Posts Tagged ‘Hulu’

Last year’s premiere of Castle Rock on streaming service Hulu garnered lots of attention and love from critics and from viewers, both longtime Constant Readers and folks unfamiliar with King’s work. When word of a second season reached fans’ ears, we got excited. Which Stephen King stories would they draw on? Would the showrunners make every season different, like early American Horror Story? Would the different stories be connected by more than just a common location, like later American Horror Story? Or would it be a continuing story with the same actors and characters, like every other TV series out there?

We sat down and watched ten episodes over the course of eight weeks. And while I can’t vouch for the rest of the fandom, I can say this season far surpassed season one.

Season 2 follows Annie Wilkes–yes, that Annie Wilkes–as she and her teen daughter Joy find themselves stranded in Castle Rock after a horrific car accident. They’ve come at an interesting time, as Castle Rock and Jerusalem’s Lot–yes, that Jerusalem’s Lot–are about to celebrate the latter’s four-hundredth anniversary, and the Lot’s growing Somali population are facing discrimination and threats of violence from the likes of Ace Merrill, nephew of pawnbroker and loan shark Reginald “Pop” Merrill. Annie just wants to have her car repaired and leave town before her past comes for her and Joy. But when someone finds out about who she used to be, events are set in motion that will bring not just Annie, but the whole town to the edge of sanity.

While Season 1 was more influenced by newer, weirder Stephen King, Season 2 was definitely more old-school King: visceral, terrifying, and at times very explosive. Drawing on elements from mainly Misery and Salem’s Lot, the storytelling is mixed with terrifying scares and fun twists (episode 7, am I right?). And even the things you see coming from a mile away (and there are a few) are told in such a way that you don’t mind seeing them coming. And you gotta love all the homages to and Easter eggs referencing King’s works, including a heartfelt tribute to The Body (aka Stand by Me) in episode 3.

Probably the best episode was episode 5, “The Laughing Place,” which gives Annie a new backstory. Honestly, I was a little unsure at first, but as the episode goes on, it just hits you with the weight of the story and the emotion behind it as Annie becomes the person she meets. Sure, Annie is changed from a metaphor for toxic fandom to a painful example of what untreated mental illness can do to a person, but here it works.

“The Laughing Place;” best episode this season.

The actors were also great. Lizzy Caplan’s Annie Wilkes is a wonderful forerunner to the character we meet in Misery, a woman trying to do right by her daughter even as she wrestles with demons that not even medication can fully contain. Tim Robbins (aka Andy Dufresne of The Shawshank Redemption) gives the character of Pop Merrill, in the books a greedy and scheming man, a human side with guilt and a history he’s trying to make amends for. Yusra Warsama is excellent as Dr. Nadia Omar, Pop’s adoptive daughter dealing with her world basically imploding due to what’s going on around her. And Barkhad Abdi and Elsie Fisher as Nadia’s brother Abdi Omar and Annie’s daughter Joy, respectively, give great performances as people trying to deal with their upbringing and at the same time move away from it towards something positive.

If there’s one thing I’m going to ntipick, it’s that I wanted to see more of John “Ace” Merrill. It’s not easy to explain this without spoiling anything, but basically we only get to see one side of the character for a single episode, and then it’s a different side for the next nine. And I kind of wanted to see more of that first side (though the second side is an excellent villain). Did that make sense? I hope it does.

Overall though, Castle Rock season 2 is a scary and tense thrill ride drawing from some of the best of King’s earlier works and then some. On a scale of 1 to 5, I’m giving the season a 4.8. Sit down and buckle up, you’re going places you never imagined going before.

And while no season 3 has been announced, I feel it’s only a matter of time before we get word on that, so let’s start speculating. Which characters will come back? What stories will be drawn on?* And can I please get a commission to write an episode for the show? Only time will tell.

*I’m hoping The Library Policeman, Needful Things and maybe Apt Pupil.

What did you think of Season 2? What do you hope to see in Season 3?

As it gets colder and the nights grow longer, you can count on two things: my dark powers get stronger, and Anne Rice releases a new novel. This year it’s Blood Communion, the latest chapter in the new additions to her Vampire Chronicles that started with Prince Lestat in 2014. I was first at my library to get a copy, and I couldn’t wait to dive in. And despite a busy October (three words: work is insane!), I’ve been steadily making my way through the book. And this evening, I managed to finish the story. As is my self-imposed duty, I will review it. Even if it does mean staying up later than I meant to.

What can I say? I’m a bear for work. At least the kind I do for fun.

Blood Communion follows Lestat as his Court is finally beginning to look like an actual royal court. However, at times he finds his own desires and morals standing opposed to what those in his council desire or believe. As the Brat Prince tries to reconcile what he believes with what he must do as Prince of the Vampires, new threats to the Court arise. Old and new enemies resurface, threatening all he loves. And if he wants any of it to survive, Lestat will have to make some very hard decisions. What he decides to do will determine not just what will happen to the Court, but to vampires everywhere.

I feel like this novel, more than many of the others in the Chronicles, would make a great arc for a future season of the upcoming Vampire Chronicles TV series.* The story feels oddly suited to an arc for a show based off these books and characters.

But as a novel, I liked it. Written with Rice’s usual focus on beauty, sensuality, spirituality, and emotion and with that detail to language that makes her style so unique, it’s not hard to get drawn in. And as the central conflict of the story becomes apparent, you really get caught up in Lestat’s battle not only for his friends and family, but for the very soul of the vampire community. At the same time, seeing Lestat trying to figure out what is the right path for him and his new Kingdom of the Night is compelling. It’s a conflict we haven’t seen this famous vampire have to go through yet (and he’s met the Devil), and I’m glad that Rice decided to explore this new facet of Lestat and the issues that arise from what he’s trying to do.

My one criticism is that I wish that some of the new characters introduced could’ve been given bigger roles and perhaps allowed to surprise us more. I know that there was only so much room and there had to be focus on the main conflict, but I felt that these new characters could’ve been a lot more interesting if they’d maybe shown up with different purposes and goals in mind.

All in all though, this was a satisfying addition to the Vampire Chronicles and I’m sure that if the show gets far enough, it’ll make for a great season of television. On a scale of 1 to 5, I’m giving Blood Communion by Anne Rice a solid 4. Pick it up, and drink in the majesty of the beginning of a new era of the Children of the Blood. I’m looking forward to seeing the next book in the series has Lestat and the Court doing.

Though if the next book Ms. Rice produces involves werewolves, angels, or mummies, I’ll also be excited to read that. What can I say? I’m flexible.

*Yeah, in case you missed it, Hulu’s developing a TV series based off Anne Rice’s books and starting with a pilot penned by her son and fellow writer Christopher Rice. As you can imagine, I can’t wait to see it. And is it too much to hope that Tom Mison or Christopher Eccleston can get roles on the show?

If it’s not obvious by now, I’m a big Stephen King fan (cue everyone who knows me saying in a torrent of sarcasm, “Gee, really? We had no effing idea!”). So when I heard some time last year that Hulu, JJ Abrams and His Royal Scariness Himself were collaborating to create a TV series set in his famous fictional town Castle Rock, you know I was interested. Fast forward to July 25th, and the first three episodes of Castle Rock premiered on Hulu. I didn’t write a review for them (I think that I was busy with a hundred other things that week), but I thought that the series had a strong start, and I was looking forward to seeing where the story went.

At the time I’m writing this, I’ve just finished Season One. How did it hold up?

First, the story. Taking place in the Stephen King multiverse, particularly in one of his frequent settings, Castle Rock, Maine, Castle Rock‘s first season follows Henry Deaver (Andre Holland), a lawyer who returns to his childhood town after receiving a call from nearby Shawshank Penitentiary after a prisoner (Bill Skarsgaard of IT fame) was found in its deepest depths, in a cage, with no name or other identity, only asking for him. Deaver, who left town after disappearing and then being found, only to be accused of murdering his adoptive father, tries to help this mysterious young man. But as he delves into this man’s case, as well as his own disappearance, he finds some strange connections between the two. And as violence starts building in the town, the race to figure out both mysteries takes on a whole new importance.

Okay first off, the cast is the best thing about this show! Every character utterly inhabits their character and make them feel like real people, some of whom you can imagine hanging out with (others, stay the hell away from). I especially liked Melanie Lynskey’s Molly Strand, a realtor with psychic powers and a history with Henry Deaver, and Sissy Spacek (yes, the original Carrie came back for another Stephen King story) as Ruth Deaver, Henry Deaver’s dementia-addled but still feisty and witty adoptive mother. And Scott Glenn as Alan Pangborn (maybe the only character who actually comes from a King story in this show) is a very sympathetic character, though he does come off at first as almost unlikable. Still, Holland as Deaver is the one who carries the story. We see things mainly through his eyes, and see how he struggles with all the baggage he carries as he tries to sift through all the confusion between events past and present.

I also liked the plot and how the story was told. It’s clearly geared towards people who are familiar with King’s works but still makes it accessible to those who haven’t seen the series. The writers also took the approach of a slow burn, taking their time to set up these characters and draw us in with the mystery while every now and then pumping things up to keep it interesting. And the writers weren’t afraid to take risks: two episodes are told entirely from the POV of a single character, and one of these episodes, through the eyes of Sissy Spacek’s character, is probably the best episode of the season.

Love Sissy Spacek in this show.

And finally, this does feel like a Stephen King story made for a television format. It’s not based on any particular story he’s written, but incorporates all of his stories, especially the ones set in Castle Rock, to give us a drama and a place that’s both familiar and new. Plus, you’ve got all the tropes you love (or in some cases, hate) from King: psychics, small towns full of secrets, religious fanatics gone crazy, sheriffs (or in this case, retired sheriffs), and of course, a whole bunch of weirdness that makes you go, “Say what? That works, but still, what the hell?”

Was there anything I didn’t like about Castle Rock? Well, a few things: one is that there’s a little too much weird. King’s been known to include a lot of odd concepts and sci-fi ideas into his work to varying degrees, and Castle Rock has a lot of that. The problem with that is, too much weird can lead to a lot of exposition and slow sequences where not much happens. Consequently, it also bites into moments where we could be totally terrified. And in my opinion, there weren’t enough of those moments, which is sad. Stephen King or Stephen-King inspired, his work is truly at its best when it features a shape-shifting clown hungry for children, or a Nazi war criminal burning cats alive in his oven,* things that make it hard for us to sleep. And that was lacking here.

On top of that, I didn’t like the season finale as much as I thought I would. It had its moments and explained a lot, but the climax could’ve been more epic, and I have mixed feelings on the final scene, both in what it featured and how it was told.

Still, all in all, it’s a great start to a series, and I’m looking forward to whatever they cook up for the upcoming season two (maybe something involving my man Leland Gaunt?). On a scale of 1 to 5, I’ll give Castle Rock a 4.3. Take a visit to the Rock, and hope that while you’re there, you come out with all your fingers attached.

That’s all for tonight, my Followers of Fear. Expect a review tomorrow for the season premiere of American Horror Story: Apocalypse (I’d review it tonight, but it ends after I should be in bed!). Until then, pleasant nightmares.

*I’m reading Apt Pupil right now, and that part had me frozen in my seat!