Posts Tagged ‘TV miniseries’

It’s Saturday, and I’d like to be sleeping in. However, weekends don’t mean I’m slacking off. Or maybe I am, but I don’t consider it slacking off. I’m just working in a way most people don’t see as working. Anyway, welcome back to the Ten Day Book Challenge, brought by my cousin Matthew. Here are the rules:

  • Thank whoever nominated you with big, bold print. If they have a blog, link to the post where you got tagged there.
  • Explain the rules.
  • Post the cover of a book that was influential on you or that you love dearly.
  • Explain why (because I don’t see the point of just posting a picture of a book cover without an explanation. That goes for Facebook as well as blogs).
  • Tag someone else to do the challenge, and let them know they’ve been tagged.

Today’s book is special for me, as it was part of the reason I took up a history and studied the Holocaust in college. Allow me to introduce The Plot Against America by Phillip Roth.

An alternate history story, Roth inserts himself as the childhood narrator in an America where Charles Lindbergh gets elected President of the United States during the rise of Nazi Germany and Hitler. Lindbergh acquiesces to the wishes of the America First crowd and declares America neutral when it comes to events transpiring in Europe. However, moves made by the government under Lindbergh makes Roth’s family and many Jews suspicious that Lindbergh may secretly be a Nazi sympathizer or pawn. And as time goes on, events transpire to make that fear seem very reasonable.

Alternate history is supposed to give us a view of what could’ve happened if a few things were different, and The Plot Against America does just that. While I do find it difficult to believe that Lindbergh was a Nazi sympathizer, it does go to show what could’ve happened if his America First policies did shape America for a few years, as well as if more anti-Semitic practices or ideas were made law. But it also shows what could happen if a young boy in America saw his very people suddenly under threat, at risk by something behind-the-scenes, and how his family reacted to that. It’s not just interesting, but engrossing and makes you think about how only a few minor things could have seriously changed America’s destiny.

From what I hear, a TV miniseries based on the novel is in development under the guy who created the TV show The Wire. Honestly, with the resurgence of neo-Nazis and white supremacists in America, I can’t imagine a better time to adapt this story. Hopefully it gets a good network or streaming service that will ensure it’s seen by a lot of people. And in the meantime, I hope you take the time to check out the book. Believe me, it’s worth a read.

Today, I’m tagging my friend Pat Bertram. Pat, I know you’re busy these days, but I think it’d be cool if you could do this. Good luck if you can!

That’s all for now, my Followers of Fear. I’ll be back later today with a review of The Nun. Until then, I hope you’re enjoying the weekend. I know I plan to.

Back in January, I read and reviewed Uzumaki, a Japanese manga by Junji Ito about a small town that comes under a curse centering the idea of a spiral. It was as scary as it was out there (see my review here), and I had mentioned that I would like to get my hands on the film version and see how that compared. Well, some Amazon gift cardd money and a lost package later, I finally watched Uzumaki today. So how does it compare to the manga, andd how does it hold up as a film in general?

Well, it definitely ties down the strangeness of the manga. Uzumaki, like I said, is an out there story, and the film does a very good job of bringing that forth, using odd camera angles, weird visuals, and strange little special effect touches to really add an atmosphere of unreality to the film. There’s this one moment where two characters are walking down a hallway, and they pass a bunch of people standing against the walls just staring at their shoes, and neither character notices the people on the walls, or vice versa. It’s very odd, and kind of unsettling.

I also thought the actors did a very good job. The characters aren’t that multifaceted, but for an hour and a half movie, they work.

Unfortunately, that’s where the film’s biggest problem is: time. The film is an exact 91 minutes, and that means there’s only so much room to tell a story. And unfortunately, with a large story like that of Uzumaki, there’s only so much material that can be done. The end result makes the film feel kind of lacking. In the manga, you get the full scope of this curse. In the film, it feels more like a weird series of events with only mild connections, like walking to work everyday and seeing someone different each day do a dance at a different part of your walk. You might think it’s a weird and there’s a common cause, but your might not go out of your way to find out why this is happening. And that’s where the film ultimately fails.

I also found that some of the edits to the film are a bit more distracting than they should be. There’s one moment where they do a transition that looks like someone’s spray-painting a new scene into the film, and they use a cartoon-y sound effect to go with it. Not that scary. There’s another moment where a girl puts out a cigarette on a wall, and there’s a mini-explosion from the crushed cigarette’s tip. Um…why? It makes no sense. I know this film is going for that surreal sense of horror, but there’s a limit to what you can do without going into goofy territory.

I honestly think that if you’re going to adapt Uzumaki, you should do it as a TV miniseries rather than a movie. That leaves enough room for not only all the material that was cut from the film for time, but gives us more opportunity to get to know the characters and see them react to the strange events going on around them. And you know, I honestly would like to see that. With TV miniseries making a comeback on cable and series with shorter episode orders like American Horror Story being so successful, I honestly think an Uzumaki adaptation for TV would do very well.

On a scale of 1 to 5, I’m giving Uzumaki‘s film adaptation a 3.2 out of 5. Great at atmosphere and creating a sense of unreality, but too short to really leave a lasting impression. Honestly, you’re going to be better off reading the original manga, so go check that out and get lost in the spiral there instead.