Posts Tagged ‘characters with mental illness’

Okay, technically this film is a 2019 film, but it’s being released in the States in 2021, so that’s the designation I’m going with.

Also, just a little background for my non-Jewish readers: in Judaism, it’s traditional that when someone dies, the body is constantly watched over and had Psalms recited over in order to comfort the soul of the deceased. The person doing this is known as a shomer, or a guardian. Usually this is done by friends and family of the deceased, but occasionally people are paid to be shomrim. This is all explained in the movie, I just wanted to put it upfront here.

And to complain that nobody ever hired me to be a shomer while I was job hunting. Seriously, I have experience with dead bodies and I charge reasonable rates. I would have been great at it!

Okay, onto the review. The Vigil follows Yaakov Ronen, a Jewish man who has left his ultra-Orthodox community for a more moderate style of Jewish living after a terrible tragedy befalls him. His old rabbi asks him to be a shomer for a man who has recently died. Desperate for money, Yaakov agrees, but soon finds himself up against an ancient evil that oppressed the deceased in life, and is now looking for a new victim to torment.

Wow, this movie did not disappoint. It took what could have been just regular popcorn horror movie fodder and made something really amazing out of it. Camera work and lighting is used really effectively to build a tense, creepy mood. There are these long, uncomfortable moments where we’re forced to watch as Yaakov uses his phone or gets comfortable around the body, which is laying in the living room under a shroud like something out of the Victorian era. You really get to know the folds and creases in the blanket, and it makes things creepy and disconcerting.

The monster of the movie, a Jewish demon called a mazzik,* is also well done. I’ve said this before, but showing too much of the monster can backfire on films, especially in popcorn horror films. Thankfully, the filmmakers keep the mazzik hard to see throughout the film, and that only adds to the terror. Like no matter what, you can’t truly see, let alone comprehend, this creature.

Add in some mind games right out of the movie Oculus and a couple of nods to Nightmare on Elm Street, and you’ve got one hell of a scary film.

It’s also a deeply personal film. Yaakov, played with powerful pathos by Dave Davies, is a very sympathetic character. He’s dealing with PTSD, he’s struggling with himself, his faith, and making his way through this world. The events of the film really force him to confront what he’s been dealing with and it’s amazing to watch.

I could find something to dislike with this film, but I would be nitpicking. On a scale of 1 to 5, The Vigil stands at a solid 4.2. Creepy and dark, led by a lead you can identify with, you won’t be able to turn away. The film is currently available through Amazon, so grab a seat, pour some kosher wine, and get ready for an unnervingly good time.

That’s all for now, my Followers of Fear. I’ll be back soon, believe me. Until next time, pleasant nightmares!

*And yes, I think we can be sure mazzik and the plural mazzikim is the source of the name for the comic book character and the character we love and adore in Lucifer.

As many of you know by now, I’m in the middle of editing The Pure World Comes, a Gothic horror novel I wrote earlier this year. The novel follows a maid living in Victorian England who goes to work at the estate of a mad scientist (yes, that’s my elevator pitch for the story). Since a mad scientist features prominently in the story, I thought I’d take a moment to discuss the trope, as it’s extremely common in fiction, especially sci-fi and horror.

With that being said, I decided to do some research before working on The Pure World Comes. I couldn’t find many articles on the trope (and those I did were pitifully short), so I asked one of my Facebook writing groups for help. I got way more responses than I’d expected. Some of them gave me some funny responses like including wild, white hair and a funny accent, or differentiating mad scientists, who do mad experiments, to mad engineers, who build mad things. Some were not helpful at all, like imagining them as autistic overachievers (excuse me? I’m on the spectrum and an overachiever! I take offense at that).

However, there was some good information given to go with the few articles I could find. To start with, the mad scientist trope is over two-hundred years old, with the prototypical mad scientist being Victor Frankenstein of the novel Frankenstein.* However, the stereotypical look of the mad scientist–wild hair, crazy eyes, and “quasi-fascist laboratory garb1“–as well as the outlook for the lab, was influenced by the character Rotwang and his lab in the German silent film Metropolis. Rotwang also had numerous traits we associate with mad scientists (more on that later). After the horrors of WWII, such as German experiments and the atom bomb, and the outbreak of the Cold War, mad scientists began to reflect the horrors and fears of that age, often working on projects that could destroy all or almost all of mankind.

Given the state of the world now, I’m expecting an influx of mad scientists interested in virology and/or social engineering.

Alongside their history, I found out mad scientists have some common subtypes:

Victor Frankenstein (here renamed Henry for some reason) is a great example of an unethical mad scientist.
  • Mythical scientists. These are the mad scientists who seem to be working with godlike powers, either through unexplained, futuristic science bordering on magic or actually studying/utilizing magic items. Science-colored wizardry, as one FB commenter put it.
  • Unethical scientists. These are the scientists who are actual scientists but have dropped their ethics/morals. These types are usually based on the Nazi scientists, the Tuskegee doctors who studied on unknowing black men, and so many more (sadly), though Frankenstein technically falls into this category.
  • Cutting edge obsessive scientists. These types aren’t always so bad. They are good at their work and love it deeply, but tend to get obsessive to the point it can cause trouble for them or other characters. Often, after causing a lot of trouble, they can get a redemption arc. A good example is Entrapta from the She-Ra reboot.
  • Scientists with mental illness. These are self-explanatory, and are becoming more and more common in media these days. This can be a bit of a double-edged sword, as it can be great representation for the disabled, but it can also give a bad name to the disabled by linking their evil behavior to their mental illness.

Obviously, these types can cross over with each other. And there’s probably more than what I’m listing here.

Whatever their type, type combination, or era of creation, all the types have some commonality. For one thing, they generally deeply believe in their goals or research. They also tend to think of themselves as a protagonist in their own personal story. Even the ones who acknowledge they’re evil still believe they’re a main character on the world stage. Pride, greed, or the belief that they know better is generally what drives them, and is often what leads to their downfall.

As for how to write mad scientists, it’s less having to do with the trope and with the character itself. Because of what the mad scientist can do, they’re often used to fulfill a number of needs in stories, but unless you’re making them a satire of the trope or just including them for comical effect, you need to really think about their character. What motivates them? What are their odd ticks or quirks? Think of them like you would any other character and apply the same amount of love and development. Hopefully then you can create a great mad scientist.

Entrapta in the She-Ra reboot is a great subversion of the mad scientist trope.

You can also try going against clichés. Most mad scientists are older white males with nefarious intentions, so going against one or more of these traits and then making the character your own might be a good idea. Looking at you again, Entrapta from She-Ra! You wonderful, robot-obsessed, magic-haired princess, you!

Mad scientists are common characters in fiction and for good reason. And while there’s no sign they’re going away any time soon, there’s plenty of room to innovate and make them your own. Especially if you do your science homework before you start writing.

That’s all for now, my Followers of Fear. This will probably be the last post I make for 2020. If that’s true, I’ll catch you all next year. In the meantime, I’ll be bingeing TV, sleeping and editing The Pure World Comes (I’m currently in the chapter where I reveal who Jack the Ripper is).

Until next time, stay safe (and don’t travel), Happy New Year, and pleasant nightmares!

*Fun fact, Victor Frankenstein never actually finished college, so he’s not a doctor, though people think he is. But since the discipline of science hadn’t been formalized and all the other stuff by the early 19th century, we can still call him a mad scientist.

I’m a little ashamed to admit it, but it took me about two months to get through the audio book of this novel. Not because of how I was reacting to the book, but COVID-19 has changed my audio-book listening habits in a major way. Which is a pain in the ass when you decide to read more works by writers of color and this particular book and author comes highly recommended. But I finally got through it, so let me tell you about this book I just finished (the audio book of which, by the way, was narrated by the author himself, and he did a great job).

The Devil in Silver follows Pepper, a large man who gets thrown into Northwest at New Hyde Hospital, a mental institution in Queens, New York. Not because of any mental illness, but that doesn’t keep him from being there. And as Pepper gets a crash course in the mental health industry, he also has to contend with a terrifying resident with its own wing of the hospital. A demonic figure, a devil, who seems to enjoy the pain and suffering of other patients. And Pepper finds himself in the unwelcome position of having to face this monster and stop it, lest it hurt him and his new friends in New Hyde Hospital.

Despite the title and the monster mentioned in the second half of the preceding paragraph, the true horror of the story doesn’t come primarily from the devil. It actually comes from the setting: LaValle does a great job of writing about people trapped in an industry that doesn’t always have the well-being of its patients in mind (and quite a few of the characters note this in the story). As someone who has his own share of mental health issues, reading this book, whose author drew on his own experiences with mental illness and mental institutions, made me very much aware of my experience with mental health and the industry, and how much worse it could be things were a little different. I’ve since put a book on the industry on my TBR list, which I hope will further educate me and make me more aware of a segment of society that the rest sometimes wishes to forget exists.

That all being said, the titular devil is scary too. There’s something about a bison-headed monster popping out of the ceiling of a mental hospital, one that enjoys hurting the patients and can manipulate the staff for its own benefit. Just makes the hairs on the back of your neck rise and makes you wonder about what it might be like if a monster such as that existed.

I also really grew to love the characters. Pepper comes off as honest and likable, if impulsive and a bit thick-headed at times. You really got to see him grow throughout the course of the story as he interacts with the other characters and deals with the trials and tribulations set before him. And speaking of the other characters, even the minor ones were given enough development to feel real. Some of my favorites include the Ugandan immigrant Coffee, who really does want someone to listen to what’s happening at the hospital, and the sassy Luchee, a young woman trying to have some semblance of normal given her situation.

If there was anything I didn’t care for, I found the climax to be a bit anticlimactic. I think I get what the author was going for with that ending, but I kind of wanted something more, and I didn’t get it. That, and there are a lot of digressions in the story. Some of these digressions are quite helpful: they help flesh out the world of the story and what the characters are going through. At the same time, there are some that made me scratch my head, like the one from the POV of the rat living on the second floor of the hospital.

But all in all, The Devil in Silver by Victor LaValle is both a scary story and a story that hits deep at what it means to be human. And after reading this, I’ll likely read another book by LaValle very soon. On a scale of 1 to 5, I’m giving this one a 4.3. Grab a copy and get ready to see a side of life many would rather forget existed.

That’s all for now, my Followers of Fear. As promised, more posts are on the way, including on my recent trip to South Carolina. Keep your eyes peeled. And until next time, stay safe and pleasant nightmares!