Posts Tagged ‘disabled representation’

No, it’s not getting published. If it were, I would have announced that in the title of this post. But I am going to give you all updates on how that effort is coming along.

So, for those of you who don’t know, The Shape of Evil is a novel I wrote about a 3D printer from Hell. Think “Word Processor of the Gods” crossed with Gothic by Phillip Fracassi, but with lots of LGBT and disabled representation. I wrote it in 2024, and then prepared it for pitching at StokerCon last year. I even had sensitivty readers take a look at the second draft, just to make sure my portrayal of my protagonist, a non-binary trans individual, wasn’t offensive.

Since I pitched it to publishers and agent last year, I’ve continued trying to find the novel a home. And I’ve had a few rejections, which I expected. I wasn’t even too bummed about them. No, seriously, I wasn’t. They felt less like dead ends, and more like stops on the road for finding a home for this novel. And I still have prospects I’m looking into or waiting to hear back from, so I’m not feeling any despair right now. If I’m being honest, all I feel is anticipation. Like something is coming down the road, and it’s what I’ve been waiting for since that pitch session last year.

And in the meantime, I’ve kept busy. Not only have I worked on some new stories, but I’ve even done two new drafts of The Shape of Evil. And guess what? On the second draft, I had a revelation: this was a YA novel I was working on. Yeah, you would think I would notice, with teen protagonists, only one really bloody scene, and a few other factors. But you know what they say: artists and authors are often their own worst judges. And given that it took me two years to realize this, I prove that maxim to be true.

So, I went back to the beginning of the draft, and started editing with the goal of editing a YA novel instead of an adult novel. I even switched the book from third person point of view to first person point of view, because that’s a staple of the genre. (Also, with my protagonist Astrid Marsh being non-binary and using they/them pronouns, it cut down on the number of “theys” and “thems” in the manuscript. Much less confusing for readers.) And as of last night, the new draft is finished. Hopefully this is the one that catches an agent or publisher’s eye and makes them want to publish it.

For now, though, I plan on not doing anything with the new draft until after StokerCon. Gotta make time to relax and have fun, after all.

Also, I have other stories I plan to work on. There’s a science fiction story I have been excited to work on since I had the idea back in late March. And after that, I will finally get back to working on my mummy novel Crawler. And this time, I hope to finish it!

But in the meantime, I’m going to celebrate the end of the new draft with a quiet movie night and a bottle of wine. Gotta celebrate the wins, right? And finishing a fifth draft where I rewrote the novel to first person POV and made sure it fit the YA genre is definitely a win.

That’s all for now, my Followers of Fear. I’ll try to be in touch again as soon as possible, StokerCon and other things going on permitting. But until then, good night and pleasant nightmares, everybody!

It’s no secret that disability has had a troubled portrayal in our media. There’s inspiration porn in the news, which tries to make able-bodied people feel “inspired” to achieve their goals at the expense of making the disabled seem pitiful and hopeless. People with dwarfism are often equated with fantasy settings or fantastical elements. And, of course, there’s horror. Horror’s history with disability has been, to say the least, fraught.

Look, I love this genre. That’s obvious. But it’s no secret that, when the genre was coalescing, a lot of horror came from stereotypes of minorities, and the disabled were no exception. Most often, disability was used as a shorthand for sinister or evil. The original Phantom of the Opera was a manipulative groomer, and his later portrayals have added plenty of murder. From Psycho to Split, people with DID are often portrayed as dangerous and even magical. And most of the famous slashers have some form of disability! It’s not the focus of the characters, but it’s definitely there.

That being said, it hasn’t always been bad. The 1932 film Freaks was actually pretty progressive for its time, with many of its disabled characters getting humanizing portrayals. American Horror Story‘s fourth season, Freak Show, was heavily inspired and influenced this film. A Quiet Place and its sequels have been very disability-positive.

The problem is, sometimes even the positive portrayals are problematic. I still cringe over the characters of Duddits from Stephen King’s Dreamcatcher, and the autistic kid in 2018’s Predator somehow being an important factor in human (and Predator) evolution felt…well-intentioned but missed the mark. And just earlier this year, I read a recent book by an author I like which included a character with mental disabilities who was kind of psychic/magical, a secondary antagonist with a cleft palate, and a main antagonist with an eyepatch!

That’s why I’m glad that, as both the community and the genre evolves, more disabled writers join it and include disabled characters like themselves in their stories. I’m among those writers. The Shape of Evil‘s three main characters all have various disabilities, and in two short stories I wrote recently, the major characters all have disabilities as well. The stories themselves are still not published, but I’m working to get The Shape of Evil out there, and the other two stories will hopefully find homes soon after I edit them.

And as those stories, as well as other stories by disabled writers, get published, perhaps there will be ripple effects. The fiction we consume can have a noticeable effect on our perception of the world. Perhaps with portrayals that are just not more positive, but also realistic, we can make the world a nicer place for the disabled.

And given that 1 in 5 people have or will get a disability, but most of the US is still not accessible and laws aren’t always disabled-friendly, that would be nice.

Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.

To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!

Thus, I started working on it. And by the time I was done, it was three in the morning.

I regret nothing.

Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.

Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.

All this effort is hopefully going to pay off very soon.

And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”

Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.

So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.

And hopefully soon, I’ll be able to share some wonderful news with all of you.

But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.

That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.