Archive for the ‘Review’ Category

You will be afraid.

When I went to see this movie, the woman behind the counter at the concession stand told me it was really good. When I came out of the theater, she was still there. She asked me what I thought. I replied by doing a comically frightened pose and saying, “EEEEK!”

The Conjuring is definitely a thrill-fest. It tells two stories at once: one is the Perron family, who have just moved into a house with a very hostile spirit living in it (some days you wish you could sue your realtor for that). The other story follows real-life paranormal investigators Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga in this adaptation, who are trying to continue ghost-hunting and solving the supernatural in New England while also acknowledging that their work is dangerous and could kill them (or their  marriage).

The movie’s director, James Wan, said he wanted to get away from Saw with this film, and I’d say he did a very good job. With just a minimum of blood, guts, and gore and more of an emphasis on the strange and the unknown and the just plain creepy, we are given a terror show of scariness, with plenty of jumps and freaky things that will have you hugging the arms of your seat. At one point I jumped back in my seat and said quite loudly “Oh my God!” That’s how good it is.

You also see a very accurate portrayal of how ghost-hunting is done, though usually an exorcism is not in the mix. And the build-up of suspense is done masterfully. Plus you’ll never want to play any sort of game related to Blind Man’s Bluff or Marco Polo or hide-n-seek after this film. And with some really awesome special effects, you’ll think to yourself, “This movie can’t get any better. It’s already scary good!”

For the whole movie, I give The Conjuring a 4.5 out of 5. Bring your friends, because you’ll need someone’s hand to hold by the end of the show.

Also, they say this movie is based on a true story, but I have a feeling they fudged some things in order to make the story fit a movie. Still pretty darn good.

Yesterday I finished one of the first books on my new Kindle, and I’m happy to say that it was by a friend of mine. And since Matt’s done a lot for me and I for him, I thought I’d give him a review of his novel. So Matt, know that what I say here, I say as a friend giving his honest opinion. And I know you wouldn’t want me to just give a gushing review if it wasn’t truthful, right?

So my friend’s novel, Whiskey Delta, is about a world terrorized by zombies. Sounds familiar, right? But there are some key differences between this novel and other works featuring zombies. For starters, the military is actually giving an adequate response to the zombie threat. That’s something you usually don’t see in the zombie literature/films/movies. For another, something about these zombies makes them very different from regular zombies, though I won’t reveal what because that would be a huge spoiler alert. The book itself follows a group of soldiers sent into Los Angeles on a covert mission in order to retrieve something important for the war effort. What happens there will change each and every soldier profoundly.

I thought the story was an entertaining zombie novel. It’s rare to show the military doing anywhere near a good job in a zombie story, so I commend my friend Matt for doing so. Also, I thought the twists in this novel were very interesting, especially in terms of what we thought we knew about these zombies–known as Whiskeys in the novel–and what the truth of the matter turns out to be.

I did think that certain characters such as Kobayashi and Saunders were introduced so quickly that I didn’t even have time to process them into the group before they were in the group, and that the main focus of the novel seemed to shift between characters rather than focusing on one character and saying “Here’s our protagonist”. But it’s a military team, so I’ll let it pass.

I also thought that more character development would’ve been nice, as I seem to know supporting character and all-around hillbilly Whitman better than I know main characters Braun, Dezba, and Saunders, which doesn’t seem right to me. And all the military terms were hard to follow. I’m not overly familiar with the military, so things like claymores, SCARs, and Stryker left me a little confused and I had to rely on my imagination for most of it.

However it was an entertaining story and by the end of it I was glad I read it. For Whiskey Delta, I award it a 3.9 out of 5. I’m looking forward to what the sequel, Papa Zulu, will produce.

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Between finishing the last post and getting out of the shower, I realized that there wasn’t enough time to watch a movie before bed (another time, perhaps). Which is why I decided to write this post, featuring my first review of The Quiet Game: Five Tales To Chill Your Bones. (If you’re interested in reading but don’t have the link, click here). It comes from one of my beta readers, and it was posted on her Facebook status. And by the way, this happens to be my mother.

Yes, I know your family is supposed to love everything you write, even if you have your character choking a baby (please don’t ever write anything as sick as that). But my mom’s a little different. For starters, my mother was the one who got me into Anne Rice and Stephen King. Yes, she did. Originally a fan of the two authors, she’s the one who lent me Interview with the Vampire and told me to read Stephen King when I’d read several Anne Rice books. She’s also lent me other books and turned me onto other writers like Dean Koontz and Dan Brown. She also introduced me to Buffy the Vampire Slayer and The X-Files, shows which had a profound influence on me and my writing.

So even though she’s family and even though my mother doesn’t get the same sort of thrills I do from horror movies (I feel delightfully terrified while she’s just terrified), she’s definitely helped in molding me into the writer I am. Which was why I was very delighted when I called her and she told me she was about one short story into the book. And later when I logged onto Facebook, I was greeted with my first review. What did Rabbi Wendy Warren Ungar have to say? Why this:

“Reading Rami’s new book of short stories that was just published, (shameless promotion here), and I’ve discovered that my son is yet another author I can’t read at night!”

If you haven’t noticed, the subtitle on this blog is “Scared yet? My job here is done.” Well folks, my job here is done. Because I’ve always dreamed of giving someone a fright with my writing, and hearing that my mother can’t read my work at night gives me a small sense of accomplishment. I like knowing that I can deliver the goods when I say my stories are scary, and I like knowing I’m getting the sort of reactions I’d hoped for.

So Mom, thanks for reviewing and shamelessly promoting and all that. It means a lot to me and I hope to make even better stories as time goes on.

I also hope to post more reviews for The Quiet Game as they come. I know some friends have said they’ll write a review when they’re done, so I’m sure those reviews will show up in the next couple of weeks. Until then I hope you enjoy reading The Quiet Game as much as I enjoyed writing it, putting it together, and sending it out to you.

Good night everybody!

It’s good, but it’s not great. How sad.

Dante’s Inferno has always intrigued me on some level. It’s a very imaginative work, and one could make a case that the many layers of Hell portrayed in The Divine Comedy could be used for today’s society. That’s part of the reason why I was so excited to learn that Dan Brown had released a new Robert Langdon book based around Inferno, the first book of The Divine Comedy. The other reason was that I had loved Angels & Demons and The Da Vinci Code, and The Lost Symbol had cheered up a really uneasy sick day. I wanted to see what Robert Langdon was up to this time around!

Unfortunately, this volume makes it seem that Dan Brown is trying to hard to make a good story for Langdon to run around and save the world in. In what feels like a horrible and barely-believable cliché, Langdon wakes up in Florence, Italy with amnesia and can’t remember what happened to him. Almost immediately he’s into all sorts of trouble as he learns he’s been wrapped up in a confrontation between the World Health Organization and a shadowy operation meant to protect the interests of a dead geneticist who’s concocted something very terrible for the world and is paying for his plan to be carried out from beyond the grave.

At certain points throughout the novel, there are revelations and twists that are meant to be like what happened with the Mandarin in Iron Man 3 but instead leave you thinking it out for five minutes trying to understand what happened before going back through the nearly five-hundred page book and concluding that Brown didn’t even give any hints of these twists where most authors would have done so. And finally when you get to the conclusion things seem to be wrapped up a little too neatly with another twist that makes you say, “That’s nice, but it’s almost too nice. I could almost be okay with it.”

When you’re almost okay with a villainous geneticist’s plot, you know there’s a problem.

On the bright side, the first half of the novel has all the usual thrills of a Robert Langdon novel, and you do feel like you’re learning about a variety of subjects while you’re reading. There are plenty of exotic locales described in breathtaking detail that you wish you could go to yourself to see, and the character of Sienna Brooks as Langdon’s female companion this novel seems like a real person for most of the book, a poor girl trying to deal with her own genius and the pitfalls that have occurred because of it.

(Whatever happens to the women Langdon sees in the novels? We never find out what happened to the yoga instructor/physicist, though there’s hints of an untimely death or a break-up, we’re never sure of what happens to the descendant of Jesus who started to like Langdon, and the Masonic Grandmaster’s sister wasn’t even romantic, so I’m assuming there’s no break-up?)

All in all, I’m giving Dan Brown’s Inferno a 3.4 out of 5. Hopefully he can do better with the next book should there be (and judging by how popular the Robert Langdon books are, I think there will be a sequel. Whether or not there should be one and whether or not it’s any good).

Some of you may remember my review of the novel a while back (if you haven’t read it, click here), which got a very favorable review for being a history of the political, military, economic, social, educational, religious, ethical, and moral ramifications of a zombie war as told through a series of vignettes from witnesses of the war (try saying that three time fast).

After reading the book, set ten years after the end of the war, my whole family–or just me and my mother, plus my sister who hasn’t read the book–wondered how the movie would differ from the book. Obviously there would be a lot of differences, seeing as the movie shows the zombie war as it begins. When we got to the theatre yesterday, had our coupon denied, sat through a hundred corporate ads, had the projector break down, and finally started the movie, we hoped that even with so many liberties, the movie would be good.

We weren’t disappointed. Although plenty of liberties were taken and plenty of stuff was left out–the zombies were fast-moving rather than slow shufflers, there was no mention of the new religious empire of Russia or the South Africa plan, changes in what happens to North Korea, and a huge difference in what happens to Israel–the movie was a decent zombie thriller. Brad Pitt was awesome as Gerry Lane, a retired UN worker who’s called back into service when the plague breaks out. He is surrounded by a great cast and zombies who are so lifelike–or maybe un-lifelike is better–that whether they are CGI or actors in make-up, they look so real.

The movie zigzags around the world, from Philedelphia to the Atlantic Ocean to Korea to Israel (whoop-whoop!) to Wales and finally to Nova Scotia, but there are plenty of thrills and tense situations in-between that have you on the edge of your seat. And finally there’s the scene in the vault in Wales, where the final twist in the movie is revealed. At the end, you’ll be enjoying yourself despite all the liberties taken.

My family and I left the theater discussing the movie and its many differences from the book, but how we enjoyed it all the same. I’m going to give the film a 4.4 out of 5, for being the first decent zombie film I’ve seen in a while.

Oh, and apparently Paramount is moving ahead with plans for a sequel, despite the fact that the original was plagued with numerous problems and production costs skyrocketed. Not surprising, considering horror has had a history of doing sequels long after the sequels should stop, and this was well before the sequel mania we are in began. I’m not sure if I’ll see the sequel, but considering that it took six years for the movie to actually make it to the screen, I tink enough time will pass for me to actually enjoy the sequel.

Adaptations are either average, amazing, or really, really bad. Sometimes it’s easy to know which one is which, sometimes it’s not. But when you have Under the Dome, based on the thousand-page novel by Stephen King, it’s difficult to tell what this adaptation will be like. Especially when you consider that there are some big differences to the novel that His Scary Highness himself okayed.

For those of you unfamiliar with the novel, Under the Dome takes place in Chester’s Mill, a small Maine town that is cut off from the world by a giant invisible dome. The novel itself focuses less on where the dome came from and how they get out of it (though that does get its treatment), but on the social ramifications of being cut off from the rest of the world. The TV series, which may have more than one season depending on how well the show does in the ratings, will chronicle how the town does over a period of months (rather than days like in the book). Clashes will occur, people will die, and perhaps we may get a second season.

However at this point it’s too early to tell. There’s the usual weirdness and odd elements that typically define a King story. Two teens have seizures where they see “stars falling in lines” and there’s a cow that’s split in two early on. There’s also hints of something very wrong happening in Chester’s Mill well before the dome fell (I won’t give anything away if you haven’t read the book, but trust me when I say it’s important). And of course, there’s the usual elements of a small town in a King story: the local diner, the townsfolk knowing everybody and everything, and town politics that are bound to get nasty.

The King himself okayed certain changes to the story. What on Earth could that mean for the show?

As for character development though, not much. Dale “Barbie” Barbara (Bates Motel‘s Mike Vogel), our main character, is as mysterious to us as he is to the fellow townspeople. Big Jim Rennie (played by Breaking Bad‘s Dean Norris) isn’t yet the villain he’s supposedly playing (or will that develop later?), while his son Junior (played by Alexander Koch) is disturbed, but a different kind from the one in the novel. Still, very disturbing.

I’m not going to go into all the differences between book and TV show, but I do hope that this story can improve over time and become something I look forward to in the summers should it have a second season. For now, I’m giving it a rating of 3.4 out of 5 for at the very least giving a good attempt at bringing a Stephen King novel to the small screen. Let’s hope they can make it a great attempt as time goes on.

The word that sends people into horrified nightmares.

I’m what’s known as a Lecterite. Like die-hard Trekkies, Whovians, and comic book junkies, I get very revved up by Hannibal Lecter, and love to praise the character and fault the work when it fails to live up to his scary image. Which was why I was very excited–and very worried–when I heard they were making a prequel series that showed the development in the relationship between Lecter and Will Graham (the guy who searched Lecter’s head before Clarice Starling ever graduated high school, if you didn’t know).

I remember watching the pilot (read review here), and I remember being intrigued. I also remember thinking vaguely that I would do a review of the season finale, but that sort of became a prophecy as time went on. And at that time, I would know if I would be disappointed, if I would be happy, or at the very least glad Starling wouldn’t come to TV (I am not a Starling fan).

I’m happy to say that I was not disappointed (and Starling will get her own show on Lifetime apparently, but don’t expect me to watch it). Hugh Dancy, Mads Mikkelsen, and Lawrence Fishburne deliver as Will Graham, Dr. Lecter, and Jack Crawford respectively. For the first time, there’s a Will Graham who actually convinces me he can get into the minds of killers whether he likes it or not (this is mentioned in Red Dragon and its movie adaptions, but very rarely explored), and this is utilized to its best in the season’s plotline. Lawrence Fishburne is tough and ready to do what it takes to catch a killer, even if it means pushing some very dangerous limits.

And Mikkelsen? My God, he’s better than Hopkins! He portrays Lecter like he’s a casually curious kid who’s constantly finding someone’s set up dominoes in front of him and he can’t help but see what happens if he pushes that one domino. And why? As he says in the penultimate episode, “Because I can.” If that’s not psychopathic, I don’t know what is! And the best part is, he’s at the heart of the FBI investigations and a damn good actor and manipulator, so nobody, no matter how good these feds are, can figure out he’s got them around his fingers. And trust me, these feds aren’t portrayed as incompetent as in the novels or the movies.

All that and a tight plot that keeps you on the edge of your seat. Not too much blood but plenty of creepiness and freaky murder and death to draw in the viewers without grossing them out. And the characters and relationships and their developments are incredibly believable. It’s the best adaptation of the Lecter books yet!

So 2014, come soon so I can find out what happens in season 2 (SPOILER: Hannibal isn’t in a cell at the end of season 1). In the meantime, I’m assigning the entire season a 4.2 out of 5. I take 0.8 points out because the fourth episode was pulled for its so-called objectionable material. I don’t know what was so bad with that episode that it had to be pulled prior to broadcast and aired only online and abroad. But maybe I’m just thick-skinned and not easily disturbed (or too disturbed to care) about kids being brainwashed into killing their families.

Anyway, you probably don’t care. But I’m putting it out for those who do. Good night everybody!

I’m going to say this now: I’m about as much of a Superman fan as I am a Trekkie. He has a superpower for every situation, and the worse his problems seem to get is when Lois looks at another man or gets kidnapped. It’s a difficult task to bring Superman to the big screen, and an even bigger challenge to make him seem more relatable.

Sadly, this latest run at the silver screen didn’t pan out for me. The filmmakers take too long to get to the conflict, instead explaining how Superman becomes who he is through an in-depth look at Krypton and sometimes jarring flashbacks. When we do get to the conflict, we see Superman (thankfully with a defined set of powers) played by Henry Cavill, only he seems kind of wooden and with little to say, meeting up with the most expressive (and angry) character of all, Zod (played by Michael Shannon). Although the native Kryptonians have trouble adjusting to Earth, they prepare to beet the living snot out of Cavill, only for Cavill to fight back in fight scenes that I zoned out of most the time. There is one scene near the end where we get a real sense of conflict where good ol’ Clark has to make a tough choice, but that’s about the only time I get that sense that Supe’s as troubled as he’s supposed to be.

There’s also Amy Adams’s Lois Lane. Spunky, definitely not a damsel in distress. Will abandon her common sense if it means getting a photo of alien technology and is the only one who is able to make the connections between Clark Kent and Superman well before he puts on the suit and cape. I’m not sure why though, apparently he wasn’t as good about covering his tracks as he should’ve been. She’s basically important to the story, but her performance isn’t exactly spectacular enough for an Oscar.

Lawrence Fishburne is underused as Perry White (or perhaps that’s his character in Hannibal as a reporter), and Christopher Meloni plays Elliot Stabler in the Air Force with his usual tough guy act that never fails to kill. Other than that, not much in terms of acting to really make me feel like I’m in the middle of something fantastic.

Also, the swept-back hair look is out for superheroes. They would’ve done better with messy hair, something that rockstars might wear. And don’t stick around after the credits for a look at the inevitable sequel, because there’s not even a hint of what’s to come (though I bet it involves Lex Luthor, Kryptonite, and possibly an arms race).

Though the night wasn’t entirely wasted. That opening sequence gave me an idea on how to modify a certain story of mine and make it better. Who knows what that might lead to.

All told, Man of Steel gets a 3 out of 5. If this film was the beginning of a rival franchise to the Marvel Cinematic Universe, then I seriously doubt that such a franchise will ever rival the Avengers, no matter how much money is made.

Have you downloaded a copy yet?

Have you downloaded a copy yet?

It was bound to happen eventually, but I’m glad it did happen sooner rather than later.

On the Smashwords website, I got a review from a David Blake. Giving Daisy a rating of 3 out of (I’m assuming) 5 stars, this is what he had to say:

“An okay story.  The writing’s quite good for the most part, as it takes the trouble to describe things, yet often blending the descriptions in with the action.  The villain is given sufficient character, his background and motivation being conveyed by clues rather than by a less satisfying full-on explanation.
The main problem I had with the story is that Marie’s actions frequently suggest she’s been trapped in the building for a very long time, and yet the story never really gives the reader a proper sense that she has.  There are windows, yet Marie never looks out of them to see where the building is (she’s surprised when it later starts getting demolished).
The thought of a crazy hobo having (or using) an iPod didn’t quite ring true.
And there are some awkward lines too, such as unbuttoning buttons, and the use of the word ‘from’ twice-over (ie ‘from which the music was coming from’).
Overall, an average story with some good points and some not so good ones.”

Well, I guess it’s average because it was a short story from high school. I can only do so much in a short story, and since it dated from that period, it’s not as good as I’d like it to be. Still, I thought it deserved publication, which is the reason I selected it to be the promotional piece for The Quiet Game: Five Tales To Chill Your Bones. Hopefully more reviews will come in as time goes by. After all, reviews are a very important way for self-published authors to spread spread their work.

If you’ve yet to check out Daisy, I strongly encourage you to do so. It’s free on most websites and can be downloaded onto your e-reader, phone, or even a laptop or desktop computer. And when I finally get the copyright for it, get psyched up for The Quiet Game, coming out this summer.

All for now. I have a short story to write.

Time for the second of this series, where I list my favorite villains for the year. And once again, I’d like to remind everyone that because Judaism has a differing view of Satan than the rest of the world, he will not show up in this list. Also, no villain of mine will show up in this list.

Now for a quick recap of numbers 10-6:

10. Voldemort (Harry Potter)
9. Randall Flagg (Stephen King’s The Stand)
8. The First Evil (Buffy the Vampire Slayer)
7. Lelouch Lamperouge (Code Geass: Lelouch of the Rebellion)
6. Jason Voorhees (Friday the 13th)

And now that that’s out of the way, onto the Top 5:

5. The Mayor (from Buffy the Vampire Slayer)

“Oh that’s swell. I love being a favorite.” He’d probably say something like that.

Properly known as Mayor Richard Wilkins III, he is the main villain of the third season of Buffy the Vampire Slayer and arguably one of the best Buffy villains ever. Played by Harry Groener, he seems like a genial man with conservative values and a phobia of germs. But underneath that surface is a quasi-immortal sorcerer who has ruled Sunnydale for several decades with the end goal of becoming the reincarnation of one of the oldest demons in history (and when they’re old, that also means they’re big). To that end he manipulates much of the evil that occurs in Sunnydale and eventually turns Slayer Faith away from the side of good to his. Many writers have called him a classic villain, and he is certainly a fan favorite. If you’ve ever watched Buffy, you know why he ranks at number 5.

4. Maleficent (from Disney’s Sleeping Beauty)

Where does she get her wardrobe from? Dracula’s wives?

Although this Disney classic was a commercial and critical failure in 1959 due to slow pace and lack of character development, it gained a following and I like to think Maleficent played a huge role in that. Her name a portmanteau of “magnificent” and “malignant”, she is considered one of Disney’s most famous and most dastardly villains. It’s her reputation that won her the honor of being the main villain in the Kingdom Hearts series, where she is often Sora and Mickey’s final antagonist. The strange thing is, she’s loved most her enigmatic personality and her mysterious past. We do not know why she cursed baby Aurora with the sleeping curse, though it’s probably not anything as petty as not being invited to her christening. Perhaps this’ll be explored in the new movie with Angelina Jolie that Disney’s cooking up. I hope so, because I’d like to know more about her.

3. Hannibal Lecter (from the Thomas Harris books)

A true gentleman…until he bites your head off.

Also known as “Hannibal the Cannibal”, Lecter has been featured or starred in four of Harris’s books. A sociopathic psychiatrist who makes meals out of the people who cross him, Lecter is considered one of the most influential villains in thriller history, and has been portrayed in various adaptations. Currently he is played by Mads Mikkelsen in the NBC prequel series Hannibal, where he is portrayed as a calm but calculating killer, someone you wouldn’t think of as a serial killer if you saw him on the streets. Knowledgeable and resourceful, Dr. Lecter has a way of getting in people’s heads and a way of making things difficult for investigators such as Will Graham and Clarice Starling. I highly recommend the NBC series, because if you ask me, Mikkelsen is better than Hopkins at portraying a madness of a whole different sort.

2. Freddy Kreuger (from The Nightmare on Elm Street)

Anyone reading this post before bed?

Jason may be my favorite slasher, but Freddy is something that cannot be stopped. We can put distance between ourselves and Jason or Leatherface, but nobody can run away from sleep, and that is what Freddy uses. A serial killer/molester (depending on what version you’re watching), he was killed by vengeful parents who immolated him. Coming back as a ghost with a bladed glove, Freddy attacks the children of those same parents who killed him by entering their dreams and killing them in their dreams, causing their deaths in real life. Freddy has been played every time by Robert Englund except for the remake, when he was played by Jackie Earl Haley. Trust me, this is one guy you don’t want to dream about.

1. Dracula

I vant to scare you silly!

I don’t need to tell you where our top villain comes from, his name says it all. Based on Vlad the Impaler and in some versions the exact same person, Dracula is a centuries-old vampire who travels from Trannsylvania to England to begin a campaign of world domination by taking over the most powerful empire at the time, but is stopped by Johnathan Harker and Dr. Van Helsing as they race to stop Dracula from turning Harker’s fiancée Mina into a vampire. The character has been influential as the first instance of a vampire being aristocratic and gentlemanly, which means Lestat, Edward, and all other vampires must consider Dracula their spiritual father. He has appeared in a variety of works thanks to the novel itself belonging to the public domain, and will be getting new life (so to speak) in an NBC miniseries this fall. I personally recommend Gary Oldman in the 1992 film adaptation and Richard Roxburgh as the count in Van Helsing.

Well that’s it for this year. Check back next year when I do a new list, possibly with some new or some old faces. So Hollywood/New York/whoever, you’ve got a year to impress me. I look forward to seeing new villains on the list.