Yeah, I’m going to be extra annoying with this stuff for the foreseeable future. But hey, can you blame me? With a new book on the way, I have to do everything in my power to get people interested.
And that’s what these quote graphics are about. When Hannah and Other Stories was coming out the first time, these helped advertise the book far and wide. Obviously, I’m repeating this with Walpurgis, creating graphics for each story and releasing them three days a week on my social media.
Below are the latest round, which I’ve been releasing over the past three weeks. I hope they capture your attention.
I hope you enjoyed reading these. With these quotes, I made the fonts bigger so they were easier to read. With any luck, that will make reading them easier for people with vision issues.
If you’re at all interested in reading the previous quote graphics, you can check them out on Walpurgis‘s page on this website. And if you would like to check out the book itself, I’ll leave links below. It comes out on May 1st and is full of cryptids, malevolent spirits, and even a Jewish exorcism. Below is the blurb I’m using for the back cover.
What’s the difference between humans and monsters? Is there a fine line, or is it more gray and blurred? Rami Ungar, author of Rose and Hannah and Other Stories, explores this question in his latest collection, Symphony for Walpurgis. From legendary cryptids to malevolent spirits and from Ohio in the 1950s to modern-day California, readers will be treated to nine terrifying stories of the weird and macabre. So settle down and be prepared. For you have bought your ticket to Symphony for Walpurgis.
That’s all for now, my Followers of Fear. Until next time (which hopefully won’t be another promotional post), good night and pleasant nightmares.
Good evening, humans. I hope you’re doing well. If you’re like me, you’re avoiding the Super Bowl (now if it was the Superb Owl, I would tune in). And I thought I would take this opportunity to share with you some updates on Symphony for Walpurgis, seeing as a lot has happened since I last posted about it. Which was…just six days ago? Damn, it has been a crazy week!
Anyway, for those of you who don’t know, Symphony for Walpurgis is my upcoming book, a collection of novelettes, some of which were previously published and others which weren’t. The book is set to come out on May 1st, 2025, meaning less than three months from now. I’m doing my utmost to get as many people as possible reading it once it releases. In fact, I’m hoping to sell 500 copies and get fifty positive reviews on both Amazon and Goodreads in the first year!
Anyway, let’s get into these updates, shall we?
Walpurgis has two reviews now!
It’s crazy to think, but Symphony for Walpurgis already has two reviews on Goodreads. And even better, both are five-star reviews! Both came from advanced readers and Followers of Fear, but they’re willing to criticize me if necessary. The most recent review, written by Louise Conway, starts with this:
Bravo! This might just be Rami Ungar’s best work yet. Offering tales of unearthly retribution, dark mysteries, vampires re-imagined and blood curdling entities, Symphony is a gloriously ghoulish anthology with something for almost every kind of horror fan.
“Best work yet.” I’m flattered. Of course, I aim to put out more and more work as time goes on, and to improve as well.
Anyway, this is good progress on my goal for fifty positive Goodreads reviews. I hope more of the advanced readers let people know what they think of the book, and that leads to plenty more readers when the book comes out. In the meantime, if you would like to read the full reviews, you can click below to check them out.
One of the most exciting moments for a published author is when the first batch of author copies comes in. That includes self-published books, and I felt that excitement this weekend when my author copies for Walpurgis came in. I designed the cover myself after a lot of trial and error, as well as the book’s back cover and interior. It was nice to see it had turned out so well!
And, being the kind of guy who likes to share every achievement, no matter how small, I filmed an unboxing video. Here it is, in all its cheesiness and beauty. Enjoy!
Hopefully, this is the first of many author copy deliveries. Like I said, five hundred sold copies in the first year, and most of those will likely come from live events. And I plan to find many homes for many copies.
The Book Trailer is Live!
Like with my last collection, Hannah and Other Stories, I sought to create a gripping book trailer for Walpurgis. This time, I wanted to have one out before the release date (that should have happened with Hannah as well, but life had other plans). And with a couple of hours of work this afternoon, I created what I think is an awesome book trailer for a collection of horror. Check it out.
Not bad, right? It’s nothing special, but I think it’s decent and conveys the horror of this collection well. If it gets even one or two people to read Walpurgis, I’ll be happy.
By the by, if you enjoyed these videos, please consider liking/commenting/subscribing. You know, all that usual YouTube shtick. You can find my channel here.
Book Quotes
One thing I learned from Hannah and Other Stories was how helpful releasing quotes from your book can be. Especially when you pair the quotes with interesting and relevant graphics. So, this time around, I’m creating graphics with quotes on them, and releasing them three times a week. Here are the first batch of quotes graphics, one from each story. Hope you find them exciting and interesting. They were fun to make.
I’ll post the next nine in a single post once they’ve been published on my social media. In the meantime, you can find each graphic as they’re uploaded on Walpurgis‘s page on this blog.
Final Word
Anyway, that’s all to say right now, my Followers of Fear. I’ll try not to overwhelm you with Walpurgis-related posts, though I do have to do my necessary advertising for it as we approach May 1st. And in the meantime, if you would like to preorder a copy of Walpurgis, I’ll leave links below. More stores and formats will be made available as we get closer, so keep checking back if you don’t see a store or format you prefer.
And if you like what you read, my Followers of Fear, then please leave a review. Positive or negative, I love reader feedback, and it helps me and other readers out in the long run.
Until next time, good night and pleasant nightmares.
The photo I took the day I got my copy from the library. Can you tell I was excited?
We’re only five weeks into 2025, but I may have already found my favorite new book of the year. In fact, at times I got so deep into this book, I had dreams about it! You don’t know how special a treat that was for me.
Set in 1970, Witchcraft for Wayward Girls follows four girls sent to Wellwood House, a home for unwed mothers in Florida: Fern, a young high schooler who wants her old life back; Rose, a rebellious hippie with a bit of a mean streak and a bit of a nice streak; Zinnia, a young musician who plans to marry her baby’s father; and Holly, whose youth and silence hides a dark and terrible secret. Hidden away from the world like shameful secrets and repeatedly told that they are at fault for their condition and that the only good thing they can do now is give up their babies for adoption to a loving couple, the girls seek any way to take back a little control over their lives and bodies. When a mysterious librarian hands them a book that’s full of actual magic, they think they’ve found their solution. But when it comes to magic, everything comes at a price. And the price they have to pay may be bigger than any of them can pay.
So, if it wasn’t clear from the first paragraph, I freaking loved this book! For one thing, the horror is palpable from the first couple of chapters. Not from the witches, but from the people. Through Fern’s eyes, we see how everyone blames her, including herself, for getting pregnant outside of marriage, even though it takes two to tango. From what I’ve been told, that really was the attitude towards unwed mothers back then, and Hendrix does a great job bringing it to life throughout the story, as well as the callous cruelty the girls face as unwed mothers, even after they’ve given birth.
I also really liked the witches of the story. They’re not exactly old school wicked witches, but they’re not entirely good witches or granola-crunching Wiccans, either. They’re their own thing, a group of women with access to power and who are trying to ensure the continuation of their way of life and their freedom, and they’re willing to get their hands dirty to do so.
To list out all the colorful characters would keep us here too long, but some of my favorites included hippie Rose, who grew on me as the story went on and whose experiences midway through the book broke my heart; Hagar, the cantankerous cook at the Wellwood House, who does try to help the girls, if rather reluctantly; Zinnia, who has more sense than most of the other characters in the book; and Fern, who really does learn something from her experience.
All these elements come together into a fantastic story where I struggled to guess what would happen next and was surprised more than a few times by certain developments. It really was amazing.
Hendrix admits in the acknowledgments that he’s probably the last person to be writing a book where nearly every character is pregnant, but given how phenomenal of a job he did, I think we can forgive him. I can’t think of a single flaw in this story, it was just that good. On a scale of 1 to 5, I’m giving Witchcraft for Wayward Girls by Grady Hendrix a full 5. Grab a copy, put on an appropriately witchy playlist (I hope “Abracadabra” by Lady Gaga is on that playlist), and settle down for a read.
Oh, happy day! It’s still only three months away, but Symphony for Walpurgis has its first review! And holy crap, it’s a five-star review! Everybody start dancing!
No surprise, this review, which I discovered on Goodreads yesterday, comes from an ARC reader. And not just any ARC reader, but from Priscilla Bettis, who is not just a fellow author, but has been a Follower of Fear for several years now. Since…I want to say before Rose came out? Anyway, she got the ARC of Walpurgis the other day and apparently got through it in a week before leaving a review.
Don’t be fooled, though: just because she’s a longtime Follower of Fear, doesn’t mean Priscilla isn’t willing to criticize a story when she dislikes it or finds something problematic. I should know, she’s beta read a few of my stories. So the fact that she gave Walpurgis five stars means she must’ve really liked it.
Here’s some of what she wrote:
Symphony for Walpurgis is a collection of novelettes, all horror. There are themes of money-power-arrogance (I should just say “corruption), abuse of nature and one another, grief, and (my favorite) insects.
Dragon bats … not a story title, but a thing. One of the best creatures Rami’s ever created. You’ll find them in “Disillusionment and Trauma Sometimes Go Hand-in-Hand.”
In “Blood and Paper Skin,” Grey, a college-aged man, and a group of his friends run into deadly trouble when out to buy drugs. It’s scary and tense, and Ungar makes it easy to like Grey and cheer him on. But there are twists. Other characters besides Grey come to the forefront. This is the twisty-ist story in the collection, great fun!
“The House on Lafayette Square” is a Jewish demon-exorcism story with freaky-scary descriptions. The story takes a left turn somewhere, so instead of everything being tied up in a neat bow, I was left DISTURBED at the end, maybe because I am a mother IRL. (Kudos to Ungar for that.)
Wow. I disturbed her. For a horror writer, that’s a serious compliment. Especially from someone who’s a big fan of horror.
And that’s only half the review! You should see the rest of it. In fact, I hope you do. Because I’m aiming to amass fifty (hopefully positive) reviews on Amazon and on Goodreads in the first year alone, so this is a good start! So, if Priscilla’s review gets you even a little bit interested in reading the book, then I hope you read the rest and then go preorder the book.
Here’s the back cover blurb for the book, which is out May 1st:
What’s the difference between humans and monsters? Is there a fine line, or is it more gray and blurred? Rami Ungar, author of Rose and Hannah and Other Stories, explores this question in his latest collection, Symphony for Walpurgis. From legendary cryptids to malevolent spirits and from Ohio in the 1950s to modern-day California, readers will be treated to nine terrifying stories of the weird and macabre. So settle down and be prepared. For you have bought your ticket to Symphony for Walpurgis.
I’ll leave links below in case you want to check the book out. And if, after the book is released, you read it and like it (or don’t), I hope you’ll leave a review. Positive or negative, I love reader feedback, and it helps both me and other readers out in the end.
Anyway, that’s all for now, my Followers of Fear. I’ll be sure to check in with you guys when I have updates on Walpurgis or on anything else going on in my life and/or in my writing career. So, until next time, good night and pleasant nightmares!
Hello, my Followers of Fear. Once again, I have news regarding my upcoming book, “Symphony for Walpurgis.” For those of you who are not familiar, the book contains nine novelettes featuring tales of cryptids, malevolent spirits, and a Jewish exorcism, among other things, and will release May 1st, 2025.
Previously, the book was only available for preorder from Amazon and Kobo. But now, it’s available from Apple Books! So, if you prefer to read on an Apple device, you are now hooked up. I will include links to all the stores below. Currently, the book is only available as an ebook, but paperbacks will be available on release day from Amazon, and they will be available to preorder from Barnes & Noble once I can get those links up. (Waiting for my vendor’s license to be approved.)
Anyway, that’s all for now, my Followers of Fear. I’ll be sure to let you know if there’s any updates on this awesome book. If you end up preordering the book, I hope you’ll read it and leave me a review on whatever site you bought it from. Reviews not only help me, but other readers as well.
Until next time, good night and pleasant nightmares.
Happy New Year, my Followers of Fear! I hope 2025 is treating you well so far. For me, it’s not so bad. Sure, there’s been heavy snow these past couple of days, but I’m indoors and don’t mind it so much.
Anyway, I’m pleased to announce that my latest book is now available for preorder. And what is that book, you’re asking? Why, it’s a new collection called Symphony for Walpurgis!
Not a bad cover, right? I designed it myself based on one of the stories in the collection.
Speaking of which, the collection is made up of nine novelettes, four of which have already been published. Those are “Blood and Paper Skin,” about a group of older teens who end up locked up in someone’s private basement; “Disillusionment and Trauma Sometimes Go Hand-in-Hand,” which features my famous monsters, the dragon bats; “Cressida,” about a mermaid who bears a mysterious resemblance to a girl who supposedly died years before; and “Natural Predators,” about a new pandemic with startling implications for the fate of humanity.
The five other stories will be “The House on Lafayette Square,” an exorcism story with a Jewish twist to it (yay for more Jewish horror!); “Mother of Spiders,” about one town’s dirty secret and the woman who comes to collect her dues; “Famous,” about a wannabe starlet who will do anything to achieve the fame she deserves; “The Little Goddess of Horror,” about a rather famous and unusual actress; and “The Parasite Man,” about a powerful lawyer whose family comes under attack from a relentless spirit.
I’m so looking forward to you all reading this book. I’ve scheduled it to come out on Thursday, May 1st, 2025, the actual date of Walpurgisnacht (think Halloween in spring for witches, if you’re unfamiliar). Currently, it’s only available to preorder as an ebook from Amazon and Kobo. And for some reason, Amazon doesn’t allow preorders for paperbacks published through their platform (yeah, I think it’s stupid, too). But I’m working on getting it available to preorder through Barnes & Noble and Apple Books, and B&N actually allows preorders for paperback books. So, sit tight. As soon as that’s ready, I’ll let you know.
And in the meantime, if you would like to preorder a copy from the stores where it’s currently available, I’ll leave links below. I hope you’ll check it out. And when it releases this May and you read it, I hope you’ll leave reviews online. Positive or negative, I love reader feedback, and it helps me out in the long run.
Anyway, that’s all for now, my Followers of Fear. I’m being allowed to work from home tomorrow, but that doesn’t mean I can slack off. Until next time, good night and pleasant nightmares.
A temporary cover for The Shape of Evil. I think it captures the idea of the novel pretty well.
‘Twas the night before Christmas (and Hanukkah, coincidentally). And all the Haunted Condo, only the Rami was stirring. Because he’d finished the second draft of The Shape of Evil, AKA the 3D Printer from Hell story, and he’d only just gotten around to drinking the celebratory wine and writing the celebratory blog post.
Doesn’t rhyme, but I’m not much of a poet, so I think it’s okay.
So, as I said before, The Shape of Evil‘s second draft is now complete. And this novel, as I also said before, is about a 3D printer from Hell. I started writing it back in March, thinking it would be a novelette or short novella, and finished it as a novel back in August. Right around Thanksgiving, I began work on the second draft, and I finished it earlier today.
I would’ve celebrated right then and there, but at that point, I had to run an errand, then grab some takeout, and then do my usual routine of watching Die Hard on Christmas Eve. But now that that’s taken care of, it’s time to let you know and celebrate!
Overall, I saw a ton of improvement with the second draft. Not just with spelling/grammar/punctuation, but in finding plot holes and fixing issues I missed in the first draft. I also took out a lot of stuff that I thought worked for the first draft but, on the second go around, didn’t work. The final result was ten pages and around twenty-eight hundred words longer, at 283 pages (8.5 x 11 inch paper with 12-point Times New Roman font, double spaced), and 75,300 words. That’s about two thousand words less than the first Harry Potter novel (no, I will never stop using that book as a good comparison, even if the author is now a TERF).
So, what’s next for The Shape of Evil? Well, I plan to find a beta reader who can also double as a sensitivity reader. As I’ve mentioned in previous posts, my main character is non-binary trans, and I’m cisgender, so I would like someone from the trans community to read the manuscript and give me feedback to ensure I’m respectful to the community. I already have a few people in mind, so hopefully one of them would be interested. And if not, I have a few other ways to find someone.
Whoever reads it, after I get their feedback, I’ll do another draft. And after that draft is done, I think I’ll be ready to pitch this novel to agents. Particularly anyone at StokerCon this coming summer.
In the meantime, I have a new short story I want to write, and I have a new collection to start the work of self-publishing. No, I am not slowing down. I’m brimming with too much drive and imagination, and am nowhere near burnout, so I’ll keep plowing on!
(That being said, I am planning on spending at least one day in the coming week or so just chilling on the couch in my pajamas and reading or watching anime. It’s something I’ve been wanting to do for a while, so no time like the present!)
Anyway, that’s all for now, my Followers of Fear. I’ll certainly be back soon with more news for you. Until then, good night, pleasant nightmares, and to all those who celebrate, Merry Christmas! May we all get visited by three spirits (whether we want them to come or not).
As many of you know, Kill Creek by Scott Thomas has become one of my favorite novels, if not my favorite (you can read my review from 2018 here). So, when I heard Thomas was releasing a collection of four novellas, I had to get my hands on it. And while it took me longer than I wanted to get through it (I picked it up in September and only just finished it), I’m glad I got to read it.
Taking place in a fictional version of Kansas that’s part of the same universe as Kill Creek (and possibly his other novel Violet, I’m not sure), each novella follows a native who gets pulled into horrors beyond their control. Three of these stories connect to the very land and the entities, natural or supernatural or preternatural, that inhabit and make up Kansas, all of these stories deal with dark histories and hidden truths, and each story connects in some way to the authors who were the stars of Kill Creek,* enhancing the reading experience.
The first novella, The Door in the Field, follows a young construction worker with anger issues who joins his boss for a drink after an incident, and ends up spending a night in terror. This story does move a bit slow at times, but it’s a thrilling tale full of blood, violence, and cosmic horror that pays off well at the end with the reveals and the main character’s growth. My one major criticism is that the novella is kind of a story within a story, and the framing device doesn’t really add much to the story. It doesn’t take anything away, but it doesn’t add much, either.
The second novella, Wear Your Secret Like a Stone, follows a troubled young woman who, after her pick of book for the Halloween display at her job is taken down by a customer complaint, goes on a mission to get her favorite book back. Only along the way, she learns some frightening local history which is more alive than she thought. I think this might have been my favorite novella of the bunch. It’s atmospheric, the protagonist is likeable, and the ending is a dark fantasy twist that will bring you chills.
The third novella, The Boy in the Woods, is about a young boy who, on the last night at camp, finds himself in the middle of a slasher story with a rage zombie twist. It’s a wild ride of a story with a sympathetic protagonist and a the way the slasher/rage zombie aspect are approached gives both tropes new life that I wasn’t expecting. If Wear Your Secret was my favorite, then The Boy in the Woods is a close second.
The final novella, One Half of a Child’s Face, is about a mother who is able to see into her ex’s apartment building al a Rear Window. There, she frets about not having her daughter living with her full-time and gets a vicarious thrill at watching the residents live their lives…until a strange painting in an empty apartment seems to throw an evil influence over the building’s residents. Of the four novellas, I would consider this the weakest. It takes a long time to build to anything and there are quite a few plot threads left hanging at the end. However, the last fifty pages are so were hard to put down and I enjoyed reading them.
All in all, Midwestern Gothic by Scott Thomas is a worthwhile collection of novellas. On a scale of 1 to 5, I would rate it a 3.9. Pick up a copy, settle down in your favorite chair, and prepare to be transported to a different sort of Kansas.
*If you haven’t read Kill Creek, don’t worry. You can still read the collection just fine. Kind of like how you can watch The Big Bang Theory and still laugh at all the jokes while not necessarily getting every sci-fi or comic book reference the characters make. Still, I highly recommend Kill Creek, so if you’re curious, read that one, too.
I love horror and I love ballet. I often combine the two in my work. And when I find another author who has combined the two forms of storytelling, I want to read it. And if it’s good? I’m especially glad to read it. Jamison Shea’s novel I Feed Her to the Beast and the Beast is Me is one of those books I’m especially glad to have read.
Taking place at the Paris Ballet and its attached academy, I Feed Her to the Beast follows Laure Mesny, a dance student in Paris who is the most talented in her class, but has had to deal with privilege and racism in the academy and the company every day. When a fellow ballerina she admires leads her into the tunnels of the catacombs, she is introduced to an ancient godlike entity that offers her a deal: her blood in exchange for the power she has always craved. Laure takes it, and it leads her on a path that could end in her stardom, or her destruction.
Where do I start?
Well, let’s talk about the horror. While there is some eldritch occult horror here, the real horror is with the human characters. Not just what the characters are willing to do for their goals, but what they’re willing to do to each other out of spite. Laure’s fellow dancers, often white and privileged, treat her horribly and tell her, behind her back and to her face, that she doesn’t belong and will never be good enough, even though she is amazing. More than a few bring up that she’s black and from a poor background and, in their view, wouldn’t be a good fit for the company. When Laure finally gets some power, it’s kind of scary how quickly she not only gets used to it, but how much she enjoys using it, including to do violence!
Not to say there isn’t some more traditional horror. The gods living beneath Paris are quite cool, as is the destruction they wrought, and there’s a murder mystery throughout the story which resolves in a way that surprised even me and which felt quite satisfying.
I also liked how most of the characters felt real. They’re all extremely complicated, especially Laure. She’s had it rough, coming from a broken family and dealing with racism and poverty, and often being told to be better and be perfect despite doing everything she should. And despite all that, she still wants to belong and feel loved by her coworkers, which honestly feels very human to me. I also empathized with her struggle to try to balance her dreams and her relationships. She’s not all good, and she’s very flawed, but it’s hard not to root for her, even at her worst. And we see her at her worst a lot.
I think the one flaw is that some of the supporting characters could have used some more development, especially Keturah. She sort of becomes a sister figure to Laure halfway through the novel, but I never really felt like we got a chance to see past her surface. Maybe in the sequel. (Yes, there’s a sequel, and I’ll check it out as soon as I can.) And, at times, the story did drag a little.
All told, I award I Feed Her to the Beast and the Beast is Me by Jamison Shea a 4.5 out of 5. This is a riveting slow-burn novel that delights in being bad and in delving into the darkest parts of humanity. Get yourself a copy, put on Stravinsky’s The Rite of Spring, and prepare to be transported. Believe me, it’s worth the read.
Took a little longer than I expected, but I finally finished this book tonight and, as promised, I’m writing a review.
Jumping back and forth between the late 1990s and 2019, The Dissonance follows Hal, Athena, and Erin, who, along with their friend Peter, discover that they have mysterious powers. Powers that, according to Peter’s grandfather, stems from the Dissonance, a magical energy that stems from the gap between our broken world and the world as it should be. They start learning how to harness their powers, but tragedy strikes during their senior year of high school. Twenty years later, they return to their old stomping grounds as forces begin to throw the world out of whack. And in the midst of it all, a great evil descends on their hometown, dragging a closeted gay teen in tow…
I’ve heard this book called a cross between The Magicians and IT, and while I’m only vaguely familiar with the first one, I have to say, the comparison to IT is apt. Not only does it hop back and forth between past and present, but Hamill does a great job showing the characters as hormonal teens trying to navigate friendship and their lives in the past, and trying to deal with cosmic shift and their broken lives and relationships in the present.
As for the story, it’s definitely more in line with dark fantasy than horror. For example, the Dissonants conference feels more Harry Potter than The Craft. Still, it’s got some horror elements. The magic itself, which requires tapping into the pain and misery of life, is pretty dark in and of itself, and plenty of aspects of the novel are of the cosmic horror vein.
If there’s one thing I would have liked to see more of, it might have been more of the character Owen. I get that the focus was more on Athena, Hal, and Erin, but Owen was a relatable character and I would have liked to see the kid have a bigger role.
Well, if there’s a sequel, that might be a possibility. The book does present the possibility of being the jumping off point for a shared universe, like The Hobbit was for Lord of the Rings, but with more in common with the Cthulhu Mythos than Tolkien.
But getting back to the review, I award The Dissonance by Shaun Hamill a 4.5 out of 5. It’s an engaging dark fantasy novel with great characters and worldbuilding and a magic system that feels right for this wrong world. Grab a copy, tap into your deep well of inner pain, and prepare for a twisty, magical ride through hell.
That’s all for now, my Followers of Fear. Until next time, good night, pleasant nightmares, and only 61 days and one hour till Halloween!
Rami Ungar The Writer 