Posts Tagged ‘See What I Have Done’

As you know, I’m a bit of an enthusiast when it comes to Lizzie Borden, the woman who allegedly murdered her stepmother and father, in that order, was acquitted at trial due to prosecutorial bungling as well as societal attitudes about women at the time, and who allegedly haunts the house where those same murders happened. I’ve stayed overnight at the Borden House, now a bed and breakfast; I’ve read a book or two about it, including See What I Have Done by Sarah Schmidt; and I’ve watched more than a few adaptations about the murders, including the famous 1975 TV movie The Legend of Lizzie Borden.

So when I heard a new movie was being made on Lizzie and the murders, I was intrigued. It had some big names attached, including Chloe Sevigny and Kristen Stewart. And the trailer made it seem like this was going to be a really tense thriller film. I was willing to see it in theaters, but the film was only given a limited theatrical run and it wasn’t playing anywhere near me (or in Ohio, as far as I can tell). So when my library’s copy came in for me today, I actually rushed over to pick it up with the goal to watch it tonight.

I can see why this was given a limited release.

Lizzie retells the story of Lizzie Borden and the 1892 murders of her parents, using the theory that Lizzie and the maid Bridget “Maggie” Sullivan were lovers and committed the murders after Mr. Borden discovered their affair. That’s the plot in a nutshell.

I’m not sure what exactly the filmmakers were going for, because this was nothing like the trailer. For the most part, the film goes at a slow crawl, making it feel like three hours rather than an hour and forty-five minutes. Everything takes it time, which in what is supposed to be a tense murder thriller can really take you out of the story. And you know how people accuse Kristen Stewart of having no emotional range in her films? Weirdly enough, it seems reversed here: Stewart has some emotional range, and everyone else seems like they only know how to mimic emotion, rather than show it!

On top of that, Lizzie didn’t include some things that one might expect from any story on Lizzie Borden. The turbulent relationship between Lizzie and her stepmother is glossed over; Lizzie is shown suffering from seizures, which is something I don’t remember ever hearing about her; elder sister Emma Borden is barely in the film; and a few other things beside.

Oh, and there’s this thing with the soundtrack. Namely, it doesn’t show up that much, and when it does it disappears really quickly. There’s one scene where you’d expect lots of soft music to highlight the emotion of the scene, only for it to cut in and out every three seconds. Um, why?

Was there anything about this film that I liked? Well, the attention to detail is decent when it comes to clothes and furnishings. The house’s first floor is laid out like the real house in Fall River, Massachusetts, which I approve of. And the development of the relationship between Lizzie and Bridget is given the time and development needed to really make you believe in it. And there are some real talents in this film, including Jeff Perry, Denis O’Hare, and Fiona Shaw.

But other than that, Lizzie was really not worth the wait. On a scale of 1 to 5, I’m giving this film a 2. If you want a Lizzie Borden film that keeps the tension up even though you already know how it ends, I recommend 1975’s The Legend of Lizzie Borden, starring the incomparable Elizabeth Montgomery in the titular role. Fun fact, Montgomery found out Lizzie was her sixth cousin once removed after completing the film. Imagine if she’d known that when she was playing the character!

Now if only I could see  productions of Fall River Legend, the ballet based on the murders, and the rock musical Lizzie. Yes, those exist, and I want to see them live. Someone pleeeeeease make those happen for me!

Ever since I stayed overnight and experienced paranormal activity at the Lizzie Borden Bed & Breakfast back in July, I’ve kind of become a bit obsessed with the case and the hauntings that occurred because of the murders. The latest manifestation of that obsession is reading the latest fictional retelling of the events (of which there are several, believe me), See What I Have Done by Sarah Schmidt, who says she was inspired to write it after recurring dreams of Lizzie’s spirit visiting her. I first came across a review of this in Entertainment Weekly, and as soon as I saw it, I knew I had to read it.

See is a fictionalized account of the story of Lizzie Borden, who in 1892 was accused of murdering her stepmother and father with an ax and was acquitted due to lack of evidence and investigator bungling. The story is told from the perspectives of Lizzie herself, her elder sister Emma, their live-in maid Bridget, and a violent drifter named Benjamin, all of whom tell what they were up to on a hot, fateful day in August 1892 in Fall River, Massachusetts.

I have to say, See is not the usual sort of historical fiction I read when I delve into that genre.

Firstly, the four narrators are each given a unique personality and desires, so that it doesn’t entirely sound like just one person narrating four different people. Lizzie is a spoiled youngest child with a hell of a lot of quirks (to say the least); Emma is an older sister who has become constricted by her responsibility as Lizzie’s older sister and as a Borden and wants to run to a new life; Bridget is overworked, and is trying to leave for her homeland of Ireland, despite Mrs. Borden’s attempts to keep her; and Benjamin is a man who sees the whole world as his enemy, and can’t wait to take a swing at the world. Working with one first-person narrator and making them unique is hard enough, so it’s great that for a debut novel, Schmidt distinguishes them so well.

I also liked how flawlessly she manages to weave these four narratives, especially Lizzie, Bridget and Benjamin’s narratives, together on the day preceding and the day of the murders. Telling overlapping storylines, where several characters are in the same place and experiencing things at the same time, has always struck me as a monumental task which requires skills I’m not sure I have yet (if it’s actually easier than I think, let me know in the comments below). Schmidt did it like a pro, to which I applaud her.

But my favorite part is the descriptions Schmidt has her characters use. I’ve never seen descriptions like what she uses. She turns nouns like “termites” or “critters” into verbs (is there a word for that?), and…you know what, let me quote from the first page:

I breathed in kerosene air, licked the thickness from my teeth…My heart beat nightmares, gallop, gallop, as I looked at Father again…Pear skin crisped in my mouth…

How different was that? I have never heard any of these things described this way in fiction, and it’s kind of refreshing to hear. And Schmidt does this throughout the book, particularly with food. She goes all out to describe the food and the sensations of eating in a variety of ways. You really have to read it to believe it.

Now was there anything I disliked? A few things. I was kind of hoping going in that this would be a thriller of sorts that revealed an interesting take on an old theory or even better, a new scenario for the still-unsolved murders. What I got was more of a dissection of the Borden family, showing through several different eyes how grating these people have become on each other, and how it might have been a factor in the murders. And while the portrait painted is beautiful and quite telling of both the author’s vision of and what the family might’ve really been like, I thought the ending where the killer is revealed rang a bit hollow. Like I said, I wanted a new scenario or an interesting take on one of the standard theories for the case, and the way it was eventually portrayed fell a little flat for me.

And as much as I liked the unique descriptions in the book, some of them are used repetitively throughout the novel. I can’t count how many times things, especially fingers, are described as sticky, or how many times heat “itches” at someone. To quote some of my editors, variety in words and phrases throughout a story is important.

And what was up with the dislike for Lizzie and Emma’s uncle John? I get why Abby and Andrew Borden dislike him, he’s probably a bad reminder of Lizzie and Emma’s deceased mother, but why do Emma and Bridget dislike him so much but Lizzie adores him? There’s a lot there that I would’ve liked explained.

But all in all, See What I Have Done is an excellent debut for a new novelist. Putting a score on this book on a scale of 1 to 5 was difficult, but my head kept coming back to a 3.8. Engaging, atmospheric, and full of wonderful prose. Check it out, and ax yourself if you’re ready to dive into Lizzie’s madness.

And yes, I intentionally made that pun. And I stand by it. Goodnight, everybody!