Posts Tagged ‘scary stuff’

Reborn City

It’s been a while since I actually sat down to write a blog post, so I guess it’s a good thing I’ve got two posts to write today. The first is, as you’ve probably already guessed, the announcement that Reborn City, my first published novel, has been out for an entire month (I would’ve advertised it being out for one week and for being out two weeks when we hit those milestones, but I was afraid I’d get on everyone’s nerves. Now I actually think it might’ve been good to advertise it a little more).

So far ten copies of RC, five paperback and five e-book copies, have been sold, and I’m hoping to sell a lot more with the holidays upon us. I’ve received one review so far, from Canadian science-fiction author and friend Matt Williams, who gave it four stars on Amazon. And soon I might get more reviews: my sister read the book and said she liked it, and would give a review as soon as she could, so I’m looking out for her review.

If you’re only hearing about Reborn City for the first time and are wondering what it’s about, here’s the blurb I wrote for the paperback:

Zahara Bakur is a Muslim teenager recently moved into the gambling town of Reborn City. After her parents are killed by gang violence, Zahara is forced to join the Hydras, an interracial gang whose leaders have supernatural abilities. As the violence in Reborn City escalates and Zahara becomes closer to the Hydras, including the quiet but stern Rip, she finds herself drawn into a dark conspiracy involving the origins of the leaders and the shadowy corporation that rules over Reborn City.

If that’s piqued your interest, then by all means please go check it out. It’s available from Amazon and Smashwords, and I believe both books offer short previews of what’s inside the book, available in both e-book and paperback format. And while I have your attention, I’m going to also put a shout-out for my collection of short stories, The Quiet Game: Five Tales To Chill Your Bones, also available from Amazon and Smashwords.

Alright, enough advertising for now. I’ve got a review to write and then I’m going to work on Ch. 24 of RC‘s sequel, Video Rage. Wish me luck!

Time again for my Weekly Exercises. These flash fiction pieces are part chance to practice my craft, part chance to hear feedback from readers, and part shameless plug to get you interested in my published fiction. Remember, the Weekly Exercises are dependent on your feedback, so if you like what you’re reading or absolutely hate it, please let me know. Also, if you have an idea for a Weekly Exercise, let me know. You may see your name and idea here on this blog. And finally, if you wish to read any more Weekly Exercises, they can all be found on their own page.

This week’s exercise is in memory of all teens who have been or are currently being cyber-bullied. What you are going through is horrible and you do not deserve it. Be strong. Trust me, it gets better.

~~~

Amber found Edna’s Facebook profile and laughed. There was a picture of the fat bitch with a dog and her younger brother. Well, she wasn’t really fat, she was just a bit rounder than the other girls. But she was still a bitch. A fat, ugly bitch who listened to weird music and sat in front of her computer all day and had flirted with Amber’s boyfriend. Didn’t matter if they were going through a rough patch, the bitch still had to pay for breaking the rules!

On Edna’s status, she’d written the words “Enemies Beware. Be Kind To Others Even If You Don’t Like Them.” What the hell did that mean? Didn’t matter. The bitch was going to get what she deserved. Clicking on the comment space, Amber wrote “Ur a fat, ugly pig. Why don’t u go sterilize urself. Cow.” Amber clicked Enter.

Nothing happened. Confused, Amber clicked Enter again. Still nothing. Now Amber was pissed. How come the damn comment wasn’t showing up? She groaned and tried to refresh. Now she’d have to write the comment all over again.

She clicked the Refresh button and suddenly Edna appeared on the screen. Amber’s eyes widened as Edna waved at her. “Were you planning on doing something?” she asked, glaring at Amber through the screen triumphantly. “Not going to work.”

Amber felt her anger flare. “What the hell are you doing there?” she hissed. “You’re not supposed to be on my computer—”

Suddenly Amber was unable to speak. She felt overwhelming despair come over her, like she’d suddenly been told that everybody hated her. In fact, she was sure that they did. Everybody hated her. She didn’t have a single friend in the world. But just as surely as the feeling had suddenly come, now it was gone. Why had it come? And where had it gone?

Edna only laughed. “Now you know how it feels.” she said. “Don’t do it again if you don’t want to feel it again. That’s the curse I cat: anyone who tries to bully me feels what it’s like to be bullied. Not very fun, is it?”

Edna disappeared. And Amber, for the first time since she was a little girl, cried in shame.

The final article in my series of the various common themes (aka “beauties”) found in science fiction, fantasy, and horror. What started as a discussion in class led to these three posts: The 7 Beauties of Science Fiction, The 7 Beauties of Fantasy, and now the 5 Beauties of Horror.

Now, as to why there are only five beauties in horror, I have an explanation for that: simply, horror often crosses genre. When it features supernatural creatures or monsters from another planet or realm, it’s horror crossing over into fantasy or science fiction. When the story features more human monsters and less of a supernatural aspect, it tends to cross over into the suspense and thriller genres. In that sense, it’s very difficult to get into pure horror, because that’s so difficult to define. So instead, I opted to go into some general themes you find in all forms of horror, no matter what genre they cross over into.

If you have any ideas on how these could be expanded, please let me know. I’d love your opinion on these beauties, since I came up with them on my own (not a lot of horror fans in my science-fiction lit class sadly, or at least not any fans who are as into it as I am).

1. The antagonist–the starting point of the story. Often you can define a horror story by its antagonist. because that’s often what comes first in planning a story and what you use to describe the story: “it’s a story about a murderous ghost”, “it’s a vampire novel”, “there’s a serial killer terrorizing this small farming town”, etc. And in this capacity, I’d like to mention that the antagonist can count as something else if there’s no real human antagonist. For example, in my short story “Addict”, there wasn’t a human or demon up against the narrator. Instead his own addictions were the antagonists of the story. So the antagonist would be more like the evil in the story that wants to do the characters harm or is already doing them harm, I guess.

2. Characters and setting. Usually after I’ve come up with the villain of a story, I start to create the other characters and the setting. The latter can also be a character, such as a haunted house or a forest (if you have trouble believing me on that watch the first season of American Horror Story to see what I’m talking about). I ask myself, who are the characters? Why are they opposite or beside the antagonist? Where is this all happening? What is each character like? All important questions that the author goes into in creating the story.

3. Conflict–there’s going to be one. If there’s a vampire in town, there’s either a vampire hunter or some townsfolk who are going to try and kill the vampire. If someone’s girlfriend has been kidnapped, expect someone’s going to try and get her back. If there’s an evil ghost trying to claim the lives of a family, there might be an exorcist or a paranormal investigator or a really angry mom trying to keep the kids safe from whatever is menacing her family. That conflict is the driving point of the story, and it sets up for the next beauty.

4. Fear. This one seems obvious, but it needs stating anyway. In a horror story, the point is to get the reader or viewer scared silly by telling a story and using the various elements within to terrify. Whether it’s a feeling of being watched, of something out fo the corner of our eyes, of something jumping out, or something just damn strange that we can’t put our fingers on, the whole point of the story is to scare, to create that fear, and it’s up to the storyteller to figure out how to do that and do it well. Otherwise the storyteller has to rely on silly gimmicks like sex or too much blood or watching teens get drunk, stoned, and naked.

5. Rules–there is an MO to what’s happening. Vampires can’t walk in the sun, the killer only goes after people who enter his father’s old prison, the ghost tries to take the souls of children from their parents. There are rules to how the antagonist operates and how it can be taken down. And for the most part, those rules are concrete, or else the story makes no sense and the reader/viewer will lose interest due to disorientation and confusion.

I hope you found these helpful. And once again, if you have any suggestions on how to improve this list, let me know. I do better on this sort of stuff in a group setting sometimes.

Time again for my Weekly Exercises! These flash-fiction pieces are part chance for me to practice my craft, part chance for the readers of my blog to let me know how I’m doing as a writer, and part shameless plug to get people interested in my published fiction. Remember that the Weekly Exercises are dependent on reader feedback, so if you have any thoughts, let me know.

If you would like to check out other Weekly Exercises, please check out their page. And if you have an idea for a Weekly Exercise, let me know. You might see one based on your idea here with your name on it.

That’s all right now. Enjoy.

~~~

Josef Mengele woke up with a start. He was strapped down to a metal chair in his kitchen and someone had placed a gag in his mouth. He tried to call out, but a voice said in his ear, “Nobody’s coming to save you.” From behind him appeared two men and a woman. Mengele didn’t recognize either of them.

“We’ve been looking a very long time for you, Josef Mengele.” said the woman, speaking German with a Polish accent tinged with some American. “Almost ten years, in fact.”

“Do you know who we are?” asked one of the men, whose voice sounded like the one Mengele had heard only a moment before. He was dark-eyed and he had a long, scraggly beard. Mengele shook his head, which made all three intruders smile humorlessly. “We guess you wouldn’t. After all, you caused so much pain for so many. How can you expect to remember three prisoners?”

Mengele’s eyes widened. His three captors pulled up their shirt-sleeves, revealing strings of numbers appearing on their arms. Survivors of the camps, and they had him tied up and at their mercy! How did this happen?

“We’ve been tracking you for a while, Mengele.” said the second man, young and curly-haired. “We and so many of your former patients. We formed a little group after the war, you know. All to find the killers who had escaped justice. You’re the latest find out of twenty-three former Nazis. Yes, twenty-three. We made sure they suffered before they all died too.”

“Do you have anything to say for yourself?” said the bearded man, removing the gag from Mengele’s mouth.

Mengele coughed and spluttered before speaking. “Look, I don’t know what you’re talking about.” he said. “I was an innocent lamb. I had no idea what I was doing, I was just following orders—!”

The woman slapped him. “No lies!” she hissed, her eyes ablaze with anger. “No more lies! You separated me from my husband and son! They died in the gas chambers and never received a grave. And you put me through hell, making me work and then cutting me open and then sewing me back up. And you had no problem with your lab assistants having fun with me! Don’t claim that you’re a little lamb! My husband and son were lambs! You’re a wolf!”

“The courts will vindicate me.” said Mengele. “You’ll be punished for this ludicrous behavior. But if you untie me now, I’ll forget this ever happened—”

The three captors laughed, shocking Mengele into silence. “You think we’ll give you to the courts?” said the curly-haired youth. “That’ll take too long. You’ll commit suicide before anyone can punish you. No, we’ve got something better planned for you.”

Suddenly a black shape appeared in the kitchen, floating just above the kitchen table. Mengele stared as a monstrous face emerged from the black shape, its eyes fiery red like hot coals. “What is that?” asked Mengele, terrified.

“The Angel of Death.” said the bearded man. “You know, the namesake for your nickname? He decided to help us punish the Nazis we track down. He gets your soul while you’re still alive, and we give him ourselves over to him ten years early.”

“You’d make such a deal?” said Mengele, not taking his eyes off the Angel of Death. “Why would you give up your lives after surviving the camps?”

“Because it’s worth it.” said the woman. “I’ve been only living a half-life since I left the camp anyways. Giving myself over to Death early makes the nightmares quiet, because I know I’m getting the retribution I seek. And whatever’s on the other side, it’s better than what you’ll ever get, even if I never see my husband and son again.

“Have fun in Hell.” said the bearded man. “It’s your turn to feel unending misery and terror.”

Mengele screamed as the Angel of Death wrapped itself around him. Then he was falling through a tunnel, before crashing on the shore of a sea of fire. In the sea of flames, being poked with pitchforks by ghastly monsters were Nazis of all ranks and branches and ages. Some of them Mengele even recognized. There was Goebbels and his wife, and there was his assistant at Auschwitz, and there was a corporal he’d known in Berlin, and—was that the Fuhrer being ripped apart by hooks in his skin as demons tried to reel him in from all sides like a fish?

Before he could even process that the same fate awaited him, something kicked him into the sea of flames.

As you will see, there’s a really bad pun in the title of this post.

You ever have that song stuck in your head, and you can’t get it out of your head but you really don’t want it to become unstuck? And for those writers out there, do you ever wish that you could find some way to connect that song to your writing? Both happened to me today. And here’s the kicker: the songs in my head were from the musical The Phantom of the Opera, based on the novel by Gaston Leroux (you see why I said there was a bad pun in the title?). What’s worse was that I wanted to write a story written around The Phantom of the Opera.

Sometimes ideas come to me quickly when the inspiration strikes. Today it didn’t. I had to actually spend all day thinking about this story before I came up with something. The story for it was there, I just couldn’t get quite the grasp on it. And it wasn’t until I read some poetry by a friend and stepped out of the shower this evening that this idea for a POTO-based story came to me. I literally started jumping up and down in the bathroom with excitement. I was so happy to have this idea before I went to bed.

Now I’ve written the idea down and I’m writing it here because I wanted to share it with you. It just seemed like the sort of story in my life that I wanted to share here on my blog. The idea involves magic, some familiar characters from the novel and the musical, and a supernatural war playing out in Ohio, New York, Washington DC and Paris, all in the course of at least three books (I love how my mind works. It just comes up with the strangest elements to add to my stories). There’s darkness, there’s intrigue, there’s even a little forbidden love involved. If I ever get the chance to write it, it’ll be awesome.

Of course, I’ve got a pretty full schedule, so I’m not sure when I’ll be able to write it. Hopefully some time soon, right?

Well, I’m going to sign off now (first time I’ve ever said “signed off” in over two years of blogging. How’s that for random?). It’s late, and who knows? I’ve gotten some great ideas from sleeping and dreaming. If anything comes up, I might just let you know. So goodnight, Followers of Fear. See you in the morning.

Time for my Weekly Exercises (and a day earlier than promised). These flash fiction pieces are a chance to practice my craft, as well as get feedback from readers, and to possibly get them interested in my published work. Remember, the Weekly Exercises are for the readers, so if you like what you read, let me know.

This week’s Exercise is a special one, and not just because it’s the thirteenth. I’ve included a little section after the Exercise to explain why this one’s special. I’d suggest for you to wait until after you’ve read the Exercise to read that explanation, but scroll down if you want to. Just recognize it’s a much more impactful story if you read the additional stuff afterwards.

For more Weekly Exercises, please follow the link here. And if you have an idea for a Weekly Exercise, let me know. You may see your name and idea in a future Weekly Exercise.

~~~

Mark pulled the Toyota Sequoia into his usual parking spot and got out, sweaty and close to puking. Still he managed to keep his stomach down and went to inspect the front of the car. When he saw the blood, he actually did throw up.

He couldn’t believe it had happened. He’d been driving home from a party at his friend’s frat house after a few hours of boozing and a comfortable three-quarter hour with a lovely coed. He was slightly buzzed, but not enough that he thought it’d be a problem to drive. Besides, what did he care? He was doing well in his classes, he’d probably ace his exams, and he was graduating a semester early with a 3.7 GPA. What could go wrong with his life?

He’d been a block away from the intersection at Fifteenth and High, and the light turned green. He’d stepped on it, not even bothering to slow his speed or put on his turn signal as he went into the turn. It was then he’d first seen the pedestrian, a guy in a navy-blue coat and a wool hat crossing High Street. Mark saw him, but didn’t react. Neither did the pedestrian, who had just seemed to notice that a big white car was heading for him at nearly forty miles an hour.

There was a sickening crunching noise as the car’s nose hit the pedestrian head-on. He flipped -over onto the hood, rolled up to the windshield, bounced off the glass, and then off the car and onto the street. Mark hit his brakes, skidding to a stop in the left-hand lane. He looked behind him, seeing a crowd of people gathering from the nearest bar and from the street corners to see what had happened. The pedestrian lay on the ground unmoving, while people took photos with their phones and pointed. Still the pedestrian didn’t move.

Mark didn’t know how long he looked out the back of his car, but then he noticed people pointing at his car and he’d snapped back to life. He’d pressed down the gas pedal and bolted before anyone could stop him or call the cops. Mark didn’t stop driving until he was far from Fifteenth and High, and only then did he slow down enough to make it home in the narrow streets in his neighborhood without hitting anyone or anything else.

He’d killed that guy. He was sure of it. The amount of blood his car had brought with them, the poor bastard couldn’t have survived. Perhaps Mark should turn himself in—no, he couldn’t. He was going to graduate in a few weeks, and he had an interview with Safe Auto tomorrow afternoon. If he was even charged with killing someone, he could kiss his chances of graduating and employment away.

He’d have to get rid of the evidence. The window wasn’t cracked and the hood was only a little bent out of shape. If he could get the blood off his white car, nobody would know the difference. Mark turned to get a bucket and a sponge from his apartment, but standing in his way was a person. Except the person was covered in blood, his jaw nearly torn off, and his arm was bent at a weird angle. He couldn’t be a real person, could he?

Mark stepped back as the monstrous man limped towards him. It was then that Mark noticed the guy was wearing a navy-blue coat and a wool hat. It was the pedestrian he’d hit. “Hey dude.” said the pedestrian, looking at him through broken glasses. “You know, that was kind of dickish back there. I mean, you just left me in the street so that people could take photographs of me and post them to Facebook! What was up with that?”

“Stay away from me!” shouted Mark, but the ghostly vision came closer. Then it extended his good arm and pushed Mark into the front of his car. Mark felt the blood against his back, and he screamed.

“You didn’t care, did you?” shouted the spirit. “You just ran off to preserve your perfect life! My life’s gone now, it’s all over the ground and your car and your back.”  Mark stared in horror as the spirit started to fade in front of his eyes. “Well, guess what? Karma’s a bitch.”

The spirit disappeared. For a second, Mark thought he’d imagined the whole thing, but then his car roared to life behind him. He turned around and saw the pedestrian’s ghost in the front seat of his car. “Hey, I never got my license.” shouted the spirit, leaning his head out the window. Do you think I can still drive this and kill you?”

Mark screamed and ran. The car followed, its demonic driver laughing maniacally. He ran, dodging the car every time the engine gunned and it tried to hit him. At some point Mark realized that the ghost in the front seat was pushing him back towards High Street. But why? Did he want him to die like he’d died, on the very same street as he did?

Finally he broke onto the open lane of High Street, not seven blocks from where Mark had hit the pedestrian. The car chased him towards Fifteenth, a chase in the middle of the busy street. People watched as Mark ran, chased by his own car. Finally between Fourteenth and Fifteenth, the car’s engine died and the car rolled to a stop in front of a closed bookstore. Mark stopped running, unable to believe he was still alive.

“Excuse me sir?” said a voice. Mark turned and saw two cops coming his way from a sea of police cars surrounding the crosswalk where Mark had hit the pedestrian. And there, unnoticed by anyone, was the pedestrian’s ghost, sitting on top of one car. He waved as the police inspected him and his car.

Now Mark’s life was over too. The spirit disappeared.

~~~

I don’t know if I’ve ever mentioned this on this blog, but back in February of this year I was hit by a car on the way to class. Luckily I got off with only a few bruised ribs and a scrape or two, but I was pissed, especially when the driver only waited for me to get up and start swearing before she tried to drive off. She didn’t get very far though, because the street we were on was not only full of cars and pedestrian traffic, but a construction site was nearby. She was arrested twenty feet from where she’d hit me!

Ever since that day though, I’ve been weary of getting hit again, and every time I cross a street, I’m watching twice as hard for anything that might hit me. Good thing I’ve been so vigilant, because last night as I was walking back from seeing the new Thor movie, I was crossing the street and a car nearly ran me over. And yes, it was a white Toyota Sequoia. If I’d taken a second longer to react, I might be a pancake in the road. And the way the driver reacted–actually, how he didn’t react at all to nearly hitting a pedestrian while driving too fast in a turn.–let me know that he would’ve just driven away as well if he’d hit me.

So as part therapy, part fun of writing, part warning to anyone who reads this blog and drives, and part imagining what might happen if he’d actually hit me and I could come back as a ghost, I dedicated a whole Weekly Exercise to what’d nearly happened to me. And now that I’ve written this out, I can say I can continue on with my life with just as much enjoyment and energy as usual.

Well, maybe with a bit more confidence and pride that my hyper-vigilance around traffic isn’t out of just paranoia and it’s actual useful. Good night everybody!

I’ve been meaning to write this post all weekend, but I’ve been crazy busy with homework (ah, the life of the busy college student with less than four weeks till finals). Anyway, this past Friday several people bought or downloaded copies of Reborn City. Before Reborn City came out, I’d sold nearly fifty copies of The Quiet Game: Five Tales To Chill Your Bones. With the additional copies of RC, I realized something: I’d sold fifty copies of all of my books, total.

Now, I know that’s not as prestigious as selling fifty or a hundred or a thousand copies of each book. But for me, it’s a big deal, especially as a self-published author. I remember very well when no one was reading this blog, let alone showing any interest in my writing. The fact that I’ve come this far, that people want to read my blog and that at least enough people for a mid-size class at my school want to read my book means a lot to me.

Still, I want to sell more copies of my books. Which is why I’m making an announcement. I wrote an article for Self-Published Authors Helping Other Authors a few days ago about how the publishing platform CreateSpace is offering new, free distribution options for its authors. I was hesitant to put either of my books through these channels though, because it would mean a higher price to buy my books. Not only did I not want to put a strain on my readers, but I was afraid new readers wouldn’t want to read my work because it cost more.

I’ve since changed my mind. My books will be available in bookstores and libraries if I were to take those distribution channels. Heck, I could reserve my own book from my local library! That would be amazing! And there’s always a chance someone will want to read the book even if it’s a bit pricier than most supermarket paperbacks. So look forward to possibly seeing RC and The Quiet Game in your local Barnes & Noble or library in the future, okay?

In the meantime, I’ve got some work to take care of. I’m hoping to get my homework done tomorrow, and to write a Weekly Exercise as well. Wish me luck, okay? Good night everybody!

It’s time again for one of my Weekly Exercises. These flash fiction pieces are my chance to practice my craft, as well as receive feedback from my readers and possibly get them interested in my published work. Remember, the Weekly Exercises are dependent on reader feedback, so whatever you think, please let me know in a comment if you have the time.

Also, if you’re interested in reading the other Weekly Exercise, just follow the link here.

~~~

Daddy always said that Mommy had disappeared and that they didn’t need her because she was a whore and a bitch and they didn’t need that kind of woman in the house. Sometimes Devin thought otherwise, because surely Mommy was nicer than Daddy no matter what she was. Daddy was always angry about something, and he was angrier when he drank. One time Devin tried to ask Daddy not to drink because it only made him angry. Daddy punished Devin by making him wear a dirty diaper he’d stolen from the neighbor’s trash can and stand in the dark closet with the rats.

But now Devin wasn’t so sure that things were better with Mommy. Because Mommy had come back. At first Devin was glad to see Mommy again, but then Mommy had pulled out a knife. Daddy had been sleeping on the couch, burping and farting in his sleep. Mommy had stabbed Daddy while Devin watched. There was a lot of blood, and some of it got on Devin. She stabbed him again and again. And Devin could only watch and cry.

At some point Mommy stopped stabbing Daddy and looked at Devin. It was like she’d never noticed him standing there till now, judging by the look of surprise on her face. “Devin!” she said. “What’s the matter?”

Devin could only cry harder as he tried to speak to his mother. “Why-why did you stab Daddy?” he hiccupped. “Why?”

Mommy smiled, and her pearly-white teeth scared Devin because they looked like rat teeth. “Because I’ve always wanted to.” she said. “And because I can.”

A couple of weeks ago, I wrote a post about the scariest scene I’d ever written in my career. It was a pretty intense sexual assault scene, so bad that I had to go out shopping in the middle of a downpour just to find my center and write about it in a blog post (it was that bad). Two of the concerns I had with the scene was if it would deliver the emotional effect I was looking for, and was it well written?

Well, I can’t really testify as to the former question. Only readers of the story could tell me, and that novel is still in its first draft. But for the latter, I might have an answer.

The book I’m reading for class right now.

I’ve mentioned before that I’m taking a literature class that covers science-fiction literature (and a couple movies). One of the books we’re reading is called The Windup Girl by Paolo Baciagalupi, and early on it has a pretty terrifying rape scene. I found myself reading it on my couch, putting a hand over my mouth as it ended. I was thinking about it the whole rest of the day and well into the evening, trying to wrap my head around it.

And then I realized something. I felt these same emotions writing my own rape scene. Not at the same intensity, but close to it. And it was written in a similar way to my own scene as well. In fact, I thought to myself, “There are many similarities between the scene in Baciagalupi’s novel and my own draft for Laura Horn.” Now I’m not saying I’m on par with a novelist who’s won the Hugo and Nebula Awards (and besides, his scene had some sci-fi twists, making it very different from mine), but the similarities really sprung out at me, especially the emotional similarities. It made me realize that wondering whether it’s well-written–whether I included the right words, whether I was describing anything right–was the wrong thing to worry about.

Instead, I should be worrying about delivering the emotional impact that you’d expect from a rape scene. The terror, the humiliation, the pain, the anger, the crushing despair. I should be more focused on those aspects of the writing when I write those sort of scenes. If I do that, the well-written part will somehow weave itself into the scene.

So now that I’ve figured that out, I think I’ll approach those scenes very differently in the future, should I decide to do one again. In the meantime though, I think I’ll go to bed, as it’s getting quite late. Goodnight, my dear Followers of Fear (that’s what I’ve started calling people who read this blog regularly, along with those on my Facebook page and Twitter feed. Do you like the nickname?).

Oh, and for those of you who are wondering when I’m going to end this self-imposed hiatus on my writing (if anyone’s wondering that at all. I’m sure most of my readers have more important things to think about, but you never know), I promise you it’ll be as soon as my workload clears up a bit. That might not be till after final exams, when all I have is work at my job and whatever’s on TV or whatever I’m reading at the moment, but on the plus side, exams are in four or five weeks, so it’ll be soon. And then I plan on writing up a mean storm of fiction! It’ll make up for all I’ve missed during NaNoWriMo!

It’s time for my Weekly Exercises. These flash fiction pieces are part chance to practice my craft, part sounding board to see what works with readers and what doesn’t, and part shameless plug to get people interested in my published work.

If you like or hate this week’s Exercise, please let me know. I appreciate feedback, positive or negative. And if you want to read past Weekly Exercises, please click here.

~~~

Darla led her cousin Will through the fields behind her Daddy’s farm, pulling on his hand as she led him through the tall stalks of corn. She giggled and he laughed, letting himself be pulled along. Overhead, the country moon shown bright above them as they raced for the woods behind Old Man Keller’s house, where they would have some alone time.

Will had come to stay with them this summer because Darla’s Uncle Pete thought that Will’s city friends were bad news, and he wanted Will somewhere away from that sort of environment. Darla didn’t mind at all. She and Will hadn’t seen each other at all since they were both four years old, and in that time Will had gone from a cute little boy to just plain cute. Plus he had that big-city swagger and confidence and that dialect you only heard in the city and in the blockbusters they showed at the theater in town. It made Will that much cooler, and if he didn’t mind, Darla wouldn’t mind herself if they were kissing cousins for the summer.

“So what was your Dad talking about earlier?” asked Will when they reached the woods. “That Owl-Man thing he mentioned?”

Darla groaned; her father had probably figured out that she planned to take Will out to the woods and had tried to make her reconsider by mentioning sightings of the Owl-Man in the woods and in the fields.

“It’s just an old urban legend.” said Darla. “That the guy who owned Keller’s woods before he did was into black magic and one day he cursed himself with an owl’s head, so now he lives in the woods pecking the eyes out of anyone who crosses into his woods and sees him so he can keep his secret. It’s just meant to keep kids from making out in the woods. The real reason why nobody should go in is because Old Man Keller has a gun.”

“Then why are we going in?” asked Will.

“Because it’s the only place nobody goes to make out.” said Darla with a wink. “We’ll have the whole place to ourselves.” Will grinned as they ran into the trees. When they were a ways in, they stopped and Will pulled out two of Daddy’s beer cans from inside his jacket. They were about to take a long deep drink when they heard a branch break. Both froze, looking around in case someone had followed them in. There was no way around.

Shrugging, they toasted each other with the beer cans and took a long gulp. The beer tasted dark and full of teenage rebellion. Darla wiped her mouth and looked at Will. She wondered if this was a good time to see if he wanted to kiss when there was another cracking noise. Will stood up, looking around. “Somebody there?” he shouted.

“Oh, sit down.” said Darla. “It’s probably somebody who had the same idea as us. And if Old Man Keller hears you, he’ll shoot you—Eek!”

A man emerged from the dark, holding a rifle in his hands. Darla couldn’t make out his face very well, but from the smell of tobacco and his girth she was pretty sure that it was Old Man Keller.

“Oh, hi Mr. Keller.” she said. “Um…we were just leaving. So if you don’t mind telling my Daddy about this, that would be great. ‘Kay?”

All Old Man Keller did was fall over onto his belly. Darla jumped away, spilling beer all over her shirt. Why was he so big? And why did he fall down? He had nearly crushed her!

Will turned over Old Man Keller, asking him if he was okay. The next moment he jumped away, his face suddenly green. Darla looked at Old Man Keller and saw that his eyes were missing from their sockets. Darla screamed, dropping her beer can in fright. She must’ve stood there screaming for half a minute before Will pulled her away. They were running away at top speed, heading through the cornfields and back to Darla’s house. When they got there, they stood bent over their knees, breathing hard.

“What was that?” asked Will. “Why were his eyes–?”

“Didn’t I tell you kids not to go out to Old Man Keller’s woods?” said a voice, Darla’s Daddy’s voice. Darla and Will jumped, looking around for Darla’s dad. “Owl Man’s watching for anybody who goes into his woods at night who shouldn’t be there. That includes his own family.”

They looked up and saw a man in a T-shirt and overalls standing on the roof. At first Darla recognized her father and was glad he was there. But then feathers sprouted from his face. And then to her horror he jumped down, his beak clicking loudly for eyeballs to eat.

She screamed until her own throat was torn out.