Archive for the ‘Review’ Category

So, I just heard that Fangoria Entertainment is going to make a whole bunch of movies based on Junji Ito’s work. They mainly will adapt stories from his collection Smashed, but I hope Remina or Madonna get adaptations as well, as they are great stories (see my reviews for Remina and The Liminal Zone, respectively). In the meantime, a new collection of Junji Ito stories got translated, so I’m here to review it.

As I say, Junji Ito can be hit or miss with me, but this one was entertaining enough.

My favorite story was probably “Town of No Roads,” which follows a teen girl who goes to live with her aunt after her parents and brothers react the wrong way to a stalker breaking into her room. As if that’s not stressful enough, her aunt’s home has been swallowed up by a giant structure where nobody has any privacy. It’s weird, but you really start to empathize with the main character and the themes of the necessity for privacy really do resonate.

Other stories really struck a chord with me, which was nice. “”The Ward” is a creepy body horror story about several women in a hospital ward who start acting funny, while “Blessing” is a tragic love story with a great twist in the end. “Mold” just grossed me out (as a homeowner, I felt the main character’s pain, especially when it comes to cleaning one’s home). And “Descent” was a weird but engrossing story with a great hook and a mysterious resolution.

Of the rest, they were mostly decent. The titular story, “Alley,” has a great idea, but I feel like there’s too much exposition, which is followed by an ending that could have been a few pages longer. “The Inn” has a great idea and some terrifying art, though the ending kind of puttered out on me, and “Smoker’s Club” has a great idea about tobacco and smoking that would put anyone off cigarettes, though it also could have used more pages for its story. And “Memory” has a great story, though not enough scary art for me (it still would make a great movie).

The only bad story was “Ice Cream Bus,” which other than a reminder about why stranger danger exists, wasn’t much better than its animated Netflix adaptation.

Overall, I think I would give Alley by Junji Ito a 3.8 out of 5. There’s some decent horror in there, so if you’re looking to get into his work, this might be a good choice for your second or third read of his (I recommend picking between Remina, Uzumaki and Tombs for your first and second reads).

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

My copy of Horror Movie, surrounded by some of the horror movies on my shelves. Because how could I not?

I was not a fan of Tremblay’s last novel, The Pallbearers Club (see my review here), but when I first heard of his new book and saw its cover, I wanted to read it! And when I got my copy from the library, I got even more excited. You can’t tell from the photo I included, but the pages have red borders, which coupled with the black cover, makes it look like a restricted video from the age of VHS tapes and Blockbusters. So, almost as soon as I finished reading You Like It Darker (see that review here), I started reading this.

Hoo-boy, did I get on a rollercoaster ride.

In 1993,* a small team of amateur actors and filmmakers come together to make a movie tentatively titled “Horror Movie.” However, tragedy strikes on the last day of filming, preventing it from ever releasing. However, scenes, stills and scripts from the movie have made their way online, and as many of the original cast and crew die under mysterious or tragic circumstances, an air of mystique gathers around the mysterious film. In the 2020s, a reboot is in the works and the studio brings on our narrator, who also played the original film’s villain the Thin Kid and is the only surviving member of the cast and crew, to both co-produce and reprise his role.

Thus begins a journey through the past and the present that will answer a question the narrator, and many of us, ask often: why do people do terrible and fucked up things?

First off, this novel is incredibly well-written. Tremblay takes the unique storytelling he used in The Pallbearers Club and applies it here like an art. Jumping between the production of the original film, the process of creating the reboot in the present, and the script of the original, you essentially get two different stories woven together. I have to applaud Tremblay for writing both a script for a very scary and fucked up film and then writing a very personal story around the script and the movie that was supposed to come about from it.

I also really liked the narrator, whose name I can’t really remember because I’m not sure if it was ever mentioned. It’s easier just to call him by his character’s name, the Thin Kid, and that sort of makes sense, as another major theme of this novel is the blending of reality and fiction. Where does our narrator end and the Thin Kid begin? Is there even a difference? It kind of reminds me of Perfect Blue,** one of my favorite horror movies, and how that movie explored how quickly reality and fiction can combine under the right circumstances.

Anyway, our narrator doesn’t have a high opinion of himself, but he’s likable. Once he commits to the movie, he commits to it–the character, the reputation of the film, and its reboot–even at the detriment to himself. Towards the end, I wondered if maybe he might be an unreliable narrator, because some of what he describes both feels like something he would do and something he might make up. It’s just amazing to read his story (which he’s narrating as an audiobook or podcast), and I had a hard time putting the book down.

If I have one thing I didn’t like, it’s that the foreshadowing sometimes worked against itself. Since the narrator is technically speaking to an audience that presumably knows about the history of the titular film, he refers to things that have happened and kind of expects his audience to know. However, the audience in the real world doesn’t, so once or twice, he refers to something that appears to be common knowledge and I’m like, “Wait, did I read that and forget? Or is it something we haven’t read yet that he’s alluding to?”

It probably did not help that I could not remember if he mentioned the narrator’s real name (I think it was David, but don’t quote me on that), so that only heightened my confusion.

All in all, however, Horror Movie is an excellent novel and well worth the read. On a scale of 1 to 5, I give it a 4.8. Horrifying, entrancing and full of twists, you’ll find yourself hanging on as you discover not only why people do terrible and fucked up things, but how much reality and fiction can blend in the worst ways. Just grab a copy and see for yourself!

*The year I was born, by the way. Coincidence? I think not!

**BTW, if you have not checked that one out, I highly recommend it.

My copy of You Like It Darker from the library.

I was not a fan of Stephen King’s last collection (you can read my review here). However, I am ever the optimist when it comes to King’s work, and the sound of his latest collection, You Like It Darker, got me excited. I mean, it even had a sequel to Cujo in it! Why wouldn’t I check it out?

And tonight, on the night before it’s due back at the library, I finished it. So, what did I think?

I think this is a much better collection and a finer example of King’s storytelling than If It Bleeds was.

The strongest stories in the collection are four of the novellas. “Danny Coughlin’s Bad Dream,” possibly my favorite of the bunch, is a tense thriller about a man’s life unraveling after he has a nightmare and he does a good deed based on that dream. Honestly, it’s hard not to fall in love with the lead and want to find out if things get better for him or go further downhill. “Rattlesnakes,” the sequel to Cujo, starts out slow but quickly becomes a freaky ghost story that I thoroughly enjoyed once it got going. “The Dreamers” feels like an updated version of HP Lovecraft’s “From Beyond,” and I would love to see a movie version of it.

As for the final novella and the final story of the collection, “The Answer Man,” it’s King’s fantastical literary style of storytelling at its finest, and (surprisingly) left me with a warm feeling in my heart.

As for the short stories, “On Slide Inn Road” is a fun tribute to Flannery O’Connor’s “A Good Man is Hard to Find” (and delivers on the “darker” part of the book’s title), and “The Turbulence Expert” feels fresh while also like classic King. “Laurie,” which I’ve read before, is a fine story about grief and finding new life, and “The Fifth Step” and “Willie the Weirdo,” while not anything amazing, had some fun twists I enjoyed.

Unfortunately, the book has some duds. “Two Talented Bastids,” the opening novella of the collection, was a total letdown for me, which is sad because it had a strong start. The short story “Finn” felt like a crime thriller that never got around to thrilling anyone, and “The Red Screen” felt like it needed a few more pages to deliver on its premise.

However, like I said, You Like It Darker is a much better collection of King stories. On a scale of 1 to 5, I give this collection a 4.2. If you don’t mind the duds, you’ll probably enjoy this one, and feel like you’re reading one of King’s older collections again. So, if you haven’t already, go out and grab a copy.

In the meantime, I’ll be picking up my next read from the library tomorrow. It might even be my next review. And from what I’m hearing, it’ll be worth reading…

My signed copy of Silver Nitrate by Silvia Moreno-Garcia.

Back in September, author Silvia Moreno-Garcia visited Columbus as part of my local library’s Carnegie Author series of events. Me and many of my fellow members of HWA Ohio went to see the event, where she talked about the influences behind her latest book, Silver Nitrate, which I later got signed by the author herself. That was a cool Sunday.

Months later, I finally cracked open the book to read it. And, as you can tell from this blog post, I’m going to review it.

Taking place in Mexico City in the 1990s, Silver Nitrate follows Montserrat, the only female sound editor in a studio dominated by chauvinistic men, and her best friend Tristan, a former soap opera star whose career was marred by tragedy and now makes a living doing voicework. Their lives change forever when they meet Abel Urueta, a film director they both once loved whose last film was never completed. After learning the history of the film, including that it was co-written by a German occultist with Nazi ties who was trying to cast a spell with the film, Urueta convinces them to help him finish the film and occultist’s spell, thereby possibly fixing a string of bad luck that has plagued the director.

What occurs next is a series of events that comes with two realizations for our two leads. One is that magic, especially magic in film, is more than just a metaphor. The other is that they have set something in motion, something big. And if they’re not careful, they’re going to lose everything from it.

The best part of this book is definitely our two leads. Montserrat and Tristan are such fully realized characters that you feel like they could step out of the pages and you’d know them. Montserrat is quite prickly but does care a lot, while Tristan is slightly narcissistic and dramatic but does care and wishes he were a better person. Their interplay throughout the book is fun to watch, as well as their reliance on one another.

Another plus of the book is the magic system. Those of you who’ve been with me for a while know that I studied Nazi occultism in preparation for my WWII study abroad trip in college. Yes, a lot of that stuff is real, though it is highly exaggerated in most depictions. In any case, I was delighted to see a lot of what I had learned mixed in with the magic system used in the novel. It made it easy for me to grasp, and gave it a sense of “realism,” so to speak, that I liked.

However, Silver Nitrate does have its flaws. So much time is spent explaining the complexities of the magic system that the slow burn of the story is too slow. Things don’t really start to get exciting to the last hundred pages or so, and by then it’s a bit too late to really bring up the book’s final score.

I also had some issues with the ending, but I won’t say what because I don’t want to spoil it.

All in all, I would give Silver Nitrate by Silvia Moreno-Garcia a 3.9 out of 5. It’s a bit too slow for my tastes, but it’s got great characters and a fully realized setting and magic system. If you’re interested, give it a read and fall down the occultism rabbit hole.

I’ve been hearing of this novella for years, but for some reason I haven’t gotten around to reading it until recently. However, recently I felt an itch to indulge in some cosmic horror and the audio book was on sale, so I downloaded it and listened to it.

Followers of Fear, why did I wait so long to check this out? It was awesome! I can see why it was nominated for a Stoker award.

Set in 1924 New York and based on “The Horror at Red Hook” by HP Lovecraft, the novella follows Tommy Tester, a black man living in Harlem with his father, trying to get by as best he can. When he’s asked to play guitar at a dinner party for an eccentric gentleman named Robert Suydam, Tommy finds himself plunging headfirst into a world of magic, insanity, and cosmic forces. Such exposure will not only change his life, but the lives of all humanity.

If you’re not familiar with “The Horror at Red Hook,” this story was written when Lovecraft was living in New York, and, because he’s Lovecraft, he characterizes the non-white characters, many of whom live in Red Hook, as criminals and gangsters. This story is sort of a rebuttal of that, showing things mainly through the eyes of one of the people whom Lovecraft would have disdained. This allows for a great examination of cosmic horror versus the horrors of racism as seen through the eyes of Tommy Tester, later known as Black Tom. As he notes, the indifference of cosmic horror cannot compare to the malice and cruelty of racism, though both are equally horrifying in their own rights.

Beside that, it’s just a well-written and compelling story. You really grow to understand Tommy and sympathize with him, and can’t blame him when he makes certain choices later in the book. Not only that, but the emotional power of this story cannot be underestimated. One scene involving Tommy’s father was so heartbreaking, I wanted to pick up the phone and call my own dad just to check on him. That’s strong storytelling right there.

I also liked how part of the novel was shown through the eyes of Malone, the main character in “Horror at Red Hook.” Here’s, he’s written more as a character than just some vehicle for Lovecraft to transmit his purplish prose through, and he’s not unlikeable, though he’s still subject to the same prejudices that a lot of people back then unfortunately had. His role in the story is also more consequential, which is a nice change, and his final fate is a terrifying but welcome change from the original story.

On the whole, I give The Ballad of Black Tom by Victor LaValle a straight 5 out of 5. I cannot find anything wrong with this story and I’m so glad I finally experienced it. If you’re at all interested, grab a copy, put on some jazz or blues, and give it a read. Trust me, you won’t regret checking it out.

Also, the audio book has my recommendation. The narrator, Kevin R. Free, does a great job with the various voices and the sharp prose. It’s enough that you’ll want him to narrate something you’ve written. That, ladies and gentlemen, is talent.

Iseult Murphy has been a friend and Follower of Fear since Rose came out, and I have always enjoyed not just hearing what she thought of my stories, but having conversations with her through blog comments, social media and email. But Iseult is not just a friend or a Follower of Fear. She’s a fellow horror author, and she recently put out a new novella, Gone But Not Forgotten. It sounded interesting and I’m very into authors supporting other authors, so I got a copy.

For someone who has Halloween every day in my soul, this was a good choice.

Taking place on Halloween in Ireland, Gone But Not Forgotten follows widow Mere as she goes to visit her friend and neighbor Bill, a widower who lost his wife Donna about a year ago. Bill has been having a rather rough go of it, as he’s seeing Donna everywhere. As it turns out, Mere can see her, too. And Donna’s not resting peacefully.

What I liked most about Gone But Not Forgotten was that it did not go in the direction I expected. When you’ve been reading horror as long as I have, you get good at guessing plot developments. But I did not see the development that occurred midway through the novella, and which really changed my outlook of the story. I won’t say what it was, because spoilers, but it was worth the read.

I also liked Mere as a protagonist. She’s sweet and a bit naive for her age, but I found her quite endearing as a person and was rooting for her throughout the story.

If there was one thing I would have liked more, I thought there could have been a bit more danger and violence to the story. Things were a bit too calm for my tastes. As it is, the levels of violence and threat put things more in line with cozy horror, which I’m sure many would enjoy. But it just wasn’t enough for me.

On a scale of 1 to 5, I’m going to give Gone But Not Forgotten by Iseult Murphy a 4.5. If you’re looking to feel that Halloween spirit at any time of year, this is a good novella to go with. Have some brack bread and an amaretto sour and pick up a copy today.*

*Irish barmbrack, or just brack, is a type of bread eaten in Ireland around Halloween. People would often put little things like rings or toys in it to tell fortunes. It features in the story, as do amaretto sours, which Mere drinks during the story.

And next Halloween, I’m definitely going to attempt to make a barmbrack bread. The amaretto sour, I’m not so sure. I already have a favorite cocktail.

You know the drill: new Ito comes out, I read it, I write a review.

Mimi’s Tales of Terror follows Mimi, a college student who has a bad habit of encountering supernatural or strange phenomena in the course of her everyday life. The stories are adapted from Shin Mimibukuro, which from what I’ve been able to gather is some sort of anthology of urban legends and spooky stories that may or may not be connected to a series of movies and TV specials. In this volume, Ito takes those random tales and centers them around one girl, who should honestly learn how to be like the Winchesters of Supernatural.

Anyway, Ito’s work can go either way for me. Some of it is awesome, some of it is terrible, and a lot of it is average. Where did Mimi fall? I’d say above average.

Granted, the first three stories are definitely below average. Two of those stories are only a few pages long, so you wonder why they’re included or not fleshed out more. The third, about a woman in black whose height seems to change every time she leaves her apartment, had a good premise but ultimately left me unfulfilled and disappointed.

However, the rest were quite spooky. In one, Mimi moves to an apartment building next to a graveyard and witnesses some stuff that I found a little unsettling. In another, a little girl clings to her because a strange phantom follows her around and leaves ash everywhere. And then, after she and her boyfriend have a fight, Mimi joins a friend in a secret basement with a red spot on the wall that changes appearance over time. It’s all quite freaky and showcases Ito’s love of strange and macabre.

I also got a kick out of Mimi and her friends’ speech patterns. They’re written like they have American southern accents, which probably means they’re from the Kansai area of Japan. (I wouldn’t call it the Japanese equivalent of the south, even if it is in the southern part of the country, but generally people from the Kansai area in anime and manga are given southern accents when the work is brought to North America to differentiate them from folks who speak with a more Tokyo-ish/General American pattern.)

The most unsettling tale, however, is an extra at the end of the volume called “Monster Prop.” In this story, a young woman working for a haunted attraction tries to recreate a scary experience she had as a kid as a prop for the haunted house. However, doing so has some unintended and unforeseen consequences. It’s truly freaky stuff.

On a scale of 1 to 5, I would give Mimi’s Tales of Terror a 3.8 out of 5. If you avoid the stories that are under six pages and the one with the woman in black, you’ll probably enjoy the old school psychological horror vibe of the volume. Give it a shot and see what you think.

Around this time of year, you want to read something that practically screams jack-o-lanterns and chilly air and people running around in costumes. So, when I heard about All Hallows by Christopher Golden earlier this year, I knew this would be my audio book for October.

Taking place in the mid-1980s in Coventry, Massachusetts, the majority of the story is set on Parmenter Road and in the woods beyond. Here, Halloween is a big thing. The Barbossa’s turn the woods behind their house into a haunted attraction that attracts plenty of people every year; the Koenigs have a huge costume party for the whole neighborhood; and, of course, every kid is excited about trick or treating.

But despite the excitement in the air, there’s a dark undercurrent to it all. Marriages are coming undone, kids are feeling the tensions, teens are in a weird in-between state where they’re not quite kids and not quite adults, and a dozen other things are happening in the background. And then, in the midst of it all, strange children in old costumes are walking up and down Parmenter Road, asking for help. They say they are in trouble, that the Cunning Man is after them, and they need to hide until midnight.

Ladies and gentlemen, I think we have a new classic in Halloween literature.

All Hallows is so well told. The first several chapters, rather than focusing on anything outright scary like other horror stories, spends its time setting up the characters and their various problems. Tony Barbossa, Vanessa Montez, Barb Sweeney, Rick Barbossa, and many more. We all get to know these characters intimately before Halloween truly gets started, and the telling is so well done, you don’t even mind that nothing scary has occurred yet.

And when the scary stuff does start, it’s almost like the beginning of a storm. At first, it’s only a few drops here and there. Then you get a nice drizzle going on, and then before you know it, there’s an all-out thunderstorm of horror, making the last couple hours of the book quite the read, with violence and great twists and scary imagery.

Also, the audio book narrators, John Butler and January LaVoy, do a great job bringing the characters to life and giving each one a unique voice.

My one gripe is that I felt the mythology behind what we’re seeing could have been explained a bit better. The delivery for some information was delivered weirdly and all at once, and for one character, I felt like not enough was given.

Overall, All Hallows by Christopher Golden is sure to become a staple for this time of year. On a scale of 1 to 5, I’m assigning a 4.7 to the novel. Grab a copy, sit back while wearing a spooky costume, and be sure to give it a read.

You might recognize Greg Chapman’s name, as he was responsible for the amazing cover for That Which Cannot Be Undone. But in addition to creating horror art and horror covers, he also writes as well. And Midnight Masquerade is his latest book, a collection of short stories with many of them taking place on or around Halloween. I received an eARC from him and gave it a read back during the summer. And with it coming out on Halloween proper, I thought I would release a review now, at the beginning of October.

So, what did I think?

Well, like most anthologies and collections, there were stories I enjoyed and others I didn’t. Of the ones I enjoyed, they were really good. The novella at the beginning of the collection, “The Last Night of October,” is a tragic tale of a man dealing with both grief and fear of mortality, wrapped up in what might be a revenge story. The stories “Octoberville” and “Vaudeville” were also good, though I thought the latter’s ending wrapped up a bit too nicely and left one or two questions.

However, a few of the stories felt like they entered a bit too abruptly, such as “Left on October Lane” and the titular story, “Midnight Masquerade.” Honestly, I would have liked to see the concept in the latter explored in a longer story, but it ended just too quickly. And the story “Happy Daze” felt like it was partly inspired by 2019’s Joker but didn’t go far enough with the concept of a party clown on a bad day. If any of these stories or a few others were maybe fleshed out a bit more, I might have enjoyed them more.

As the collection stands, Midnight Masquerade by Greg Chapman is decent reading for spooky season. On a scale of 1 to 5, I’ll give it a 3. It comes out on Halloween day, so if you enter November still craving that Halloween horror buzz, this collection might fill the need. Head to your favorite retailer to preorder a copy.

That’s all for now, my Followers of Fear. I’m off to summon armies of terrifying beings for a month-long party. Until next time, good night and pleasant nightmares! Only 30 days till Halloween, so get fucking excited!

After reading Philip Fracassi’s book Gothic back in spring (see my review here) and after meeting and sharing a drink with him at Stoker Con in June, I was interested in his new book Boys in the Valley. It helped that there was a lot of advanced buzz around the book. So, I preordered the audio book, and started listening to it earlier this month. What did I think?

Boys in the Valley takes place at St. Vincent’s, a Catholic orphanage for boys in an isolated section of 1905 Pennsylvania. It’s not a terrible place, but it’s not exactly a great place, either. Still, those there try to make the best of it. At least, until one night, when the sheriff shows up with an injured man covered in occultic symbols. The events of that night set in motion the release of a terrible evil and a plot that will test everyone in the orphanage. And failure of that test may lead to consequences worse than death.

Gothic was good, but I liked Boys in the Valley better.

The best part of the story is the cast, and it goes to show Fracassi’s skill as a writer at how well he juggles an ensemble cast. Among the characters are Peter, a young man who is training for the priesthood (though he also has feelings for a local farmer’s daughter) and who views himself as part of a long line of St. Vincent boys; David, an angry young man who considers the orphanage a sort of hell; Brother Johnson, a brutish staff member at the orphanage whose journey through the story is fascinating to watch; and Father Poole, the megalomaniac running the orphanage whom I wanted to strangle throughout the book (and it says a lot about the writer that I reacted as viscerally to the character as I do with some politicians).

All these and more characters really made the story come to life for me, as did the story itself. It’s a possession story, but it doesn’t follow the usual trajectory of one, and that makes the direction unpredictable and the twists so much more satisfying. There were several moments where I had no idea what would happen, but desperately hoped for it to go one way and to open my mouth in surprise when it didn’t.

If there were some things I would have liked better, I would have preferred to see some more demonic antics in the novel. That, and I was hoping for a different ending in the final chapter.

But overall, Boys in the Valley by Philip Fracassi is an excellent novel and a fun read. On a scale of 1 to 5, I’m giving the book a 4.6. Heartfelt, with a strong cast and vivid storytelling. Set yourself down with a copy and some communion wine and strap in for the ride.

And if you go with the audio book, you’re in for a treat. The narrator, David Aaron Baker, does an excellent job with the various voices of the characters, shifting from boys and teens with cracking voices to gruff adults in a skillful flash.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.