also mentioned, but we’re never really sure what his reasons are. And that just adds to the horror factor here.

There are only two major complaints I have with this movie. One is that the character of Hector, the lovestruck boy-next-door, seems like he was going to be a bigger part of this movie than he was. Were most of his scenes cut for time? That, and I feel that the climax was a little cliched and a little too short to be truly frightening, though the ending makes up for that. Other than that, I had a really good time.

All in all, I’m giving Insidious Chapter 3 a 4.3 out of 5. A scary good movie that’s put out of my mind all the bad horror films I’ve seen lately and make me want to tiptoe through the tulips with terrified glee. And if the critics and the box office agrees with me, I think we can expect a Chapter 4 someday. And you know what? Even if it might be a little unnecessary (ah horror, the original junkie for unnecessary movie sequels), I might just be okay with that.

I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.