Posts Tagged ‘streaming service’

As it gets colder and the nights grow longer, you can count on two things: my dark powers get stronger, and Anne Rice releases a new novel. This year it’s Blood Communion, the latest chapter in the new additions to her Vampire Chronicles that started with Prince Lestat in 2014. I was first at my library to get a copy, and I couldn’t wait to dive in. And despite a busy October (three words: work is insane!), I’ve been steadily making my way through the book. And this evening, I managed to finish the story. As is my self-imposed duty, I will review it. Even if it does mean staying up later than I meant to.

What can I say? I’m a bear for work. At least the kind I do for fun.

Blood Communion follows Lestat as his Court is finally beginning to look like an actual royal court. However, at times he finds his own desires and morals standing opposed to what those in his council desire or believe. As the Brat Prince tries to reconcile what he believes with what he must do as Prince of the Vampires, new threats to the Court arise. Old and new enemies resurface, threatening all he loves. And if he wants any of it to survive, Lestat will have to make some very hard decisions. What he decides to do will determine not just what will happen to the Court, but to vampires everywhere.

I feel like this novel, more than many of the others in the Chronicles, would make a great arc for a future season of the upcoming Vampire Chronicles TV series.* The story feels oddly suited to an arc for a show based off these books and characters.

But as a novel, I liked it. Written with Rice’s usual focus on beauty, sensuality, spirituality, and emotion and with that detail to language that makes her style so unique, it’s not hard to get drawn in. And as the central conflict of the story becomes apparent, you really get caught up in Lestat’s battle not only for his friends and family, but for the very soul of the vampire community. At the same time, seeing Lestat trying to figure out what is the right path for him and his new Kingdom of the Night is compelling. It’s a conflict we haven’t seen this famous vampire have to go through yet (and he’s met the Devil), and I’m glad that Rice decided to explore this new facet of Lestat and the issues that arise from what he’s trying to do.

My one criticism is that I wish that some of the new characters introduced could’ve been given bigger roles and perhaps allowed to surprise us more. I know that there was only so much room and there had to be focus on the main conflict, but I felt that these new characters could’ve been a lot more interesting if they’d maybe shown up with different purposes and goals in mind.

All in all though, this was a satisfying addition to the Vampire Chronicles and I’m sure that if the show gets far enough, it’ll make for a great season of television. On a scale of 1 to 5, I’m giving Blood Communion by Anne Rice a solid 4. Pick it up, and drink in the majesty of the beginning of a new era of the Children of the Blood. I’m looking forward to seeing the next book in the series has Lestat and the Court doing.

Though if the next book Ms. Rice produces involves werewolves, angels, or mummies, I’ll also be excited to read that. What can I say? I’m flexible.

*Yeah, in case you missed it, Hulu’s developing a TV series based off Anne Rice’s books and starting with a pilot penned by her son and fellow writer Christopher Rice. As you can imagine, I can’t wait to see it. And is it too much to hope that Tom Mison or Christopher Eccleston can get roles on the show?

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I saw the trailer for this new Netflix film several weeks ago, and got intrigued. A British horror film taking part in Edwardian England and involving an isolated cult? Where do I sign up? So last night I made some popcorn and logged in to check it out.

Holy shit, I think we have a winner here!

Apostle follows Thomas Richardson, the prodigal son of a wealthy family with a past who comes home when he finds out that his sister has been kidnapped for ransom by a cult living on an isolated island off the coast of Wales. He goes undercover and joins the cult to save his sister, but finds that things on the island are not all that seem. Thus begins a twisted descent into insanity, religious zeal, and blood that will leave no one untouched.

This movie is wonderfully fucked-up. It starts out slow with very few hints of anything off, but over time throws in hints of how messed up things are, mainly strange actions on the part of the characters. As the film goes on, these hints become more obvious and horrific, involving blood, strange sights, and much worse. It creates this very unnerving atmosphere al a The Shining, only by the final third the film can sustain the intensity and somehow keep building on it. Just when you think that this film can’t get any more horrifying, it throws something new–a revelation about the characters, body horror, etc–to throw you for a loop. There were more than a few times I felt myself gripping my computer with white knuckles because of what I was seeing on screen.

The acting is great. I forgot that I was watching people in roles and thought they were the people they were playing for most of the film. And I especially liked how the film mainly relied on practical effects and only used CGI for minor touches. I prefer practical effects to CGI in most instances, and it’s good to see the director, Gareth Evans, seems to share my preferences. And a good thing too, as all the practical effects give this film’s body horror elements a realism that makes it especially disturbing and which would’ve lost their power if CGI or some other trick had been used.

If this film does have an issue, the plot does seem to meander at times. There are numerous subplots that are woven into the film, and while the majority of them do get resolved, a few don’t (what about that oath? Why wasn’t that picked up?). That might work better in a novel, where we can see the characters’ thoughts and that sort of thing can be explained, but in a film it’s a problem. So some people might find the story slow or boring because of the way the plot is set up.

All in all though, Apostle is a terrifying and powerful film and possibly a new classic of the genre that will stay with viewers long after they’ve logged off Netflix. On a scale of 1 to 5, I’m giving Apostle a 4.6.  If you’re brave enough, go check it out and begin your spiral into a world of trauma and terror that is rarely put to film.

Also, I wish the director Gareth Evans, who only has one other horror credit on his director’s belt, comes back to the genre soon. If Apostle is anything to judge by, I look forward to seeing what else he can contribute.

Saturday night usually means popcorn and a movie for me. This evening I decided to check out the new Netflix movie Malevolent. I figured it would be a good way to round out a day busy with cleaning, grocery shopping, home decor projects, and sacrificing teenagers* to an ancient deity so I could set in motion a series of terrifying events unlike the world has ever seen before this October.

Malevolent is set in 1986 Scotland and follows Angela, a university student who, along with her brother, fakes being a medium in order to make money for her brother’s debts. When they get called to an old manor that was the sight of several grisly murders however, they start finding that the afterlife they’d conned people over is very much alive, and can be very…well, malevolent.

This film’s got a decent, if rather overcrowded, first half. It sets up Angela’s worries about her life and her mental health, due to her mother committing suicide. It shows her brother Jackson as an opportunistic asshole who’s willing to take advantage of anyone just to pay off his loan sharks. And it sets up a decent Gothic location for the main action of the film. There’s also some good jump scares and a creepy atmosphere at times during this half. The best part is probably during the initial walkthrough of the house, when Angela is starting to realize this house may really be haunted. It’s visually powerful and puts you on edge.

However, the second half has a lot of problems. For one thing, it feels pretty rushed. Usually there’s a slow build up to the climax, but in this film it just goes from zero to sixty, and not in a good way. If they maybe added twenty minutes to half an hour more, I wouldn’t feel so whiplashed. Also, the tone during the second half is a little inconsistent. Like it can’t decide if it wants to be a Gothic ghost story or a thriller story about serial killers. Along with a twist introduced in the last twenty minutes that seems more shoved in than clever, it just takes me really out of the film.

Also, why was this film set in the 1980s? I know that’s like the popular trend these days, to put your story in the 1980s, but there’s no reason at all to do it in this film like in Stranger Things or another 80s-set show or movie. You could do this in the present, and you’d get the same effect. In fact, I think it might be better if it were set in the present. It would feel less gimmicky if they used GoPros instead of big, bulky video cameras.

Overall, Malevolent can’t capitalize on the interesting setup it promises. On a scale of 1 to 5, I’m going to give this film a 2.5. Frankly Followers of Fear, there are better Netflix horror films to peruse. I suggest you go and find some if you want some pleasant nightmares.

*Don’t worry, the teenagers were unharmed. The sacrifices were symbolic. The deity, however, was very much real. I’ve got a bandage on my left thumb as proof.

Veronica dropped onto Netflix back at the tail end of February. A Spanish film directed by Paco Plaza, best known for the critically acclaimed REC films, it quickly gained a reputation as “the scariest film on Netflix.” I try not to pay attention to that sort of hype, but any film that was getting that sort of recognition is likely going to make it onto my watchlist. Last night I watched it, and I would’ve reviewed it right then and there, but it was late, so I went to bed. And then today I had a busy morning and early afternoon. So I hope you don’t mind that I’m getting this post out so late.

Based on actual events,* the film follows Veronica, a Spanish schoolgirl living in Madrid in 1991. Since her father’s untimely passing, her mother has been working long hours at a restaurant/bar, leaving Veronica to care for her younger siblings. One day, Veronica and a couple of classmates bring out a Ouija board so that Veronica can contact her father’s spirit. Instead she contacts a dark entity that seems intent on not only haunting/killing Veronica, but her younger siblings as well.

While I won’t say this is the scariest film on Netflix (Lord knows I haven’t seen enough of their selection to say that), it is a damn good scary movie.

While the film is filled with the normal tropes of many possession movies–things moving on their own, scary invisible or shadowy entities, people acting totally creepy uner the influence of the evil spirit–they’re done so well that you forget that you’ve seen these tropes before. The actors all do a very decent job, especially newcomer Sandra Escacena as Veronica, who really makes you believe she’s this character and sympathize with her troubles. I also seriously loved Sister Death, a blind, elderly nun who helps Veronica realize what she has to do to fight the spirit after her (because of course there’s going to be a nun who gives advice). For an old blind woman, she’s a bit of a badass, and was never dull when she was on screen.

But on top of that, the film doesn’t go overboard with the fact that it’s a period film. Most properties taking place in popular recent decades do everything in their power to remind you that they take place in that decade. And while that’s not necessarily a bad thing and is sometimes part of the charm (see Stranger Things or Ready Player One), it’s kind of refreshing to see a film that’s more focused on its story than on its culturally-popular decade.

There are a couple of things that take away from the film. For one thing, there are trippier moments in the film, like a scene where Veronica is running across the print of a page from an occult magazine on the way to her mother’s restaurant, that feel rather unnecessary and add nothing to the film. On top of that, for being the titular character, Veronica isn’t the most developed character. Yeah, she’s a responsible teenager taking care of her younger siblings and misses her father, but those are just character tropes. They don’t make Veronica herself memorable like Carrie on prom night was memorable, or how Annabelle the doll is memorable without being anything more than a creepy, possessed doll. In the end, I’m going to remember the film more than I remember the actual character the film is named after.

And as I said, this film is filled with a lot of familiar tropes. And while I’m fine with that, I know there are a lot of other horror fans who won’t care for that, no matter how well done they are.

But all in all, Veronica is a definitely a new gem in the horror film genre. On a scale of 1 to 5, I’m giving this film a 4.5. Head to Netflix, turn it on, and get ready for an experience you won’t be able to look away from.

*No seriously, something did happen. Apparently in 1992 a bunch of Spanish schoolgirls did use a Ouija board, only to have the ceremony interrupted. One of the girls later died because of a mysterious illness, which some have suggested might’ve been due to demonic possession. So while we’re not exactly sure what happened, there’s enough there that this film has more of a claim to the “based on actual events” tagline than Texas Chainsaw Massacre ever did.